Zore III
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189589 , vital:44861 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-03
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
Zore II
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189568 , vital:44859 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-02
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
Zore I
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189563 , vital:44858 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-01
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip
- Full Text: false
- Date Issued: 1963
Wirigiringwe
- Authors: Mihambari and Rwanda girls , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Songs, Kinyarwanda--Rwanda , Folk dance music , Tutsi (African people) , Africa Rwanda Gihini f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/148764 , vital:38771 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR057-11
- Description: "Mama, don't be afraid of a leopard you see by day, it's a kind leopard, not like the ones you see by night, and you must try to be like it, i.e. you must try to be as beautiful as the leopard, but without scratching." Wedding song with hand clapping
- Full Text: false
- Date Issued: 1952
Wangu mwama wome
- Authors: Timoses, Comecado des Amigos , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189670 , vital:44919 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-11
- Description: The pace of the dance quickens until the pelvic girations of the dancers become a rapid quiveringing. Makarito dance, with 5 singing horns, 1 bass small drum, 2 small drums. 1 small bell.
- Full Text: false
- Date Issued: 1963
Tarihinda
- Authors: Mihambari and Rwanda girls , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Songs, Kinyarwanda--Rwanda , Folk dance music , Tutsi (African people) , Africa Rwanda Gihini f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/148735 , vital:38768 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR057-09
- Description: Sung in the evening at a girl's party. "You must do your best to look neat and tidy, thouugh you may not be beautiful. If your thread breaks when you are sewing tie it up again. Wedding song with hand clapping
- Full Text: false
- Date Issued: 1952
Numero uno we Regulo Rumbane
- Authors: Jazzi Rumba (Group) , Tamusi, Arone, and Gwambe (leaders) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189629 , vital:44914 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-07
- Description: This tune is almost a round. Dance song.
- Full Text: false
- Date Issued: 1963
Ndlama- Maritinji
- Authors: Boys and Girls from Chief Chigugwana (Performer) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Folk dance music , Drum , Africa Mozambique Macia f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132245 , vital:36815 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR004-13
- Description: Two Makwaya dances with drum
- Full Text: false
- Date Issued: 1955
Ndlama
- Authors: Boys and Girls from Chief Chigugwana (Performer) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Folk dance music , Drum , Africa Mozambique Macia f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132253 , vital:36816 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR004-14
- Description: Two Makwaya dances with drum
- Full Text: false
- Date Issued: 1955
Murengerongoma
- Authors: Mihambari and Rwanda girls , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Songs, Kinyarwanda--Rwanda , Folk dance music , Tutsi (African people) , Africa Rwanda Gihini f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/148745 , vital:38770 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR057-10
- Description: Murengerongoma was a man all of whose children except one, were taken by lions. So the people came and helped him gather firewood and do all household tasks, when they had done this, he danced for them to show his gratitude. Wedding song with hand clapping
- Full Text: false
- Date Issued: 1952
Masesa II
- Authors: Tonga/ Hlanguni (Performers) , F. Mabosso (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Music--Mozambique , Hand-clapping music , Folk dance music , Drum--Performance , Whistles , Instrumental music , Africa Mozambique Bileni f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132688 , vital:36869 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR008-05
- Description: Dance song for Masesa dance with 2 cylindrical drums, whistles and clapping
- Full Text: false
- Date Issued: 1955
Masesa I
- Authors: Tonga/ Hlanguni (Performers) , F. Mabosso (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Music--Mozambique , Hand-clapping music , Folk dance music , Drum--Performance , Whistles , Instrumental music , Africa Mozambique Bileni f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132676 , vital:36868 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR008-04
- Description: Dance song for Masesa dance with 2 cylindrical drums, whistles and clapping
- Full Text: false
- Date Issued: 1955
Maruvata
- Authors: Groupo Jazzi , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189640 , vital:44916 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-08
- Description: The name 'Bombo' is taken from the Portuguese for 'Bass Drum'. The Daiero drums were home made and joined together after the fashion of jazz 'Bongo' drums which they are intended to represent. The music played and sung by the drums and horns is supposed to be an imitation of jazz but would hardly be recognised as such by an outsider. The local GiTonga modality can be clearly heard in the pitch of their voices. Dance (Dance du Ventre), with 4 singing horns, Puundu, 1 Bombo Gulu bass drum abd 2 Daiero drums.
