Waramba ukuma (He refused the relationship)
- Murira, Madzikuminga, Muzengedza and Madera, Hugh Tracey
- Authors: Murira, Madzikuminga, Muzengedza and Madera , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179072 , vital:39867 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-09
- Description: "You refused friendship, Machinda. You refused friendship, it is worn out." Machinda was the title given to the sons of the Monomotapa and may well have come down from those days in the sixteenth century when the Monomotapa held sway over this part of what is now Southern Rhodesia. Party song with three Matebe dza Mondoro (Mbira and Murumbi drum).
- Full Text: false
- Date Issued: 1959
- Authors: Murira, Madzikuminga, Muzengedza and Madera , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179072 , vital:39867 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-09
- Description: "You refused friendship, Machinda. You refused friendship, it is worn out." Machinda was the title given to the sons of the Monomotapa and may well have come down from those days in the sixteenth century when the Monomotapa held sway over this part of what is now Southern Rhodesia. Party song with three Matebe dza Mondoro (Mbira and Murumbi drum).
- Full Text: false
- Date Issued: 1959
Wano Gambire nyama we Jarusarima (They fry meat in Jersusalem)
- Stephen R. Gumbo, Hugh Tracey
- Authors: Stephen R. Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154123 , vital:39611 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-02
- Description: The player has taken a Nyasa instrument instead of the local Njari. He explained he found the smaller instrument easier to play inspite of the fact that it had only half the number of notes. He claimed he had tuned it the same as the Njari but in point of fact his scale was one note short appearing to be hexatonic whereas his tribe is known to be heptatonic. The missing note is clearly situated between 212 and 260 vs and might have been approximately 234 to 238 vibrations per second. Humorous song with Mbira.
- Full Text: false
- Date Issued: 1958
- Authors: Stephen R. Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154123 , vital:39611 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-02
- Description: The player has taken a Nyasa instrument instead of the local Njari. He explained he found the smaller instrument easier to play inspite of the fact that it had only half the number of notes. He claimed he had tuned it the same as the Njari but in point of fact his scale was one note short appearing to be hexatonic whereas his tribe is known to be heptatonic. The missing note is clearly situated between 212 and 260 vs and might have been approximately 234 to 238 vibrations per second. Humorous song with Mbira.
- Full Text: false
- Date Issued: 1958
Wanijalila kuwaya (He has pushed out to a bad place)
- Authors: D. Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Tumbuka (African people) , Henga (African people) , Folk music , Africa Malawi Dowa, Mzimba District f-rh
- Language: Tumbuka/Henga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156291 , vital:39972 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-10
- Description: "A bad place, he had trapped me in a bad place. Men have given me disease. Men deceive, they have deceived me with money. They gave me a venereal disease. It has finished the children in my home. I sit down and dream of Miliam." This lament is perhaps a strange basis for a dance except as an extension of the thought in dance drama, the equivalent of religious dancin, the extension of the music into movement. Dance song.
- Full Text: false
- Date Issued: 1958
- Authors: D. Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Tumbuka (African people) , Henga (African people) , Folk music , Africa Malawi Dowa, Mzimba District f-rh
- Language: Tumbuka/Henga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156291 , vital:39972 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-10
- Description: "A bad place, he had trapped me in a bad place. Men have given me disease. Men deceive, they have deceived me with money. They gave me a venereal disease. It has finished the children in my home. I sit down and dream of Miliam." This lament is perhaps a strange basis for a dance except as an extension of the thought in dance drama, the equivalent of religious dancin, the extension of the music into movement. Dance song.
