Emu alunda kuwaha kwenu (You, Lunda, are a handsome people)
- Authors: Group of 14 Lunda men and 4 women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139451 , vital:37739 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-06
- Description: The Kahaku dance is generally performed on ceremonial occassions. Kahaku dance song with struck bottle.
- Full Text: false
- Date Issued: 1957
Emu alunda kuwaha kwenu
- Authors: Group of Lunda men and women , Composer not specified , Tracey, Hugh
- Date: 1957-07-11
- Subjects: Folk music--Africa , Lozi (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Nchanga mine compound f-za
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/196124 , vital:45728 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-485 , Research no. L2Q11
- Description: A kahaku dance song normally danced on ceremonial occasions accompanied by a struck bottle.
- Full Text: false
- Date Issued: 1957-07-11
Tiana pa makulu
- Authors: Group of Lunda women and Albertina Kashiala , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Katanga f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139528 , vital:37747 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-12
- Description: The antiphonal form of this item is interesting, the chorus changing their response to match the lead by the soloist, often repeating the final word of the solo as the first word of the chorus. Sikinta dance with clapping.
- Full Text: false
- Date Issued: 1957