Tshikanda at Lukau
- Women and initiates at Lukau, performer not specified, composer not specified, Tracey, Hugh
- Authors: Women and initiates at Lukau , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/409585 , vital:70607 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT21-KV19-KV7F2D
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Women and initiates at Lukau , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/409585 , vital:70607 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT21-KV19-KV7F2D
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Tshikanda at Lukau
- Women and initiates at Lukau, performer not specified, composer not specified, Tracey, Hugh
- Authors: Women and initiates at Lukau , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/410221 , vital:70682 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT21-KV19-KV7F3D
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Women and initiates at Lukau , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/410221 , vital:70682 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT21-KV19-KV7F3D
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Tshikanda at Lukau
- Women and initiates at Lukau, performer not specified, composer not specified, Tracey, Hugh
- Authors: Women and initiates at Lukau , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/409477 , vital:70594 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT21-KV19-KV7F1D
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Women and initiates at Lukau , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/409477 , vital:70594 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT21-KV19-KV7F1D
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Wanyongoba (The worry)
- Women and children of Dabi's location, Hugh Tracey
- Authors: Women and children of Dabi's location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150032 , vital:38932 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR059-19
- Description: "This worry that nags at me all the time." Threshing song, with sticks beaten on the ground.
- Full Text: false
- Date Issued: 1957
- Authors: Women and children of Dabi's location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150032 , vital:38932 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR059-19
- Description: "This worry that nags at me all the time." Threshing song, with sticks beaten on the ground.
- Full Text: false
- Date Issued: 1957
Matshoba
- Women and children of Dabi's location, Hugh Tracey
- Authors: Women and children of Dabi's location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150021 , vital:38931 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR059-18
- Description: "He who spends his time asleep threshes his own hand." (i.e. is wasting his time). Threshing song, with sticks beaten on the ground.
- Full Text: false
- Date Issued: 1957
- Authors: Women and children of Dabi's location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150021 , vital:38931 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR059-18
- Description: "He who spends his time asleep threshes his own hand." (i.e. is wasting his time). Threshing song, with sticks beaten on the ground.
- Full Text: false
- Date Issued: 1957
The British organ and its music during the nineteenth century
- Authors: Wise, James Patrick Gerald
- Date: 1957
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2694 , http://hdl.handle.net/10962/d1013429
- Description: It is a curious fact that, although the literature of the organ is a reasonably large one, no attempt has been made to study the history of the instrument in Britain in any detail. Hopkins and Rimbault covered a certain amount of ground up to 1800, but even they could not deal very extensively with the subject in a volume that was tracing the history of the organ not only in Britain, but throughout Europe, and not only its history but its construction also. For similar reasons Dr. Sumner? (name unclear), in his recent book, could paint little more than an outline picture. However, the British organ's development prior to 1800 was one that does not admit of very discursive treatment. Progress was lamentably slow in comparison with that of Continental organs; and consequently the nineteenth century dawned with British organ-building literally hundreds of years behind that of France, Germany, Belgium and Holland. Yet, a century later, the position was redeemed, and even before the present era opened, the products of British organ-builders were not merely equal to, but, in general superior to those of the Continent in tonal design, mechanism, in artistic finish, and in ordinary maintenance and preservation. The nineteenth century, then, must clearly be regarded as a remarkable, indeed glorious, period in British organ-building, in fact one is tempted to enquire, whether there exists, in the entire artistic and scientific history of any country a similar example of accelerated development; in which one country has made up three hundred years' leeway in one third of that time. This thesis therefore, sets out to examine and describe the events of the century, and the men who were responsible for those events, to trace the growth of the organ in its various departments, and as the instrument itself is only a means to an end, to say something about the way in which it was used, the music that was played on it, and the men who played and composed this music. The thesis is divided into two volumes, the first deals entirely with the history of the instrument and its builders during the nineteenth century, with an introduction briefly recounting the story from the Restoration up to the year 1800; and the second volume is concerned with the music and the musicians as well as the several detailed indexes which are so necessary if a work of this kind is to be of any value at all. A full bibliography is given in Volume Two, but supreme acknowledgement must be paid here to the quarterly periodical "The Organ" - still thriving after an active career that began in July 1921. Its scholarly articles range over the whole field of international organ-building and organ-history, and without its help this thesis would have been far less comprehensive in its scope and far lesss authorative in its source-material.
