Showing items 161 - 180 of 8984

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Ahomna

- Mukwena, E., Ndzelani, M, Magqirha, N, Tukani, N, Tukani, M, Pintshana, T, Mafika, E., Thukani, M. J., Ndzelani, N., Dargie, Dave

Ahomna

- Hogsback festival participants, Composer not specified, Dargie, Dave

Ai abei eong

- Yowana with his friend Emugat, Hugh Tracey

Ai lelo kwa Masula kotokoto (Today at Masula, sickness)

- Woman of Masula village, Hugh Tracey

Ai-ye! Nzara yakabora (Ai-ye! Famine has come)

- Young Tonga men and girls, Hugh Tracey

Aiba mange kimiango

- Chief Bianoko and Buudu men, Hugh Tracey

  • Authors: Chief Bianoko and Buudu men , Hugh Tracey
  • Date: 1952
  • Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
  • Language: Bira
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168404 , vital:41578 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-07
  • Description: This Buudu tribe is said to have come across the savanna along the northern edge of the great tropical Ituri forest from the Ruwenzori mountains in the east to this present locality in north central Congo. On their way they are said to have become much influenced by the Mbuti Pygmies, several of their songs and dances closely resembling those of the dwarfs. Their pet name for the pygmies in Batikitiki. Party song with two pod drums, two slit drums, two conical laced drums, ivory horn and basket rattles.
  • Full Text: false
  • Date Issued: 1952

Ajuba

- Buja soilders of the Force Publique, Hugh Tracey

  • Authors: Buja soilders of the Force Publique , Hugh Tracey
  • Date: 1952
  • Subjects: Ngala (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Bumba f-cg
  • Language: Mbangala
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169130 , vital:41687 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0129-08
  • Description: An attractive dance by young soilders whose tribe has the local reputation of being amongst the most handsome in the Congo. Their home district is at the most northerly part of the great bend in the Congo river where it is already several miles wide. Ajuba dance, with 2 bass drums, rattle and hand clapping.
  • Full Text: false
  • Date Issued: 1952

Akadumiswe uNkulunkulu

- Siswati church music workshop participants, Kabete, Themba T., Dargie, Dave

Akadumiswe uNkulunkulu from the Missa Zimbabwe

- Siswati church music workshop participants, Composer not specifed, Dargie, Dave

Akadumiswe uNkulunkulu from the Missa Zimbabwe

- Siswati church music workshop participants, Composer not specifed, Dargie, Dave

Akaduniswe Nkhulunkhulu

- Manzini church congregation, Kolisi, G. M., Dargie, Dave

Akakalu Babini

- Chief Bianoko and Buudu men and women, Hugh Tracey

  • Authors: Chief Bianoko and Buudu men and women , Hugh Tracey
  • Date: 1952
  • Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
  • Language: Bira
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168395 , vital:41577 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-06
  • Description: The large Igogo deja was carved out of a single log and shaped like an antelope. It was 43" tall, the body 52" long, the tail 28" and the head 33". It was 42 and half wide, a total of 9 foot 5 and a quater inches long from tip to tail. The four legs were 10" tall, carrying the triangular sectioned body, sounding two notes, 56 and 48vs. one from either flank. The wooden 'slit drums' are in reality wooden gongs from which two or more tones can be produced according to the position of the blow. The two sides of the slit usually record two distinct tones when hit near the mouth of the slit. Blows in this position appear to be those usually employed when sending messages or signals. For dancing, lighter tones can be produced by striking the upper ends of the drum, and deeper notes by hitting low down on the body of the drum nearer the waist. This recording is of a part only of the dance already in progress. Dance with large Igogo deja slit drum and 2 small Igogo tade slit drums.
  • Full Text: false
  • Date Issued: 1952

Akamkungulu kagaya (Why are you angry)

