Pududu we-e (Old one)
- Group of 70 men, Hugh Tracey
- Authors: Group of 70 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Mochudi f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166209 , vital:41338 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-01
- Description: "Grey ox-grey home. There at the place we have come from, we have destroyed. The heart of the enemy, grey home, we have slaughtered for the birds of prey. The ox of the enemy, they have destroyed us and we also have destroyed them. Men, we are people who have spilt blood on the grass. We are the blood spilt on the grass-Grey home. The ox of the enemy, we are those whose blood is spilt everywhere upon the earth. Brindled one, with a blackback, beast of the enemy." The song was introduced by the Chief, Murusi Pilane. Regimental song.
- Full Text: false
- Date Issued: 1959
- Authors: Group of 70 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Mochudi f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166209 , vital:41338 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-01
- Description: "Grey ox-grey home. There at the place we have come from, we have destroyed. The heart of the enemy, grey home, we have slaughtered for the birds of prey. The ox of the enemy, they have destroyed us and we also have destroyed them. Men, we are people who have spilt blood on the grass. We are the blood spilt on the grass-Grey home. The ox of the enemy, we are those whose blood is spilt everywhere upon the earth. Brindled one, with a blackback, beast of the enemy." The song was introduced by the Chief, Murusi Pilane. Regimental song.
- Full Text: false
- Date Issued: 1959
Flute Tune Eight
- Katsuba Mwongolo, Hugh Tracey
- Authors: Katsuba Mwongolo , Hugh Tracey
- Date: 1952
- Subjects: Genya (African people) , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Butembo f-cg
- Language: Nande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168712 , vital:41641 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0127-14
- Description: Herdman's tune from the highlands on the eastern border of the Congo where the hills run alongside the great western rift opposite the Ruwenzori mountains. This remarkable player was somewhat 'simple' herdsman. He plays his flute all day to his cattle and has developed, they say, a distinct style of his own. He is inclined to hum while he plays and his voiced notes can be heard forming a celeste with those of the flute. The player was given a 'Highly commended' prize in the 1952 Osborn Awards for the best African musicians of the year. The first four tunes were copied frim discs in the Reference Library as the original tapes were not available. Nyamulera flute, 4 holed, notched.
- Full Text: false
- Date Issued: 1952
- Authors: Katsuba Mwongolo , Hugh Tracey
- Date: 1952
- Subjects: Genya (African people) , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Butembo f-cg
- Language: Nande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168712 , vital:41641 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0127-14
- Description: Herdman's tune from the highlands on the eastern border of the Congo where the hills run alongside the great western rift opposite the Ruwenzori mountains. This remarkable player was somewhat 'simple' herdsman. He plays his flute all day to his cattle and has developed, they say, a distinct style of his own. He is inclined to hum while he plays and his voiced notes can be heard forming a celeste with those of the flute. The player was given a 'Highly commended' prize in the 1952 Osborn Awards for the best African musicians of the year. The first four tunes were copied frim discs in the Reference Library as the original tapes were not available. Nyamulera flute, 4 holed, notched.
- Full Text: false
- Date Issued: 1952
Ahe likalakati
- Group of Sotho women, Hugh Tracey
- Authors: Group of Sotho women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Folk songs, Sotho , Sotho (African people) , Africa South Africa Matatiele f-sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151581 , vital:39144 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR064-13
- Description: The four leading women sang this song on their knees, and the principal singer also mimed the torso, hip and arm movements of the dance whilst she sang. Mokihibo dance for women (knee dance) with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Sotho women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Folk songs, Sotho , Sotho (African people) , Africa South Africa Matatiele f-sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151581 , vital:39144 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR064-13
- Description: The four leading women sang this song on their knees, and the principal singer also mimed the torso, hip and arm movements of the dance whilst she sang. Mokihibo dance for women (knee dance) with clapping.
- Full Text: false
- Date Issued: 1957
Ndachiona kale (I saw it long ago)
- Authors: Simenti Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Malindi, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155921 , vital:39931 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-12
- Description: The singer makes only the simplest remarks in his lyric, such as "Go to Jubeki" (Johannesburg). Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Simenti Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Malindi, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155921 , vital:39931 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-12
- Description: The singer makes only the simplest remarks in his lyric, such as "Go to Jubeki" (Johannesburg). Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
U Zulu Azi Ahihlome (All the young men must prepare themselves for war)
- Group of unmarried Swazi girls, Hugh Tracey
- Authors: Group of unmarried Swazi girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonyene, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152555 , vital:39309 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR070-06
- Description: There was a rise in pitch all the way through this song. Umgubo group song.