- Full Text:
- Date Issued: 1957
- Authors: Wise, James Patrick Gerald
- Date: 1957
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2694 , http://hdl.handle.net/10962/d1013429
- Description: It is a curious fact that, although the literature of the organ is a reasonably large one, no attempt has been made to study the history of the instrument in Britain in any detail. Hopkins and Rimbault covered a certain amount of ground up to 1800, but even they could not deal very extensively with the subject in a volume that was tracing the history of the organ not only in Britain, but throughout Europe, and not only its history but its construction also. For similar reasons Dr. Sumner? (name unclear), in his recent book, could paint little more than an outline picture. However, the British organ's development prior to 1800 was one that does not admit of very discursive treatment. Progress was lamentably slow in comparison with that of Continental organs; and consequently the nineteenth century dawned with British organ-building literally hundreds of years behind that of France, Germany, Belgium and Holland. Yet, a century later, the position was redeemed, and even before the present era opened, the products of British organ-builders were not merely equal to, but, in general superior to those of the Continent in tonal design, mechanism, in artistic finish, and in ordinary maintenance and preservation. The nineteenth century, then, must clearly be regarded as a remarkable, indeed glorious, period in British organ-building, in fact one is tempted to enquire, whether there exists, in the entire artistic and scientific history of any country a similar example of accelerated development; in which one country has made up three hundred years' leeway in one third of that time. This thesis therefore, sets out to examine and describe the events of the century, and the men who were responsible for those events, to trace the growth of the organ in its various departments, and as the instrument itself is only a means to an end, to say something about the way in which it was used, the music that was played on it, and the men who played and composed this music. The thesis is divided into two volumes, the first deals entirely with the history of the instrument and its builders during the nineteenth century, with an introduction briefly recounting the story from the Restoration up to the year 1800; and the second volume is concerned with the music and the musicians as well as the several detailed indexes which are so necessary if a work of this kind is to be of any value at all. A full bibliography is given in Volume Two, but supreme acknowledgement must be paid here to the quarterly periodical "The Organ" - still thriving after an active career that began in July 1921. Its scholarly articles range over the whole field of international organ-building and organ-history, and without its help this thesis would have been far less comprehensive in its scope and far lesss authorative in its source-material.
- Full Text:
- Date Issued: 1957
Nashe nsapato nashiseka nsuno chalo? (Why not buy shoes that fit?)
- William Siwale and 3 friends, Hugh Tracey
- Authors: William Siwale and 3 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk songs, Ambo (Zambia) , Folk songs, Bemba , Topical songs , Africa Zambia Banroft f-za
- Language: bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135098 , vital:37237 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0023-05
- Description: "Why don't people buy their children shoes that fit them properly, instead of badly fitting ones. And when people buy a pair of trousers, why does the tailor cut them so narrow at the ankle?"Topical song with guitar.
- Full Text: false
- Date Issued: 1957
- Authors: William Siwale and 3 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk songs, Ambo (Zambia) , Folk songs, Bemba , Topical songs , Africa Zambia Banroft f-za
- Language: bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135098 , vital:37237 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0023-05
- Description: "Why don't people buy their children shoes that fit them properly, instead of badly fitting ones. And when people buy a pair of trousers, why does the tailor cut them so narrow at the ankle?"Topical song with guitar.
