Umtagato-we! (I am held)
- The Coal Brothers (Four young Swazi youth), Hugh Tracey
- Authors: The Coal Brothers (Four young Swazi youth) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152742 , vital:39337 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-02
- Description: One flute played the melody and the other two played an accompaniment at different pitches while the guitarist stummed out a couple of chords. Town dance with 3 penny whistles (whistle flutes) and a guitar.
- Full Text: false
- Date Issued: 1958
- Authors: The Coal Brothers (Four young Swazi youth) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152742 , vital:39337 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-02
- Description: One flute played the melody and the other two played an accompaniment at different pitches while the guitarist stummed out a couple of chords. Town dance with 3 penny whistles (whistle flutes) and a guitar.
- Full Text: false
- Date Issued: 1958
Samsoni and Delilah
- The Coal Brothers (Four young Swazi youth), Hugh Tracey
- Authors: The Coal Brothers (Four young Swazi youth) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152733 , vital:39336 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-01
- Description: All penny whistle tunes seem to have but one parent and that is a certain gramophone record which all players attempt to imitate after their own fashion of folk composition, so that now, after a few years of penny whistle music, there is no telling what tune it represents. Dance with 3 penny whistles (whistle flutes) and guitar (manufactured).
- Full Text: false
- Date Issued: 1958
- Authors: The Coal Brothers (Four young Swazi youth) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152733 , vital:39336 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-01
- Description: All penny whistle tunes seem to have but one parent and that is a certain gramophone record which all players attempt to imitate after their own fashion of folk composition, so that now, after a few years of penny whistle music, there is no telling what tune it represents. Dance with 3 penny whistles (whistle flutes) and guitar (manufactured).
- Full Text: false
- Date Issued: 1958
Nifwe ba four pals (Greetings from the four pals)
- Authors: The Four pals , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Nchanga mine f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151788 , vital:39171 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-14
- Description: "Greeting to mothers and brothers." Topical song with guitar.
- Full Text: false
- Date Issued: 1957
- Authors: The Four pals , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Nchanga mine f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151788 , vital:39171 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-14
- Description: "Greeting to mothers and brothers." Topical song with guitar.
- Full Text: false
- Date Issued: 1957
Maselino yaya yoyayu (Maselino)
- Authors: The Four pals , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Nchanga mine f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151779 , vital:39170 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-13
- Description: "A girl got married and came with her husband to the copper mines. But when she got there, she only thought of going out with other men to show off her clothes! Her name was Maselino. Topical song with guitar.
- Full Text: false
- Date Issued: 1957
- Authors: The Four pals , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Nchanga mine f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151779 , vital:39170 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-13
- Description: "A girl got married and came with her husband to the copper mines. But when she got there, she only thought of going out with other men to show off her clothes! Her name was Maselino. Topical song with guitar.
- Full Text: false
- Date Issued: 1957
Oyo oyo wanize
- The seven wives of the Chief, Hugh Tracey
- Authors: The seven wives of the Chief , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Malawi , Songs, Zulu , Zulu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160907 , vital:40560 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-17
- Description: The women, the members of the brides party depart and they wish the bride 'goodbye'. The song long associated with the Zulu wedding custom in Natal but separated by over 100 years and a thousand miles, show how persistent and nostalgic old songs can be in a strange land inhabited by African 'colonials'. Wedding song.
- Full Text: false
- Date Issued: 1950
- Authors: The seven wives of the Chief , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Malawi , Songs, Zulu , Zulu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160907 , vital:40560 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-17
- Description: The women, the members of the brides party depart and they wish the bride 'goodbye'. The song long associated with the Zulu wedding custom in Natal but separated by over 100 years and a thousand miles, show how persistent and nostalgic old songs can be in a strange land inhabited by African 'colonials'. Wedding song.
