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"A dark revolt of being" abjection, sacrifice and the real in performance art, with reference to the works of Peter van Heerden and Steven Cohen

  • Authors: Balt, Christine
  • Date: 2009
  • Subjects: Cohen, Steven, 1962- Van Heerden, Peter Phelan, Peggy Kristeva, Julia Lacan, Jacques Performance art -- South Africa Abject art
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:2132 , http://hdl.handle.net/10962/d1002364
  • Description: This thesis is an exploration of some of the defining characteristics of performance art, and an investigation of how such characteristics relate to ritual. It highlights some key notions, such as that of the “Real” and the live, which are introduced in the first chapter. This chapter explores the theories of Peggy Phelan, Julia Kristeva and Jacques Lacan in its attempts to conceptualize the Real. It assesses how performance art as ritual attempts to revise traditional apparatuses of representation. It argues that, through a transgression of representation, performance art has the potential to challenge and revise established discourses on identity, culture and violence. The second chapter of this study is an attempt to provide a history and subsequent conceptualization of performance art, based on its exposition of the live. I have taken into consideration certain strategies that performance artists employ to evoke the live, referring specifically to the manipulation of the body. It is through abject encounters with the unsymbolizable “Real” that the performance artist reaches the borders of his/her subjective constitution, and performs a transformation of his/her identity that transcends the mechanisms of representation. The third chapter of this study attempts to find the connections that exist between performance art and sacrificial ritual. I will refer specifically to the theories of Rene Girard. Girard‟s notion of the “violent sacred” and its significance within sacrifice as an antidote to community crises will be explored in relation to collective transformation within the performance event. I choose to focus specifically on the role of the performer as surrogate victim/pharmakon, and the spectators/witnesses as part of the community. The fourth chapter explores how two South African performance artists, Steven Cohen (1961) and Peter van Heerden (1973), perform the abject body as the monster. Kristeva‟s notion of the abject will be examined in terms of the transformation of the individual performer as subject within performance art, and how, through the assumption of an “othered,” monstrous identity, the performer becomes the surrogate victim. The fifth chapter will entail an examination of Peter van Heerden‟s 6 Minutes. I will attempt to draw parallels between performance art and ritual through using this performance piece as a case study. I will focus on the strategies that Van Heerden implements to resist theatrical representation. 6 Minutes will be observed in terms of its link to sacrificial ritual, and it presentation of the live, and the Real. In light of these discoveries, I aim to locate performance art within politically-driven modes of art-making, and how such an endeavour relates to South African modes of theatre and performance.
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  • Date Issued: 2009

"All vistas close in the unseen" : a study of the transcendent in the fiction of E. M. Forster

  • Authors: Butler, Ian
  • Date: 1987
  • Subjects: Forster, E. M. (Edward Morgan), 1879-1970 -- Criticism and interpretation , Forster, E. M. (Edward Morgan), 1879-1970
  • Language: English
  • Type: text , Thesis , Masters , MA
  • Identifier: vital:2175 , http://hdl.handle.net/10962/d1001826
  • Description: From introduction: It has become something of a commonplace among critics to remark Forster's relative lack of success in offering an alternative to the world which he satirises with such wit and humour. His comic treatment of the suburban absurdities of the Edwardian Englishman is, on the whole, far more compelling and memorable than the often vague, symbolic gestures by means of which he implies the possibility of something better. With the exception of his last and greatest novel, A Passage to India, his "alternatives" are largely factitious and contrived. Worse, the reader senses a fundamental uncertainty on the part of the author: his characteristic ambivalence in itself an indication of a perceptive and discriminating mind -- all too often suggests lack of conviction rather than an intelligent awareness of the infinitude of human possibilities.
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  • Date Issued: 1987

"Changing ourselves, changing others" : an analysis of the life stories of participants in a training course for volunteers within a non-governmental organisation in the Eastern Cape Province of South Africa

