Muta
- Authors: Louis Mulowa , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182998 , vital:43901 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-15
- Description: When the people were dancing together they were called because it was time to go. They were sorry to break up the party and leave the dance. It is not easy to understand the relationships between the pitch of the instrument and the pitch of the players voice. It appears to be consistant and must therefore bear some relationship in his mind. The scale of his Chisanzhi was:- 424, 380, 344, 304, 280, 266, 232, 212 vs. The tips of the players fingers were constantly moist and sticky and he kept a supply of dry sand beside him to rub on his finger tips before playing. Personal laments, with Chizanzhi Mbira
- Full Text: false
- Date Issued: 1952
- Authors: Louis Mulowa , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182998 , vital:43901 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-15
- Description: When the people were dancing together they were called because it was time to go. They were sorry to break up the party and leave the dance. It is not easy to understand the relationships between the pitch of the instrument and the pitch of the players voice. It appears to be consistant and must therefore bear some relationship in his mind. The scale of his Chisanzhi was:- 424, 380, 344, 304, 280, 266, 232, 212 vs. The tips of the players fingers were constantly moist and sticky and he kept a supply of dry sand beside him to rub on his finger tips before playing. Personal laments, with Chizanzhi Mbira
- Full Text: false
- Date Issued: 1952
zapoke muchere uno
- Foch Manda, Tumbuka men, Hugh Tracey
- Authors: Foch Manda , Tumbuka men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185534 , vital:44395 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-17
- Description: A typical song from the Lundazi District which makes use of the local variety of yodeling and chorus. The recording was made in a hall which gives a false acoustic to the song which as a folk song should be heard in the open air. Chiparaparu dance song
- Full Text: false
- Date Issued: 1952
- Authors: Foch Manda , Tumbuka men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185534 , vital:44395 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-17
- Description: A typical song from the Lundazi District which makes use of the local variety of yodeling and chorus. The recording was made in a hall which gives a false acoustic to the song which as a folk song should be heard in the open air. Chiparaparu dance song
- Full Text: false
- Date Issued: 1952
Ntanga
- Group of Lulua soilders and women, Hugh Tracey
- Authors: Group of Lulua soilders and women , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Luluabourg f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182191 , vital:43808 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-02
- Description: "We are very happy in our village, we have plenty of beer and gaiety and want to be left alone." The singing gourd can be heard only towards the end of the item. Maringa dance with Chisanzhi Mbira, two pairs of rattles, basket rattle, singing gourd bottle and clapping
- Full Text: false
- Date Issued: 1952
- Authors: Group of Lulua soilders and women , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Luluabourg f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182191 , vital:43808 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-02
- Description: "We are very happy in our village, we have plenty of beer and gaiety and want to be left alone." The singing gourd can be heard only towards the end of the item. Maringa dance with Chisanzhi Mbira, two pairs of rattles, basket rattle, singing gourd bottle and clapping
- Full Text: false
- Date Issued: 1952
Ingaju
- Performer not specified, Hugh Tracey
- Authors: Performer not specified , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Songs, Kinyarwanda--Rwanda , Folk dance music , Tutsi (African people) , Africa Rwanda Nyanza f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/148677 , vital:38762 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR057-04
- Description: Accompanied by 2 drums, one conical, laced, closed, one long cylindrical, pinned. Makondera horn band of the Mwami of Ruanda
- Full Text: false
- Date Issued: 1952
- Authors: Performer not specified , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Songs, Kinyarwanda--Rwanda , Folk dance music , Tutsi (African people) , Africa Rwanda Nyanza f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/148677 , vital:38762 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR057-04