- Full Text: false
- Date Issued: 1958
Wamwira mangarangara (If you drink too quickly you get yourself drunk)
- Younf Tonga men and women, Hugh Tracey
- Authors: Younf Tonga men and women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179094 , vital:39859 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-03
- Description: The four drums used were 1) Mutumba, an open conical drum 37" tall, 11" membrane; 2) Jenje, an open cylindrical drum 14" tall on three legs with 10" head; 3) Miningo karipi-karipi, another conical open drum 25' tall with 9 and 4 quarter head; and a small closed drum, Usindi, 11" tall with 7 and a half head, on a three legged pedestal. The player of the two drums, Mutumba and Jenje, used his right heel to raise and lower the pitch of the Jenje as it lay on the ground beside the longer Mutumba, playing only with his hands. The other two players used sticks. The reeds were imported from the Salisbury district as no such reed grows in this district, they say, except in the Mazoe river nine miles away which was not so good as these. Four sets of end blown flutes (--11,325--). (1) 3 tied together. Katero, pitch 784, 744 and 680 vs (4 and a half" - 5") (2) 3 tied together. Shauriro, 680, 600, 552 vs (5 and a quarter , 6 and a quarter) (3) 2 tied together. Dendera, 504 and 448 vs (7", 7 and a half") (4) 2 tied together. Madobi, 416, 384 vs. (8 and a half, 8 and 3 quarters). Gororambe dance with end blown pipes, drums and rattles.
- Full Text: false
- Date Issued: 1958
- Authors: Younf Tonga men and women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179094 , vital:39859 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-03
- Description: The four drums used were 1) Mutumba, an open conical drum 37" tall, 11" membrane; 2) Jenje, an open cylindrical drum 14" tall on three legs with 10" head; 3) Miningo karipi-karipi, another conical open drum 25' tall with 9 and 4 quarter head; and a small closed drum, Usindi, 11" tall with 7 and a half head, on a three legged pedestal. The player of the two drums, Mutumba and Jenje, used his right heel to raise and lower the pitch of the Jenje as it lay on the ground beside the longer Mutumba, playing only with his hands. The other two players used sticks. The reeds were imported from the Salisbury district as no such reed grows in this district, they say, except in the Mazoe river nine miles away which was not so good as these. Four sets of end blown flutes (--11,325--). (1) 3 tied together. Katero, pitch 784, 744 and 680 vs (4 and a half" - 5") (2) 3 tied together. Shauriro, 680, 600, 552 vs (5 and a quarter , 6 and a quarter) (3) 2 tied together. Dendera, 504 and 448 vs (7", 7 and a half") (4) 2 tied together. Madobi, 416, 384 vs. (8 and a half, 8 and 3 quarters). Gororambe dance with end blown pipes, drums and rattles.
- Full Text: false
- Date Issued: 1958
Wammuna munabwela kale (Husband, you came long ago)
- Authors: Gezani Mwale , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Bimphi, Dowa, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154028 , vital:39555 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-08
- Description: "My husband, you came long ago. This year give me a child. Father, I want a child. But a red cloth you give to your mother another to your father. The spotted one you give to me." During the rainy season children are forbidden by their mothers to wear red cloth for fear the lightening might strike them. Red cloth, therefore has a bad connotation, which may be reflrcted in this song. A cloth with patterns, flowers or spots is admired and may therefore be lucky. The preoccupation of African people for offspring is clearly seen in this lyric. Self delectative song with Sansi (Mbira).
- Full Text: false
- Date Issued: 1958
- Authors: Gezani Mwale , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Bimphi, Dowa, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154028 , vital:39555 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-08
- Description: "My husband, you came long ago. This year give me a child. Father, I want a child. But a red cloth you give to your mother another to your father. The spotted one you give to me." During the rainy season children are forbidden by their mothers to wear red cloth for fear the lightening might strike them. Red cloth, therefore has a bad connotation, which may be reflrcted in this song. A cloth with patterns, flowers or spots is admired and may therefore be lucky. The preoccupation of African people for offspring is clearly seen in this lyric. Self delectative song with Sansi (Mbira).