  • Authors: Harper, Christopher Duncan
  • Date: 2000
  • Subjects: Non-governmental organizations -- South Africa -- Eastern Cape , Violence -- South Africa -- Eastern Cape , Abused women -- Counseling of , Women -- Crimes against -- South Africa , Volunteers
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:2985 , http://hdl.handle.net/10962/d1002494 , Non-governmental organizations -- South Africa -- Eastern Cape , Violence -- South Africa -- Eastern Cape , Abused women -- Counseling of , Women -- Crimes against -- South Africa , Volunteers
  • Description: Gender-based violence has been recognized as a pressing mental health problem that is prevalent within South African society. Non-governmental organizations play a major role in addressing and highlighting the issue. These organizations make use of volunteers in order to assist in meeting their goals. The modernist perspective has been the dominant investigative mode when research into volunteers has been conducted. However, this study has been conducted with an emphasis on narrative. In its use of this constitutionalist and deconstructive perspective, it examines the identity of the research participants within the dominant social and cultural discourses that story their lives. This presents a major challenge to the modernist framework. In examining the life stories of the participants an emergent nature of identity is noted. Through the process of storying their lives and ascribing meaning to their experiences and understandings, the participants engaged in a process of constructing their identity. This research recognizes that identity is both multi-sited and multi-storied. The emphasis on personal agency enables the participants to restory their lives in the light of challenging prevailing discourses. It is in this process of challenge that they reauthor their lives and are in a position to change their own lives and the lives of others.
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  • Date Issued: 2000

"Chimurenga" 1896-1897: a revisionist study

  • Authors: Horn, Mark Philip Malcolm
  • Date: 1987
  • Subjects: National liberation movements -- Zimbabwe , Political violence -- Zimbabwe , Zimbabwe -- Politics and government -- 1980- , Zimbabwe -- History -- Chimurenga War, 1966-1980
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:2546 , http://hdl.handle.net/10962/d1002398 , National liberation movements -- Zimbabwe , Political violence -- Zimbabwe , Zimbabwe -- Politics and government -- 1980- , Zimbabwe -- History -- Chimurenga War, 1966-1980
  • Description: There were no "Rebellions" in 1896-7. The concept of "risings" which is to be found in the European perspective of the escalated violence has distorted an understanding of the complex nature of the events. The events of 1896-7 must rather be explained through an examination of the details of the conflict. European pressure on the African people prior to 1896 was minimal and cannot be assumed to be the "cause" of the first "Chimurenga". There was no planned, organised or coordinated "rebellion" in Matabeleland in March 1896. Further, no distinction can be made between a "March" rebellion in Matabeleland and a June "rebellion" in Mashonaland. A European war of conquest in 1896-7 evoked the responce known now as the first "Chimurenga". It was the war of conquest of 1896-7 which saw the ascendancy of the European perspective over the African and thereby established the psychological foundations of the Rhodesian colonial state. The complex nature of the events of 1896-7 is to be understood through an appreciation of the different perspectives of those who became embroiled in the conflict.
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  • Date Issued: 1987

"Constructive critic" or "donor agency": does the World Bank have a role to play in sub-Saharan Africa's development beyond that of providing economic aid?

  • Authors: Thompson, Christine Audra
  • Date: 1992
  • Subjects: Africa, Sub-Saharan -- Economic conditions -- 20th century , World Bank -- Africa, Sub-Saharan , Africa, Sub-Saharan -- Economic conditions
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:2835 , http://hdl.handle.net/10962/d1003045 , Africa, Sub-Saharan -- Economic conditions -- 20th century , World Bank -- Africa, Sub-Saharan , Africa, Sub-Saharan -- Economic conditions
  • Description: This thesis attempts to evaluate the role of the World Bank in Sub-Saharan Africa's development. It argues that the World Bank has stepped beyond the boundaries of a typical lending institution by linking its aid to political reform. The study argues that in this capacity the Bank has contributed to the halting democratization process currently underway in Africa. The economic effects of the World Bank's Structural Adjustment Programmes have been less successful. As yet, the programmes have not produced the expected results and there is no evidence of long-term, sustainable economic recovery in Sub-Saharan Africa. These programmes are, however, long-term strategies and it may therefore be too premature to reach a final conclusion. They may also have been affected negatively by unfavourable political environments. This study, noting the negative effects of the international terms of trade and prices for African exports, concludes that although economic recovery in Sub-Saharan Africa will be facilitated by domestic political and economic policy reform, there is also a need for reform of the international economic order. The World Bank has correctly identified the need for domestic improvement, but it has a tendency to disregard the negative consequences of the existing structure of the international economy.
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  • Date Issued: 1992

"Effulgent in the firmament" the politics of representation and the politics of reception in South Africa's 'poetry of commitment', 1968-1983

