!Anu !Anu !Anub
- Authors: Group Composition , Damara Folk , Dargie, Dave
- Date: 1982-10-28
- Subjects: Choral music , Field recordings , Africa, Sub-Saharan , Africa Namibia Okombahe f-sx
- Language: Khoekhoe, Nama (Namibia)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/278067 , vital:55348 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD056-15
- Description: Indigenous music.
- Full Text: false
- Date Issued: 1982-10-28
!Anu !Anu !Anub
- Authors: Group Composition , Damara Folk , Dargie, Dave
- Date: 1982-10-28
- Subjects: Choral music , Field recordings , Africa, Sub-Saharan , Africa Namibia Okombahe f-sx
- Language: Khoekhoe, Nama (Namibia)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/278085 , vital:55349 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD056-16
- Description: Indigenous music.
- Full Text: false
- Date Issued: 1982-10-28
!Hui ten ga
- Authors: Jongmoederkring Choir , Composer not specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis f-sx
- Language: Khoekhoegowab
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/309422 , vital:59036 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-87
- Description: Catholic choirs performing composition.
- Full Text: false
- Date Issued: 1988
!Khub !Na Gom Hai
- Authors: Group Composition , Nunuhes, Appolonia , Damara Folk , Dargie, Dave
- Date: 1981-11-21
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Nambia Sambiu f-sx
- Language: Kwangali
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/263865 , vital:53671 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD032-24
- Description: Indigenous music.
- Full Text: false
- Date Issued: 1981-11-21
!Khub !Na Gom Hai
- Authors: Group Composition , Nunuhes, Appolonia , Damara Folk , Dargie, Dave
- Date: 1981-11-21
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Nambia Sambiu f-sx
- Language: Kwangali
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/263870 , vital:53672 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD032-30
- Description: Indigenous music.
- Full Text: false
- Date Issued: 1981-11-21
!Khub !Na Gom Hai
- Authors: Group Composition , Nunuhes, Appolonia , Damara Folk , Dargie, Dave
- Date: 1981-11-21
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Nambia Sambiu f-sx
- Language: Kwangali
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/263837 , vital:53669 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD032-27
- Description: Indigenous music.
- Full Text: false
- Date Issued: 1981-11-21
!Khub !Na Gom Hai
- Authors: Group Composition , Nunuhes, Appolonia , Damara Folk , Dargie, Dave
- Date: 1981-11-21
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Nambia Sambiu f-sx
- Language: Kwangali
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/263822 , vital:53666 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD032-24
- Description: Indigenous music.
- Full Text: false
- Date Issued: 1981-11-21
!Khub !Na Gom Hai
- Authors: Group Composition , Nunuhes, Appolonia , Damara Folk , Dargie, Dave
- Date: 1981-11-21
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Nambia Sambiu f-sx
- Language: Kwangali
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/263827 , vital:53667 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD032-25
- Description: Indigenous music.
- Full Text: false
- Date Issued: 1981-11-21
!Khub !Na Gom Hai
- Authors: Group Composition , Nunuhes, Appolonia , Damara Folk , Dargie, Dave
- Date: 1981-11-21
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Nambia Sambiu f-sx
- Language: Kwangali
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/263832 , vital:53668 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD032-26
- Description: Indigenous music.
- Full Text: false
- Date Issued: 1981-11-21
!Khub !Na Gom Hai
- Authors: Group Composition , Nunuhes, Appolonia , Damara Folk , Dargie, Dave
- Date: 1981-11-21
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Nambia Sambiu f-sx
- Language: Kwangali
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/263860 , vital:53670 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD032-28
- Description: Indigenous music.
- Full Text: false
- Date Issued: 1981-11-21
!Khutse /komsea sida
- Authors: Composer Not Specified , Damara Folk , Dargie, Dave
- Date: 1981-11-21
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Nambia Gobabis f-sx
- Language: Khoekhoe, Nama (Namibia)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/264055 , vital:53692 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD033-11
- Description: Indigenous music.