- Full Text: false
- Date Issued: 1958
Wakwatira chchabe (You are cross about nothing)
- Dawusi Chirongo, Hugh Tracey
- Authors: Dawusi Chirongo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Pondola, Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156459 , vital:40005 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-05
- Description: The player was a man about 55 years. His father taught him to play the instrument as a child. Tuning of the instrument:- 440, 408, 368, 328, 276, 220. Self delectative song with Kalimiba Mbira with external resonator.
- Full Text: false
- Date Issued: 1958
- Authors: Dawusi Chirongo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Pondola, Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156459 , vital:40005 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-05
- Description: The player was a man about 55 years. His father taught him to play the instrument as a child. Tuning of the instrument:- 440, 408, 368, 328, 276, 220. Self delectative song with Kalimiba Mbira with external resonator.
- Full Text: false
- Date Issued: 1958
Wakuzi (Who spoiled the relish?)
- J. W. Gwengwe and boys, Hugh Tracey
- Authors: J. W. Gwengwe and boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kachere, Lilongwe, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153676 , vital:39497 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-15
- Description: "Who has told you to squeeze the caterpillars? Who has told you to prepare the frog? Who has told you to squeeze the chameleon? Who has told you to squeeze the grasshopper? Who has told you to squeeze the snake? Meaning, you have spoiled the relish provided by caterpillars, etc. by squeezing them out instead of leaving them. Of the ones mentioned, the caterpillars, grasshoppers and snakes, but the chameleon definitely inedible. The song which was originally a Nyau dance song is now used as a drinking song. It appears that the creatures mentioned in the song are best cooked in their natural state without being dressed in any way. Drinking song with clapping and struck iron (a hoe) -12.16-.
- Full Text: false
- Date Issued: 1958
- Authors: J. W. Gwengwe and boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kachere, Lilongwe, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153676 , vital:39497 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-15
- Description: "Who has told you to squeeze the caterpillars? Who has told you to prepare the frog? Who has told you to squeeze the chameleon? Who has told you to squeeze the grasshopper? Who has told you to squeeze the snake? Meaning, you have spoiled the relish provided by caterpillars, etc. by squeezing them out instead of leaving them. Of the ones mentioned, the caterpillars, grasshoppers and snakes, but the chameleon definitely inedible. The song which was originally a Nyau dance song is now used as a drinking song. It appears that the creatures mentioned in the song are best cooked in their natural state without being dressed in any way. Drinking song with clapping and struck iron (a hoe) -12.16-.
- Full Text: false
- Date Issued: 1958
Wakhala wekha (When you are alone)
- Four Lomwe song, Hugh Tracey
- Authors: Four Lomwe song , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Lomwe (African people) , Chewa (African people) , Folk music , Africa Malawi Mkanda f-mw
- Language: Lomwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160725 , vital:40505 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-18
- Description: The song is said to have been sung when people were on the move. It appears to be a morality song. "When you are alone be careful on the path. When you are two, also be careful. When you are many, also be careful." Party song.
- Full Text: false
- Date Issued: 1958
- Authors: Four Lomwe song , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Lomwe (African people) , Chewa (African people) , Folk music , Africa Malawi Mkanda f-mw
- Language: Lomwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160725 , vital:40505 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-18
- Description: The song is said to have been sung when people were on the move. It appears to be a morality song. "When you are alone be careful on the path. When you are two, also be careful. When you are many, also be careful." Party song.
- Full Text: false
- Date Issued: 1958
Wakazali Inhaminga (She has married at Inhaminga)
- George Zongoloti and small girls, Hugh Tracey
- Authors: George Zongoloti and small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsu, Port Herald District f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156027 , vital:39943 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-03
- Description: Inhaminga is the village in Mozambique beyond the Zambezi river from this district about 100 miles away to the south and about half way to the port of Beira. The drum held horizontally between the knees, membrane facing outwards-mirliton upwards, the player sitting on the ground. By raising and lowering his legs slightly the drummer presses the open end of the drum on and off his chest. The lower notes are produced while the oriffice of the drum is off his chest. The drum which had a 7 inch membrane was 12 inches tall. The water-lizard skin was weighted with paste on the inner surface and was attached with wooden pins. Nthikwi dance with cylindrical, weighted drums and mirliton.