- Full Text: false
- Date Issued: 1958
- Authors: Group of unmarried Swazi girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonyene, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152555 , vital:39309 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR070-06
- Description: There was a rise in pitch all the way through this song. Umgubo group song.
- Full Text: false
- Date Issued: 1958
Xhosa I (Saturday is a lonely day)
- Four men and group of women, Hugh Tracey
- Authors: Four men and group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165660 , vital:41268 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-04
- Description: "Saturday is a lonely day." "If you have no one to go out with on a Saturday, you feel very lonely indeed", they explained. This version of the step dance which is performed with rubber or other padding on the ankles, is similar to the 'Isicatulo' boot dance of the Southern Zulu and Xhosa tribes. Step dance with clapping.
- Full Text: false
- Date Issued: 1959
- Authors: Four men and group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165660 , vital:41268 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-04
- Description: "Saturday is a lonely day." "If you have no one to go out with on a Saturday, you feel very lonely indeed", they explained. This version of the step dance which is performed with rubber or other padding on the ankles, is similar to the 'Isicatulo' boot dance of the Southern Zulu and Xhosa tribes. Step dance with clapping.
- Full Text: false
- Date Issued: 1959
Wenda nemukwene wa mudinga (If you walk with your friend, tell him to walk discreetly)
- Nyundu Gabriel (flute) and Kwadi Bonza (mbira) with Luba men, Hugh Tracey
- Authors: Nyundu Gabriel (flute) and Kwadi Bonza (mbira) with Luba men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Africa Democratic Republic of Congo Katanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137876 , vital:37569 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR040-04
- Description: The actual words as given were: "Tell your friend to walk quietly and not look up." The flautist uses a voiced note or notes while playing his flute. The scale of the instrument as follows:- 680, 600, 536, 480, 448, 424, 356, 300, 268, 240, 224, 212, 178, 150, 134. Self-delectative song with 1 chisanzhi mbira, 1 side-blown transverse flute, voiced note by the flute blower.
- Full Text: false
- Date Issued: 1957
- Authors: Nyundu Gabriel (flute) and Kwadi Bonza (mbira) with Luba men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Africa Democratic Republic of Congo Katanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137876 , vital:37569 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR040-04
- Description: The actual words as given were: "Tell your friend to walk quietly and not look up." The flautist uses a voiced note or notes while playing his flute. The scale of the instrument as follows:- 680, 600, 536, 480, 448, 424, 356, 300, 268, 240, 224, 212, 178, 150, 134. Self-delectative song with 1 chisanzhi mbira, 1 side-blown transverse flute, voiced note by the flute blower.
- Full Text: false
- Date Issued: 1957
Were ruoth Jesu
- Elisha Nyakango, Hugh Tracey
- Authors: Elisha Nyakango , Hugh Tracey
- Date: 1950
- Subjects: Luo (Kenyan and Tanzanian people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kasipul f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/177862 , vital:42883 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR166-11
- Description: The singer belongs to the Seventh Day Adventist Church. He sings that Jesus came to earth to teach people to be ready for heaven. Wend Nyashye Religious chants with Thum 8 string bowl lyre.
- Full Text: false
- Date Issued: 1950
- Authors: Elisha Nyakango , Hugh Tracey
- Date: 1950
- Subjects: Luo (Kenyan and Tanzanian people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kasipul f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/177862 , vital:42883 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR166-11
- Description: The singer belongs to the Seventh Day Adventist Church. He sings that Jesus came to earth to teach people to be ready for heaven. Wend Nyashye Religious chants with Thum 8 string bowl lyre.
- Full Text: false
- Date Issued: 1950
Karikambo? (What shall I do?)
- Masaria and other Tonga women, Hugh Tracey
- Authors: Masaria and other Tonga women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138148 , vital:37599 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-04
- Description: This song were taken during the actual grinding of millet into meal outside a hut. The millet was a fine brown variety known as Munga in Rhodesia. This small work song is sometimes well known by everyone in the village and commonly used by the women as they grind their corn on the stone outside their hut, or they are individual compositions without a name and with few words to the lyrics. Grinding song accompanied by the sound of grindstone.
