Dundu we, dundu makevata bina tauni (Football, football is played in the town)
- Large group of Kasai women and 5 men, Hugh Tracey
- Authors: Large group of Kasai women and 5 men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Lubumbashi f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137785 , vital:37559 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-07
- Description: Topical football song with 4 goblet drums, closed, pinned, weighted with mirlitons, hand beaten, and pieces of wood struck together.
- Full Text: false
- Date Issued: 1957
- Authors: Large group of Kasai women and 5 men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Lubumbashi f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137785 , vital:37559 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-07
- Description: Topical football song with 4 goblet drums, closed, pinned, weighted with mirlitons, hand beaten, and pieces of wood struck together.
- Full Text: false
- Date Issued: 1957
E-ye-ye alawombi tombi (I have lost my hair-do)
- Group of 8 Lunda men and women, Hugh Tracey
- Authors: Group of 8 Lunda men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Mwinilungu f-za
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139328 , vital:37727 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-11
- Description: The girls of this tribe plait their hair and draw it out into a wedge or mat on the top of the head. It is the loss of this bunch of hair to which this song refers. Topical song with struck metal.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 8 Lunda men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Mwinilungu f-za
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139328 , vital:37727 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-11
- Description: The girls of this tribe plait their hair and draw it out into a wedge or mat on the top of the head. It is the loss of this bunch of hair to which this song refers. Topical song with struck metal.
- Full Text: false
- Date Issued: 1957
E-ye-ye asemanga aweni akweti mana (There are two kinds of women)
- Group of 6 Lunda men. Leader: Conguboyi Ntambo, Hugh Tracey
- Authors: Group of 6 Lunda men. Leader: Conguboyi Ntambo , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Mwinilungu f-za
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139310 , vital:37725 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-09
- Description: There are two sorts of mothers. - Those who care for their children, love them and look after them and who thus earn people's admiration.- The other neglect their children and do not care for them.- And fot these women no one has any respect. Sikinta party dance song with 2 struck bottles.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 6 Lunda men. Leader: Conguboyi Ntambo , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Mwinilungu f-za
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139310 , vital:37725 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-09
- Description: There are two sorts of mothers. - Those who care for their children, love them and look after them and who thus earn people's admiration.- The other neglect their children and do not care for them.- And fot these women no one has any respect. Sikinta party dance song with 2 struck bottles.
- Full Text: false
- Date Issued: 1957
E-ye-ye kusumbukila kulunda (The Lunda marriage)
- Group of 6 Lunda men. Leader: Conguboyi Ntambo, Hugh Tracey
- Authors: Group of 6 Lunda men. Leader: Conguboyi Ntambo , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Mwinilungu f-za
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139301 , vital:37724 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-08
- Description: The Chief Mwinilunga Kalongisha is said to have destroyed the chieftainship of his younger brother and therefore lost the respect of his people. Sikinta party dance song with 2 struck bottles.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 6 Lunda men. Leader: Conguboyi Ntambo , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Mwinilungu f-za
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139301 , vital:37724 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-08
- Description: The Chief Mwinilunga Kalongisha is said to have destroyed the chieftainship of his younger brother and therefore lost the respect of his people. Sikinta party dance song with 2 struck bottles.
- Full Text: false
- Date Issued: 1957
Emu alunda kuwaha kwenu (You, Lunda, are a handsome people)
- Group of 14 Lunda men and 4 women, Hugh Tracey
- Authors: Group of 14 Lunda men and 4 women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139451 , vital:37739 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-06
- Description: The Kahaku dance is generally performed on ceremonial occassions. Kahaku dance song with struck bottle.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 14 Lunda men and 4 women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139451 , vital:37739 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-06
- Description: The Kahaku dance is generally performed on ceremonial occassions. Kahaku dance song with struck bottle.
