The evolution of African music and its function in the present day

Title: The evolution of African music and its function in the present day
Creator: Tracey, Hugh
Subject: African Music Society
Subject: International Library of African Music
Subject: Evolution
Subject: African music
Subject: Styles
Subject: Beauty
Subject: Instruments
Subject: Perishable material
Subject: Lithophones
Subject: Nigeria
Subject: Stones
Subject: Bushman paintings
Subject: Chopi
Subject: Limpopo
Subject: Birds
Subject: Imitation
Subject: Onomatopaeia
Subject: Zimbabwe
Subject: Bird calls
Subject: Long eared owl
Subject: Temple
Subject: Nile
Subject: Egyptian civilization
Subject: Sub-Suharan Africa
Subject: Stringed instrument
Subject: Indonesian theory
Subject: Langauge
Subject: Mission
Subject: Catholic music
Subject: Arabs
Subject: Swahili
Subject: Portuguese
Subject: Brazilian
Subject: Guitar
Subject: Father Andre Fernandes
Subject: Missionary
Subject: Dove
Subject: Nile Basin Theory
Subject: Egypt
Subject: Slaves
Subject: Musicians
Subject: Harps
Subject: Lyres
Subject: Loots
Subject: North East
Subject: Sub-Saharan Africa
Subject: String
Subject: Tanganyika
Subject: Sea farers
Subject: Xylophone
Subject: Congo
Subject: Participation
Subject: Dance music
Subject: Repetitive
Subject: Rhythmic
Subject: Tradition
Subject: Relocation
Subject: Intergration
Subject: Continuity
Subject: English music
Subject: Afrikaans music
Subject: Sarie Marie
Subject: Change
Subject: Static
Subject: Classics
Subject: Popular music
Subject: Greensleeves
Subject: A Bicycle made for Two
Subject: Latin singing
Subject: Latin chant
Subject: Chant
Subject: British Empire
Subject: Negro Spiritual
Subject: Folk songs
Subject: Anti-slavery movements
Subject: David Livingstone
Subject: Musical migrtatiatioh
Subject: Hand piano
Subject: Zambezi Valley
Subject: Nyasaland
Subject: Nguni
Subject: Kampala
Subject: Bands
Subject: Chitimkhulu
Subject: Bemba
Subject: Blindness
Subject: Court band
Subject: Blinded musician
Subject: South Africa
Subject: Choral
Subject: Forests
Subject: Drums
Subject: Xylophones
Subject: Fighting song
Subject: Agriculture
Subject: Semi-nomadic
Subject: Politicians
Subject: Hastings Banda
Subject: Fooding and drinking party
Subject: European hymns
Subject: Ghana
Subject: Degree
Subject: Complexity
Subject: Simplicity
Subject: Poly-rhythms
Subject: Rural areas
Subject: Churches
Subject: Competitions
Subject: Eisteddfodd
Subject: Inferiority
Subject: Johannesburg
Subject: Drama
Subject: King Kong
Subject: Jazz importations
Subject: Voice
Subject: Skill
Subject: Instrument makers
Subject: Commercialisation
Subject: Gramophone
Subject: Radio
Subject: Creolisation
Subject: Modern Jazz
Subject: Louisiana
Subject: French
Subject: Spanish
Subject: Genius
Subject: Town songs
Subject: Country songs
Subject: Social climbers
Subject: Patriotism
Subject: Kwela
Subject: Penny-whistle
Subject: America
Subject: Politics
Subject: Pitch
Subject: Archive
Subject: BP Southern Africa
Subject: Evangelists
Subject: Indoor music
Subject: Mine
Subject: Continuation
Subject: Notation
Subject: Migration
Subject: Study of Man in Africa
Subject: Mr. Michael Lane
Type: Sound
Type: Lecture
Type: Music
Identifier: vital:15104
Identifier: http://hdl.handle.net/10962/d1008532
Identifier: Reel number: BC160
Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA)
Description: For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
Format: 01:17:37
Format: 44100Hz 24Bit Stereo
Format: 15ips reel
Format: Studer A812 Recorder-Reproducer
Format: Sound Forge 9.0
Format: wav
Publisher: International Library of African Music
Language: English
Relation: For broadcast script see ILAM Document Collection: Hugh Tracey Broadcasts: HTB-S010 S011 S012
Rights: ©International Library of African Music

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ILAM Hugh Tracey Broadcast Series

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