- Description: Accompanied by 2 drums, one conical, laced, closed, one long cylindrical, pinned. Makondera horn band of the Mwami of Ruanda
- Full Text: false
- Date Issued: 1952
Tambuka nalikishi
- Josiasi Yemba Mate, Hugh Tracey
- Authors: Josiasi Yemba Mate , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Mbunda (African people)--Zambia , Luvale (African people) , Luchazi (African people) , Chokwe (African people) , Folk songs, Chokwe , Field recordings , Africa, Sub-Saharan , Africa Zambia Luanika f-za
- Language: Mbunda , Subiya , Luvale , Luchazi , Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184027 , vital:44158 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR184-03
- Description: This is a genuine African impression of the emotions surrounding a dance in masks rather than the music of the dance itself. A most interesting piece of music. Towards the end of the item, it would appear that he removes the mask to reveal his familiar self to his friends. It is not clear whether the performer Mate sings 'Tanga na likishi', 'Tamba', 'Tambwa', or 'Tambuka'. Barotseland is the furthest south of all the places where carved wooden masks are made. It is said to be a West African cultural intrusion. Further south only grass masks are sometimes used, but no carved ones. Topical song with Kathandi Mbira, fan with external resonator
- Full Text: false
- Date Issued: 1952
- Authors: Josiasi Yemba Mate , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Mbunda (African people)--Zambia , Luvale (African people) , Luchazi (African people) , Chokwe (African people) , Folk songs, Chokwe , Field recordings , Africa, Sub-Saharan , Africa Zambia Luanika f-za
- Language: Mbunda , Subiya , Luvale , Luchazi , Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184027 , vital:44158 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR184-03
- Description: This is a genuine African impression of the emotions surrounding a dance in masks rather than the music of the dance itself. A most interesting piece of music. Towards the end of the item, it would appear that he removes the mask to reveal his familiar self to his friends. It is not clear whether the performer Mate sings 'Tanga na likishi', 'Tamba', 'Tambwa', or 'Tambuka'. Barotseland is the furthest south of all the places where carved wooden masks are made. It is said to be a West African cultural intrusion. Further south only grass masks are sometimes used, but no carved ones. Topical song with Kathandi Mbira, fan with external resonator
- Full Text: false
- Date Issued: 1952
Katchatcha
- Group of Luvale men, Hugh Tracey
- Authors: Group of Luvale men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Kalwena f-ao
- Language: Chokwe , Luvale
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183453 , vital:43992 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-12
- Description: Chikele Kele is the alternative name for the Katchatcha mbira. The seven reeds are tuned with paste or wax beneath their tips. The rhythm set by the struck metal is the common southern Congo rhythm. // 1, 2, 3, 1/2, 1, 2, 1/2 // The Katchatcha keeps up a strange chatter of little or no meaning in the background. Katchatcha dance, with Katchatcha mbira with bamboo reeds resonated on top of metal petrol drum and struck metal
- Full Text: false
- Date Issued: 1952
- Authors: Group of Luvale men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Kalwena f-ao
- Language: Chokwe , Luvale
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183453 , vital:43992 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-12
- Description: Chikele Kele is the alternative name for the Katchatcha mbira. The seven reeds are tuned with paste or wax beneath their tips. The rhythm set by the struck metal is the common southern Congo rhythm. // 1, 2, 3, 1/2, 1, 2, 1/2 // The Katchatcha keeps up a strange chatter of little or no meaning in the background. Katchatcha dance, with Katchatcha mbira with bamboo reeds resonated on top of metal petrol drum and struck metal
- Full Text: false
- Date Issued: 1952
Kufatcha mama
- Mulazhi Ronger and two Chokwe women, Hugh Tracey
- Authors: Mulazhi Ronger and two Chokwe women , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Sandoa f-ao
- Language: Chokwe , Luvale
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183354 , vital:43971 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-07
- Description: "My mother is dead." The thin tone of the banboo slats contrasts unfavourably with the metal notes of the usual mbira. The singer, however, is a gifted entertainer and demonstrates how effective a performance can be with so slight an accompaniment. Humorous song with Kisazhi Mbira with 6 bamboo reeds
- Full Text: false