- Full Text: false
- Date Issued: 1957
Eya mulanda kankola kami (I like my girl)
- Group of 6 Lunda men. Leader: Conguboyi Ntambo, Hugh Tracey
- Authors: Group of 6 Lunda men. Leader: Conguboyi Ntambo , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Mwinilungu f-za
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139319 , vital:37726 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-10
- Description: "If a man has a girl he loves and she has gone away, he must sing this song in order to remember her.". Sikinta party dance song with 2 struck bottles.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 6 Lunda men. Leader: Conguboyi Ntambo , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Mwinilungu f-za
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139319 , vital:37726 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-10
- Description: "If a man has a girl he loves and she has gone away, he must sing this song in order to remember her.". Sikinta party dance song with 2 struck bottles.
- Full Text: false
- Date Issued: 1957
Imbai tudi benaLulua
- Group of Lulua men and women, Hugh Tracey
- Authors: Group of Lulua men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183942 , vital:44086 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-07
- Description: The low roaring sound towards the end is produced by the lips and cheeks of the women and is not produced in the throat, (as the Xhosa do). The women usually used a gourd when making this sound, holding their mouths into the orifice of the gourd. They appear to blow through their pursed lips first on one side and then on the other, alternately. No gourds were used on this occasion. This item which was recorded at the Wankie Colliery several hundred miles from the district of origin of the performers, appears to have been influenced by foreign mission techniques, especially in the correct iambic stress at the end of lines. Installation of a Chief with clapping
- Full Text: false
- Date Issued: 1957
- Authors: Group of Lulua men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183942 , vital:44086 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-07
- Description: The low roaring sound towards the end is produced by the lips and cheeks of the women and is not produced in the throat, (as the Xhosa do). The women usually used a gourd when making this sound, holding their mouths into the orifice of the gourd. They appear to blow through their pursed lips first on one side and then on the other, alternately. No gourds were used on this occasion. This item which was recorded at the Wankie Colliery several hundred miles from the district of origin of the performers, appears to have been influenced by foreign mission techniques, especially in the correct iambic stress at the end of lines. Installation of a Chief with clapping
- Full Text: false
- Date Issued: 1957
Kachancha
- Group of 5 Kete men, Hugh Tracey
- Authors: Group of 5 Kete men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139416 , vital:37736 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-04
- Description: The slit drum is called mutumba (the canoe) and the cylindrical drum is Nguma. This group is situated between the Lunda and the Luba. A notably fierce and savage people. They come from the extreme south of the Kasai-near the Angola border. This dance was (in the old days) danced with a slave in the midst. At the final "Ho" (characteristic of the dance) the slave's head was severed at a single blow. The 3 xylophones were propped up at sn angle of about 45 degrees by small forked sticks. The resonators were either gourds or lengths of bamboo with open mirliton. The bamboo resonators were palstered with mud, presumably to stop their cracking. Each note was attached to the frame with a simple cord, but prevented from slipping by a second string attached near the node and made fast onto the frame. The insulating material on the frame was a bundle of long grass in each case. The three xylophones were called:- Dujimba devase. " dwapakadie. " dwa mukuma. Maza dance for men and women with 1 slit drum (canoe), 1 weighted cylindrical drum (Nguma), open hand beaten and 3 xylophones.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 5 Kete men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139416 , vital:37736 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-04
- Description: The slit drum is called mutumba (the canoe) and the cylindrical drum is Nguma. This group is situated between the Lunda and the Luba. A notably fierce and savage people. They come from the extreme south of the Kasai-near the Angola border. This dance was (in the old days) danced with a slave in the midst. At the final "Ho" (characteristic of the dance) the slave's head was severed at a single blow. The 3 xylophones were propped up at sn angle of about 45 degrees by small forked sticks. The resonators were either gourds or lengths of bamboo with open mirliton. The bamboo resonators were palstered with mud, presumably to stop their cracking. Each note was attached to the frame with a simple cord, but prevented from slipping by a second string attached near the node and made fast onto the frame. The insulating material on the frame was a bundle of long grass in each case. The three xylophones were called:- Dujimba devase. " dwapakadie. " dwa mukuma. Maza dance for men and women with 1 slit drum (canoe), 1 weighted cylindrical drum (Nguma), open hand beaten and 3 xylophones.
