Chamadekwe
- Authors: Performer not specified , Tracey, Andrew T N
- Date: 1987
- Subjects: Venda (African people) -- South Africa , Folk music--Africa , Mbira , Sub-Saharan African music , Africa South Africa Venda f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/92981 , vital:30819 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC020a-03
- Description: Traditional song accompanied by the Venda mbila dzamadeza.
- Full Text: false
- Date Issued: 1987
Chamadekwe
- Authors: Performer not specified , Tracey, Andrew T N
- Date: 1987
- Subjects: Venda (African people) -- South Africa , Folk music--Africa , Mbira , Sub-Saharan African music , Africa South Africa Venda f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/92988 , vital:30820 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC020a-03
- Description: Traditional song accompanied by the Venda mbila dzamadeza.
- Full Text: false
- Date Issued: 1987
Dimbireni Hompa
- Authors: Kasiona, Theresiana , Tondoro Folk , Dargie, Dave
- Date: 1981-11-13
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Nambia Tondoro f-sx
- Language: Kwangali
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/260366 , vital:53276 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD028-17
- Description: Indigenous traditional music.
- Full Text: false
- Date Issued: 1981-11-13
Mdano. 7th Movement
- Authors: Ngodo of Regulo Banguza , Mbuziana Tomo Buke (Leader) , Fomeni Faduku , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191535 , vital:45112 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR201-03
- Description: The singers start their song three repeats of the four-bar ground after the Kuvelusa indication. "Ho! Come Mahlatini. Come to your house." Mahlatini is the name of the the present Chief Zandamela's grandfather. It is not clear whether the name of the old chief or of his grandson is indicated in this song. Orchestral dance with 14 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 1 Doli (Tenor), 1 Debiinda (Bass), 2 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Mzeno movement of the Ngodo of Regulo Zandamela of 1955
- Authors: Ngodo of Regulo Zandamela , Mugwande, Samsoni , Tracey, Hugh
- Date: 1955-10-06
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala District f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226148 , vital:49300 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT364-J13 , Research no. H1O2
- Description: Orchestral dance song for the Mzeno movement of the Ngodo of Regulo Zandamela of 1955.
- Full Text: false
- Date Issued: 1955-10-06
Ngoma
- Authors: Group of Tonga men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138044 , vital:37587 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR041-08
- Description: The names of the drums from small to large are: Gogogo, Chamutanda, Muntundu, Pininga and Pati. The drums set the pace of the rhythm, then the horns begin. Each man or boy blows one horn and interpolates his note as he pleases while he dances a jig to and fro among the close knot of hornblowers. The result is a loud and cheerful noise devoid of any melody with everyone, men, women and children shouting, singing and whistling as they shuffle to the impulse of the drumming. The hornblowers at first held ther free hand to an ear, presumably to help them establish their own contribution to the mass sound. Funeral dance song with ensemble of Nyele end-blown antelope horns and Ngoma drums.
- Full Text: false
- Date Issued: 1957