- Date Issued: 1952
- Authors: Mulazhi Ronger and two Chokwe women , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Sandoa f-ao
- Language: Chokwe , Luvale
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183354 , vital:43971 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-07
- Description: "My mother is dead." The thin tone of the banboo slats contrasts unfavourably with the metal notes of the usual mbira. The singer, however, is a gifted entertainer and demonstrates how effective a performance can be with so slight an accompaniment. Humorous song with Kisazhi Mbira with 6 bamboo reeds
- Full Text: false
- Date Issued: 1952
Ni sa ikela ku mwanalushi
- Sons of Barotseland Patriotic Society Choir, Hugh Tracey
- Authors: Sons of Barotseland Patriotic Society Choir , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Barotseland f-za
- Language: Lozi , Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183716 , vital:44055 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-07
- Description: The song is about a man who went home to his villag and fell ill. He wanted to go to hospital but his people tried to dissuade him. He replied, "I want to go to hospital and lie on a proper hospital bed" (mbeda). In the villages they lie on the ground. This song recounts the actual experience of the composer who was a boy working on the Northern Rhodesia Railways. Before these people were conquered by the Kololo they are said to have spoken the Siluyiana language. Topical song
- Full Text: false
- Date Issued: 1952
- Authors: Sons of Barotseland Patriotic Society Choir , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Barotseland f-za
- Language: Lozi , Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183716 , vital:44055 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-07
- Description: The song is about a man who went home to his villag and fell ill. He wanted to go to hospital but his people tried to dissuade him. He replied, "I want to go to hospital and lie on a proper hospital bed" (mbeda). In the villages they lie on the ground. This song recounts the actual experience of the composer who was a boy working on the Northern Rhodesia Railways. Before these people were conquered by the Kololo they are said to have spoken the Siluyiana language. Topical song
- Full Text: false
- Date Issued: 1952
Mambala I
- Group of Luba women and 3 drummers, Hugh Tracey
- Authors: Group of Luba women and 3 drummers , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Lubilashi f-cg
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182949 , vital:43896 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-10
- Description: This cheereful music gives no impression at all of being associated with a funeral, but the singers stated that it was so. The three drums were called respectively:- DITUMBA weighted with wax, with a mirliton, (lutanda). GATUMBATUMBA which was neither weighted nor had a mirliton. MUTUMBI weighted with wax but without miriliton. The singing gourds were the usual empty gourds commonly used by Luba women. Funeral dance song, with 3 goblet drums, closed, pinned, with mirliton, and 2 singing gourds
- Full Text: false
- Date Issued: 1952
- Authors: Group of Luba women and 3 drummers , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Lubilashi f-cg
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182949 , vital:43896 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-10
- Description: This cheereful music gives no impression at all of being associated with a funeral, but the singers stated that it was so. The three drums were called respectively:- DITUMBA weighted with wax, with a mirliton, (lutanda). GATUMBATUMBA which was neither weighted nor had a mirliton. MUTUMBI weighted with wax but without miriliton. The singing gourds were the usual empty gourds commonly used by Luba women. Funeral dance song, with 3 goblet drums, closed, pinned, with mirliton, and 2 singing gourds
- Full Text: false
- Date Issued: 1952
Urunahi
- Authors: Ntamakiriro , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Songs, Kinyarwanda--Rwanda , Rundi (African people) , Folk songs, Rundi , Africa Rwanda Kibimba f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/148971 , vital:38791 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR058-08
- Description: The singer addresses himself to the chiefs of the country asking for alms. Player holds a small rattle in his right hand, the stick of which strikes the gourd in order to create additional percussion. This same type of bow is called UKUBU by the HA and UGUBU by the Zulu. Fundamental notes of bow:- 288 and 720 vs. Medicant's song with musical bow, vertical, braced and gourd resonated.