  • Authors: Mde, Vukani
  • Date: 2002
  • Subjects: South African literature -- Black authors -- History and criticism , Politics and literature -- South Africa -- History -- 20th century , Literature and state -- South Africa
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:10987 , http://hdl.handle.net/10948/288 , South African literature -- Black authors -- History and criticism , Politics and literature -- South Africa -- History -- 20th century , Literature and state -- South Africa
  • Description: This dissertation re-examines an era in the production and reception of English language poetry in South Africa by black writers. Intellectually the 1970's was the Black Consciousness phase of South African history and very few aspects of life in the country were untouched by the intellectual movement led by Steve Biko and other young black student leaders. The aesthetic and literary output of the time, like all other facets of South African life, exhibited the influence and pressures brought to bear by Black Consciousness. Moreover, the Black Consciousness poets introduced the most vibrant and innovative phase for English language poetry produced in South Africa. It is my contention, however, that such vibrancy and innovation has consistently been compromised by unsympathetic, often hostile, and almost-always ill-informed criticism. The dissertation offers a critique of the academic and journalistic practice of criticism in South Africa. I argue that critical practice in South Africa has been engaged throughout the twentieth century in the discursive enforcement of ‘discipline’. In his Discipline and Punish (1977) the French post-structuralist philosopher Michel Foucault demonstrated how power is wielded against oppressed/suppressed groups through self regulated proscriptions, and argued that power is a discursive rather than a corporeal phenomenon. My dissertation follows Foucault in reading the critical reception of Black Consciousness poetry as the practice of disciplinary power. The dissertation also engages critically with the poetry of Oswald Mtshali, Mongane Serote and Sipho Sepamla, and argues that their work is the inscription of black subjectivity into the literary and cultural mainstream. It situates their work within wider 6 societal debates and definitions of ‘blackness’. In this regard use is made again of Michel Foucault’s insights and methodology of discourse analysis as shown in The Archaeology of Knowledge (1972). I argue that Oswald Mtshali’s work is a failed attempt at a dissection of apartheid and colonialism from a broadly Christian and humanist perspective. In my reading of Mongane Serote I explore the relationship between women’s bodies and the practice of representation. It is my contention that Serote is most concerned with claims of belonging, and this is shown through his extensive use of the trope of ‘Mother’. My discussion of the poetry of Sipho Sepamla focuses on language and (self- )representation, particularly the use of practices of naming in constructing subjectivity. My contention is that Sepamla ultimately abandons attempts at representation in favour of oppositional self-construction in language. In the concluding chapter I defend the thesis that the politics of discipline have prevented the broad critical establishment from gaining access to these discursive constructions of blackness in the committed poetry of South Africa.
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  • Date Issued: 2002

"Feeling foggy?": an investigation into the self-reported post-concussive symptoms in rugby union players at university level

  • Authors: Boulind, Melissa
  • Date: 2005
  • Subjects: Brain damage , Brain -- Wounds and injuries -- Complications , Brain -- Wounds and injuries -- Psychology , Sports injuries -- Psychological aspects , Rugby football injuries , Rugby Union football players
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:2938 , http://hdl.handle.net/10962/d1002447 , Brain damage , Brain -- Wounds and injuries -- Complications , Brain -- Wounds and injuries -- Psychology , Sports injuries -- Psychological aspects , Rugby football injuries , Rugby Union football players
  • Description: A study was conducted on the self-reported symptoms of Mild Traumatic Brain Injury sustained in Rugby Union at the pre- and post-season stages. A full sample of 30 rugby players at Rhodes University was compared to 27 non-contact sport controls. A reduced sample of 20 rugby players and 9 control participants provided improved control for education and IQ and was compared. Measures included the WAIS-III Vocabulary and Picture Completion Sub-tests to estimate IQ level, the symptom checklist on a widely used computer-based program (ImPACT), and a paper and pencil self-report 31-Item Post-Concussion Symptom Questionnaire. Independent and Dependent T-Test comparisons were conducted on the full and reduced samples. The symptoms reported by the rugby group appeared to be more pronounced on both the ImPACT Symptom Scale and the 31-Item Post-Concussion Symptom Questionnaire when compared to the control group at both the pre-and post-season stages. It was concluded that the rugby players demonstrated evidence to support the hypothesis of having sustained more previous concussions and reporting more symptoms at the pre-season stage when compared to comtrol participants. No prevalent changes for either the rugby or control groups were seen in dependent comparisons from pre-to post-season.
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  • Date Issued: 2005

"Form fading among fading forms" death, language and madness in the novels of Samuel Beckett