- Full Text: false
- Date Issued: 1957
- Authors: Masaria and other Tonga women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138148 , vital:37599 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-04
- Description: This song were taken during the actual grinding of millet into meal outside a hut. The millet was a fine brown variety known as Munga in Rhodesia. This small work song is sometimes well known by everyone in the village and commonly used by the women as they grind their corn on the stone outside their hut, or they are individual compositions without a name and with few words to the lyrics. Grinding song accompanied by the sound of grindstone.
- Full Text: false
- Date Issued: 1957
Okelo Oyuga
- Authors: Odonde Obat , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Kenya , Luo (Kenya and Tanzanian people) , Field recordings , Africa, Sub-Saharan , Africa Kenya Kisumu f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/178772 , vital:42984 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR168-04
- Description: "Okelo you gave me a goat. I came to your house and you gave me cigarettes. Then I asked to have a word with you and you stayed to converse with me. You are kind. You are a good friend of mine." Praise song for a friend with Thum 8 stringed lyre, Gara leg bells (-12.55-), Odnong toe ring (-12.151-).
- Full Text: false
- Date Issued: 1950
- Authors: Odonde Obat , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Kenya , Luo (Kenya and Tanzanian people) , Field recordings , Africa, Sub-Saharan , Africa Kenya Kisumu f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/178772 , vital:42984 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR168-04
- Description: "Okelo you gave me a goat. I came to your house and you gave me cigarettes. Then I asked to have a word with you and you stayed to converse with me. You are kind. You are a good friend of mine." Praise song for a friend with Thum 8 stringed lyre, Gara leg bells (-12.55-), Odnong toe ring (-12.151-).
- Full Text: false
- Date Issued: 1950
Ngodo of Cabo Wukwane: "Pongolo wawai kambe". Msitso movement
- Ngodo xylophone orchestra (Performers), C. Zandamela (Composer), Hugh Tracey
- Authors: Ngodo xylophone orchestra (Performers) , C. Zandamela (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Orchestral music , Xylophone with orchestra , Rattle (Musical instrument) , Horn (Musical instrument) , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132513 , vital:36846 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR006-14
- Description: two movements from Ngodo xylophone orchestral dance of Cabo Wukwane with 8 xylophones and 1 rattle
- Full Text: false
- Date Issued: 1955
- Authors: Ngodo xylophone orchestra (Performers) , C. Zandamela (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Orchestral music , Xylophone with orchestra , Rattle (Musical instrument) , Horn (Musical instrument) , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132513 , vital:36846 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR006-14
- Description: two movements from Ngodo xylophone orchestral dance of Cabo Wukwane with 8 xylophones and 1 rattle
- Full Text: false
- Date Issued: 1955
Katego
- Ntamivu za Kabaka, Hugh Tracey
- Authors: Ntamivu za Kabaka , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170664 , vital:41947 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-08
- Description: The song upon which this tune is based referred to Katego, an important man who wore a curious head-dress. So all the people said "Katego is a wixzard." This recording was intended to show the drumming process and the melody on which the piece is based, individual players being heard on their own. Instrumental tunes, with Madinda xylophone and 5 laced drums (-14.99-).
- Full Text: false
- Date Issued: 1950
- Authors: Ntamivu za Kabaka , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170664 , vital:41947 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-08
- Description: The song upon which this tune is based referred to Katego, an important man who wore a curious head-dress. So all the people said "Katego is a wixzard." This recording was intended to show the drumming process and the melody on which the piece is based, individual players being heard on their own. Instrumental tunes, with Madinda xylophone and 5 laced drums (-14.99-).
- Full Text: false
- Date Issued: 1950
Khutsanyana (An orphan)
- Group of 15 Sotho girls, Hugh Tracey
- Authors: Group of 15 Sotho girls , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162286 , vital:40829 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-11
- Description: "I want to write to my brother, Lethula, to come and see this cruel act perpetrated on his mother's child who has gone round Kolo (mountain) five times looking for the women's charm. She has seen it today. Women are hard hearted, they will not initiate a decent person. They initiate orphans. An orphan who has lost her mother. Whom death has imbued with courage. Losing one's parent is painful. I should have had an uncle who would have given me a goat to give to the waterman. To please the waterman so that he would return to the water." The "waterman" is a water sprite. Lelingoana women's initiation song with slapping hands on leather skirts.