- Wachezaji wa Manyanga. Leader, Kasomangila Husen Ishike, Hugh Tracey

  • Authors: Wachezaji wa Manyanga. Leader, Kasomangila Husen Ishike , Hugh Tracey
  • Date: 1950
  • Subjects: Nyamwezi (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Baraza Ndono f-tz
  • Language: Nyamwezi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/173192 , vital:42342 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR149-09
  • Description: "Why are you angry with me, you are not my father, you are not my brother, leave me alone." This team of professional dancers do a number of acrobatic step dances. The rhythm of their movements is accentuated by the ankle bells. The drums only appear towards the end of the item. Dance song and 1 goblet pegged drum (-14.51101-) and bells (-12.55-).
  • Full Text: false
  • Date Issued: 1950

Akanji gele maleza (Go and get a razor)

- Young Chewa boys (Under 20 years), Hugh Tracey

Akantaiba No. I

- Mulobo Maswa and Soga men, Hugh Tracey

  • Authors: Mulobo Maswa and Soga men , Hugh Tracey
  • Date: 1952
  • Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamodi f-ug
  • Language: Soga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/171561 , vital:42091 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-08
  • Description: These two versions of the same flute were recorded by Mulobo Maswa in September 1950 and again in June 1952. He has been the offical flute player to the royal house of the Kyabazinga of the Soga people, ever since he was a young boy. The first version was recorded after midnight under a starlit sky, and in the second version he was accompanied by two old friends on the drum. The audience sitting around him had to join in as well. The tune "Akantaiba" is taken from a song said to be a century or two old which says, "If your wife is rude to you, she loves another. If your servant is rude to you, he wants to leave you." Flute tune with Ndele, end blown, notched and 4 holed flute (14.2-).
  • Full Text: false
  • Date Issued: 1952

Akantaiba No. II

- Mulobo Maswa and Soga men, Hugh Tracey

  • Authors: Mulobo Maswa and Soga men , Hugh Tracey
  • Date: 1952
  • Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamodi f-ug
  • Language: Soga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/171566 , vital:42092 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-09
  • Description: These two versions of the same flute were recorded by Mulobo Maswa in September 1950 and again in June 1952. He has been the offical flute player to the royal house of the Kyabazinga of the Soga people, ever since he was a young boy. The first version was recorded after midnight under a starlit sky, and in the second version he was accompanied by two old friends on the drum. The audience sitting around him had to join in as well. The tune "Akantaiba" is taken from a song said to be a century or two old which says, "If your wife is rude to you, she loves another. If your servant is rude to you, he wants to leave you." Flute tune with Ndele, end blown, notched and 4 holed flute (14.2-).
  • Full Text: false
  • Date Issued: 1952

Akasolo mudhe

- Erukamu Mukama, Hugh Tracey

  • Authors: Erukamu Mukama , Hugh Tracey
  • Date: 1952
  • Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kyemere f-ug
  • Language: Soga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/171491 , vital:42083 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-01
  • Description: "A squirrel had a wife whose name was Kyotawale. Now this squirrel was a gentleman and he wore a tie and tied it as well as any Europeans." The squirrel has a small white oatch under the throat which looks like a tie. But this is considered to be a European and not a Soga habit. Topical song, with Ntongoli bowl lyre.
  • Full Text: false
  • Date Issued: 1952

Akasozi bamunanika

- Zakaria Kasasa, 'Endongo za Baganda'., Hugh Tracey

Akasozi Mwiri

- Boys of Busoga College, Hugh Tracey

  • Authors: Boys of Busoga College , Hugh Tracey
  • Date: 1952
  • Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Jinja f-ug
  • Language: Soga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/171162 , vital:42025 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-01
  • Description: The first word of each verse is marked by a sharp hand clap. The words, only, were by Z. K. Nsaja, the leader. Mwiri is the name of the hill on which the school is situated 700 feet above the lake, over which there is a broad visita from this vantage point. School song.
  • Full Text: false
  • Date Issued: 1952

Akayamba kudelela (Never satisfied)

- Four girls, Hugh Tracey

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