  • Authors: Springer, Michael Leicester
  • Date: 2008
  • Subjects: Beckett, Samuel, 1906-1989 -- Criticism and interpretation English fiction -- 20th century -- History and criticism Death in literature Mental illness in literature
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:2198 , http://hdl.handle.net/10962/d1002240
  • Description: The primary thesis of this dissertation is that the development of narrative strategy and technique through the course of Samuel Beckett’s fictional oeuvre enacts a parody of the Cartesian method of doubt, in which the search for first principles, instead of providing grounds for certainty, is a hopeless, grotesque quest for a self which eludes any and every assertion. My chief concerns are thus, firstly, to explicate and elucidate the nature of such narrative strategies and techniques, and how these can be said to parody epistemological procedure; and secondly, to interrogate the implications of this parody for the epistemological and interpretative endeavour of which the human sciences are comprised. These two issues are explored by way of an examination of Beckett’s earliest novel, Murphy, and the narrative impasse that arises from the contradiction between this work’s largely realist form and quasi-postmodern content. I thereafter argue that the later fiction, most particularly the Trilogy, achieves formal and stylistic solutions to the aesthetic and epistemological challenges raised by the earlier work. Beckett’s fictional oeuvre, I contend, can best be construed as an attempt to attain that which exceeds and escapes narrative in and through narrative, namely madness or death. The achievement of either would entail the obliteration of the possibility of narrating at all, and the novels, engaging in a self-deconstructing endeavour, thus occupy a profoundly paradoxical position. Any attempt to interpret a body of work of this nature can only respond in an analogous manner, by trying to make meaning of the subversion of meaning, and deconstructing the assumptions that inform its procedures. This dissertation argues that it is precisely in the way in which it necessitates such selfreflexive discursive analysis that the import of Samuel Beckett’s fiction lies, and extrapolates the significance of this for an understanding of discourse, literary criticism, and epistemological procedure.
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  • Date Issued: 2008

"Freelance mystic": individuation, mythopoeia and metafiction in the early fiction of Russell Hoban

  • Authors: Rumbold, Matthew Ivan
  • Date: 2007 , 2013-06-26
  • Subjects: Hoban, Russell -- Criticism and interpretation
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:2257 , http://hdl.handle.net/10962/d1004455
  • Description: This thesis is an exploration of three interrelated modes - the psychological, the religious or mythopoeic, and the metafictional - in the early novels of Russell Hoban. It investigates the relationship between Hoban's religious vision and his literary style, through the lens of his 'fictional philosophy' as it is presented in his essay collection The Moment under the Moment. In Chapter One, Kleinzeit is analysed to illustrate Hoban's portrayal of a contemporary crisis of meaning. It includes an introduction to the pattern of individuation and an exposition of Hoban's unique notion of heroism as embodied in Kleinzeit's journey of self-discovery. Hoban's mythopoeic impulse is elucidated with particular reference to his use of the Orpheus and Eurydice myth. Finally, in an attempt to demonstrate Hoban's ideas on the relationship between language and reality, various metafictional techniques are examined, especially in relation to the theme of transcendence. In Chapter Two, the individuation theme in The Medusa Frequenry is considered as a work of mourning, portraying Herman Orfrs movement towards reconciliation and creative renewal. Following Paul Ricoeur, the Orpheus and Eurydice myth is seen as a myth of fault, embodying a primal transgression, and a source of the creative arts. The metafictional style is examined, especially the narrative mode, in order to show how Hoban dissolves the everyday world of reality into a fantastic realm of myth. Chapter Three focuses on the individuation pattern as initiation in Riddley Walker, charting the hero's growth into adulthood. Various myths in the text are analysed to show how they portray human development and the nuclear catastrophe as a mythic Fall. The chapter argues that through Riddley's quest Hoban evokes a redemptive and regenerative fertility myth. The unique literary style of the novel, including the characteristics of 'Riddleyspeak' and the complexity of the process of interpretation is studied. In Chapter Four, which deals with Pilgermann, the final phase of individuation - preparation for death - is discussed. Hoban's religious vision is dissected in relation to his mystical impulse as exemplified in the construction of the Hidden Lion pattern. Hoban's notion of God is investigated in relation to the philosophical problem of evil and suffering. Finally, Pilger mann is shown to be Hoban's mOSt experimental literary novel as it activates his recurring meta fictional techniques, investigations into narrative, and the relationship between language and the sacred. This thesis concludes that Hoban's fiction is best understood holistically with both his religious and literary concerns inextricably entwined. Throughout his novels Hoban explores the human condition in modernity affirming the paradoxical, dialectical and mysterious nature of being. , KMBT_363 , Adobe Acrobat 9.54 Paper Capture Plug-in
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  • Date Issued: 2007

