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Tiye Mlongo (Let us go sister)

- Chewa girls, Hugh Tracey

Tisimbi wa sauka

- Alfred Phiri, Hugh Tracey

  • Authors: Alfred Phiri , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Macanga f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/158481 , vital:40196 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-02
  • Description: The Bangwe Zither was resonated with a small gourd through which it was pierced. It was plucked in this item. Each string was tuned by means of a small independent wedge. The strings of the Bangwe were of wire, and about 15 inches long. The Bangwe itself being 21 and hald inches long 5 inches broad. Self delectative song with Bangwe resonated Zither.
  • Full Text: false
  • Date Issued: 1958

Tinkancisi (We shall go to the island)

- Katunga and Mailoso (8 and 6 years old). Son and nephew of the chief, Hugh Tracey

Timba (Timba, the Wren)

- 'Limited' Mfundo Phiri, Hugh Tracey

Timange mphwanga pano (Let us settle here properly)

- Lusiya Nabanda and Chewa women with girls, Hugh Tracey

Tilira ife (We cry for those who left Gwero)

- Boys of Chief Mwasi's village, Hugh Tracey

  • Authors: Boys of Chief Mwasi's village , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/159574 , vital:40313 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-03
  • Description: "We cry for the boys who have left Gwero (the boma of Kasungu). Such as Kaziyambe Zimba, Mbelere Phiri who went to Lusaka. Stars shone on them, teaching them cleanliness. They are pround in Cape Town." The Muganda dance with Malipenga horns is usually performed in three parts, the first and third parts being with horns and the second, of which this is an example, without horns. Muganda dance (part 2) with brass drum.
  • Full Text: false
  • Date Issued: 1958

Tikaone mwana (Let us see the child)

- Young Chewa girls, Hugh Tracey

  • Authors: Young Chewa girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160547 , vital:40473 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-02
  • Description: This dance is usually accompanied by drums and is done at parties, weddings and other happy occasions. The drums were not available at the time of recording. "Let us go and see a child at Kachere. The child who likes to move about. You young maid, go to sleep nicely, if you don't I will beat you. White people are clever because they have made aeroplanes." Kasodo girls dance, with clapping.
  • Full Text: false
  • Date Issued: 1958

Tikangomva (Yellow cloth)

- Faresi Gama and Najuzi Phiri (woman), Hugh Tracey

Thu ndangalinga (The slain child)

- Chinamali and young children, Hugh Tracey

  • Authors: Chinamali and young children , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Njolomole, Ncheu f-rh
  • Language: Nyanja/Chewa/Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155635 , vital:39901 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR086-13
  • Description: A certain man had gone to another district to get married. While he was still there his wife had a child. He decided to return to his own country, but on the way they found it difficult to carry the child. They killed him and put him in a basket. The blood of the child turned into a bird. It flew off and perched on a tall grass and started singing, "You man and woman, you are evil, you have killed a child! Hear the child crying for milk." Story (Nthano).
  • Full Text: false
  • Date Issued: 1958

Thano ya Timba (The story of Timba 'small bird')

- Edwin Tengani, Hugh Tracey

  • Authors: Edwin Tengani , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa f-mw
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/157939 , vital:40131 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-05
  • Description: "Once there was a small bird called Timba. Timba made his living on a certain tree called Nkankande. He put a notice on the tree because he knew that the tree was beside the main path which all the animals took to drink water at the river. The notice said "Everyone who passes must look out because mu hut is here, anyone who does not heed my notice will die." After a while the elephants passed by and knocked down Timba's nest because the Nkankande tree is the natural food of elephants. At the time Timba was away looking after his cotton field. When he got back his house had gone. From the foot prints all around he knew it was the elephants and he said "I will see them on their way back". When the elephants came along Timba said, "which of you broke down my house?" "He had better confess at once or one of you will die, I am sure." Before the elephants arrived home one of them was already unhappy and his friend asked him what was the matter. "I am unhappy about what Timba said to us." He replied, "well if you are the one who spoiled Timba's nest we had better go back and tell him." But he refused and later that day he lay down and died. Messages were sent far and wide that an elephant had died and all the animals came to attend his funeral. Timba knew that the elephant had died on account of his notice, so when he came to the funeral Timba said, "I warned you about my tree, so let this be a warning to everyone that it is better to obey than to disobey because in this way a young man can make bad things right again." Story.
  • Full Text: false
  • Date Issued: 1958

Thana ya Solomoni (The judgement of Solomon)

- Pfumo Tengani, Hugh Tracey

  • Authors: Pfumo Tengani , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald District f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/156090 , vital:39950 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-10
  • Description: The Chief Tengani tells the story of the judgement of Solomon with a true story of his own of 1936, the year he was made chief. There was once a lorry which carried cotton. Now a certain man jumped onto the lorry without the knowledge of the driver. On going through the river the lorry stopped and the man fell off. The lorry backed and the man was run over and killed. But still the driver did not know he was there and it was only afterwards that the people found the body and brought it to the chief Tengani. Thay all say the driver was not to blame as he did not know the man was on his lorry or gave him permission. The case came before the District Commissioner who agreed with the chief. The people did not agree at the time but now they know the chief was right. "A Solomon come to judgement." Story (Ntana).
  • Full Text: false
  • Date Issued: 1958

Tengulisha (We care for the cattle of others)