- Full Text: false
- Date Issued: 1981-11-21
!Khutse Gaosisen
- Authors: Composition Workshop Choir , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Katutura f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/309586 , vital:59055 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD118-12
- Description: Practise session during composition workshop.
- Full Text: false
- Date Issued: 1988
!Khutse u loa sida di guibasa
- Authors: Music Workshop Group , Composer Not Specified , Ganes, Annamarta , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis f-sx
- Language: Khoekhoegowab
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/308450 , vital:58919 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-03
- Description: Religious offertory dance song with clapping accompaniment.
- Full Text: false
- Date Issued: 1988
!Kuba du goa Kriste ||ido
- Authors: Performer not specified , Kasata, Michael , van Wyk, Laurens "Vossie" , Dargie, Dave
- Date: 1982-11-10
- Subjects: Folk music , Church music , Field recordings , Africa, Sub-Saharan , Africa Namibia Katatura f-sx
- Language: Khoekhoegowab
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/280893 , vital:55671 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD062-18
- Description: Indigenous music.
- Full Text: false
- Date Issued: 1982-11-10
!Nobatere ti oas oa u
- Authors: Music Workshop Group , Composer Not Specified , Ganes, Annamarta , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis f-sx
- Language: Khoekhoegowab
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/308504 , vital:58926 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-06
- Description: Traditional Damara lullaby with clapping accompaniment.
- Full Text: false
- Date Issued: 1988
""Of molecules and men"" : inaugural lecture delivered at Rhodes University
- Authors: Kaye, P T
- Date: 1989
- Subjects: Biochemistry , Chemistry, Organic , Chemistry
- Language: English
- Type: Text
- Identifier: vital:643 , http://hdl.handle.net/10962/d1020712 , ISBN 0868101842
- Description: Inaugural lecture delivered at Rhodes University , Rhodes University Libraries (Digitisation)
- Full Text:
- Date Issued: 1989
"#no fee increment"
- Authors: Thomas, Cornelius
- Date: 2015-10-21
- Type: Image
- Identifier: vital:8005 , http://hdl.handle.net/10962/d1020484
- Description: On Wednesday, 21 October 2015, Rhodes University closed in solidarity with the higher education sector as students and staff embarked on nationwide protest action against the shortage of funding in the South African higher education sector. #FeesMustFall is a national student led protest movement that began in mid-October 2015 in response to proposed increases in fees at South African universities. These images depict the peaceful march and illustrate the extent of solidarity among staff, students and community members who joined in support of the protest.
- Full Text: false
- Date Issued: 2015-10-21
"6% for who Blade awunyi perhaps?"
- Authors: Thomas, Cornelius
- Date: 2015-10-21
- Type: Image
- Identifier: vital:8027 , http://hdl.handle.net/10962/d1020512
- Description: On Wednesday, 21 October 2015, Rhodes University closed in solidarity with the higher education sector as students and staff embarked on nationwide protest action against the shortage of funding in the South African higher education sector. #FeesMustFall is a national student led protest movement that began in mid-October 2015 in response to proposed increases in fees at South African universities. These images depict the peaceful march and illustrate the extent of solidarity among staff, students and community members who joined in support of the protest.
