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Shendamundale banana (I am a very worried man)

Mhlahlo (Greetings)

  • Authors: Group of old Xhosa me , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136015 , vital:37327 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-01
  • Description: This song may be sung on any occasion by the older folk. It was explained that every ceremony or "occasion" , is opened by the singing of a "Mhlahlo" , which really means a 'begining' or opening song. Old people's greeting song with clapping
  • Full Text: false
  • Date Issued: 1957

Ngoma ya bantwana (Song for the children)

Gunde (Gunde and the crocodile)

  • Authors: Kezia Chilumpha and girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160251 , vital:40426 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-10
  • Description: "Gunde, yes, who is the man brave enough to take the 'wife' of the crocodile. There was once a certain woman who killed her only child and buried her outside the hut. After a while only the skelton remained and the rain fell and washed away the earth, exposing a leg. A crocodile nearby dug up all the bones joined them together and made another child out of them. "Who has done this" the woman cried. Now the child grew up with the crocodile and became a beautiful girl. So the mother sang. "Who is brave enough to take my daughter from the crocodile." No one in the village was brave enough so the crocodile kept his girl from himself. The mother continually came to the lake to sing for her daughter. One day the daughter heard her mother and as the crocodile was away she came out and went with her to the village. But the crocodile came and begged for the girl as he himself had brought her up and given her life. The mother could not refuse him and so the daughter went back to the lake and married the crocodile. Nthano story song.
  • Full Text: false
  • Date Issued: 1958

Be Cheketa (Cut my breast)

Butaka

Anatami (Mid-season)

  • Authors: Group of Tonga men led by Siamungomo , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138353 , vital:37625 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-01
  • Description: Towards the end of the song the voice of the Chief Chepepo can be heard. "Listen boys, I have been to Gwanda, Mersima, Plumtree in Salisbury. Also I was in India." Midseason is the time between sowing and reaping the winter crops, between May and July. Drinking song with clapping.
  • Full Text: false
  • Date Issued: 1957

Kalulu drum rhythms

  • Authors: 3 Nyakyusa drummers with Nyakyusa women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Arts, Malawi , Field recordings , Nyakyusa (African people)--Music , Ngonde (African people)--music , Drum--Performance , Africa Malawi Tukuyu f-mw
  • Language: Nyakyusa-Ngonde
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/151828 , vital:39177 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-02
  • Description: The women's dance was slow and graceful, and consisted of advancing and retiring in pairs, raising and lowering their large horse-tail fly-whisks. "Kabulu" in Nyakyusa is derived, they say, from the word meaning to "ululate". During the dance they call out "we are proud of Tukuyu, we are proud we have come." All the drums were locally made on the mine, from oil drums. They were double-headed and laced. Mampenenga and Kalulu dance with 1 conical drum, laced, 2 cylindrical laced drums with wooden beaters.
  • Full Text: false
  • Date Issued: 1957

Nkhanu (The crab)

  • Authors: Miriam Nyalongwe and Chewa women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/159676 , vital:40324 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-13
  • Description: There was once a crab which was trying to eat the husks of millet and the owner drove it away. When it went back into the water it told its mother that people were driving it away. The mother said "Leave them, they will come to draw water and we will see them." But when they came to draw water they found the crab telling its mother and they were afraid and ran back to the village to tell the boys who came with their bows and arrows to kill the crab, as they were afraid the crab might in some way take its revenge for being denied food. Story.
  • Full Text: false
  • Date Issued: 1958

Chani zangaria (I want to be married)

  • Authors: Iron Khoma , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
  • Language: Luvale/Chokwe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137294 , vital:37507 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0037-01
  • Description: "I want to have a wife. My friends, I want to be married. The fact that I have little hair on my head makes no difference. I have been singing songs with you for a long time. I have been singing songs with Tajiri and Jacobe. At our homes, over there, we have sung songs." Self-delectative nostalgic song with Bangwe board zither with 7 strings, lowest not used.
  • Full Text: false
  • Date Issued: 1957

Chilemba

Liti (Liti and the graveyard)

  • Authors: Madura Rabecu and G. Coffee , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota District, Lake Nyasa, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153893 , vital:39534 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-11
  • Description: An interesting melody. There was once a man who said to his wife Liti late one night: "Liti, let me go and I will show you my garden." But it was dark and she could see nothing until they got to the place and there she saw not crops but many old people ghosts and wizards. Ah, she said, you do not show me your crops but your grave yard among the tall trees. So they returned home and the next morning she said she could no longer stay with a husband who did that kid of thing to her. She wanted a true marriage. A strange story. "Liti, nkhakuronga ciwera nkhakurongo ciwera Liti angunena ku Masamo. Liti, madoda ngakhurukana madoda ngachulukana, Him, "Liti, ket me go and show you my garden." Her, when he said his "garden" he really meant "the grave yard." "Liti, the old men are gathered together there, at the grave yard." Story song
  • Full Text: false
  • Date Issued: 1958

Samukonga lunga lyambala lya Meli (Samukonga is the husband of Mary)

  • Authors: Group of 7 Luvale women and 12 men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Luvale (African people) , Folk music , Folk music--Zimbabwe , Africa Zimbabwe Chavuma f-rh
  • Language: Luvale/Chokwe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137239 , vital:37503 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-11
  • Description: This song with long opening recitative by the leader and the repeated use of the word "Mama", make it an unmistakable example of Luvale singing. The percussive accompaniment is interesting for its complexity and the fact that it seems to bear small direct relationship to the melody produced by the voices but appears to act as a rhythmic and complex background for the singers. Gachacha dance song with struck bottle, 2 pieces of metal and 1 small bell. (bicycle).
  • Full Text: false
  • Date Issued: 1957

Tinkancisi (We shall go to the island)

Zondelele (Come and mourn with me)

Siyakulwanesive (We are going to fight with another tribe)

Mahobahobo (The weaver-bird)

  • Authors: Group of Xhosa women and Notembile and Nopenrose , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136082 , vital:37335 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-05
  • Description: The women listened very intently to the playback of their song and laughed when the baby's voice was heard in the recording. Self-delectative song with Hadi musical bow, unbraced, open and resonated.
  • Full Text: false
  • Date Issued: 1957

Msitso wombidi second orchestral analysis (Ngodo Of Regulo Banguza)

Ndimgayo Timba (The bird Timba)

Seka wurombo

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