- Full Text: false
- Date Issued: 1958
- Authors: George Zongoloti and small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsu, Port Herald District f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156027 , vital:39943 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-03
- Description: Inhaminga is the village in Mozambique beyond the Zambezi river from this district about 100 miles away to the south and about half way to the port of Beira. The drum held horizontally between the knees, membrane facing outwards-mirliton upwards, the player sitting on the ground. By raising and lowering his legs slightly the drummer presses the open end of the drum on and off his chest. The lower notes are produced while the oriffice of the drum is off his chest. The drum which had a 7 inch membrane was 12 inches tall. The water-lizard skin was weighted with paste on the inner surface and was attached with wooden pins. Nthikwi dance with cylindrical, weighted drums and mirliton.
- Full Text: false
- Date Issued: 1958
Wadianda wa Bena Shimba (We are the people of Bena Shimba)
- Group of 9 Bena Shimba women, Hugh Tracey
- Authors: Group of 9 Bena Shimba women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Northern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Bakwanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139183 , vital:37712 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-01
- Description: This group belonged to the Bena Shimba clan. As well as tipping and sometimes singing into their gourds through a length of metal pipe or tube, the gourd-blowers also struck the sides of the gourds with their hands. The gourds of this group were handsomely decorated with metal studs arranged in patterns. When asked when they performed this song, the answer was, "we sing it for funerals, but also on any sad occassion, for example when a man has to pay a large sum of money to another. Lament with 3 singing gourds (Chipuri), 1 basket rattle (-12.54-), hand clapping (-12.03-) and 1 bottle (-12.17-).
- Full Text: false
- Date Issued: 1957
- Authors: Group of 9 Bena Shimba women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Northern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Bakwanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139183 , vital:37712 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-01
- Description: This group belonged to the Bena Shimba clan. As well as tipping and sometimes singing into their gourds through a length of metal pipe or tube, the gourd-blowers also struck the sides of the gourds with their hands. The gourds of this group were handsomely decorated with metal studs arranged in patterns. When asked when they performed this song, the answer was, "we sing it for funerals, but also on any sad occassion, for example when a man has to pay a large sum of money to another. Lament with 3 singing gourds (Chipuri), 1 basket rattle (-12.54-), hand clapping (-12.03-) and 1 bottle (-12.17-).
- Full Text: false
- Date Issued: 1957
Wada pita pana pa Angoni (We have come here to the Angoni district)
- Nyungwe men and women, Hugh Tracey
- Authors: Nyungwe men and women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Tete f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156503 , vital:40010 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-09
- Description: The drums were brought in order. The small time keeper first. All were played with sticks except Tewe, the largest. Dai dance with 5 drums.
- Full Text: false
- Date Issued: 1958
- Authors: Nyungwe men and women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Tete f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156503 , vital:40010 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-09
- Description: The drums were brought in order. The small time keeper first. All were played with sticks except Tewe, the largest. Dai dance with 5 drums.