- Full Text: false
- Date Issued: 1952
- Authors: Ntamakiriro , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Songs, Kinyarwanda--Rwanda , Rundi (African people) , Folk songs, Rundi , Africa Rwanda Kibimba f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/148971 , vital:38791 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR058-08
- Description: The singer addresses himself to the chiefs of the country asking for alms. Player holds a small rattle in his right hand, the stick of which strikes the gourd in order to create additional percussion. This same type of bow is called UKUBU by the HA and UGUBU by the Zulu. Fundamental notes of bow:- 288 and 720 vs. Medicant's song with musical bow, vertical, braced and gourd resonated.
- Full Text: false
- Date Issued: 1952
Kemai II
- Kankolongo Alidor, Hugh Tracey
- Authors: Kankolongo Alidor , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182615 , vital:43847 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-15
- Description: "Two people had an argument. The rest came to find out what the trouble was, whereupon one left, leaving the other talking into space, at which they all said "what's the matter with him?" Kemai appears to be a common title for a piece of music, though they are not necessarily similar to each other. Only further research could elucidate this point. Topical song with Chisanzhi Likembe
- Full Text: false
- Date Issued: 1952
- Authors: Kankolongo Alidor , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182615 , vital:43847 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-15
- Description: "Two people had an argument. The rest came to find out what the trouble was, whereupon one left, leaving the other talking into space, at which they all said "what's the matter with him?" Kemai appears to be a common title for a piece of music, though they are not necessarily similar to each other. Only further research could elucidate this point. Topical song with Chisanzhi Likembe
- Full Text: false
- Date Issued: 1952
Inkuru nziza
- Ndengabaganzi Leonard, Rwagasana Michel, Ewagirumukiza Donatien, Hugh Tracey
- Authors: Ndengabaganzi Leonard , Rwagasana Michel , Ewagirumukiza Donatien , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Music--Rwanda , Tutsi (African people) , Hutu (African people) , Batwa (African people) , Field recordings , Africa, Sub-Saharan , Africa Rwanda Nyanza f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183615 , vital:44015 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR181-06
- Description: Chant in honour of St. Mary Magdalen and the resurrection of our Lord. This unaccompanied hymn was composed by a Tutsi who was studying for the priesthood. Abbe Alfred by name. This man was also a notable musician. His proper name was Sebakiga. This song demonstrates the ease with which the particular style of indegenous singing found in Ruanda (Rwanda) can be readily adapted for Catholic use. Whether this will result in confusion or in a deeper appreciation of the basic folk music of the Tutsi remains to be seen. As elsewhere in Africa the danger lies in he non-musical social pressures exerted by the missions. Catholic chant
- Full Text: false
- Date Issued: 1952
- Authors: Ndengabaganzi Leonard , Rwagasana Michel , Ewagirumukiza Donatien , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Music--Rwanda , Tutsi (African people) , Hutu (African people) , Batwa (African people) , Field recordings , Africa, Sub-Saharan , Africa Rwanda Nyanza f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183615 , vital:44015 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR181-06
- Description: Chant in honour of St. Mary Magdalen and the resurrection of our Lord. This unaccompanied hymn was composed by a Tutsi who was studying for the priesthood. Abbe Alfred by name. This man was also a notable musician. His proper name was Sebakiga. This song demonstrates the ease with which the particular style of indegenous singing found in Ruanda (Rwanda) can be readily adapted for Catholic use. Whether this will result in confusion or in a deeper appreciation of the basic folk music of the Tutsi remains to be seen. As elsewhere in Africa the danger lies in he non-musical social pressures exerted by the missions. Catholic chant
- Full Text: false
- Date Issued: 1952
Amaliza
- Authors: Batwa women , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Songs, Kinyarwanda--Rwanda , Rundi (African people) , Folk songs, Rundi , Africa Rwanda Shangugu f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/148859 , vital:38780 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR058-02
- Description: A song in which the young women praise themselves. Sung when they come to pay court to the Omwami or at weedings. Praise song for chief with handclapping.