- Full Text: false
- Date Issued: 1950
Sinibonani mtimba (Good morning bride)
- The seven wives of the Chief, Hugh Tracey
- Authors: The seven wives of the Chief , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Malawi , Songs, Zulu , Zulu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160898 , vital:40559 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-16
- Description: The spokesman of the bridegroom presents his man, and the women sing their acceptance of him, sitting on the ground. The song ends with 'Bayete' (hail). The song long associated with the Zulu wedding custom in Natal but separated by over 100 years and a thousand miles, show how persistent and nostalgic old songs can be in a strange land inhabited by African 'colonials'. Wedding song.
- Full Text: false
- Date Issued: 1950
- Authors: The seven wives of the Chief , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Malawi , Songs, Zulu , Zulu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160898 , vital:40559 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-16
- Description: The spokesman of the bridegroom presents his man, and the women sing their acceptance of him, sitting on the ground. The song ends with 'Bayete' (hail). The song long associated with the Zulu wedding custom in Natal but separated by over 100 years and a thousand miles, show how persistent and nostalgic old songs can be in a strange land inhabited by African 'colonials'. Wedding song.
- Full Text: false
- Date Issued: 1950
Mlembe special (Havelock compound special)
- The Star Brothers, Hugh Tracey
- Authors: The Star Brothers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152751 , vital:39338 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-03
- Description: This "gnome-like"" music, so easily played and accompanied has swept into popularity since 1956. It has an immediate effect upon young Africans, especially those under twenty and perhaps even more so upon the under ten year olds. Mlembe is a native Swati name for this Havelock asbestos mine. Every tune on the whistle-flutes or penny whistles enjoys the mane of "special: a trick learnt from gramophone record titles. They all imitate other tunes in an urban/folk manner until there is no telling which tune came first, which is the original, and which is the imitation. Town dance with 2 guitars (-10.58-), 2 penny whistle-flutes.
- Full Text: false
- Date Issued: 1958
- Authors: The Star Brothers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152751 , vital:39338 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-03
- Description: This "gnome-like"" music, so easily played and accompanied has swept into popularity since 1956. It has an immediate effect upon young Africans, especially those under twenty and perhaps even more so upon the under ten year olds. Mlembe is a native Swati name for this Havelock asbestos mine. Every tune on the whistle-flutes or penny whistles enjoys the mane of "special: a trick learnt from gramophone record titles. They all imitate other tunes in an urban/folk manner until there is no telling which tune came first, which is the original, and which is the imitation. Town dance with 2 guitars (-10.58-), 2 penny whistle-flutes.
- Full Text: false
- Date Issued: 1958
Barberton Special
- The Star Brothers, Hugh Tracey
- Authors: The Star Brothers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152756 , vital:39339 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-04
- Description: This "gnome-like"" music, so easily played and accompanied has swept into popularity since 1956. It has an immediate effect upon young Africans, especially those under twenty and perhaps even more so upon the under ten year olds. Every tune on the whistle-flutes or penny whistles enjoys the mane of "special: a trick learnt from gramophone record titles. They all imitate other tunes in an urban/folk manner until there is no telling which tune came first, which is the original, and which is the imitation. Town dance with 2 guitars (-10.58-), 2 penny whistle-flutes.
- Full Text: false
- Date Issued: 1958
- Authors: The Star Brothers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152756 , vital:39339 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-04
- Description: This "gnome-like"" music, so easily played and accompanied has swept into popularity since 1956. It has an immediate effect upon young Africans, especially those under twenty and perhaps even more so upon the under ten year olds. Every tune on the whistle-flutes or penny whistles enjoys the mane of "special: a trick learnt from gramophone record titles. They all imitate other tunes in an urban/folk manner until there is no telling which tune came first, which is the original, and which is the imitation. Town dance with 2 guitars (-10.58-), 2 penny whistle-flutes.