- Full Text: false
- Date Issued: 1958
Wacepe Sifuliya (Not enough left in the pot)
- Ezra Chimpanda and 2 Chewa men, Hugh Tracey
- Authors: Ezra Chimpanda and 2 Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza, Kota Kota District, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153578 , vital:39481 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-06
- Description: "Aye, aye, there is not much beer left in the pot. I cannot be satisfied with that.". Drinking song/
- Full Text: false
- Date Issued: 1958
- Authors: Ezra Chimpanda and 2 Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza, Kota Kota District, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153578 , vital:39481 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-06
- Description: "Aye, aye, there is not much beer left in the pot. I cannot be satisfied with that.". Drinking song/
- Full Text: false
- Date Issued: 1958
Waba waplumu (They have stolen the cassava)
- R. W. Katenga-Kaunda and 3 Tonga lads, Hugh Tracey
- Authors: R. W. Katenga-Kaunda and 3 Tonga lads , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Chinteche District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156234 , vital:39965 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-04
- Description: This is a story about some young lads who were sleeping in an open place down by the lake. The people of the village were complaining that these boys were stealing their goods at night, their soaked cassava, their firewood and ground nuts, in fact everything was blamed upon them. They tried to explain it away, not in a manner altogether satisfactory to the villagers. Story song with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: R. W. Katenga-Kaunda and 3 Tonga lads , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Chinteche District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156234 , vital:39965 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-04
- Description: This is a story about some young lads who were sleeping in an open place down by the lake. The people of the village were complaining that these boys were stealing their goods at night, their soaked cassava, their firewood and ground nuts, in fact everything was blamed upon them. They tried to explain it away, not in a manner altogether satisfactory to the villagers. Story song with clapping.
- Full Text: false
- Date Issued: 1958
Wa Ciyawo mkujaliani (The Yao despise me)
- Men and women of Pemba Village, Hugh Tracey
- Authors: Men and women of Pemba Village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Pemba. Salima District, Central Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154694 , vital:39765 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-03
- Description: The player of the second drum was blind and had been so since childhood. The Yao despise me when I put on short trousers as if it is for the Mochomanga dance. Tell him to take them off they say. Bari dance with 2 Khunto cylindrical drums, pinned and weighted.
- Full Text: false
- Date Issued: 1958
- Authors: Men and women of Pemba Village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Pemba. Salima District, Central Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154694 , vital:39765 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-03
- Description: The player of the second drum was blind and had been so since childhood. The Yao despise me when I put on short trousers as if it is for the Mochomanga dance. Tell him to take them off they say. Bari dance with 2 Khunto cylindrical drums, pinned and weighted.
- Full Text: false
- Date Issued: 1958
Vinyatsi Mjila (Grass on the road)
- Authors: Mugizi Mware , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza, Kotakota, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153730 , vital:39504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-21
- Description: "Much grass on the road, take it all. When we walk we get tired of too much grass on the road." It is not easy to walk on dry grass as it is to slippery and the feet slip backwards and make you tired. The old player reflects a portion of country commonplace truth in this repetative little song. Humorous song with one string lute, Karigo.
- Full Text: false
- Date Issued: 1958
- Authors: Mugizi Mware , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza, Kotakota, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153730 , vital:39504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-21
- Description: "Much grass on the road, take it all. When we walk we get tired of too much grass on the road." It is not easy to walk on dry grass as it is to slippery and the feet slip backwards and make you tired. The old player reflects a portion of country commonplace truth in this repetative little song. Humorous song with one string lute, Karigo.
- Full Text: false
- Date Issued: 1958
Uyolala wedwane (You are going to sleep alone, my friend)
- Roselina Ndohle and Juana Nkosi, Hugh Tracey
- Authors: Roselina Ndohle and Juana Nkosi , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Matafin, Nelspruit, Transvaal f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152863 , vital:39350 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-13
- Description: This old woman, the player of the bow, is one of the descandants of the migrant Swazis who fled with Chief Matswafeni and settled near Nelspruit. The chief's name Matswafeni, mispronounced by Zulu people as Matafene became further distorted in the months of local English into "Mataffin", the name of this large citrus estate. Self delectative song with Makweyana musical bow, stressed and resonated.
- Full Text: false
- Date Issued: 1958
- Authors: Roselina Ndohle and Juana Nkosi , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Matafin, Nelspruit, Transvaal f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152863 , vital:39350 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-13
- Description: This old woman, the player of the bow, is one of the descandants of the migrant Swazis who fled with Chief Matswafeni and settled near Nelspruit. The chief's name Matswafeni, mispronounced by Zulu people as Matafene became further distorted in the months of local English into "Mataffin", the name of this large citrus estate. Self delectative song with Makweyana musical bow, stressed and resonated.