"From the inside": how to attribute emotions to others

  • Authors: Mitova, Velislava Atanasova
  • Date: 2003
  • Subjects: Emotions (Philosophy) , Theory (Philosophy)
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:2741 , http://hdl.handle.net/10962/d1007661 , Emotions (Philosophy) , Theory (Philosophy)
  • Description: I argue that a specific version of Theory theory is necessary and sufficient for attributions and predictions of others' emotions. Theory theory is the view that we attribute and predict others' mental states on the basis of a (tacit) body of generalisations about mental states, their situational input, and behavioural output. Theory's antagonist, Simulation theory, is the view that we ascribe mental states to others by simulating - or running ' off-line ' - their doxastic, emotional, and contextual situations. My argument for Theory's necessity and sufficiency develops in three stages: First, I show that some version of Theory is necessary for predictions of all mental states on the basis of the ascriber's knowledge of the subject's other mental states. The linchpin of the arguments here consists of considerations from relevant similarity between the ascriber's and the subject's mental states. Simulation cannot provide criteria for such similarity, and so, I argue, predictions must advert to Theory. Second, I develop a sui generis model of emotions, according to which (i) emoticns' necessary objects and typical causes are concern-based construals; and (ii) emotions qua attitudes are (a) complex states embedded in a narrative structure, (b) characterised in terms of their object, their expressive behaviour, and their phenomenology. Third, I show that, considering the nature of the objects of emotions, some Theory is necessary for emotion-predictions and -attributions. Moreover, I develop a version of Theory, based on my analysis of emotions and narrative structures, and argue that this version of Theory is both necessary and sufficient for emotion-predictions and -attributions.
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  • Date Issued: 2003

"Giving voice" to the bereaved : family grief and resilience after a child has died

  • Authors: Scheepers, Lucas Johannes
  • Date: 2013
  • Subjects: Bereavement -- Psychological aspects , Death -- Psychological aspects , Loss (Psychology) , Grief
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:9977 , http://hdl.handle.net/10948/d1021096
  • Description: This study investigated family grief and resilience following a child’s death. Representing 23 families, 35 bereaved parents completed biographical questionnaires, the Family Hardiness Index, and the Family Attachment and Changeability Index 8. Significant positive correlations were found between family hardiness and family adaptation, and between parents’ age and family hardiness. Using grounded theory, interviews allowed for the formulation of categories including grief, continuing bonds, external support, religion, and family hardiness. The study reveals the need for exploring unique experiences of families bereaved by children’s deaths and identifies family hardiness as a potential resilience factor for this population
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  • Date Issued: 2013

"How did I get this lucky?" : issues of power, intimacy and sexuality in the construction of young women's identities within their heterosexual relationships

  • Authors: McEwen, Caryn
  • Date: 2006
  • Subjects: Foucault, Michel, 1926-1984 -- Criticism and interpretation Heterosexuality Heterosexual women Women -- Sexual behavior Feminism -- Political aspects Sex role -- Political aspects Feminist psychology Sex (Psychology)
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:2861 , http://hdl.handle.net/10962/d1007595
  • Description: This thesis seeks to explore how young, educated and seemingly liberated women construct their identities and make sense of their futures around their heterosexual relationships. Using the experiences of eight women participants engaged in long-term heterosexual relationships, combined with relevant secondary literature, issues of sexuality, identity, power and intimacy are discussed. Emphasis is placed on the implications of their identity construction and how they 'perform' their roles as women in society. How their sexual stories reflect their positioning in society is premised by the phrase, 'the personal is political' . Through analysis of the participants' experiences mixed with theoretical arguments, this thesis finds that young women are apparently sexually, economically and intellectually liberated but locked into discourses that provide highly unequal, limiting, disempowering and oppressive understandings of masculinity, femininity and sexuality. They live and experience a reality which is far from liberated.
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  • Date Issued: 2006

"I don't think it's the whole story!": a case study of the linguistic face management strategies of dyslexic adults