- Full Text: false
- Date Issued: 1959
- Authors: Group of 15 Sotho girls , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162286 , vital:40829 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-11
- Description: "I want to write to my brother, Lethula, to come and see this cruel act perpetrated on his mother's child who has gone round Kolo (mountain) five times looking for the women's charm. She has seen it today. Women are hard hearted, they will not initiate a decent person. They initiate orphans. An orphan who has lost her mother. Whom death has imbued with courage. Losing one's parent is painful. I should have had an uncle who would have given me a goat to give to the waterman. To please the waterman so that he would return to the water." The "waterman" is a water sprite. Lelingoana women's initiation song with slapping hands on leather skirts.
- Full Text: false
- Date Issued: 1959
Mmemogolo golo gana kobo (My grandmother has no blanket)
- Group of 12 men, Hugh Tracey
- Authors: Group of 12 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
- Language: Tswana/Lete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165304 , vital:41231 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0112-03
- Description: Male initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Group of 12 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
- Language: Tswana/Lete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165304 , vital:41231 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0112-03
- Description: Male initiation song.
- Full Text: false
- Date Issued: 1959
Rukidi
- Yohana Nyakayonga, and Ntimbo Royal drummers, Hugh Tracey
- Authors: Yohana Nyakayonga, and Ntimbo Royal drummers , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kikali f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169693 , vital:41789 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-10
- Description: The greater African chiefs would, in the old days, always have their court musicians to perform special functions, one of which was to play early in the morning to waken the chief's household. This duty was performed in the past by the Ntimbo drummers of the Mukama of Bunyoro. "Our Mukama who speaks with the clouds the most learned and wise Mukama, who has been to England." Ntimbo praise song with four Ntimbo Goblet drums, pinned, open, ling stem and small foot. For holding under the arm (not for standing).
- Full Text: false
- Date Issued: 1950
- Authors: Yohana Nyakayonga, and Ntimbo Royal drummers , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kikali f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169693 , vital:41789 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-10
- Description: The greater African chiefs would, in the old days, always have their court musicians to perform special functions, one of which was to play early in the morning to waken the chief's household. This duty was performed in the past by the Ntimbo drummers of the Mukama of Bunyoro. "Our Mukama who speaks with the clouds the most learned and wise Mukama, who has been to England." Ntimbo praise song with four Ntimbo Goblet drums, pinned, open, ling stem and small foot. For holding under the arm (not for standing).
- Full Text: false
- Date Issued: 1950
Kekema-kekema (Do not be afraid)
- Authors: Kusu women , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Manyema f-cg
- Language: Kusu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168840 , vital:41652 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-01
- Description: The Kusu are Mohammedans having accepted the domination of the Arab traders on the Luapula River in the 19th century. The simple repetitive songs demonstrating the almost mechanical simplicity of a dance rhythm. They were recorded by Kusu people about 450 miles north of their home district near the Lualaba river about 3 degrees South of the equator. They were working at the elephant training centre at Andudu on the edge of the great Ituri forest. Both items copied from discs. Dance song with one wooden slit drum, one small conical drum, and one bass conical laced drum.
- Full Text: false
- Date Issued: 1952
- Authors: Kusu women , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Manyema f-cg
- Language: Kusu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168840 , vital:41652 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-01
- Description: The Kusu are Mohammedans having accepted the domination of the Arab traders on the Luapula River in the 19th century. The simple repetitive songs demonstrating the almost mechanical simplicity of a dance rhythm. They were recorded by Kusu people about 450 miles north of their home district near the Lualaba river about 3 degrees South of the equator. They were working at the elephant training centre at Andudu on the edge of the great Ituri forest. Both items copied from discs. Dance song with one wooden slit drum, one small conical drum, and one bass conical laced drum.
