Xey Baax
- Mbaye Ndiaye (lead vocal, riiti), Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus), Alioune Gueye (guitar), Elou Fall (keyboard, programming, drums), Pape Ndiaye (percussion), Jololi
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130468 , vital:36425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-04
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130468 , vital:36425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-04
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
Liggey
- Micka Gomis (lead vocal, keyboard, percussion, composer, arranger), Pathe Jassi (bass, vocals), Ousmane Sowe (keyboard, horns, percussion), Omar Sowe (guitar), Ablaye "Bird" Ndiaye (saxophone), Papa Ndiaye Guewel (sabars, jimbe), Karim Mbaye (sabar), Kaare Wamberg (drums programming, vocals, guitar, bass), Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus), Studio 2000
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129108 , vital:36218 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-07
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129108 , vital:36218 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-07
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
Kellegeti
- Micka Gomis (lead vocal, keyboard, percussion, composer, arranger), Pathe Jassi (bass, vocals), Ousmane Sowe (keyboard, horns, percussion), Omar Sowe (guitar), Ablaye "Bird" Ndiaye (saxophone), Papa Ndiaye Guewel (sabars, jimbe), Karim Mbaye (sabar), Kaare Wamberg (drums programming, vocals, guitar, bass), Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus), Studio 2000
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129069 , vital:36214 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-05
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129069 , vital:36214 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-05
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
Bellengteng
- Micka Gomis (lead vocal, keyboard, percussion, composer, arranger), Pathe Jassi (bass, vocals), Ousmane Sowe (keyboard, horns, percussion), Omar Sowe (guitar), Ablaye "Bird" Ndiaye (saxophone), Papa Ndiaye Guewel (sabars, jimbe), Karim Mbaye (sabar), Kaare Wamberg (drums programming, vocals, guitar, bass), Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus), Studio 2000
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129060 , vital:36212 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-04
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129060 , vital:36212 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-04
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
Kpihi-Gou
- Micka Gomis (lead vocal, keyboard, percussion, composer, arranger), Pathe Jassi (bass, vocals), Ousmane Sowe (keyboard, horns, percussion), Omar Sowe (guitar), Ablaye "Bird" Ndiaye (saxophone), Papa Ndiaye Guewel (sabars, jimbe), Karim Mbaye (sabar), Kaare Wamberg (drums programming, vocals, guitar, bass), Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus), Studio 2000
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129033 , vital:36208 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-01
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129033 , vital:36208 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-01
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
Nadu
- Micka Gomis (lead vocal, keyboard, percussion, composer, arranger), Pathe Jassi (bass, vocals), Ousmane Sowe (keyboard, horns, percussion), Omar Sowe (guitar), Ablaye "Bird" Ndiaye (saxophone), Papa Ndiaye Guewel (sabars, jimbe), Karim Mbaye (sabar), Kaare Wamberg (drums programming, vocals, guitar, bass), Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus), Studio 2000
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129088 , vital:36216 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-06
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129088 , vital:36216 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-06
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
Allal
- Micka Gomis (lead vocal, keyboard, percussion, composer, arranger), Pathe Jassi (bass, vocals), Ousmane Sowe (keyboard, horns, percussion), Omar Sowe (guitar), Ablaye "Bird" Ndiaye (saxophone), Papa Ndiaye Guewel (sabars, jimbe), Karim Mbaye (sabar), Kaare Wamberg (drums programming, vocals, guitar, bass), Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus), Studio 2000
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129123 , vital:36220 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-08
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129123 , vital:36220 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-08
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
Niwe
- Micka Gomis (lead vocal, keyboard, percussion, composer, arranger), Pathe Jassi (bass, vocals), Ousmane Sowe (keyboard, horns, percussion), Omar Sowe (guitar), Ablaye "Bird" Ndiaye (saxophone), Papa Ndiaye Guewel (sabars, jimbe), Karim Mbaye (sabar), Kaare Wamberg (drums programming, vocals, guitar, bass), Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus), Studio 2000
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129051 , vital:36210 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-03
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129051 , vital:36210 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-03
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
Jainaro
- Micka Gomis (lead vocal, keyboard, percussion, composer, arranger), Pathe Jassi (bass, vocals), Ousmane Sowe (keyboard, horns, percussion), Omar Sowe (guitar), Ablaye "Bird" Ndiaye (saxophone), Papa Ndiaye Guewel (sabars, jimbe), Karim Mbaye (sabar), Kaare Wamberg (drums programming, vocals, guitar, bass), Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus), Studio 2000