  • Authors: Henderson, Layle
  • Date: 2010
  • Subjects: Dyslexia Case studies Dyslexia -- Social aspects Dyslexia -- Psychological aspects Politeness (Linguistics) Sociolinguistics
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:2347 , http://hdl.handle.net/10962/d1002629
  • Description: Dyslexia is primarily a neurobiological disorder and much research has been conducted on this (see for example Coltheart 1996; Shaywitz and Shaywitz 2000 and 2004). However, little has been done which investigates the social construction of dyslexia. Because dyslexia affects reading, writing and spelling to varying degrees, although it may originate from genetic inheritance, it manifests itself in social spheres. Brown and Levinson‟s (1987) Face Theory states that people use strategies to minimise the damage to the positive face of others. My research focuses on how dyslexic individuals use linguistic strategies to minimise potential face-threatening acts or FTAs against themselves and in so doing preserve their own positive face. Using elements of Face Theory and APPRAISAL I constructed a typology reflecting these linguistic face management devices of adults with dyslexia. With this research I hope to contribute to the field in an innovative and meaningful manner through an exploration of the linguistic face management strategies used in the management of positive face.
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  • Date Issued: 2010

"Is rugby bad for your intellect": the effect of repetitive mild head injuries on the cognitive functioning of university level rugby players

  • Authors: Smith, Ian Patrick
  • Date: 2006
  • Subjects: Rugby football injuries Brain damage Neuropsychological tests Head -- Wounds and injuries -- Complications Sports injuries -- Psychological aspects
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:3058 , http://hdl.handle.net/10962/d1002567
  • Description: The study sought to determine whether there is evidence for the presence of residual (chronic) deleterious effects on cognition due to repetitive mild traumatic brain injury in top team university level rugby players, using ImPACT 3.0, Trail Making Test (TMT) and Digit Span. The initial sample of 48 participants was divided into groups; Rugby (n = 30) and Controls (n = 18), Rugby Forwards (n = 14) and Rugby Backs (n = 16). A reduced sample (N = 31) comprised of Rugby (n = 20) and Controls (n = 11), Rugby Forwards (n = 9) and Rugby Backs (n = 11). Comparative subgroups were equivalent for estimated IQ but not for age and educational level in the full sample; in the reduced sample there was equivalence for all three variables of age, education and estimated IQ. All cognitive test measures were subjected to independent t-test analyses between groups at the pre- and post-season, and dependent t-test analyses for Rugby and Controls at pre- versus post-season. Overall, the results implicated the presence of deleterious effects of concussive events on Rugby players in the areas of speed of information processing, working memory and impulse control. Significant practice effects were found on the TMT and Digit Span for controls, but not on ImPACT 3.0, supporting the use of this computer-based programme in the sports management context.
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  • Date Issued: 2006

"Let loose in the unthinkable unspeakable": waiting and alterity in Samuel Beckett's trilogy

  • Authors: Marais, Jessica
  • Date: 2016
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: http://hdl.handle.net/10962/3917 , vital:20557
  • Description: In this thesis, I examine the interrelated roles of waiting and alterity in Samuel Beckett's trilogy of novels: Molloy, Malone Dies and The Unnamable. The conventional understanding of waiting is as an intentional relationship between a waiting subject and an awaited object. This kind of waiting is end-directed, and, in order for it to be worthwhile, the awaited must, at some point, arrive. In the trilogy, however, the awaited never does arrive, and it is my contention that the novels are concerned with an unconventional kind of waiting, which, being without object or end, takes the form of a non-intentional relationship between waiter and awaited. Significantly, through the non-intentional wait, the subject awaits the unawaited. She or he thereby encounters the radically other, or that which cannot be rendered familiar or assimilated in any way – an unthinkable, unspeakable, ungraspable excess that overflows the limits of thought and language. The texts foreground the vexed question of response to such alterity: how can one approach the ungraspable as ungraspable, when it is in the nature of any approach to attempt to grasp? I argue that the texts explore a paradoxical form of "incurious seeking" as an avenue to accommodate the absolutely other.
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  • Date Issued: 2016

"Making the News": a case study of East Cape News (ECN)

