Omtwale Kasha
- Authors: Ernest Kibuka with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172042 , vital:42151 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-12
- Description: "Take him to Kasha's village, where he will be happy and have plenty to drink." A beer made from bananas is the favourite drink of the district. Note the somewhat complicated rhythmic structure of the song. Topical song with conical laced drum and clapping.
- Full Text: false
- Date Issued: 1950
Obalemege
- Authors: Yosamu Kanagwa and Toro men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170263 , vital:41875 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-06
- Description: This praise, which both begins and ends with song, are frequently recited by men at parties. The subject of their adulation may be their host, their cattle or any subject gratifying their senses. Adulation of elders is part of the sycophantic social system common to many tribes and especially cattle owners. The practise of interspersing spoken praises between song is also found among the Sotho of Basutoland. The word Engabo means literally a brave man and these praises were originally intended to praise fighting men. Nowadays woth no fighting to be done the praises have been extended to any gratification and particularly of the 'Pombe' banana beer. Engabo praise, with conical drum. laced, single, played with hands and clapping.
- Full Text: false
- Date Issued: 1950
Maria Dolosta
- Authors: Bukondi Paulo with Haya boys , Hugh Tracey
- Date: 1950
- Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-tz
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172609 , vital:42229 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-13
- Description: "Why should you forget me, Maria Dolosta." The dance is a series of pas seuls, each dancer in turn coming out into the ring and doing steps and leaps of his own invention. Kyanyenamaraiga dance song for boys, with 2 laced conical drums, 1 bell (-12.55-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
Kyanyina Maraiga
- Authors: Felisiano Karungula with Haya boys , Hugh Tracey
- Date: 1950
- Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-tz
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172631 , vital:42232 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-15
- Description: Kyayina Maraiga is the name of a certain woman who played the Nyimba gourd rattles very well. She was popular on this account. She also had a large shamba or garden of cassava. The song speeds up considerably towards the end. Ruyaigo dance song for boys and girls, with conical laced drum, 1 gourd rattle (-12.54-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
Abagenyi baizire
- Authors: Stephen Kaholya and Nyoro men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169747 , vital:41795 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-16
- Description: "The visitors have arrived", a welcome to the visitors at a party. The Engwara horns are built up of sections of gourds bound together with plantain string and re-inforced longitudinally by lathes of bamboo. The are side blown and have a hole at the small end so as to produce two notes each. They vary in size from about 12 inches to approximately 36 inches. Engwara N'orunyege dance song for men, with Engwara side blown horns, Ebinyege rattles and clapping.
- Full Text: false
- Date Issued: 1950