- Full Text: false
- Date Issued: 1957
Kahuru ngoma ayo mapmanda (Rabbit plays the drum)
- B. Makariki and 3 boys, Hugh Tracey
- Authors: B. Makariki and 3 boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Kaonde (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Kasempa f-za
- Language: Kaonde
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139261 , vital:37720 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-06
- Description: The song is sung for the rabbit to dance. This appears to be a traditional verse. Other 4 young boys said they added a few words and names of countries like "India", just to make the verse interesting. Adolescent verses.
- Full Text: false
- Date Issued: 1957
- Authors: B. Makariki and 3 boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Kaonde (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Kasempa f-za
- Language: Kaonde
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139261 , vital:37720 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-06
- Description: The song is sung for the rabbit to dance. This appears to be a traditional verse. Other 4 young boys said they added a few words and names of countries like "India", just to make the verse interesting. Adolescent verses.
- Full Text: false
- Date Issued: 1957
Kakwezhi (The month)
- Group of 8 Lunda men and women, Hugh Tracey
- Authors: Group of 8 Lunda men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Mwinilungu f-za
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139333 , vital:37728 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-12
- Description: The moon (month)in which my lover told me he would come has passed and he has not come. The story ends with an enumeration od local football wins and loss. Topical song with struck metal.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 8 Lunda men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Mwinilungu f-za
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139333 , vital:37728 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-12
- Description: The moon (month)in which my lover told me he would come has passed and he has not come. The story ends with an enumeration od local football wins and loss. Topical song with struck metal.
- Full Text: false
- Date Issued: 1957
Kalele kiwetu yamba mwana ambaya
- Large group of Kasai women, Hugh Tracey
- Authors: Large group of Kasai women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137821 , vital:37563 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-11
- Description: The recording starts with the sound of the four women sounding and singing into their singing gourds. The vibration of their lips can be heard clearly in parts of the recording. The style of melody is typical of their district of origin-the Kasai Province of Southern Congo. Tuhuri dance with 4 singing gourds, 1 basket rattle (-12.54-) and beating on gourds with hands.
- Full Text: false
- Date Issued: 1957
- Authors: Large group of Kasai women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137821 , vital:37563 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-11
- Description: The recording starts with the sound of the four women sounding and singing into their singing gourds. The vibration of their lips can be heard clearly in parts of the recording. The style of melody is typical of their district of origin-the Kasai Province of Southern Congo. Tuhuri dance with 4 singing gourds, 1 basket rattle (-12.54-) and beating on gourds with hands.
- Full Text: false
- Date Issued: 1957
Kalombo (Thank you)
- Large group of Lunda women and Kalemba, Hugh Tracey
- Authors: Large group of Lunda women and Kalemba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139490 , vital:37743 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-09
- Description: The larger drum was also tapped on the side by a stick. The clapping was done with cupped hands. The Chief de Centre Kapenda, was the head of this group. Jadotville is the headquaters of the central region of the Union Miniere, the other 2 towns being Elizabethville in the East and Kolwezi in the West. It was originally famous for the fact that one of the mines, Shinkolobwe, was the first place in the world from which the famous Curie family obtained the radium for their experiments. At Panda, there is a museum of mineral crystals discovered in the Katanga mines. Kawidi dance with 2 goblet drums, pinned, weighted, with mirlitons, hand beaten.
- Full Text: false
- Date Issued: 1957
- Authors: Large group of Lunda women and Kalemba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139490 , vital:37743 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-09
- Description: The larger drum was also tapped on the side by a stick. The clapping was done with cupped hands. The Chief de Centre Kapenda, was the head of this group. Jadotville is the headquaters of the central region of the Union Miniere, the other 2 towns being Elizabethville in the East and Kolwezi in the West. It was originally famous for the fact that one of the mines, Shinkolobwe, was the first place in the world from which the famous Curie family obtained the radium for their experiments. At Panda, there is a museum of mineral crystals discovered in the Katanga mines. Kawidi dance with 2 goblet drums, pinned, weighted, with mirlitons, hand beaten.
