Africa‘s Heritage No. 3: Religion, music and art in America
- Authors: Tracey, Hugh
- Subjects: Religion , Beliefs , Christianity , Evangelists , Folk music , Pagan practice , Dogma , Hymns , European hymn , Catholic , Latin , North America , Slaves , Catholic music , East Africa , West Africa , Jesuits , Mission , Musical heritage , Musical tradition , Quality of taste , Mississippi , Harmonica , Jazz , Drum , Double bass , Ragtime , Slave trade , Jamestown , Sudanic , Bantu , Congo River , Niger River , Virginia , South Carolina , Georgia , Allan Lomax , Call-and-response , Calvinists , Baptists , Southern States , Mouth cow , Cane fife , Panpipes , The Prettiest Girl That Ever I Saw , Bear hunters , Zimbabwe , Zambezi , Ability , Work songs , Lifting , Digging , Hoeing , Brunswick , I‘ll Be So Glad When The Sun Goes Down , Kenya , New York , Love song , Action , White spirituals , Alabama , Daniel Reed , Chorus , Congregational singing , Solo gospel , Revivalist song , What Do You Think About Jesus? He‘s Alright , Piano , Clapping , Drumming
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15098 , http://hdl.handle.net/10962/d1008526 , Reel number: BC128
- Description: 3rd programme in the ‘Africa‘s Heritage‘ Series, about early black African music in America, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
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An examination of the constitutional congruity of the current media legislation in Zimbabwe to global trends
- Authors: Chabinjwa, Trevor
- Date: 2011-12
- Subjects: Mass Media , Zimbabwe , Freedom of speech
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10353/24161 , vital:62438
- Description: The focus of this dissertation was on the nature and operation of laws and regulations that were and are still being used to limit the freedom of the media in Zimbabwe. Through a legal and political analysis of the evolution and use of these laws and regulations by successive governments in Zimbabwe, the study provides an important perspective on the struggle for media freedom in Zimbabwe. The main focus of this study was to examine the impact of media laws in Zimbabwe on the freedom of expression of its citizens. Some of the key media laws under the spotlight include; Access to Information and Protection of Privacy Act (AIPPA), the Public Order and Security Act (POSA) and the Broadcasting Services Act (BSA). The underpinning theoretical framework was informed by the Authoritarian, Libertarian and the Social Responsibility schools of thought. Questionnaires and in-depth interviews with selected key informants were the chief methods for data collection. Secondary data such as court cases, newspapers and some documents from organisations such as the UN, African Charter and Southern Africa Development Community (SADC) Protocol on Culture, Information and Sport were also consulted. Qualitative data was analysed using thematic content analysis while tables, graphs and charts which were interpreted and linked with processed qualitative data to come up with emerging trends and resolutions. The research revealed that the government is aware of the shortcomings in the regulations and laws relating to the media, but is not willing to make genuine and comprehensive reforms. These laws impact negatively on freedom of expression on citizens especially journalists and their media houses. It is evident from the findings that media houses in Zimbabwe are vulnerable. These laws have forced some media houses such as Daily news, Tribune and Capital radio to close. Some of these institutions have since opened after the formation of the Government of National Unity (GNU). But little has changed even after the formation of the GNU. Some of the journalists left Zimbabwe for fear of prosecution. This goes on to confirm that the current media legislations in Zimbabwe are not congruent with global norms such as the SADC Protocol on Culture, Information and Sport, the Universal Declaration of Human Rights Article 19, the African Charter Article 9, and African Charter on Human and Peoples’ Rights (ACHPR) which advocates for freedom of the media and expression. The study concluded that there is no freedom of expression in media legislation as has been witnessed from the findings of the study. The study then recommended crafting of new laws which promote freedom of expression of the citizens of Zimbabwe. , Thesis (MA) -- Social Sciences and Humanities, 2011
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- Date Issued: 2011-12
Andisaguta (I am not full)
- Authors: Zazi with Karanga women , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180529 , vital:43398 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-11
- Description: "I am not yet full, I have not yet had enough. But when I am full, then I will hit those women over there." A song sung in jest. Drinking song with clapping.
- Full Text: false
- Date Issued: 1949
Baya, wa baya, ho-ha-ho!
- Authors: Jima Shumba with Duma men and women , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Bikita f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180556 , vital:43402 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-14
- Description: This song is known over the whole lenght and breadth of the Karanga country. It was first sung, they say, in the 19th century as a fighting song against the Ndebele under Mzilikatsi from the west and the Shangaans under Ngungunyana from the east. These two Ngoni tribes from Zululand met on the Mtilikwe River and decided to keep to their on side of the river raiding the villages on either hand. "Kuwerure" they cry, when two sides meet in battle. Fighting song.