  • Authors: Davidow, Audrey Beth
  • Date: 1999
  • Subjects: Reporters and reporting Reporters and reporting -- South Africa Attribution of news News agencies -- South Africa -- Eastern Cape
  • Language: English
  • Type: text , Thesis , Masters , MA
  • Identifier: vital:3424 , http://hdl.handle.net/10962/d1002877
  • Description: To fully comprehend the complex process of news making, we must first understand that the events we read about everyday in the newspaper are not merely a reflection of the world in which we live. News does not just happen. Rather, it is a socially constructed product in which events are “made to mean” (Hall, 1978). Thus, the news plays a fundamental role in shaping our interpretations of reality - our perceptions of the world as we know it. Informed by a structuralist approach to news making, this research provides a detailed ethnographic study of the determinants that shape and produce news in the South African print media. I provide examples of the influence various factors, operating at all levels, exert within the news making process. The research focuses on the news production process at East Cape News Pty. Ltd. (ECN) a small news agency operating in the peripheral news region of South Africa’s Eastern Cape. It considers the journalistic routines and interests of the ECN reporters; how these reporters select events and turn them into news, how they interpret their significance and how they formulate them as news stories. The research also considers the second stage of selection ECN news must pass before it is read by the public - the “gates” of external newspapers. In this section, the study is primarily concerned with which ECN news stories succeed past the gates of national newspapers as these are the newpapers that play an influential role in shaping national perceptions of the marginalised Eastern Cape region. A province burdened with devastating rural poverty, unstable government, and little economic growth, the Eastern Cape warrants little coverage from the national, Johannesburg-based news market. As a result, little news of the Eastern Cape is published nationally, further perpetuating the region’s perceived insignificance on a national level. This point also demonstrates the fact that news both shapes, and is shaped by, our ideologies. News, therefore is ideological (Fishman, 1977). My findings reinforce many of the observations of other media researchers informed by a structuralist approach in the field of news making. However, some elements of news making emerge which appear to be unique in terms of other studies of news making. These elements are primarily a result of ECN’s informal organisational structures which allow the journalists a greater level of autonomy than a larger more bureaucratic organisation might. Thus, in addition to considering the structures that shape the news, I also discuss the role of human agency in making the news.
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  • Date Issued: 1999

"Museum spaces in post-apartheid South Africa": the Durban Art Gallery as a case study

  • Authors: Brown, Carol
  • Date: 2006
  • Subjects: Durban Art Gallery -- History Museums -- South Africa -- Durban Art museums -- South Africa -- Durban Art -- South Africa -- Durban -- Exhibitions Art, Modern -- 20th century -- Exhibitions Art, Modern -- 19th century -- Exhibitions
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:2446 , http://hdl.handle.net/10962/d1006231
  • Description: This dissertation examines the history of the Durban Art Gallery from its founding in 1892 until 2004, a decade after the First Democratic Election. While the emphasis is on significant changes that were introduced in the post-1994 period, the earlier section of the study locates these initiatives within a broad historical framework. The collecting policies of the museum as well as its exhibitions and programmes are considered in the light of the institution 's changing social and political context as well as shifting imperatives within a local, regional and national art world. The Durban Art Gallery was established in order to promote a European, and particularly British, culture, and the acquisition and appreciation of art was considered an important element in the formation of a stable society. By providing a broad overview of the early years of the gallery, I identify reasons for the choice of acquisitions and explore the impact and reception of a selection of exhibitions. I investigate changes during the 1960s and 1970s through an examination of the Art South Africa Today exhibitions: in addition to opening up institutional spaces to a racially mixed community, these exhibitions marked the beginning of an imperative to show protest art. I argue that, during the political climate of the 1980s, there was a tension in the cultural arena between, on the one hand, a motivation to retain a Western ideal of 'high art' and, on the other, a drive to accommodate the new forms of people's art and to challenge the values and ideological standpoints that had been instrumental in shaping collecting and exhibiting policies in the South African art arena. I explore this tension through a discussion of the Cape Town Triennial exhibitions, organised jointly by all the official museums, which ran alongside more inclusive and independently curated exhibitions, such as Tributaries, which were shown mainly outside the country. The post-1994 period marked an opening up of spaces, both literally and conceptually. This openness was manifest in the revised strategies that were introduced to show the Durban Art Gallery 's permanent collection as well as in two key public projects that were started - Red Eye @rt and the AIDS 2000 ribbon. Through an examination of these strategies and initiatives, I argue that the central role of the Durban Art Gallery has shifted from being a repository to providing an interactive public space.
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  • Date Issued: 2006

"Rape and cable theft on the increase": interrogating Grocott's Mail coverage of rape through participatory action research

"Re-thinking" the Great Trek: a study of the nature and development of the Boer community in the Ohrigstad/Lydenburg area, 1845-1877

