We are the kings of music down here in the Cape
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Dance song , Bass guitar , Drum , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/107378 , vital:32808 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC105b-03
- Description: Dance song accompanied by bass guitar and drum
- Full Text: false
- Date Issued: 1987
African children
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical song , Bass guitar , Drum , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/107305 , vital:32785 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC105a-01
- Description: Topical song accompanied by bass guitar and drum
- Full Text: false
- Date Issued: 1987
Johannesburg
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Dance song , Bass guitar , Drum , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/107405 , vital:32824 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC105b-06
- Description: Dance song accompanied by bass guitar and drum
- Full Text: false
- Date Issued: 1987
Way back in the 60s
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Love song , Bass guitar , Steel drum (Musical instrument) , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/107425 , vital:32826 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC105b-08
- Description: Nostalgic song accompanied by bass guitar and steel pan drum
- Full Text: false
- Date Issued: 1987
For their rights
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/100657 , vital:31869 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC082b-05
- Description: Instrumental music
- Full Text: false
- Date Issued: 1987
This rugby
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical song , Organ music , Drum , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/107369 , vital:32802 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC105b-02
- Description: Topical song accompanied by organ and drum
- Full Text: false
- Date Issued: 1987
Its a pity
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/100528 , vital:31838 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC082a-12
- Description: Instrumental music
- Full Text: false
- Date Issued: 1987
I am coming from far away
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Dance music , Bass guitar , Drum , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/107342 , vital:32799 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC105a-05
- Description: Dance song accompanied by bass guitar and drum
- Full Text: false
- Date Issued: 1987
Title not specified
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Dance song , Bass guitar , Drum , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/107415 , vital:32825 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC105b-07
- Description: Dance song accompanied by bass guitar and drum
- Full Text: false
- Date Issued: 1987
Listen carefully
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/100578 , vital:31844 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC082a-18
- Description: Instrumental music
- Full Text: false
- Date Issued: 1987
I wanna go to Jamaica
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical song , Bass guitar , Drum , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/107311 , vital:32786 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC105a-02
- Description: Topical song accompanied by bass guitar and drum
- Full Text: false
- Date Issued: 1987
You must be joking
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical song , Bass guitar , Drum , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/107356 , vital:32801 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC105b-01
- Description: Topical song accompanied by bass guitar and drum
- Full Text: false
- Date Issued: 1987
Techniques of Xhosa music: a study based on the music of the Lumko district
- Authors: Dargie, David John
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Lumko district , Eastern Cape (South Africa) , Xhosa music , Musicology , AbaThembu , Ntsikana , Songs , Musical bows , Overtone singing
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2630 , http://hdl.handle.net/10962/d1001975
- Description: Part 1.Thesis: Chapter 1: The people of the Lumko district (the villages of Ngqoko and Sikhwankqeni) are AbaThembu, mostly of the Gcina clan cluster. Their history has caused them to be linked with (now vanished) San peoples in special ways, which have undoubtedly influenced their music. Chapter 2: The music of these people is centred around their religious and social life. This affects the way they classify their songs; and song classifications (and the way songs are used) affect their performance, in particular, the dance styles associated with the song classes. Chapter 3: A variety of musical instruments is used in the Lumko district, the most important being the musical bows. Once again, the use of these bows gives an insight into the musical influences that have affected the people historically. The ways the bows work are described, as well as ways to play them. Chapter 4: Overtone singing, not previously documented anywhere in traditional African music, is practised in certain ways by these AmaGcina. These, and other vocal techniques, are described. Chapter 5: From the terminology and the methods of conceptualisation about music in the Lumko district, it is possible to gain an insight into a truly Xhosa technical understanding of Xhosa music. Once again a historical insight is gained, because so many of the important terms are KhoiSan words. Chapter 6: A Western technological (i. e. musicological) understanding of the music is also necessary in a study of this nature. This chapter applies musicological concepts to an examination of the relationship between speech and song, of the usages in melody and scale, harmony theory, rhythm, polyphony, song form, instrumental roles and methods of performance. Chapter 