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Zulu Piano Medley, No. 1

Zukisan' iNkosi

Z'ekaya

Yiniwe na fuma

Yeri yeri, mwana

Yauma nalat

Yafeb 'isencane

Woza we Mzala

Wo ye ye Ndaluwuluke (Woye - I am going forever)

Wenobulangoma

Wee!! Wee!! Wee!!

Wee! Wee! Wee!

Watasala warila nanzifile

Wantame Nyon

Wangereza safi

Wangereza safi

  • Authors: Nyamugumi Mihabo Nyamwezi men and women , Hugh Tracey
  • Date: 1950
  • Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
  • Language: Nyamwezi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/173282 , vital:42353 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-05
  • Description: 'The English are a straight forward, good and polite people. They are as good as drinking water and are not hasty, this is a good dance for boys, come and join us." The singers are all Nyamwezi who have come down to the East coast from the interior near Tabora and have now settled permanently at the coast in or around Dar-es-Salaam. These Nyamwezi singers of Dar-es-Salaam have an attractive way of singing their songs repeating each stanza after the soloist. This style may well have been copied from the Arabs or Swahili. Tatu Binti Ali is the young wife of Idi Selemani the organiser of the group. Hiyari ya moyo dance song for men and women..
  • Full Text: false
  • Date Issued: 1950

Wangereza Safi

Wangereza safi

Wamwira mangarangara (If you drink too quickly you get yourself drunk)

  • Authors: Younf Tonga men and women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mtoko, Southern Rhodesia f-rh
  • Language: Tonga/Sena
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/179094 , vital:39859 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-03
  • Description: The four drums used were 1) Mutumba, an open conical drum 37" tall, 11" membrane; 2) Jenje, an open cylindrical drum 14" tall on three legs with 10" head; 3) Miningo karipi-karipi, another conical open drum 25' tall with 9 and 4 quarter head; and a small closed drum, Usindi, 11" tall with 7 and a half head, on a three legged pedestal. The player of the two drums, Mutumba and Jenje, used his right heel to raise and lower the pitch of the Jenje as it lay on the ground beside the longer Mutumba, playing only with his hands. The other two players used sticks. The reeds were imported from the Salisbury district as no such reed grows in this district, they say, except in the Mazoe river nine miles away which was not so good as these. Four sets of end blown flutes (--11,325--). (1) 3 tied together. Katero, pitch 784, 744 and 680 vs (4 and a half" - 5") (2) 3 tied together. Shauriro, 680, 600, 552 vs (5 and a quarter , 6 and a quarter) (3) 2 tied together. Dendera, 504 and 448 vs (7", 7 and a half") (4) 2 tied together. Madobi, 416, 384 vs. (8 and a half, 8 and 3 quarters). Gororambe dance with end blown pipes, drums and rattles.
  • Full Text: false
  • Date Issued: 1958

Wamwira mangarangara

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