  • Authors: Erasmus, Diderick Justin
  • Date: 1995
  • Subjects: South Africa -- History -- Great Trek, 1836-1840 , Afrikaners , Afrikaners -- South Africa -- Transvaal -- History
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:2541 , http://hdl.handle.net/10962/d1002393 , South Africa -- History -- Great Trek, 1836-1840 , Afrikaners , Afrikaners -- South Africa -- Transvaal -- History
  • Description: From the late 1830s Boer settlers conquered and settled vast new lands outside the Cape Colony. Although they more than doubled the area of European domination, historians have categorised Boer society outside the British colonies as primitive and dismissed the Boer conquests as an abberation from the broader process of European expansion. Such a distinction is no longer tenable. This study, which focuses on the Obrigstad/Lydenburg area, shows that the Boers were an integral part of European expansion in southern Africa. Settler expansion did not occur in a vacuum. Booming demand for commodities sparked economic growth across the sub-continent; the Boers were part of this process and consistently strove to produce for the region's expanding markets. In tandem with the expanding regional system, the Boer economy grew constantly. This was reflected in the centralisation of power in the Z.A.R. as Boer producers created formal political and administrative structures to further their economic interests. (A parallel process culminated in the Cape with colonists receiving representative government in March 1853.) This correlation between political and economic development was evident in the creation of a coercive labour system by the Boer state. Through their control of state structures, the Boers employed measures ranging from brute force to punitive taxation, legally enforceable contracts and pass laws to procure and control workers. It is important to note that the creation of a coercive labour system by the Boers paralleled similar developments in the Cape Colony. The speed with which the Boer economy expanded in comparison to the Cape, however, meant that stages in the development of an unfree labour force which had been chronologically distinct in the Cape coexisted within the Boer coercive system. Boer dependence on coerced labour made conflict with African groups inevitable. African groups in the eastern Transvaal had already been partly moulded by predatory economic forces emanating from the Portuguese settlements on the east coast since at least the 1750s. The arrival of the Boers in the 1840s greatly accelerated this process. Some groups were crushed, but others were able to obtain the means to resist Boer rule by interfacing with the settler economy. The economic forces which drove Boer settlement were thus not confined to the white settlers: Boer expansion was paralleled by the rise of African survivor states. The Dlamini, for example, built the powerful Swazi state by exchanging captives, ivory and cattle for guns and horses. Similarly, the Pedi, through the large scale expon of migrant labour, were able to acquire the means to challenge Boer authority in the late 1870s. Oearly then, the Boers 'Were not only representative of the wider settler social and economic order, but were acting in response to the same circumstances as the British settlers, Portuguese traders and African survivor states. It is thus impossible to continue to classify them as retrogressive and distinct from other groups in the region.
  • Full Text:
  • Date Issued: 1995

"Rest and unrest": some rural and romantic themes in the poetry of Edward Thomas

  • Authors: Lagan, Charles J
  • Date: 1985-12
  • Subjects: Thomas, Edward, 1878-1917 , Thomas, Edward, 1878-1917 -- Criticism and interpretation , English poetry -- 20th century
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:2264 , http://hdl.handle.net/10962/d1004770 , Thomas, Edward, 1878-1917 , Thomas, Edward, 1878-1917 -- Criticism and interpretation , English poetry -- 20th century
  • Description: From Preface: The scope and focus of this thesis has been determined by the fact that I have tried to present a thematic, though not exhaustive, account of the poetry of Edward Thomas. (I have analysed a representative selection of the poems.) Much has been written on his life and poetry in this past decade to coincide with the centenary of his birth which was celebrated in 1978. Edna Longley, William Cooke and more recently, Andrew Motion have thrown much light on his poetry and I am indebted to them. I acknowledge especially the work of Edna Longley; her Edward Thomas: Poems and Last Poems, though it does not include all the poems, has proved to be an invaluable source because of the many extracts from Thomas's prose incorporated into her notes on his poems. Her book is also rich in suggestive insights into Thomas's poetry. Unfortunately not all of Thomas's works are available in South Africa. On a brief visit overseas I tried without success to obtain the more important books not available here. I have had to make use of anthologies of Thomas's prose where a particular text was not available, for example, In Pursuit of Spring and The South Country. I thank Ms Yolisa Soul who through the Inter Library Loan services of the University of Fort Hare managed to obtain for me a substantial number of Thomas's prose works.
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  • Date Issued: 1985-12
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