- Full Text: false
- Date Issued: 1958
Khajoane (The mountain eagle)
- Authors: Theko Moshesh , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Folk songs, Sotho , Sotho (African people) , Africa South Africa Matatiele f-sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151610 , vital:39147 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR064-16
- Description: The Lesiba is a wind blown stringed instrument, mostly played by herd boys as they herd their cattle on the hills. It consists of a slightly bent stick of abour 36-40 long. Along one side is strained a string, sometimes of horse hair or sinew, to one end of which is attached a section of fowl's quill. This is held in place by placing it between small double wedges held firmly in a small hole drilled into that end of the stick. Self-delectative song with Lesiba stick zither with quill.
- Full Text: false
- Date Issued: 1957
- Authors: Theko Moshesh , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Folk songs, Sotho , Sotho (African people) , Africa South Africa Matatiele f-sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151610 , vital:39147 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR064-16
- Description: The Lesiba is a wind blown stringed instrument, mostly played by herd boys as they herd their cattle on the hills. It consists of a slightly bent stick of abour 36-40 long. Along one side is strained a string, sometimes of horse hair or sinew, to one end of which is attached a section of fowl's quill. This is held in place by placing it between small double wedges held firmly in a small hole drilled into that end of the stick. Self-delectative song with Lesiba stick zither with quill.
- Full Text: false
- Date Issued: 1957
Mokhoroane (The dove)
- Authors: Theko Moshesh , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Folk songs, Sotho , Sotho (African people) , Africa South Africa Matatiele f-sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151619 , vital:39148 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR064-17
- Description: The Lesiba is a wind blown stringed instrument, mostly played by herd boys as they herd their cattle on the hills. It consists of a slightly bent stick of abour 36-40 long. Along one side is strained a string, sometimes of horse hair or sinew, to one end of which is attached a section of fowl's quill. This is held in place by placing it between small double wedges held firmly in a small hole drilled into that end of the stick. Self-delectative song with Lesiba stick zither with quill.
- Full Text: false
- Date Issued: 1957
- Authors: Theko Moshesh , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Folk songs, Sotho , Sotho (African people) , Africa South Africa Matatiele f-sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151619 , vital:39148 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR064-17
- Description: The Lesiba is a wind blown stringed instrument, mostly played by herd boys as they herd their cattle on the hills. It consists of a slightly bent stick of abour 36-40 long. Along one side is strained a string, sometimes of horse hair or sinew, to one end of which is attached a section of fowl's quill. This is held in place by placing it between small double wedges held firmly in a small hole drilled into that end of the stick. Self-delectative song with Lesiba stick zither with quill.
- Full Text: false
- Date Issued: 1957
Khuya uwa Naluwa
- Authors: Thomas Mulungo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169529 , vital:41760 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-14
- Description: The Teso people, a Nilo-Hamitic tribe, are pastoral and like others of their way of life, used to be given to raiding cattle from their neighbours. The Gishu tribe were among those raided and in this song they urge the raided to get their own back from the raiders.Patriotic song with Litungu seven string bowl lyre, pinned and Mungiri leg bells.
- Full Text: false
- Date Issued: 1950
- Authors: Thomas Mulungo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169529 , vital:41760 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-14
- Description: The Teso people, a Nilo-Hamitic tribe, are pastoral and like others of their way of life, used to be given to raiding cattle from their neighbours. The Gishu tribe were among those raided and in this song they urge the raided to get their own back from the raiders.Patriotic song with Litungu seven string bowl lyre, pinned and Mungiri leg bells.
- Full Text: false
- Date Issued: 1950
Bwana Leja
- Authors: Thomas Mulungo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169412 , vital:41747 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-01
- Description: The player was seated holding the lyre with the strings extending towards the right and played his leg bells by beating his heel on the ground. Bawana Leja (Letcher or Fletcher) was said to be a Government appointed valuator of cattle which were commandered during the war (1939-45) to feed the troops stationed in Kenya and Uganda. The woman complains that her only cow was taken by him and that she had no milk to give her new born child. Topical song with seven string Litungu lyre and leg bells.