- Full Text: false
- Date Issued: 1957
Mayo, mayo (Mother, mother)
- William Siwale and 3 friends, Hugh Tracey
- Authors: William Siwale and 3 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk songs, Ambo (Zambia) , Folk songs, Bemba , Topical songs , Africa Zambia Banroft f-za
- Language: bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135116 , vital:37238 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0023-06
- Description: "Mothers, mothers, harvest your crops." Topical song with guitar
- Full Text: false
- Date Issued: 1957
- Authors: William Siwale and 3 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk songs, Ambo (Zambia) , Folk songs, Bemba , Topical songs , Africa Zambia Banroft f-za
- Language: bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135116 , vital:37238 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0023-06
- Description: "Mothers, mothers, harvest your crops." Topical song with guitar
- Full Text: false
- Date Issued: 1957
Papiri
- William Mudobi, performer not specified, composer not specified, Tracey, Hugh
- Authors: William Mudobi , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/404656 , vital:70094 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV1-KV1A6B
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: William Mudobi , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/404656 , vital:70094 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV1-KV1A6B
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Posilo
- William Mudobi, performer not specified, composer not specified, Tracey, Hugh
- Authors: William Mudobi , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/404616 , vital:70089 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV1-KV1A6A
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: William Mudobi , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/404616 , vital:70089 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV1-KV1A6A
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Luimbo lwa Rambuda
- William Marubini, George Lugisani Mudobi with Edson Munzhedzi Mudobi, composer not specified, Tracey, Hugh
- Authors: William Marubini , George Lugisani Mudobi with Edson Munzhedzi Mudobi , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/405167 , vital:70145 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV1-KV1C4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: William Marubini , George Lugisani Mudobi with Edson Munzhedzi Mudobi , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/405167 , vital:70145 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV1-KV1C4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Luimbo lwa Rambuda
- William Marubini, George Lugisani Mudobi with Edson Munzhedzi Mudobi, composer not specified, Tracey, Hugh
- Authors: William Marubini , George Lugisani Mudobi with Edson Munzhedzi Mudobi , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/405204 , vital:70150 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV2-KV1C5
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: William Marubini , George Lugisani Mudobi with Edson Munzhedzi Mudobi , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/405204 , vital:70150 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV2-KV1C5
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Hu na Nya mu takala ngo u ḽa
- William Marubini, George Lugisani Mudobi with Edson Munzhedzi Mudobi, composer not specified, Tracey, Hugh
- Authors: William Marubini , George Lugisani Mudobi with Edson Munzhedzi Mudobi , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/405250 , vital:70154 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV2-KV1C6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: William Marubini , George Lugisani Mudobi with Edson Munzhedzi Mudobi , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/405250 , vital:70154 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV2-KV1C6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Vha Mbedzi a si vhathu
- William Marubini, George Lugisani Mudobi with Edson Munzhedzi Mudobi, composer not specified, Tracey, Hugh
- Authors: William Marubini , George Lugisani Mudobi with Edson Munzhedzi Mudobi , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/405520 , vital:70178 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV2-KV1C7
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: William Marubini , George Lugisani Mudobi with Edson Munzhedzi Mudobi , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/405520 , vital:70178 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV2-KV1C7
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Weufwaya muchinshi She who would be respected)
- William Mapulanga and Friends, Hugh Tracey
- Authors: William Mapulanga and Friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kazembe f-za
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139895 , vital:37804 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-03
- Description: "If all women had manners like the Nyayusa women, who kneel and clap their hands when they meet a man, the world would be much improved." "She who would be respected should follow the exampleof the Nyakyusa women." Topical song with guitar, rattle and bottle.
- Full Text: false
- Date Issued: 1957
- Authors: William Mapulanga and Friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kazembe f-za
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139895 , vital:37804 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-03
- Description: "If all women had manners like the Nyayusa women, who kneel and clap their hands when they meet a man, the world would be much improved." "She who would be respected should follow the exampleof the Nyakyusa women." Topical song with guitar, rattle and bottle.
- Full Text: false
- Date Issued: 1957
Bachituta panchi (The defeated one)
- William Mapulanga and Friends, Hugh Tracey
- Authors: William Mapulanga and Friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kazembe f-za
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139886 , vital:37803 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR052-02
- Description: "The loser in a fight is always laughed at.' Topical song with guitar, rattle and bottle.
