Bollywood Nights: Indian youth and the creation of diasporic identity in South Africa
- Authors: Boshoff, Priscilla A
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/143494 , vital:38251 , DOI: 10.3138/topia.26.29
- Description: Bollywood’s popularity as a global cultural form has occurred at the same time as the valorization of difference in the South African political landscape. As the youngest members of the 19th-century labour diaspora, South African Indian youths are the inheritors of a conservative—yet adaptable—home culture amidst the marginalized identities of (post-)apartheid South Africa. Their desire to create an identity for themselves that encompasses their self-perception both as modern South African subjects and as guardians of their traditional home cultures is achieved through Bollywood, which speaks to its diasporic audiences through images of an idealized traditional yet modern India. While India is not a place of return for these youth, their reactivation of a diasporic identity through Bollywood’s representations of a successful Indian diasporic culture and their participation in South African Bollywood concerts and award ceremonies has provided an opportunity for young South African Indians to reimagine their diasporic Indian identity in ways that (re-)connect them to India and to an imagined global diaspora.
- Full Text:
- Date Issued: 2018
- Authors: Boshoff, Priscilla A
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/143494 , vital:38251 , DOI: 10.3138/topia.26.29
- Description: Bollywood’s popularity as a global cultural form has occurred at the same time as the valorization of difference in the South African political landscape. As the youngest members of the 19th-century labour diaspora, South African Indian youths are the inheritors of a conservative—yet adaptable—home culture amidst the marginalized identities of (post-)apartheid South Africa. Their desire to create an identity for themselves that encompasses their self-perception both as modern South African subjects and as guardians of their traditional home cultures is achieved through Bollywood, which speaks to its diasporic audiences through images of an idealized traditional yet modern India. While India is not a place of return for these youth, their reactivation of a diasporic identity through Bollywood’s representations of a successful Indian diasporic culture and their participation in South African Bollywood concerts and award ceremonies has provided an opportunity for young South African Indians to reimagine their diasporic Indian identity in ways that (re-)connect them to India and to an imagined global diaspora.
- Full Text:
- Date Issued: 2018
Are arts events a good way of augmenting the economic impact of sport?: The case of the 2010 FIFA world cup and the national arts festival in South Africa
- Authors: Snowball, Jeanette D
- Date: 2012
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/71430 , vital:29848 , https://econrsa.org/system/files/publications/working_papers/wp294.pdf
- Description: Despite the debate about whether arts consumers are also sports consumers, many countries have used cultural events to leverage further tourism spending from sports events, the most famous example being the cultural Olympics. This paper reports the findings of research conducted at the 2010 South African National Arts Festival, which was specifically timed to coincide with SoccerWorld Cup matches being played in a nearby city. Of the 600 interviews conducted with Festival-goers, only 23% reported also attending World Cup soccer matches. Regression analysis revealed that, while there is some overlap between arts and sports attendees, their demographics and consumption habits are significantly different. However, consumption outside of major events showed somewhat more overlap. This suggests that staging cultural events at the same time as major sporting events is not an ideal strategy, since they tend to compete with, rather than complement, each other.
- Full Text:
- Date Issued: 2012
- Authors: Snowball, Jeanette D
- Date: 2012
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/71430 , vital:29848 , https://econrsa.org/system/files/publications/working_papers/wp294.pdf
- Description: Despite the debate about whether arts consumers are also sports consumers, many countries have used cultural events to leverage further tourism spending from sports events, the most famous example being the cultural Olympics. This paper reports the findings of research conducted at the 2010 South African National Arts Festival, which was specifically timed to coincide with SoccerWorld Cup matches being played in a nearby city. Of the 600 interviews conducted with Festival-goers, only 23% reported also attending World Cup soccer matches. Regression analysis revealed that, while there is some overlap between arts and sports attendees, their demographics and consumption habits are significantly different. However, consumption outside of major events showed somewhat more overlap. This suggests that staging cultural events at the same time as major sporting events is not an ideal strategy, since they tend to compete with, rather than complement, each other.
- Full Text:
- Date Issued: 2012
Analyzing, digitizing and technologizing the oral word: the case of Bongani Sitole
- Kaschula, Russell H, Mostert, André
- Authors: Kaschula, Russell H , Mostert, André
- Date: 2009
- Subjects: Sitole, Bongani, 1937- , Xhosa (African people) -- South Africa , Xhosa poetry , Folk poetry, Xhosa
- Language: English
- Type: article , text
- Identifier: http://hdl.handle.net/10962/59368 , vital:27566 , https://doi.org/10.1080/13696810903259384
- Description: This article analyzes the oral poetry, izibongo, produced by Xhosa oral poet Bongani Sitole (both in book and technological form). It will trace this poetry from the moment it was orally produced, through to the technologizing and publication of this poetry in book form and on a website. The initial part of this article looks at the life and work of the poet. A contextual analysis of selected poetry is provided. The latter part of the article concentrates on issues related to technology and its relationship to the oral and written word. The term ‘technauriture’ has been coined in order to refer to this process. The contribution of eLearning4Africa (www.elearning4africa.com) to the digitization process of Sitole’s poetry is acknowledged.