- Full Text: false
- Date Issued: 1950
- Authors: Thomas Mulungo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169412 , vital:41747 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-01
- Description: The player was seated holding the lyre with the strings extending towards the right and played his leg bells by beating his heel on the ground. Bawana Leja (Letcher or Fletcher) was said to be a Government appointed valuator of cattle which were commandered during the war (1939-45) to feed the troops stationed in Kenya and Uganda. The woman complains that her only cow was taken by him and that she had no milk to give her new born child. Topical song with seven string Litungu lyre and leg bells.
- Full Text: false
- Date Issued: 1950
Ngamibonge Amakentani (Please praise the Kentani people)
- Thombi Fegetwai and Gcaleka boys and girls, Hugh Tracey
- Authors: Thombi Fegetwai and Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151126 , vital:39032 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-06
- Description: The girl who leads this song is a born singer of Gcaleka type songs for her contemporaries. The people of Idutywa are, in fact, the Gcaleka tribe whose centre is in the Kentani District above 50 miles away. Mtsotsho dance, with clapping and roaring.
- Full Text: false
- Date Issued: 1957
- Authors: Thombi Fegetwai and Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151126 , vital:39032 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-06
- Description: The girl who leads this song is a born singer of Gcaleka type songs for her contemporaries. The people of Idutywa are, in fact, the Gcaleka tribe whose centre is in the Kentani District above 50 miles away. Mtsotsho dance, with clapping and roaring.
- Full Text: false
- Date Issued: 1957
Yawiyanga, ya kulumbata nyama
- Three Chokwe men, Hugh Tracey
- Authors: Three Chokwe men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Democratic Republic of Congo Sandoa f-cg
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137060 , vital:37484 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-04
- Description: The song is sung to celebrate the arrival of a hunter bringing back his booty. Song after hunting with 3 goblet drums, open, pinned, weighted, hand beaten.
- Full Text: false
- Date Issued: 1957
- Authors: Three Chokwe men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Democratic Republic of Congo Sandoa f-cg
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137060 , vital:37484 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-04
- Description: The song is sung to celebrate the arrival of a hunter bringing back his booty. Song after hunting with 3 goblet drums, open, pinned, weighted, hand beaten.
- Full Text: false
- Date Issued: 1957
Mashine akwata ku mulwe-aye
- Three Chokwe men, Hugh Tracey
- Authors: Three Chokwe men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Mount Lowmani f-ao
- Language: Chokwe , Luvale
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183461 , vital:43993 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-13
- Description: "When he was working a machine caught him and he died." The singers refer to a friend of theirs who died in an accident. The heavy vibration of the three drums make a celeste with the voices. Towards the end of the recording the three drums are taken out separately which reveals the part each plays in the composite rhythm. Chianda dance, with 3 goblet drums, open, pinned and weighted, hand beaten
- Full Text: false
- Date Issued: 1957
- Authors: Three Chokwe men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Mount Lowmani f-ao
- Language: Chokwe , Luvale
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183461 , vital:43993 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-13
- Description: "When he was working a machine caught him and he died." The singers refer to a friend of theirs who died in an accident. The heavy vibration of the three drums make a celeste with the voices. Towards the end of the recording the three drums are taken out separately which reveals the part each plays in the composite rhythm. Chianda dance, with 3 goblet drums, open, pinned and weighted, hand beaten
- Full Text: false
- Date Issued: 1957
Aya-ye kufwafwile Lozhine totale kamile malila
- Three Chokwe men, Hugh Tracey
- Authors: Three Chokwe men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Mbunda (African people)--Zambia , Luvale (African people) , Luchazi (African people) , Chokwe (African people) , Folk songs, Chokwe , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Sandoa f-cg
- Language: Mbunda , Subiya , Luvale , Luchazi , Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184198 , vital:44185 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR184-13