- Full Text: false
- Date Issued: 1957
- Authors: William Mapulanga and Friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kazembe f-za
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139886 , vital:37803 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR052-02
- Description: "The loser in a fight is always laughed at.' Topical song with guitar, rattle and bottle.
- Full Text: false
- Date Issued: 1957
Mukashi wamunobe (Do not play about with your friend's wife)
- William Mapulanga and Friends, Hugh Tracey
- Authors: William Mapulanga and Friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kazembe f-za
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139915 , vital:37812 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-04
- Description: The cross rhythm of this song is typical, while the melodic formula of the lyric is one which has come up to N. Rhodesia from the south where it originated eight years ago in a song called "Vura matambo." from the Muzezuru tribe in S. Rhodesia. This demonstrates the persistence of the oral folk evolution of songs, now accelerated and more widely distributed by means of phonograhic recording. In the ordinary course of events, this tune would never have moved so far from its original home some 600 and 700 miles away. Morality song with guitar and bottle.
- Full Text: false
- Date Issued: 1957
- Authors: William Mapulanga and Friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kazembe f-za
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139915 , vital:37812 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-04
- Description: The cross rhythm of this song is typical, while the melodic formula of the lyric is one which has come up to N. Rhodesia from the south where it originated eight years ago in a song called "Vura matambo." from the Muzezuru tribe in S. Rhodesia. This demonstrates the persistence of the oral folk evolution of songs, now accelerated and more widely distributed by means of phonograhic recording. In the ordinary course of events, this tune would never have moved so far from its original home some 600 and 700 miles away. Morality song with guitar and bottle.
- Full Text: false
- Date Issued: 1957
Tshirendo tsha mahosi
- William Mandela, performer not specified, M. Nemasiwana, Tracey, Hugh
- Authors: William Mandela , performer not specified , M. Nemasiwana , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/404882 , vital:70118 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV1-KV1B6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: William Mandela , performer not specified , M. Nemasiwana , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/404882 , vital:70118 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV1-KV1B6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Tshirendo tsha mvula
- William Mandela, performer not specified, composer not specified, Tracey, Hugh
- Authors: William Mandela , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/404871 , vital:70117 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV1-KV1B5
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: William Mandela , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/404871 , vital:70117 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV1-KV1B5
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Grahamstown : land utilisation in the town, 1953
- Authors: Watts, Hilstan Lett, 1929-
- Date: 1957
- Subjects: f-sa , 2 cm = 2000 yards 30.5595° S, 22.9375° E , Grahamstown (South Africa) Maps , South Africa History 1909-1961 , South Africa History 1836-1909
- Language: English
- Type: maps , digital maps , cartographic
- Identifier: http://hdl.handle.net/10962/120671 , vital:34920 , Cory Library for Humanities Research, Rhodes University Library, Grahamstown, South Africa , T654_6
- Description: Map 6 in the map album accompanying the thesis by Hilstan Lett Watts, "Grahamstown : a socio-ecological study of a small South African town", Rhodes University thesis, 1957. Map signed 1955.
- Full Text: false
- Date Issued: 1957
- Authors: Watts, Hilstan Lett, 1929-
- Date: 1957
- Subjects: f-sa , 2 cm = 2000 yards 30.5595° S, 22.9375° E , Grahamstown (South Africa) Maps , South Africa History 1909-1961 , South Africa History 1836-1909
- Language: English
- Type: maps , digital maps , cartographic
- Identifier: http://hdl.handle.net/10962/120671 , vital:34920 , Cory Library for Humanities Research, Rhodes University Library, Grahamstown, South Africa , T654_6
- Description: Map 6 in the map album accompanying the thesis by Hilstan Lett Watts, "Grahamstown : a socio-ecological study of a small South African town", Rhodes University thesis, 1957. Map signed 1955.
- Full Text: false
- Date Issued: 1957