- Full Text: false
- Date Issued: 1952
- Authors: Batwa women , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Songs, Kinyarwanda--Rwanda , Rundi (African people) , Folk songs, Rundi , Africa Rwanda Shangugu f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/148859 , vital:38780 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR058-02
- Description: A song in which the young women praise themselves. Sung when they come to pay court to the Omwami or at weedings. Praise song for chief with handclapping.
- Full Text: false
- Date Issued: 1952
Lama
- Ndengabaganizi Leonard and group of Tutsi, Hugh Tracey
- Authors: Ndengabaganizi Leonard and group of Tutsi , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Music--Rwanda , Tutsi (African people) , Hutu (African people) , Batwa (African people) , Field recordings , Africa, Sub-Saharan , Africa Rwanda Nyanza f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183574 , vital:44009 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR181-02
- Description: "Why do I love you when you do not respond? I have written you letters and you do not answer? I have sent messengers and you turn them away. I bow to you when we meet and you hide your face. You do not notice me. Love song with clapping
- Full Text: false
- Date Issued: 1952
- Authors: Ndengabaganizi Leonard and group of Tutsi , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Music--Rwanda , Tutsi (African people) , Hutu (African people) , Batwa (African people) , Field recordings , Africa, Sub-Saharan , Africa Rwanda Nyanza f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183574 , vital:44009 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR181-02
- Description: "Why do I love you when you do not respond? I have written you letters and you do not answer? I have sent messengers and you turn them away. I bow to you when we meet and you hide your face. You do not notice me. Love song with clapping
- Full Text: false
- Date Issued: 1952
Na katingili na shikatingili
- Children of the Mindola African school, Hugh Tracey
- Authors: Children of the Mindola African school , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kawambwa f-za
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182927 , vital:43894 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-08
- Description: A story about two buck. Story song
- Full Text: false
- Date Issued: 1952
- Authors: Children of the Mindola African school , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kawambwa f-za
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182927 , vital:43894 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-08
- Description: A story about two buck. Story song
- Full Text: false
- Date Issued: 1952
Dyibwe dyambule kabanda
- Kayoka Ladislaus, with Kapungo Isidore and Beya Marcel (Likembe players), Hugh Tracey
- Authors: Kayoka Ladislaus, with Kapungo Isidore and Beya Marcel (Likembe players) , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182017 , vital:43790 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR177-10
- Description: "There is an ant which carries a box on its head just as Europeans carry an aeroplane and as a lorry carries stones and stones carry the lorry." The two Likembe Mbira were tuned an octave apart. The scale was:- 648, 548, 496, 424, 392, 324, 274, 248, 212, 162. Topical song, with 2 Likembe mbira and wooden clapper (-12,02-)
- Full Text: false
- Date Issued: 1952
- Authors: Kayoka Ladislaus, with Kapungo Isidore and Beya Marcel (Likembe players) , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182017 , vital:43790 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR177-10
- Description: "There is an ant which carries a box on its head just as Europeans carry an aeroplane and as a lorry carries stones and stones carry the lorry." The two Likembe Mbira were tuned an octave apart. The scale was:- 648, 548, 496, 424, 392, 324, 274, 248, 212, 162. Topical song, with 2 Likembe mbira and wooden clapper (-12,02-)
- Full Text: false
- Date Issued: 1952
Mupukumo
- Sirifino Mutare, Two Bemba men, Hugh Tracey
- Authors: Sirifino Mutare , Two Bemba men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Kasama f-za
- Language: Lozi , Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183789 , vital:44069 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-15
