Zore III
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189589 , vital:44861 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-03
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
Zore II
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189568 , vital:44859 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-02
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
Zore I
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189563 , vital:44858 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-01
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip
- Full Text: false
- Date Issued: 1963
Ye-ye-ye ye-ye-yelila ye-ye-ye-leya
- Authors: Erikson Hauwanga and young men , Tracey, Hugh
- Date: 1965
- Subjects: Folk music--Africa , Kuanyama (African people) , Ovambo (African people) , Field recordings , Africa, Sub-Saharan , Africa Namibia Oranjemund f-sx
- Language: Kwanyama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195354 , vital:45556 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR214-09
- Description: Indigenous music.
- Full Text: false
- Date Issued: 1965
Woyahahai zhembulane
- Authors: Maria Taime , Chopi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193226 , vital:45311 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-07
- Description: The song is addressed to a girl of easy virture. The singer adds at the end of the song that she is the daughter of Taime (Time) Regulo Zavala. Morality song with clapping.
- Full Text: false
- Date Issued: 1963
Wi-wi-wi-wi mirongo
- Authors: Miliya Bukulane , Rude Wache , Amelia Faduko , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193281 , vital:45318 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-12
- Description: Note the change of rhythm as third girl joins in with her pestle. The names of the three women who sang were:- Miliya Bukulane, Rude Wache, Amelia Faduko. Other women were singing in the background. Three women's pounding song, with pestles and mortar.
- Full Text: false
- Date Issued: 1963
Wati pere-te
- Authors: Kabadura Wandumbi , Tracey, Hugh
- Date: 1965
- Subjects: Folk music--Africa , Ovambo (African people) , Field recordings , Africa, Sub-Saharan , Africa Namibia Okavango f-sx
- Language: Kwambi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195762 , vital:45601 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR217-10
- Description: Self delectative song
- Full Text: false
- Date Issued: 1965
Wangu mwama wome
- Authors: Timoses, Comecado des Amigos , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189670 , vital:44919 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-11
- Description: The pace of the dance quickens until the pelvic girations of the dancers become a rapid quiveringing. Makarito dance, with 5 singing horns, 1 bass small drum, 2 small drums. 1 small bell.
- Full Text: false
- Date Issued: 1963
Wa Mambo
- Authors: o Feliciano, Muntano Gomez (Performer) , Gomez, F , Tracey, Hugh
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Guitar music , Africa Mozambique Chibuto, Sul do Save f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132010 , vital:36785 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-07 , Field card no. H1P-25
- Description: "Chief, chief, what does the great 'Lion' require? This item is typical of so many African songs in which the courtesies due to chiefs and important people in a local community are referred to in terms of extravagant adulation which hold little meaning for those outside the immediate social circle involved. One of three topical songs with guitar.
- Full Text: false
- Date Issued: 1955
Wa kawiri wambunga
- Authors: Albertus Kangueehi and young Herero men , Tracey, Hugh
- Date: 1965
- Subjects: Folk music--Africa , Ovambo (African people) , Field recordings , Africa, Sub-Saharan , Africa Namibia Omongwa f-sx
- Language: Herero
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195816 , vital:45607 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR217-16
- Description: Praise song
- Full Text: false
- Date Issued: 1965
Utale lukene ta va ende ndonguifo
- Authors: Petulus Ndaniel and group of men , Tracey, Hugh
- Date: 1965
- Subjects: Folk music--Africa , Kuanyama (African people) , Ovambo (African people) , Field recordings , Africa, Sub-Saharan , Africa Namibia Ovamboland f-sx
- Language: Kwanyama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195455 , vital:45567 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR215-04
- Description: Song for girls
- Full Text: false
- Date Issued: 1965
Ungaha wakavire wambunga waka yorerwa
- Authors: Anton Giyama and four Herero women , Tracey, Hugh
- Date: 1965
- Subjects: Folk music--Africa , Ovambo (African people) , Field recordings , Africa, Sub-Saharan , Africa Namibia Otjimbingwe f-sx
- Language: Kwambi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195785 , vital:45604 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR217-13
- Description: Historical song
- Full Text: false
- Date Issued: 1965
Udano
- Authors: Filimoni Joseph Kalundingo , Tracey, Hugh
- Date: 1965
- Subjects: Folk music--Africa , Kuanyama (African people) , Ovambo (African people) , Field recordings , Africa, Sub-Saharan , Africa Namibia Ovamboland f-sx
- Language: Kwanyama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195479 , vital:45570 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR215-07
- Description: Self delectative song
- Full Text: false
- Date Issued: 1965
Uai uekerivera kokuvi nguaiso vandu
- Authors: Old Herero people , Tracey, Hugh
- Date: 1965
- Subjects: Folk music--Africa , Ovambo (African people) , Field recordings , Africa, Sub-Saharan , Africa Namibia Otjimbingwe f-sx
- Language: Kwambi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195798 , vital:45605 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR217-14
- Description: Historical song
- Full Text: false
- Date Issued: 1965
Tune without words
- Authors: Filimoni Joseph Kalundingo , Tracey, Hugh
- Date: 1965
- Subjects: Folk music--Africa , Kuanyama (African people) , Ovambo (African people) , Field recordings , Africa, Sub-Saharan , Africa Namibia Ovamboland f-sx
- Language: Kwanyama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195463 , vital:45568 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR215-05
- Description: Self delectative song
- Full Text: false
- Date Issued: 1965
Tune with dingo mbira
- Authors: Kabadura Wandumbi , Tracey, Hugh
- Date: 1965
- Subjects: Folk music--Africa , Ovambo (African people) , Field recordings , Africa, Sub-Saharan , Africa Namibia Ovamboland f-sx
- Language: Kwambi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195744 , vital:45599 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR217-08
- Description: Self delectative song
- Full Text: false
- Date Issued: 1965
Tune II on Chibvelani Friction Bow
- Authors: Unknown , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194183 , vital:45426 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-02
- Description: Tune on Chibvelani friction bow.
- Full Text: false
- Date Issued: 1963
Tune I on Chibvelani Friction Bow
- Authors: Unknown , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194167 , vital:45425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-01
- Description: Tune on Chibvelani friction bow.
- Full Text: false
- Date Issued: 1963
Tualekulua ongulu ja Muanjangapo
- Authors: Sakarias Akaua , Tracey, Hugh
- Date: 1965
- Subjects: Folk music--Africa , Kuanyama (African people) , Ovambo (African people) , Field recordings , Africa, Sub-Saharan , Africa Namibia Ovamboland f-sx
- Language: Kwanyama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195636 , vital:45587 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR216-08
- Description: Wedding song for men
- Full Text: false
- Date Issued: 1965
Tua dja mediva landu lomulonga
- Authors: Lazarusa Mutilifa and a group of men , Tracey, Hugh
- Date: 1965
- Subjects: Folk music--Africa , Ovambo (African people) , Field recordings , Africa, Sub-Saharan , Africa Namibia Ovamboland f-sx
- Language: Kwambi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195654 , vital:45589 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR216-10
- Description: Fighting song
- Full Text: false
- Date Issued: 1965