- Full Text: false
- Date Issued: 1957
Kankola kame
- Group of Lunda women and Albertina Kashiala, Hugh Tracey
- Authors: Group of Lunda women and Albertina Kashiala , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Katanga f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139513 , vital:37746 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-11
- Description: The song is introduced in a long statement by the leader while the others accompany her with a double clap in triple time. The song ends with the leader calling out: "A-ya-ya-ya." to which they reply: "A-ya." Sikinta dance with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Lunda women and Albertina Kashiala , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Katanga f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139513 , vital:37746 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-11
- Description: The song is introduced in a long statement by the leader while the others accompany her with a double clap in triple time. The song ends with the leader calling out: "A-ya-ya-ya." to which they reply: "A-ya." Sikinta dance with clapping.
- Full Text: false
- Date Issued: 1957
Kantende maninga
- 8 Luba men with Nyundu Gabriel (flute), Hugh Tracey
- Authors: 8 Luba men with Nyundu Gabriel (flute) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Katanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137695 , vital:37551 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-04
- Description: "Aminai, munasei, aminai." This somewhat unusual piece of music has a single ground provided by the Kisanzhi (mbira) with an interesting flute obligato followed by a simple sung line of "Aminai, munasei, aminai." Praise song for a Chief with 1 chisanzhi mbira, 1 side-blown dilele munenge tranverse flute, a voiced note and tapped wood.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Luba men with Nyundu Gabriel (flute) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Katanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137695 , vital:37551 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-04
- Description: "Aminai, munasei, aminai." This somewhat unusual piece of music has a single ground provided by the Kisanzhi (mbira) with an interesting flute obligato followed by a simple sung line of "Aminai, munasei, aminai." Praise song for a Chief with 1 chisanzhi mbira, 1 side-blown dilele munenge tranverse flute, a voiced note and tapped wood.
- Full Text: false
- Date Issued: 1957
Kupa lomba uachi lela mezhi
- Large group of Kasai women and 5 men, Hugh Tracey
- Authors: Large group of Kasai women and 5 men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Bakwakulumba-Kalamuzeu f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183913 , vital:44083 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-04
- Description: One drummer raised and lowered the pitch of his drum by pressing his left elbow on and off the membrane of the drum. This excellent item gives a good impression of the spirit of the Mambala dance, the attractive lift to the rhythm, the sure participation of the dancers and the clever drumming of the men. The tone value of the mirliton placed on the side of the closed drums is well illustrated. The Mambala is clearly an enjoyable dance. Mambala dance with 4 goblet drums, closed, pinned, weighted with mirlitons and hand beaten, pieces of wood struck together, metal bell used as rattle
- Full Text: false
- Date Issued: 1957
- Authors: Large group of Kasai women and 5 men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Bakwakulumba-Kalamuzeu f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183913 , vital:44083 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-04
- Description: One drummer raised and lowered the pitch of his drum by pressing his left elbow on and off the membrane of the drum. This excellent item gives a good impression of the spirit of the Mambala dance, the attractive lift to the rhythm, the sure participation of the dancers and the clever drumming of the men. The tone value of the mirliton placed on the side of the closed drums is well illustrated. The Mambala is clearly an enjoyable dance. Mambala dance with 4 goblet drums, closed, pinned, weighted with mirlitons and hand beaten, pieces of wood struck together, metal bell used as rattle
- Full Text: false
- Date Issued: 1957
Kyabula wa in kande Mpuya (You paddler of the canoe, save me)
- R. Chimengwa and 5 Kaonde men, Hugh Tracey
- Authors: R. Chimengwa and 5 Kaonde men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Kaonde (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Solwezi f-za
- Language: Kaonde
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139241 , vital:37718 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-05
- Description: The gist of the song is about a man who was drowning in the river, and he called on all his friends to come and save him. His canoe was drifiting away and he could not swim. This song, they said, was used when going to raid the Lozi tribe manay years ago, before Europeans came to the country in the nineteenth century. Fighting song.