7: This is the conclusion of the thesis. It sums up what has been studied: musical techniques, principles, the importance of Ntsikana 's song as a basis for musical comparisons, and the import of the historical aspects of the study - a possible glimpse of the music of the San. PART 2. MUSIC TRANSCRIPTIONS AND DESCRIPTIONS. The transcriptions of 62 songs provide the material for this study. The songs were chosen to represent all the major song classes used in the Lumko district, and to represent all the important music techniques as well. The songs are in fifteen categories. Each song is accompanied by its technical details, and sufficient commentary to make the song transcription intelligible and meaningful. Certain key songs are chosen as type-songs or other special examples, and are used as the bases for discussion on song style characteristics, principles of performance, bow adaptation, and so on. A general Introduction to Part 2 describes and accounts for the method of transcription, and also attempts to make it possible for the score reader not only to analyse, but also to perform the songs. In a further attempt to bring the transcriptions to life, a video recording of certain key songs and techniques, and audio tapes with examples taken from all the songs, accompany this study
- Full Text:
- Date Issued: 1987
I don't want to leave you
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/100847 , vital:31891 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC083a-05
- Description: Instrumental music
- Full Text: false
- Date Issued: 1987
Sweet raggae
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Dance music , Bass guitar , Drum , Organ music , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/107276 , vital:32782 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC104b-04
- Description: Dance song accompanied by bass guitar, organ and drum
- Full Text: false
- Date Issued: 1987
From song to literary texts : a study of the influence of isiXhosa lyrics on selected isiXhosa texts
- Authors: Dlepu, Siziwe Everrette
- Date: 2009
- Subjects: Xhosa (African people) -- Songs and music -- Texts , Folk songs, Xhosa -- South Africa , Xhosa (African people) -- Music , Xhosa -- Music
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: vital:8460 , http://hdl.handle.net/10948/943 , Xhosa (African people) -- Songs and music -- Texts , Folk songs, Xhosa -- South Africa , Xhosa (African people) -- Music , Xhosa -- Music
- Description: Songs play a vital role in the everyday life of the AmaXhosa. Each and every occasion or gathering is accompanied by singing. Their anger or pain, sorrow or joy is reflected in their singing. Although these songs are composed for social purposes and entertainment, they are also educational. Songs may be composed and sung to comment on political affairs, complain against the abuse of power by the authorities, declare war, protest, praise a hero, encourage working together and ridicule the foolishness of someone. Vocabulary and diction used in the composition of these songs, relays the message in a clever and witty style. Since the AmaXhosa are intellectuals, irony and satire are used. The satirical or ironical songs hide the meaning and the listener must unravel the real meaning. AmaXhosa singing, chanting and dancing is accompanied by instruments. These instruments add more rhythm to the dance.The AmaXhosa use anything at their disposal when carving their instruments. Their songs may be accompanied by the beating of cow-hide drums, blowing of reed-pipe whistles, animal horns, beating of sticks and hand-clapping. The most important instrument the AmaXhosa use is the human voice. They are experts in humming, gruff singing and whistling. The songs of the AmaXhosa encourage togetherness. When one composes a song, one does not express one’s own feelings, but also the feelings of the community. The AmaXhosa songs are about participation so group singing and dancing is encouraged. Everyone participates either by singing, dancing or clapping. x Respect is the central core of the AmaXhosa songs. That is why the songs are composed according to age groups and sex. Instruments are also used according to ages and sex. Written texts are also a tool to educate the reader. The writers have decided to include songs in their writings to act as a form of entertainment and education. Although some songs lack the hallmarks of a traditional song, they communicate the idea or relay the message the writer wants to convey to the reader. Terms: Mock enconuim, the grotesque and the principle of beautiful deformity, anaphoric construction, diction and connotation, authorial comments, the mask-persona form, usurping of authority and reduction of traditional status.
- Full Text:
- Date Issued: 2009
Ping-Pong
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Dance song , Bass guitar , Drum , Sub-Saharan African music , Africa South Africa Grahamstown f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/107389 , vital:32822 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC105b-04
- Description: Dance song accompanied by bass guitar and drum
- Full Text: false
- Date Issued: 1987
Come and celebrate
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/100793 , vital:31885 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC082b-20
- Description: Instrumental music
- Full Text: false
- Date Issued: 1987
Playing in the streets
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/100542 , vital:31840 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC082a-14
- Description: Instrumental music
- Full Text: false
- Date Issued: 1987
The biggest city
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music , Africa South Africa Grahamstown f-za
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/100798 , vital:31886 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC082b-21
- Description: Instrumental music
- Full Text: false
- Date Issued: 1987