- Description: This song recounted a true incident and the brother of Lozhine was one of the drummers. The item starts with a minute and a half of drumming. The heavy vibration of the drums cuts across the sound of the voices repeating the single line of the dance tune. Chiyanda dance-Lament, with 3 goblet drums, open, pinned, weighted and hand beaten
- Full Text: false
- Date Issued: 1957
- Authors: Three Chokwe men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Mbunda (African people)--Zambia , Luvale (African people) , Luchazi (African people) , Chokwe (African people) , Folk songs, Chokwe , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Sandoa f-cg
- Language: Mbunda , Subiya , Luvale , Luchazi , Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184198 , vital:44185 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR184-13
- Description: This song recounted a true incident and the brother of Lozhine was one of the drummers. The item starts with a minute and a half of drumming. The heavy vibration of the drums cuts across the sound of the voices repeating the single line of the dance tune. Chiyanda dance-Lament, with 3 goblet drums, open, pinned, weighted and hand beaten
- Full Text: false
- Date Issued: 1957
Ayaya wo- mami- yami- e
- Three Chokwe men, Hugh Tracey
- Authors: Three Chokwe men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Democratic Republic of Congo Sandoa f-cg
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137047 , vital:37482 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-03
- Description: The drums are introduced one after the other, the third drum being heavily weighted and having a distinct buzzing tone, takes the main syncopation. The voices are introduced a full minute after the drums have set the rhythm. Chisira initiation dance with 3 goblet drums, open, pinned, weighted, hand beaten.
- Full Text: false
- Date Issued: 1957
- Authors: Three Chokwe men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Democratic Republic of Congo Sandoa f-cg
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137047 , vital:37482 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-03
- Description: The drums are introduced one after the other, the third drum being heavily weighted and having a distinct buzzing tone, takes the main syncopation. The voices are introduced a full minute after the drums have set the rhythm. Chisira initiation dance with 3 goblet drums, open, pinned, weighted, hand beaten.
- Full Text: false
- Date Issued: 1957
Sigowuli tunes
- Three chopi girls (Performers), Composer not specified, Hugh Tracey
- Authors: Three chopi girls (Performers) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Music--Mozambique , Folk music , Folk songs, Chopi , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133347 , vital:36967 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR011-12
- Description: Self-delectative tune by three girls on two ocarinas
- Full Text: false
- Date Issued: 1955
- Authors: Three chopi girls (Performers) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Music--Mozambique , Folk music , Folk songs, Chopi , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133347 , vital:36967 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR011-12
- Description: Self-delectative tune by three girls on two ocarinas
- Full Text: false
- Date Issued: 1955
Sigowuli tunes
- Three chopi girls (Performers), Composer not specified, Hugh Tracey
- Authors: Three chopi girls (Performers) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Music--Mozambique , Folk music , Folk songs, Chopi , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133379 , vital:36970 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR011-15
- Description: Self-delectative tune by three girls on two ocarinas
- Full Text: false
- Date Issued: 1955
- Authors: Three chopi girls (Performers) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Music--Mozambique , Folk music , Folk songs, Chopi , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133379 , vital:36970 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR011-15
- Description: Self-delectative tune by three girls on two ocarinas
- Full Text: false
- Date Issued: 1955
Sigowuli tunes
- Three chopi girls (Performers), Composer not specified, Hugh Tracey
- Authors: Three chopi girls (Performers) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Music--Mozambique , Folk music , Folk songs, Chopi , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133384 , vital:36971 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR011-16
- Description: Self-delectative tune by three girls on two ocarinas
- Full Text: false
- Date Issued: 1955
- Authors: Three chopi girls (Performers) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Music--Mozambique , Folk music , Folk songs, Chopi , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133384 , vital:36971 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR011-16
- Description: Self-delectative tune by three girls on two ocarinas
- Full Text: false
- Date Issued: 1955