- Full Text: false
- Date Issued: 1952
Marrite
- Melany Mewarali with Meru men and women, Hugh Tracey
- Authors: Melany Mewarali with Meru men and women , Hugh Tracey
- Date: 1950
- Subjects: Chaga (African people) -- Music , Meru (African people) -- Music , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Arusha f-tz
- Language: Meru
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173872 , vital:42417 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR153-03
- Description: "My love Marrite has been taken away. I will send my friend Morani to fetch her. Morani will go to the mission by night." The fine Marrite dance was started by Marrite who dances better than her father. "Show me the way to the court, so that I may report the man who stole my Marrite." These Meru people are among the most handsome in Africa and were a brave sight in their beautiful costumes with their bright beads, their six foot long spears and pastel coloured shields. The setting, upon the slopes of Mount Meru was also exhilarating in a green sward set among the large forest trees. Marrite dance song for men and women.
- Full Text: false
- Date Issued: 1950
- Authors: Melany Mewarali with Meru men and women , Hugh Tracey
- Date: 1950
- Subjects: Chaga (African people) -- Music , Meru (African people) -- Music , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Arusha f-tz
- Language: Meru
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173872 , vital:42417 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR153-03
- Description: "My love Marrite has been taken away. I will send my friend Morani to fetch her. Morani will go to the mission by night." The fine Marrite dance was started by Marrite who dances better than her father. "Show me the way to the court, so that I may report the man who stole my Marrite." These Meru people are among the most handsome in Africa and were a brave sight in their beautiful costumes with their bright beads, their six foot long spears and pastel coloured shields. The setting, upon the slopes of Mount Meru was also exhilarating in a green sward set among the large forest trees. Marrite dance song for men and women.
- Full Text: false
- Date Issued: 1950
Wenda m'manja manja (Go in the hands)
- Elefala Jeremiah Mbewe, Hugh Tracey
- Authors: Elefala Jeremiah Mbewe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kudaiza, Karonga, Salima District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156761 , vital:40047 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-03
- Description: This is based upon a song used at the initiation of girls and the reference to Manja indicates that part of the ceremony when the officiators carry the initiate on their hands (manja) during the dance. "Snakes come and bite her, ants come and bite her." Indicating disciplines enforced during the initiation. This instrument was without its 17th string. The tuning of the six strings was:- 656, 616, 576, 520, 488, 432. Self delectative songs with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Elefala Jeremiah Mbewe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kudaiza, Karonga, Salima District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156761 , vital:40047 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-03
- Description: This is based upon a song used at the initiation of girls and the reference to Manja indicates that part of the ceremony when the officiators carry the initiate on their hands (manja) during the dance. "Snakes come and bite her, ants come and bite her." Indicating disciplines enforced during the initiation. This instrument was without its 17th string. The tuning of the six strings was:- 656, 616, 576, 520, 488, 432. Self delectative songs with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
Pendeka
- Lucy Nyamangwe, Tonga women, Hugh Tracey
- Authors: Lucy Nyamangwe , Tonga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184940 , vital:44290 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-15
- Description: "We are the jealous ones, we have been sent here." The pendeka is a kind of team-o-shanter worn by women. The force with which these women sing their simple songs shows how accustomed they are to sing them and the natural part such songs play in their lives. Kwaya dance for younger men and women
- Full Text: false
- Date Issued: 1950
- Authors: Lucy Nyamangwe , Tonga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184940 , vital:44290 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-15
- Description: "We are the jealous ones, we have been sent here." The pendeka is a kind of team-o-shanter worn by women. The force with which these women sing their simple songs shows how accustomed they are to sing them and the natural part such songs play in their lives. Kwaya dance for younger men and women
- Full Text: false
- Date Issued: 1950
Maiyongwe (The owl's eggs)
- Joseph Munyeme and friends, Hugh Tracey
- Authors: Joseph Munyeme and friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138261 , vital:37616 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-14
- Description: "The owl's eggs have flown up. Now has anyone else ever seen such a thing? Ho, ho, ho! I am the only person who has ever seen owl's eggs flying." Tuning of the instrument as follows:- 592, 528, 480, 432, 400, 356, 320, 296, 264, 240 vps. Humorous song with Kankowela mbira, with external resonator.
- Full Text: false
- Date Issued: 1957
- Authors: Joseph Munyeme and friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138261 , vital:37616 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-14
- Description: "The owl's eggs have flown up. Now has anyone else ever seen such a thing? Ho, ho, ho! I am the only person who has ever seen owl's eggs flying." Tuning of the instrument as follows:- 592, 528, 480, 432, 400, 356, 320, 296, 264, 240 vps. Humorous song with Kankowela mbira, with external resonator.
- Full Text: false
- Date Issued: 1957