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129042 , vital:36209 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-02
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
- Authors: Micka Gomis (lead vocal, keyboard, percussion, composer, arranger) , Pathe Jassi (bass, vocals) , Ousmane Sowe (keyboard, horns, percussion) , Omar Sowe (guitar) , Ablaye "Bird" Ndiaye (saxophone) , Papa Ndiaye Guewel (sabars, jimbe) , Karim Mbaye (sabar) , Kaare Wamberg (drums programming, vocals, guitar, bass) , Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129042 , vital:36209 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC18-02
- Description: Senegalese band, featuring solo male vocals and chorus. The song mixes traditional Senegalese rhythm and sounds with the western soul genre, accompanied by traditional and modern instruments
- Full Text: false
- Date Issued: 1999
Baladjigui Moussa
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128870 , vital:36176 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-07
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128870 , vital:36176 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-07
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Manore
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128789 , vital:36158 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-01
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128789 , vital:36158 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-01
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Madame Siby
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128832 , vital:36171 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-02
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128832 , vital:36171 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-02
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Ligueyante
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128846 , vital:36173 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-04
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128846 , vital:36173 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-04
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Yalla Bahna
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128865 , vital:36175 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-06
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128865 , vital:36175 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-06
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Sare Bamba
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128841 , vital:36172 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-03
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128841 , vital:36172 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-03
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Touba
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128860 , vital:36174 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-05
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128860 , vital:36174 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-05
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Ayda
- Ndaye Marie Ndiaye (lead vocal), Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus), Tapha Faye (keyboard, arrangements), Papis Diouf (solo guitar), Badou Dieme (bass guitar), Jules Diop (drums), Papu Ndiaye (percussion), Dara Guisse (xalam), Habib Mbengue, Ousmane Ndiaye (additional percussion), Ndiago Ndour, Samassa Records
- Authors: Ndaye Marie Ndiaye (lead vocal) , Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus) , Tapha Faye (keyboard, arrangements) , Papis Diouf (solo guitar) , Badou Dieme (bass guitar) , Jules Diop (drums) , Papu Ndiaye (percussion) , Dara Guisse (xalam) , Habib Mbengue, Ousmane Ndiaye (additional percussion) , Ndiago Ndour , Samassa Records
- Date: 2000
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130209 , vital:36387 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC39-03
- Description: A Senegalese griot singer grounded in tradition. Her music demonstrates the richness of the inflections of the voice and the multiple intonations of the art of the griot. Her unique voice timbre and intonation is accompanied by traditional xalam and tama, as well as western instruments
- Full Text: false
- Date Issued: 2000
- Authors: Ndaye Marie Ndiaye (lead vocal) , Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus) , Tapha Faye (keyboard, arrangements) , Papis Diouf (solo guitar) , Badou Dieme (bass guitar) , Jules Diop (drums) , Papu Ndiaye (percussion) , Dara Guisse (xalam) , Habib Mbengue, Ousmane Ndiaye (additional percussion) , Ndiago Ndour , Samassa Records
- Date: 2000
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130209 , vital:36387 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC39-03
- Description: A Senegalese griot singer grounded in tradition. Her music demonstrates the richness of the inflections of the voice and the multiple intonations of the art of the griot. Her unique voice timbre and intonation is accompanied by traditional xalam and tama, as well as western instruments
- Full Text: false
- Date Issued: 2000
Mbaax Sa Fasa
- Ndaye Marie Ndiaye (lead vocal), Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus), Tapha Faye (keyboard, arrangements), Papis Diouf (solo guitar), Badou Dieme (bass guitar), Jules Diop (drums), Papu Ndiaye (percussion), Dara Guisse (xalam), Habib Mbengue, Ousmane Ndiaye (additional percussion), Ndiago Ndour, Samassa Records