- Full Text: false
- Date Issued: 1949
Caminingwa
- Authors: Teachers Training College, Penhalonga , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Goromonze f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180699 , vital:43603 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-12
- Description: Long ago, there was a widow with one small daughter. Every day the mother used to go out collecting wild vegetables. One day when she came back home she found that several of her corn cobs hanging up in the hut were bare of corn and she asked the child how this had happened. She said 'Mother while you were away a little animal came here, danced and sang and as it danced the mealies fell off their cob onto the ground and he ate them all up! The animal asked her where her father was. She said "My father is dead". "And where is your mother?" "She is out collecting green food." "What kind?" "Watercress and spinach". So the mother said "Tomorrow I will stay at home and see this little animal." The animal came again and did the very same thing and she was astonished at what she saw. Story song, with 2 rattles.
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- Date Issued: 1951
Chaminuka teera wamwe (Chaminuka follows others)
- Authors: Manyoni Wanyamande , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180241 , vital:43341 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-13
- Description: Chaminuka is the name given to a whole line of religious prophets who for many generations led the spiritual life and thoughts of the Karanga people. One of the Chaminuka prophets is said to have smitten the waters of the Zambezi so that the river parted. The Karanga people came over dry foot. His soul, they say, first flew across the river in the form of a dove. Towards the end of the song, the singer breaks into the local patois, representing a conversation between him and a 'Mujoni'. a policeman on a horse. Humorous song with Njari (Mbira).
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- Date Issued: 1949
Chimwanikoda
- Authors: Munthuanengwi Muhlanga , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Gwelo f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180348 , vital:43355 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-04
- Description: An unusual musical bow on account of the use of a bridge ith which to divide the string into two segements and convey the sound direct to a small drum like resonator attached to the bow near its center. This simple little bow is played with an ox-tail bow near the point of stress. A thin stick is inserted between the gourd's membrane and the wire, conveying the sound down to the resonator and also dividing the single string into two unequal segments. The player stops the shorter of the two, thus producing the fundamental note on the longer segment and two or three notes on the shorter. It is perhaps strange to think that this product could prove entertaining and satisfactory to the performer. Self delectative song, with Chimwanikoda bowed musical bow, braced.
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- Date Issued: 1949
Chitima
- Authors: Muchabaiwa and two others , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Marandellas f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180646 , vital:43596 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-07
- Description: Onomatopoeic words or phrases describing the sounds of a train. "Chuma changu chakapera nemahuri." All my possessions (literally my beads) have been wasted on girls. The performer of the mouth bow sometimes resonates the harmonics out of the side of the mouth and sometimes whistles without taking the bow from his mouth. Self delectative song, with Chipendani musical bow, mouth resonated
- Full Text: false
- Date Issued: 1951
Chomusikana Mandega I (The Girl, Mandega)
- Authors: Boys of Domboshawa Government School , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180275 , vital:43348 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-01
- Description: Physical training at this school was done to the accompaniment of several well known folk songs. The team of boys was supplied with dumbells made of blue gum wood which they clap together. The drummer and song leader stand in front of the clas setting the pace. The whole is converted into a kind of dance routine. Physical training song, with Mutumba drums and dumbbells.
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- Date Issued: 1949
Constructions of nationhood in secession debates related to Mthwakazi Liberation Front in Bulawayo's Chronicle and Newsday newspapers in 2011
- Authors: Ndlovu, Mphathisi
- Date: 2013
- Subjects: Newspapers , Bulawayo , Matabeleland , Zimbabwe , Chronicle , Newsday , Secession , Devolution , Nationhood , Ndebele , Ethnic identity , Mthwakazi Liberation Front , Mthwakazi Liberation Front -- Zimbabwe , Mass media and nationalism -- Research -- Zimbabwe , Bulawayo (Zimbabwe) -- Newspapers , Matabeleland (Zimbabwe) -- History -- Autonomy and independence movements , Matabeleland (Zimbabwe) -- Social conditions , Zimbabwe -- Social conditions
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:3415 , http://hdl.handle.net/10962/d1001846
- Description: This study investigates the constructions of nationhood in two Bulawayo newspapers, the Chronicle and Newsday. Against the backdrop of the emergence of a secessionist movement, Mthwakazi Liberation Front (MLF), this research examines the discourses of nationhood in the secessionist debates raging in these two newspapers. This study is premised on a view that nationhood constructions cannot be understood outside the broader context in which these newspapers are embedded. Accordingly, it traces the roots and resurgence of Matabeleland separatist politics, exploring the political-historical forces that have shaped a distinctive Ndebele identity that poses a threat to the one, indivisible Zimbabwean national identity. Further, the study situates Matabeleland separatist politics within the broader African secessionist discourse challenging the post-colonial nation-building project on the continent. Informed by Hall’s (1992, 1996) constructivist approach to identity, it considers national identities as fragmented, multiple and constantly evolving. Thus, this study is framed within Hall’s (1997) constructivist approach to representation, as it examines the constructions of nationhood in and through language. The study uses qualitative research methods, as it examines the meanings of nationhood in key media texts. Informed by Foucault’s discourse theory, this research employs critical discourse analysis (CDA) to analyse 12 articles from the two newspapers. The findings confirm that the representations of nationhood in the two newspapers are influenced by their position within the socio-political context. The state-owned Chronicle legitimates the unitary state discourse advocated by ZANU PF. On the other hand, Newsday’s representations are informed by the discourses of the opposition political parties and civil society that challenge the dominant nation-building project. Thus, within this paper, secession and devolution emerge as alternative imaginaries that contest the authoritarian discourse of nationhood
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- Date Issued: 2013
Dududu, ndakaringo
- Authors: Duma men , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180511 , vital:43396 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-09
- Description: This song, taken from part of a story, is typical of the style among the Karanga. The story contains many references to animals and birds, but the full story is not known. Story song.