- Full Text: false
- Date Issued: 1957
- Authors: R. Chimengwa and 5 Kaonde men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Kaonde (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Solwezi f-za
- Language: Kaonde
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139241 , vital:37718 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-05
- Description: The gist of the song is about a man who was drowning in the river, and he called on all his friends to come and save him. His canoe was drifiting away and he could not swim. This song, they said, was used when going to raid the Lozi tribe manay years ago, before Europeans came to the country in the nineteenth century. Fighting song.
- Full Text: false
- Date Issued: 1957
Libela (We are going to dance)
- R. Chimengwa and 5 Kaonde men, Hugh Tracey
- Authors: R. Chimengwa and 5 Kaonde men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Northern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Solwezi f-za
- Language: Kaonde
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139221 , vital:37716 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-04
- Description: "We are going to dance a great deal today. When I die I will stop dancing. I am proud of my country because I was born there. Now good-bye to you. SHONONGO dance song.
- Full Text: false
- Date Issued: 1957
- Authors: R. Chimengwa and 5 Kaonde men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Northern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Solwezi f-za
- Language: Kaonde
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139221 , vital:37716 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-04
- Description: "We are going to dance a great deal today. When I die I will stop dancing. I am proud of my country because I was born there. Now good-bye to you. SHONONGO dance song.
- Full Text: false
- Date Issued: 1957
Luba Drum Rhythms
- Kabongo Alfred, Kayemba Donatien, Kayemba Dita, Mukendi Jean, Mukendi Crispin, Punga Justin, Muleka Therese, Hugh Tracey
- Authors: Kabongo Alfred, Kayemba Donatien, Kayemba Dita, Mukendi Jean, Mukendi Crispin, Punga Justin, Muleka Therese , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Africa Democratic Republic of Congo Central Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137849 , vital:37566 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR040-01
- Description: Mambala dance with 5 goblet drums, closed, pinned, weighted, with mirlitons, hand beaten, and 1 double bell, 1 basket rattle and 1 whistle.
- Full Text: false
- Date Issued: 1957
- Authors: Kabongo Alfred, Kayemba Donatien, Kayemba Dita, Mukendi Jean, Mukendi Crispin, Punga Justin, Muleka Therese , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Africa Democratic Republic of Congo Central Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137849 , vital:37566 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR040-01
- Description: Mambala dance with 5 goblet drums, closed, pinned, weighted, with mirlitons, hand beaten, and 1 double bell, 1 basket rattle and 1 whistle.
- Full Text: false
- Date Issued: 1957
Lulua mukwabumba
- Anastasia Bampelea, Luba women, Hugh Tracey
- Authors: Anastasia Bampelea , Luba women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Luluabourg f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183922 , vital:44084 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-05
- Description: This item should prove interesting to linguists for an analysis of the sung tones of the soloist, as her voice is clear and sure. Lulua Mukwabumba dance song, with 2 drums, 1 double headed, cylindrical (-14.03201-), 1 conical weighted, with mirliton (-14.21151-)
- Full Text: false
- Date Issued: 1957
- Authors: Anastasia Bampelea , Luba women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Luluabourg f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183922 , vital:44084 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-05
- Description: This item should prove interesting to linguists for an analysis of the sung tones of the soloist, as her voice is clear and sure. Lulua Mukwabumba dance song, with 2 drums, 1 double headed, cylindrical (-14.03201-), 1 conical weighted, with mirliton (-14.21151-)
- Full Text: false
- Date Issued: 1957
Luwendo
- Group of 6 Luba men, Hugh Tracey
- Authors: Group of 6 Luba men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137651 , vital:37547 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-02
- Description: Ceremonial pieces for a Chief with 2 Siimba xylophones, 3 goblet drums, pinned, weighted, closed, with mitlitons and hand beaten.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 6 Luba men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137651 , vital:37547 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-02
- Description: Ceremonial pieces for a Chief with 2 Siimba xylophones, 3 goblet drums, pinned, weighted, closed, with mitlitons and hand beaten.
- Full Text: false
- Date Issued: 1957