- Full Text: false
- Date Issued: 1963
Maruraba
- Authors: Groupo Jazzi , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189651 , vital:44917 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-09
- Description: The Gulu was played with a rubber headed beater (like the Chopi 'Tikongo') and the hand. The two Daiero were played with a pair of light sticks. The style of dancing which has persisted among the GiTonga of the Inhambane region for many decades appears to be solely the dance du ventre, performed either by men or women in which almost every possible action of the pelvic region below the waist is employed with tedious repetition. It is doubtful whether teh dance music of the GiTonga would have any attractions for other local tribes. Dance (Dance du Ventre), with 4 singing horns, Puundu, 1 Bombo Gulu bass drum abd 2 Daiero drums.
- Full Text: false
- Date Issued: 1963
Maria e madala
- Authors: Muwane, Armando Saule , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189688 , vital:44921 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-13
- Description: The perfomer was his own rattle player holding the rattle in his right hand. He is typical of the casual entertainer who use two or three chords repeated endlessly on their topical allusions which nowadays pass for serious song making. They frequently advertise themsleves, constantly mentioning their own names during the course of the song or as an introduction, as in this case. Topical song with guitar and rattle.
- Full Text: false
- Date Issued: 1963
Marcha
- Authors: Timoses, Comecado des Amigos , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189661 , vital:44918 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-10
- Description: Small dance groups such as this one are given to making impromptu patriotic speeches and to imitating the sound of the drums and trumphets of the local army band with their home made drums and singing horns. No one can say when singing horns were first introduced to this region. Speech in Portuguese and imitation military march, with 4 singing horns, 1 bass Gulu drum, 2 small drums fixed together and bell.
- Full Text: false
- Date Issued: 1963
Mandowa (Part 4)
- Authors: Zhuake Masingi (Performer) , Composer not specified , Hugh Tracey
- Date: 1954
- Subjects: Folk music--Africa , Folk dance music , Instrumental music , Mbira , Africa Mozambique Makulane f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131983 , vital:36780 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-04
- Description: Four old dance tunes for the Mandowa tumbling dance with mbira dza WaNdau
- Full Text: false
- Date Issued: 1954
Mandowa (Part 3)
- Authors: Zhuake Masingi (Performer) , Composer not specified , Hugh Tracey
- Date: 1954
- Subjects: Folk music--Africa , Folk dance music , Instrumental music , Mbira , Africa Mozambique Makulane f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131970 , vital:36779 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-03
- Description: Four old dance tunes for the Mandowa tumbling dance with mbira dza WaNdau
- Full Text: false
- Date Issued: 1954
Mandowa (Part 2)
- Authors: Zhuake Masingi (Performer) , Composer not specified , Hugh Tracey
- Date: 1954
- Subjects: Folk music--Africa , Folk dance music , Instrumental music , Mbira , Africa Mozambique Makulane f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131965 , vital:36778 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-02
- Description: Four old dance tunes for the Mandowa tumbling dance with mbira dza WaNdau
- Full Text: false
- Date Issued: 1954
Mandowa (Part 1)
- Authors: Zhuake Masingi (Performer) , Composer not specified , Hugh Tracey
- Date: 1954
- Subjects: Folk music--Africa , Folk dance music , Instrumental music , Mbira , Africa Mozambique Makulane f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131956 , vital:36777 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-01 Research No. G1A-5-6 , Research No. G1A-5-6
- Description: The mbira is not used during the dance itself, but the melodies have been taken from the dance songs. The Mandowa acrobatic dance is very popular in the mine compounds of the Witswatersrand. The origin of all 4 tunes in the Makulane district, near Nova Mambone, which lies along the south of the mouth of the Sabi (or Save) river. The tuning of the mbira was as follows:- 368, 328, 252, 216, 202, 184 vs. Four old dance tunes for the Mandowa tumbling dance with mbira dza WaNdau.
- Full Text: false
- Date Issued: 1954