- Full Text: false
- Date Issued: 1958
Uyakhula wena (You of the Royal Family)
- Large group of Swazi men, Hugh Tracey
- Authors: Large group of Swazi men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152490 , vital:39283 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR069-09
- Description: The singers all carried the long sticks with heads carved into a scroll design with 3 ridges, characteristically Swazi. They also carried cowhide shields. "Uyakhula wena wohlanga lwendloxo Wayiwa-ye! Unyaka uyaphenduka Inkonhane zichitha - wena wo hhanga." "You O chief of the royal family! Hoen of the elephant. Alas! Times are growing. The Europeans are diminishing our lands. You of the Royal family." Umgubo regimental song.
- Full Text: false
- Date Issued: 1958
- Authors: Large group of Swazi men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152490 , vital:39283 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR069-09
- Description: The singers all carried the long sticks with heads carved into a scroll design with 3 ridges, characteristically Swazi. They also carried cowhide shields. "Uyakhula wena wohlanga lwendloxo Wayiwa-ye! Unyaka uyaphenduka Inkonhane zichitha - wena wo hhanga." "You O chief of the royal family! Hoen of the elephant. Alas! Times are growing. The Europeans are diminishing our lands. You of the Royal family." Umgubo regimental song.
- Full Text: false
- Date Issued: 1958
Uyadela 'Try Singers' (The great Try Singers)
- Tinote Dlamini and the try singers, Hugh Tracey
- Authors: Tinote Dlamini and the try singers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Usutu Forest, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152617 , vital:39323 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-02
- Description: These singers came from the motor and transport section of the Usutu Forest Force, and singing mith great favour and action are most entertaining to watch. Mbube song.
- Full Text: false
- Date Issued: 1958
- Authors: Tinote Dlamini and the try singers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Usutu Forest, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152617 , vital:39323 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-02
- Description: These singers came from the motor and transport section of the Usutu Forest Force, and singing mith great favour and action are most entertaining to watch. Mbube song.
- Full Text: false
- Date Issued: 1958
Ungabo phinduzibize Ngami
- Authors: Losina Dlamini , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Emkhuzweni, Northern Distict f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152908 , vital:39355 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-18
- Description: Two finger technique only. This flute was made on the spot froma pawpaw stalk. 13" flute, end blown out of the side of the mouth, two finger holes and stopped at the end. Second tune was overblown to get an octave higher. The flute was cut to shape with a pocket knife, the two holes being cut and then shapped with a piece of stick. The other (mouth) end was reduced to lenght until the finger hole notes sounded correct. Flute tunes with Umstshingozi end blown transverse flute.
- Full Text: false
- Date Issued: 1958
- Authors: Losina Dlamini , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Emkhuzweni, Northern Distict f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152908 , vital:39355 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-18
- Description: Two finger technique only. This flute was made on the spot froma pawpaw stalk. 13" flute, end blown out of the side of the mouth, two finger holes and stopped at the end. Second tune was overblown to get an octave higher. The flute was cut to shape with a pocket knife, the two holes being cut and then shapped with a piece of stick. The other (mouth) end was reduced to lenght until the finger hole notes sounded correct. Flute tunes with Umstshingozi end blown transverse flute.
- Full Text: false
- Date Issued: 1958
Undendezana
- Mfihlelwa Magagula, Hugh Tracey
- Authors: Mfihlelwa Magagula , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Zombode f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152195 , vital:39232 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-03
- Description: This song is a children's country jingle. Children's rhymes.
- Full Text: false
- Date Issued: 1958
- Authors: Mfihlelwa Magagula , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Zombode f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152195 , vital:39232 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-03
- Description: This song is a children's country jingle. Children's rhymes.
- Full Text: false
- Date Issued: 1958