- Full Text: false
- Date Issued: 2015-10-21
"A complex and delicate web" : a comparative study of selected speculative novels by Margaret Atwood, Ursula K. Le Guin, Doris Lessing and Marge Piercy
- Authors: Glover, Jayne Ashleigh
- Date: 2008
- Subjects: Atwood, Margaret Eleanor, 1939- -- Criticism and interpretation Le Guin, Ursula K., 1929- -- Criticism and interpretation Lessing, Doris May, 1919- -- Criticism and interpretation Piercy, Marge Piercy, Marge -- Criticism and interpretation Utopias in literature Dystopias in literature Science fiction, English -- History and criticism Fantasy fiction -- History and criticism Fantasy literature -- History and criticism Women authors -- 20th Century Women authors -- 21st Century English fiction -- 20th Century English fiction -- 21st Century
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2199 , http://hdl.handle.net/10962/d1002241
- Description: This thesis examines selected speculative novels by Margaret Atwood, Ursula K. Le Guin, Doris Lessing and Marge Piercy. It argues that a specifiable ecological ethic can be traced in their work – an ethic which is explored by them through the tensions between utopian and dystopian discourses. The first part of the thesis begins by theorising the concept of an ecological ethic of respect for the Other through current ecological philosophies, such as those developed by Val Plumwood. Thereafter, it contextualises the novels within the broader field of science fiction, and speculative fiction in particular, arguing that the shift from a critical utopian to a critical dystopian style evinces their changing treatment of this ecological ethic within their work. The remainder of the thesis is divided into two parts, each providing close readings of chosen novels in the light of this argument. Part Two provides a reading of Le Guin’s early Hainish novels, The Left Hand of Darkness, The Word for World is Forest and The Dispossessed, followed by an examination of Piercy’s Woman on the Edge of Time, Lessing’s The Marriages Between Zones Three, Four and Five, and Atwood’s The Handmaid’s Tale. The third, and final, part of the thesis consists of individual chapters analysing the later speculative novels of each author. Piercy’s He, She and It, Le Guin’s The Telling, and Atwood’s Oryx and Crake are all scrutinised, as are Lessing’s two recent ‘Ifrik’ novels. This thesis shows, then, that speculative fiction is able to realise through fiction many of the ideals of ecological thinkers. Furthermore, the increasing dystopianism of these novels reflects the greater urgency with which the problem of Othering needs to be addressed in the light of the present global ecological crisis.
- Full Text:
- Date Issued: 2008
"A dark revolt of being" abjection, sacrifice and the real in performance art, with reference to the works of Peter van Heerden and Steven Cohen
- Authors: Balt, Christine
- Date: 2009
- Subjects: Cohen, Steven, 1962- Van Heerden, Peter Phelan, Peggy Kristeva, Julia Lacan, Jacques Performance art -- South Africa Abject art
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2132 , http://hdl.handle.net/10962/d1002364
- Description: This thesis is an exploration of some of the defining characteristics of performance art, and an investigation of how such characteristics relate to ritual. It highlights some key notions, such as that of the “Real” and the live, which are introduced in the first chapter. This chapter explores the theories of Peggy Phelan, Julia Kristeva and Jacques Lacan in its attempts to conceptualize the Real. It assesses how performance art as ritual attempts to revise traditional apparatuses of representation. It argues that, through a transgression of representation, performance art has the potential to challenge and revise established discourses on identity, culture and violence. The second chapter of this study is an attempt to provide a history and subsequent conceptualization of performance art, based on its exposition of the live. I have taken into consideration certain strategies that performance artists employ to evoke the live, referring specifically to the manipulation of the body. It is through abject encounters with the unsymbolizable “Real” that the performance artist reaches the borders of his/her subjective constitution, and performs a transformation of his/her identity that transcends the mechanisms of representation. The third chapter of this study attempts to find the connections that exist between performance art and sacrificial ritual. I will refer specifically to the theories of Rene Girard. Girard‟s notion of the “violent sacred” and its significance within sacrifice as an antidote to community crises will be explored in relation to collective transformation within the performance event. I choose to focus specifically on the role of the performer as surrogate victim/pharmakon, and the spectators/witnesses as part of the community. The fourth chapter explores how two South African performance artists, Steven Cohen (1961) and Peter van Heerden (1973), perform the abject body as the monster. Kristeva‟s notion of the abject will be examined in terms of the transformation of the individual performer as subject within performance art, and how, through the assumption of an “othered,” monstrous identity, the performer becomes the surrogate victim. The fifth chapter will entail an examination of Peter van Heerden‟s 6 Minutes. I will attempt to draw parallels between performance art and ritual through using this performance piece as a case study. I will focus on the strategies that Van Heerden implements to resist theatrical representation. 6 Minutes will be observed in terms of its link to sacrificial ritual, and it presentation of the live, and the Real. In light of these discoveries, I aim to locate performance art within politically-driven modes of art-making, and how such an endeavour relates to South African modes of theatre and performance.
- Full Text:
- Date Issued: 2009