- Full Text: false
- Date Issued: 1949
Gombahari murume (Gombahari, the jealous husband)
- Authors: Manyoni Wanyamande , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180250 , vital:43344 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-14
- Description: The song is typical of those which are in great demand at any party. In the old days Njari players would tour the country singing at parties as wandering minstrels, receiving gifts in food and kind and then going on to the next village. Humorous song with Njari (Mbira).
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- Date Issued: 1949
Gororombe yawakuru (Gorombe of the elders)
- Authors: Saimoni Mashoka , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Buhera f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180194 , vital:43331 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-08
- Description: By 2 men and 3 women. The word 'Gororombe' now refers to a certain flute ensemble dance, but it appears that it may have been used for other dances as well in ancient times. The singers come from the Buhera district of central Southern Rhodesia. Song for Mashawi dance, with two Njari (Mbira), one 29 note and one 23 note.
- Full Text: false
- Date Issued: 1949
Iranga rachona
- Authors: Chabarwa Musunda Sinyoro , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180176 , vital:43329 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-06
- Description: This is the Njari version of the famous "Ilanga la Shona" which became so popular when first sung in Bulawayo in about 1946. Several versions in different languages have appeared since then. The original was sung to the guitar and this setting to the traditional instrument is particularly interesting. The Karanga or 'Shona', as opposed to the Nguni speaking Ndebele of the South west of the country, do not use the letter 'L' but change it to 'R'. Topical song ith Njari (Mbira).
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- Date Issued: 1949
Ishe komborera Afrika (Prayer for Africa)
- Authors: Boys of Domboshawa Government School , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180299 , vital:43350 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-02
- Description: The local Zezuru version of the well known Xhosa anthem "Nkosi sikelele afrika" composed in 1897 in the Transkei by a teacher there. Prayer for Africa.
- Full Text: false
- Date Issued: 1949
Kutauro no muridzo
- Authors: Kutauro no muridzo , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Bikita f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180538 , vital:43399 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-12
- Description: Although the message drums of central and west Africa are unknown south of the Congo basin, young herd boys have long used a whistling language in which the tone of the phrases they wish to convet are whistled to each other at some distance, often at a safe distance on the other side of a river because much of what they whistle may be humorous or even disrespectful to the stronger or older of the small fry. The first part is a whistled conversation, usually done at some distance apart. The second part is a sample conversation in which the boys say the words that they had whistled to demonstrate the rise and fall of tone. Whistling conversation.
- Full Text: false
- Date Issued: 1949
Kuwe kuwe ngoma
- Authors: Teachers Training College, Penhalonga , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Goromonze f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180681 , vital:43601 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-10
- Description: Story song, with 2 rattles.
- Full Text: false
- Date Issued: 1951
Kwa ambuya asina keriya
- Authors: Muchabaiwa and two others , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Marandellas f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180637 , vital:43595 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-06
- Description: "You must bring your mother-in-law a present on your bicycle carrier when you go to see her, or she will be angry." Towards the end of the second tune the bow player can be heard whistling out of the side of his mouth. The performer of the mouth bow sometimes resonates the harmonics out of the side of the mouth and sometimes whistles without taking the bow from his mouth. Self delectative song, with Chipendani musical bow, mouth resonated
- Full Text: false
- Date Issued: 1951
Madebura
- Authors: Dudzai Sigauke , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Melsetter f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180725 , vital:43607 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-15
- Description: "I play on my kness because I am bound. I cannot do it any more. Changamire (Chief). You come out showing the marks. Like the marks of scorching on your legs." the mouth resonated harmonics can be clearly heard in this recording. Self delectative tune with friction bow, mouth resonated, and rattle.
- Full Text: false
- Date Issued: 1951
Madumbu nemanyere
- Authors: Teachers Training College, Penhalonga , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Mangwende f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180592 , vital:43408 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-01
- Description: One of the many variations of the story of the "Lion on the path." The woman is held up by lions on the wrong path she has taken and is rescued by her relatives village where they enjoy beer and dancing. In the dance song he admonishes her not to argue about his instructions but always take the road that he tells her to take, or one day she will be eaten by lions. Story song.
- Full Text: false
- Date Issued: 1949