- Full Text:
- Date Issued: 2009
- Authors: Kaschula, Russell H , Mostert, André
- Date: 2009
- Subjects: Sitole, Bongani, 1937- , Xhosa (African people) -- South Africa , Xhosa poetry , Folk poetry, Xhosa
- Language: English
- Type: article , text
- Identifier: http://hdl.handle.net/10962/59368 , vital:27566 , https://doi.org/10.1080/13696810903259384
- Description: This article analyzes the oral poetry, izibongo, produced by Xhosa oral poet Bongani Sitole (both in book and technological form). It will trace this poetry from the moment it was orally produced, through to the technologizing and publication of this poetry in book form and on a website. The initial part of this article looks at the life and work of the poet. A contextual analysis of selected poetry is provided. The latter part of the article concentrates on issues related to technology and its relationship to the oral and written word. The term ‘technauriture’ has been coined in order to refer to this process. The contribution of eLearning4Africa (www.elearning4africa.com) to the digitization process of Sitole’s poetry is acknowledged.
- Full Text:
- Date Issued: 2009
Al/Cr ratios of coexisting pyroxenes and spinellids in some ultramafic rocks
- Eales, Hugh V, Marsh, Julian S
- Authors: Eales, Hugh V , Marsh, Julian S
- Date: 1983
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/133534 , vital:36987 , https://doi.org/10.1016/0009-2541(83)90045-1
- Description: Al/Cr atomic ratios of coexisting spinellids and ortho- and clinopyroxenes show a pattern of sympathetic variation that persists through ultramafic rocks of layered mafic complexes of upper-crustal type, Alpine complexes, and the nodules found in kimberlites and alkaline basalts. Simple expressions are empirically derived to link (Al/Cr) orthopyroxene and (Al/Cr)spinel ratios in putatively equilibrated rocks. Equivalence of spinel compositions in shallow layered complexes and kimberlite nodules of deep-seated origin negates direct crystallochemical control of Al/Cr ratios of spinels by pressure.
- Full Text: false
- Date Issued: 1983
- Authors: Eales, Hugh V , Marsh, Julian S
- Date: 1983
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/133534 , vital:36987 , https://doi.org/10.1016/0009-2541(83)90045-1
- Description: Al/Cr atomic ratios of coexisting spinellids and ortho- and clinopyroxenes show a pattern of sympathetic variation that persists through ultramafic rocks of layered mafic complexes of upper-crustal type, Alpine complexes, and the nodules found in kimberlites and alkaline basalts. Simple expressions are empirically derived to link (Al/Cr) orthopyroxene and (Al/Cr)spinel ratios in putatively equilibrated rocks. Equivalence of spinel compositions in shallow layered complexes and kimberlite nodules of deep-seated origin negates direct crystallochemical control of Al/Cr ratios of spinels by pressure.
- Full Text: false
- Date Issued: 1983
A framework for recuperation: HIV/AIDS and the Keiskamma Altarpiece
- Authors: Schmahmann, Brenda
- Date: 2010
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147593 , vital:38652 , https://doi.org/10.1162/afar.2010.43.3.34
- Description: South Africa has the largest number of people living with HIV of any nation in the world. While various conditions and circumstances have made South Africa especially susceptible to an HIV/AIDS pandemic, its leadership has not recognized the impact of the disease or found appropriate strategies to address rising rates of infection. Thabo Mbeki's presidency (1999—2008) and the appointment of Manto Tshabalala-Msimang as his health minister were disastrous in terms of the pandemic.
- Full Text:
- Date Issued: 2010
- Authors: Schmahmann, Brenda
- Date: 2010
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147593 , vital:38652 , https://doi.org/10.1162/afar.2010.43.3.34
- Description: South Africa has the largest number of people living with HIV of any nation in the world. While various conditions and circumstances have made South Africa especially susceptible to an HIV/AIDS pandemic, its leadership has not recognized the impact of the disease or found appropriate strategies to address rising rates of infection. Thabo Mbeki's presidency (1999—2008) and the appointment of Manto Tshabalala-Msimang as his health minister were disastrous in terms of the pandemic.
- Full Text:
- Date Issued: 2010