- Authors: Ndaye Marie Ndiaye (lead vocal) , Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus) , Tapha Faye (keyboard, arrangements) , Papis Diouf (solo guitar) , Badou Dieme (bass guitar) , Jules Diop (drums) , Papu Ndiaye (percussion) , Dara Guisse (xalam) , Habib Mbengue, Ousmane Ndiaye (additional percussion) , Ndiago Ndour , Samassa Records
- Date: 2000
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130233 , vital:36390 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC39-06
- Description: A Senegalese griot singer grounded in tradition. Her music demonstrates the richness of the inflections of the voice and the multiple intonations of the art of the griot. Her unique voice timbre and intonation is accompanied by traditional xalam and tama, as well as western instruments
- Full Text: false
- Date Issued: 2000
- Authors: Ndaye Marie Ndiaye (lead vocal) , Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus) , Tapha Faye (keyboard, arrangements) , Papis Diouf (solo guitar) , Badou Dieme (bass guitar) , Jules Diop (drums) , Papu Ndiaye (percussion) , Dara Guisse (xalam) , Habib Mbengue, Ousmane Ndiaye (additional percussion) , Ndiago Ndour , Samassa Records
- Date: 2000
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130233 , vital:36390 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC39-06
- Description: A Senegalese griot singer grounded in tradition. Her music demonstrates the richness of the inflections of the voice and the multiple intonations of the art of the griot. Her unique voice timbre and intonation is accompanied by traditional xalam and tama, as well as western instruments
- Full Text: false
- Date Issued: 2000
Beeta Felaa
- Ndaye Marie Ndiaye (lead vocal), Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus), Tapha Faye (keyboard, arrangements), Papis Diouf (solo guitar), Badou Dieme (bass guitar), Jules Diop (drums), Papu Ndiaye (percussion), Dara Guisse (xalam), Habib Mbengue, Ousmane Ndiaye (additional percussion), Ndiago Ndour, Samassa Records
- Authors: Ndaye Marie Ndiaye (lead vocal) , Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus) , Tapha Faye (keyboard, arrangements) , Papis Diouf (solo guitar) , Badou Dieme (bass guitar) , Jules Diop (drums) , Papu Ndiaye (percussion) , Dara Guisse (xalam) , Habib Mbengue, Ousmane Ndiaye (additional percussion) , Ndiago Ndour , Samassa Records
- Date: 2000
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130182 , vital:36384 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC39-01
- Description: A Senegalese griot singer grounded in tradition. Her music demonstrates the richness of the inflections of the voice and the multiple intonations of the art of the griot. Her unique voice timbre and intonation is accompanied by traditional xalam and tama, as well as western instruments
- Full Text: false
- Date Issued: 2000
- Authors: Ndaye Marie Ndiaye (lead vocal) , Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus) , Tapha Faye (keyboard, arrangements) , Papis Diouf (solo guitar) , Badou Dieme (bass guitar) , Jules Diop (drums) , Papu Ndiaye (percussion) , Dara Guisse (xalam) , Habib Mbengue, Ousmane Ndiaye (additional percussion) , Ndiago Ndour , Samassa Records
- Date: 2000
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130182 , vital:36384 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC39-01
- Description: A Senegalese griot singer grounded in tradition. Her music demonstrates the richness of the inflections of the voice and the multiple intonations of the art of the griot. Her unique voice timbre and intonation is accompanied by traditional xalam and tama, as well as western instruments
- Full Text: false
- Date Issued: 2000
Ligeeya Woor
- Ndaye Marie Ndiaye (lead vocal), Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus), Tapha Faye (keyboard, arrangements), Papis Diouf (solo guitar), Badou Dieme (bass guitar), Jules Diop (drums), Papu Ndiaye (percussion), Dara Guisse (xalam), Habib Mbengue, Ousmane Ndiaye (additional percussion), Ndiago Ndour, Samassa Records
- Authors: Ndaye Marie Ndiaye (lead vocal) , Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus) , Tapha Faye (keyboard, arrangements) , Papis Diouf (solo guitar) , Badou Dieme (bass guitar) , Jules Diop (drums) , Papu Ndiaye (percussion) , Dara Guisse (xalam) , Habib Mbengue, Ousmane Ndiaye (additional percussion) , Ndiago Ndour , Samassa Records
- Date: 2000
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130191 , vital:36385 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC39-02
- Description: A Senegalese griot singer grounded in tradition. Her music demonstrates the richness of the inflections of the voice and the multiple intonations of the art of the griot. Her unique voice timbre and intonation is accompanied by traditional xalam and tama, as well as western instruments
- Full Text: false
- Date Issued: 2000
- Authors: Ndaye Marie Ndiaye (lead vocal) , Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus) , Tapha Faye (keyboard, arrangements) , Papis Diouf (solo guitar) , Badou Dieme (bass guitar) , Jules Diop (drums) , Papu Ndiaye (percussion) , Dara Guisse (xalam) , Habib Mbengue, Ousmane Ndiaye (additional percussion) , Ndiago Ndour , Samassa Records
- Date: 2000
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130191 , vital:36385 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC39-02
- Description: A Senegalese griot singer grounded in tradition. Her music demonstrates the richness of the inflections of the voice and the multiple intonations of the art of the griot. Her unique voice timbre and intonation is accompanied by traditional xalam and tama, as well as western instruments
- Full Text: false
- Date Issued: 2000