- R. Mzandu, Hugh Tracey

  • Authors: R. Mzandu , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kongwa Mission, Dowa, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153542 , vital:39475 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-02
  • Description: Herd boys are one of Africa's sources of original songs. The life of thee youngsters is full of the intimate knowledge of creatures and their ways. The discomforts of nature and the constant search for food or sweet things. A herd boy's education is second to none at that tender age and the pleasures are never forgotten. They use a well known proverb concerning their food, referring to their work for other people's cattle. "The one who cooks does not eat the food." "We just take care of the cattle, but they belong to other people. The one who cooks does not eat the food. Snakes glide through the meadows, and go into the forests." Herd boy song.
  • Full Text: false
  • Date Issued: 1958

Tambalalu (Stretch your legs)

- M. Masowo and 3 Chewa lads, Hugh Tracey

Tamanga simbi

- Boys of Chief Mwasi's village, Hugh Tracey

  • Authors: Boys of Chief Mwasi's village , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/159585 , vital:40314 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-04
  • Description: "We have handcuffed them, we of Linga Boma. Although you are proud today, you will see!" The dancers go in groupd called Boma and challenge each other in the dance and in singing with with the Malipenga horns and boast about their performances. The Malipenga were all made out of gourds with mirlton membranes over the small end. The sound quality of the bass singers was good owing to their use of the gourds of adequate size and shape. Their song is a familiar type of boasting to be found among dance teams in most parts of Africa familiar to us. Muganda dance (part 3) with tweleve Malipenga singing horns and drum.
  • Full Text: false
  • Date Issued: 1958

Tabiya (A woman's name)

- 'Limited' Mfundo Phiri, Hugh Tracey

  • Authors: 'Limited' Mfundo Phiri , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Namira, Chikwawa f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155939 , vital:39933 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-14
  • Description: "Tibiya wanted to give me syphilis. Moses, you, I am sure a swallow has passed by." The singer blames the woman Tabiya for his misfortune and warns his friend Moses of following his example. "A bird has passed this way" being a euphemism clearly understood by the men of the district. Self delectative song with board zither.
  • Full Text: false
  • Date Issued: 1958

Songa mbiriwiri (Cover yourself)

- Elizabeth Banda and Chewa women, Hugh Tracey

Siyakulindila utinina? (What are you waiting for?)

- Group of 14 Ngoni men abd chorus of women, Hugh Tracey

  • Authors: Group of 14 Ngoni men abd chorus of women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa Zambia Fort Jameson f-za
  • Language: Nyanja , Nsenga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137547 , vital:37536 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-12
  • Description: The song belongs to "umgubo" or, in Zulu "ihubo" type of regimental singing. They were sung by the Mpezeni regiment, in 1920. The last of the age groups to be called officially a regiment by the Ngoni tribe. Ngoma dance song with stamping and 1 pair of leg rattles.
  • Full Text: false
  • Date Issued: 1957

Sipenbela nkosi (We are waiting for the Chief)

- Group of 14 Ngoni men and chorus of women, Hugh Tracey

  • Authors: Group of 14 Ngoni men and chorus of women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa Zambia Fort Jameson f-za
  • Language: Nyanja , Nsenga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137620 , vital:37543 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-13
  • Description: This was probably composed long ago when the people of Mzilikazi were being driven out of the Transvaal by the Boers in the middle of the nineteenth century. The singers agreed that this was a Ndebele song not of the Ngoni songs - but they said their languages were so similar that they had adopted it. Ngoma dance song with stamping and 1 pair of leg rattles.
  • Full Text: false
  • Date Issued: 1957

Sikusinja

- J. W. Gwengwe and Chewa boys, Hugh Tracey

  • Authors: J. W. Gwengwe and Chewa boys , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160197 , vital:40418 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-04
  • Description: Sikusinja was a rich man who was killed by his brother Gwenembe. A bird saw him do it and flew to the village to tell everyone what had happened. Through his singing the people understood what had happened. Gwenembe was a poor man who coveted his brothers belongings, and that is why he killed him. The bird when singing said, "Don't wonder, I saw Gwenembe killing Sikusinja and all the things he took." Eventually Gwenembe was taken to Kachere for Judgment and he was put to death. It is a story with a moral. 'Be sure your sins will find you out!' The bird witness is a constant African Image. "Sikusinja was a rich man. He was killed by his brother Gwenembe. The bird saw himdo it." The accompaniment of a guitar in this kind od story is unsual and a recent innovation only. Nthano story with guitar.
  • Full Text: false
  • Date Issued: 1958

Sesa (To sweep)

- Dzowa and 3 young Mang'anja boys, Hugh Tracey

  • Authors: Dzowa and 3 young Mang'anja boys , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Tengani, Port Herald District f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155996 , vital:39941 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-01
  • Description: The tunings of these xylophones was not very accurate and the two instruments were not quite in unison but enough to give a good approximation of their tuning method. The overall size of the xylophone was 64 inches. The open mirlitons were made of cigarette papers. The central octave was 252, 232, 210, 190, 174, 158, 144, 126. The performers were three young boys between the ages of seven and tweleve years. The dance which accompanied this music is a simple ring dance with little action beyond a shuffle. Ulimba dance for young boys and girls with 2 xylophones.
  • Full Text: false
  • Date Issued: 1958
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