Showing items 61 - 80 of 105

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Mariana, Mariana

- Chokwe men, Hugh Tracey

Masaji

- Chokwe men, Hugh Tracey

Mbanda wa Sikinta

- Gibson Zenzi with Luunda men, Hugh Tracey

Mpagatare

- Batwa singers of Chief Kamuzinzi, Hugh Tracey

Mpundu

- Batwa singers of Chief Kamuzinzi, Hugh Tracey

Mpundu

- Batwa women, Hugh Tracey

  • Authors: Batwa women , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Songs, Kinyarwanda--Rwanda , Rundi (African people) , Folk songs, Rundi , Africa Rwanda Shangugu f-rw
  • Language: Kinyarwanda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/148840 , vital:38778 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR058-01
  • Description: The singers wish their chief prosperity in his chieftainship and his country. An interesting chorus with 2 parts sung in organum and complex clapping patterns. Praise song for chief with handclapping.
  • Full Text: false
  • Date Issued: 1952

Muleygame dibwela

- Kayoka Ladislaus, with Kapungo Isidore and Beya Marcel (Likembe players), Hugh Tracey

Mupukumo

- Sirifino Mutare, Two Bemba men, Hugh Tracey

  • Authors: Sirifino Mutare , Two Bemba men , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Kasama f-za
  • Language: Lozi , Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183789 , vital:44069 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-15
  • Description: The scale of this instrumet was:- 592, 544, 504, 456, 424, 376, 340, 308, 280, 252, 228 vs. With the exception of the new top intervals of the scale all the remainder are approximately 1 3/4 semitone each. The intervals measured in cents are:- 126, 208, 174, 172, 165, 182, 173 cents. This tune follows closely upon a well established and unmistakeably Bemba style of melody. When singing in parallel thirds the size of the consecutive thirds, taken from the measured scale would be:- 334, 382, 346, 337, 355 cents. Parallel fourths would be:- 508, 554, 511, 519, 520 cents. Drinking song with Mbira, Chilimba ya waBemba
  • Full Text: false
  • Date Issued: 1952

Murengerongoma

- Mihambari and Rwanda girls, Hugh Tracey

  • Authors: Mihambari and Rwanda girls , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Songs, Kinyarwanda--Rwanda , Folk dance music , Tutsi (African people) , Africa Rwanda Gihini f-rw
  • Language: Kinyarwanda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/148745 , vital:38770 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR057-10
  • Description: Murengerongoma was a man all of whose children except one, were taken by lions. So the people came and helped him gather firewood and do all household tasks, when they had done this, he danced for them to show his gratitude. Wedding song with hand clapping
  • Full Text: false
  • Date Issued: 1952

Muta

- Louis Mulowa, Hugh Tracey

  • Authors: Louis Mulowa , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
  • Language: Lunda , Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/182998 , vital:43901 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-15
  • Description: When the people were dancing together they were called because it was time to go. They were sorry to break up the party and leave the dance. It is not easy to understand the relationships between the pitch of the instrument and the pitch of the players voice. It appears to be consistant and must therefore bear some relationship in his mind. The scale of his Chisanzhi was:- 424, 380, 344, 304, 280, 266, 232, 212 vs. The tips of the players fingers were constantly moist and sticky and he kept a supply of dry sand beside him to rub on his finger tips before playing. Personal laments, with Chizanzhi Mbira
  • Full Text: false
  • Date Issued: 1952

Muzamaelo wa mahule

- Sons of Barotseland Patriotic Society Choir, Hugh Tracey

Muzengalenge wetu munyine

- Group of Luba soilders, Hugh Tracey

Mwa mwena dehe-ye-yele

- Gibson Zenzi with Luunda men, Hugh Tracey

Mwakadima wamibushiba

- Kayoka Ladislaus, with Kapungo Isidore and Beya Marcel (Likembe players), Hugh Tracey

Mwanami waya mwiyawu

- Gibson Zenzi with Luunda men, Hugh Tracey

Mzeno Movement

- Chopi performers, Komukomu, Hugh Tracey

  • Authors: Chopi performers , Komukomu , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Musical instruments--Africa , Instrumental music , Africa Mozambique Zavala f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/131861 , vital:36764 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR002-03 , Field card no. H1L-5
  • Description: The voice of the composer and leader of orchestra, Komukomu, can be heard behind the opening phrases of the mzeno and also between each verse where he 'lines' the next verse, reminding the singers of what they have to sing. It is an excellent example of a Mzeno. Complete Ngodo xylophone orchestral dance of Regulo Banguza, with 15 xylophones and 1 Rattle.
  • Full Text: false
  • Date Issued: 1952

Na katingili na shikatingili

- Children of the Mindola African school, Hugh Tracey

Ngombe ya manengenenge

- Sons of Barotseland Patriotic Society Choir, Hugh Tracey

  • Authors: Sons of Barotseland Patriotic Society Choir , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Barotseland f-za
  • Language: Lozi , Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183725 , vital:44056 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-08
  • Description: The song is about a man who very much wanted to marry a certain girl; but had not enough cows to pay the bride price for her. So he made up his mind to go and work in order to earn enough money to buy the cows. He did so, bought the cows and married the girl. "Alleluya" is simply a cheerful refrain copied from the Christians. This song gives the impression of having been influenced by the Nguni of the eastern districts of Northern Rhodesia (Zambia) rather than a song of true Lozi origin. Topical song
  • Full Text: false
  • Date Issued: 1952

Ni sa ikela ku mwanalushi

- Sons of Barotseland Patriotic Society Choir, Hugh Tracey

  • Authors: Sons of Barotseland Patriotic Society Choir , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Barotseland f-za
  • Language: Lozi , Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183716 , vital:44055 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-07
  • Description: The song is about a man who went home to his villag and fell ill. He wanted to go to hospital but his people tried to dissuade him. He replied, "I want to go to hospital and lie on a proper hospital bed" (mbeda). In the villages they lie on the ground. This song recounts the actual experience of the composer who was a boy working on the Northern Rhodesia Railways. Before these people were conquered by the Kololo they are said to have spoken the Siluyiana language. Topical song
  • Full Text: false
  • Date Issued: 1952

Nimuze tugweragwere

- Ndengabaganizi Leonard with Rwagasana Michel and Ewagirumukiza Donatien, Hugh Tracey

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