- Description: The scale of this instrumet was:- 592, 544, 504, 456, 424, 376, 340, 308, 280, 252, 228 vs. With the exception of the new top intervals of the scale all the remainder are approximately 1 3/4 semitone each. The intervals measured in cents are:- 126, 208, 174, 172, 165, 182, 173 cents. This tune follows closely upon a well established and unmistakeably Bemba style of melody. When singing in parallel thirds the size of the consecutive thirds, taken from the measured scale would be:- 334, 382, 346, 337, 355 cents. Parallel fourths would be:- 508, 554, 511, 519, 520 cents. Drinking song with Mbira, Chilimba ya waBemba
- Full Text: false
- Date Issued: 1952
- Authors: Sirifino Mutare , Two Bemba men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Kasama f-za
- Language: Lozi , Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183789 , vital:44069 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-15
- Description: The scale of this instrumet was:- 592, 544, 504, 456, 424, 376, 340, 308, 280, 252, 228 vs. With the exception of the new top intervals of the scale all the remainder are approximately 1 3/4 semitone each. The intervals measured in cents are:- 126, 208, 174, 172, 165, 182, 173 cents. This tune follows closely upon a well established and unmistakeably Bemba style of melody. When singing in parallel thirds the size of the consecutive thirds, taken from the measured scale would be:- 334, 382, 346, 337, 355 cents. Parallel fourths would be:- 508, 554, 511, 519, 520 cents. Drinking song with Mbira, Chilimba ya waBemba
- Full Text: false
- Date Issued: 1952
Mwa mwena dehe-ye-yele
- Gibson Zenzi with Luunda men, Hugh Tracey
- Authors: Gibson Zenzi with Luunda men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182895 , vital:43890 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-04
- Description: "All is quiet." Bottles are a favourite accompaniment for most tunes on the Copperbelt of Northern Rhodesia, simple, cheap, and effective for playing across rhythms. The chorus sings in organum. Four Sikinta dance song with struck bottles
- Full Text: false
- Date Issued: 1952
- Authors: Gibson Zenzi with Luunda men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182895 , vital:43890 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-04
- Description: "All is quiet." Bottles are a favourite accompaniment for most tunes on the Copperbelt of Northern Rhodesia, simple, cheap, and effective for playing across rhythms. The chorus sings in organum. Four Sikinta dance song with struck bottles
- Full Text: false
- Date Issued: 1952
Ikizire
- Performer not specified, Hugh Tracey
- Authors: Performer not specified , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Songs, Kinyarwanda--Rwanda , Folk dance music , Tutsi (African people) , Africa Rwanda Nyanza f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/148668 , vital:38761 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR057-03
- Description: Accompanied by 2 drums, one conical, laced, closed, one long cylindrical, pinned. Dance tunes for Ntore dance, with Makondera gourd horns
- Full Text: false
- Date Issued: 1952
- Authors: Performer not specified , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Songs, Kinyarwanda--Rwanda , Folk dance music , Tutsi (African people) , Africa Rwanda Nyanza f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/148668 , vital:38761 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR057-03
- Description: Accompanied by 2 drums, one conical, laced, closed, one long cylindrical, pinned. Dance tunes for Ntore dance, with Makondera gourd horns
- Full Text: false
- Date Issued: 1952
Ikobe
- Nkeragutabara and Shyirambere, Hugh Tracey
- Authors: Nkeragutabara and Shyirambere , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Songs, Kinyarwanda--Rwanda , Folk dance music , Tutsi (African people) , Africa Rwanda Shangugu f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/148660 , vital:38760 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR057-02
- Description: Song sung by the people returning home after they had been attending a meeting with the chief. An interesting song demonstrating the Hima type of singing with trills and humming, free rhythm and recitative style
- Full Text: false
- Date Issued: 1952
- Authors: Nkeragutabara and Shyirambere , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Songs, Kinyarwanda--Rwanda , Folk dance music , Tutsi (African people) , Africa Rwanda Shangugu f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/148660 , vital:38760 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR057-02
- Description: Song sung by the people returning home after they had been attending a meeting with the chief. An interesting song demonstrating the Hima type of singing with trills and humming, free rhythm and recitative style
- Full Text: false
- Date Issued: 1952