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""Of molecules and men"" : inaugural lecture delivered at Rhodes University

  • Authors: Kaye, P T
  • Date: 1989
  • Subjects: Biochemistry , Chemistry, Organic , Chemistry
  • Language: English
  • Type: Text
  • Identifier: vital:643 , http://hdl.handle.net/10962/d1020712 , ISBN 0868101842
  • Description: Inaugural lecture delivered at Rhodes University , Rhodes University Libraries (Digitisation)
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  • Date Issued: 1989

"#no fee increment"

  • Authors: Thomas, Cornelius
  • Date: 2015-10-21
  • Type: Image
  • Identifier: vital:8005 , http://hdl.handle.net/10962/d1020484
  • Description: On Wednesday, 21 October 2015, Rhodes University closed in solidarity with the higher education sector as students and staff embarked on nationwide protest action against the shortage of funding in the South African higher education sector. #FeesMustFall is a national student led protest movement that began in mid-October 2015 in response to proposed increases in fees at South African universities. These images depict the peaceful march and illustrate the extent of solidarity among staff, students and community members who joined in support of the protest.
  • Full Text: false
  • Date Issued: 2015-10-21

"6% for who Blade awunyi perhaps?"

  • Authors: Thomas, Cornelius
  • Date: 2015-10-21
  • Type: Image
  • Identifier: vital:8027 , http://hdl.handle.net/10962/d1020512
  • Description: On Wednesday, 21 October 2015, Rhodes University closed in solidarity with the higher education sector as students and staff embarked on nationwide protest action against the shortage of funding in the South African higher education sector. #FeesMustFall is a national student led protest movement that began in mid-October 2015 in response to proposed increases in fees at South African universities. These images depict the peaceful march and illustrate the extent of solidarity among staff, students and community members who joined in support of the protest.
  • Full Text: false
  • Date Issued: 2015-10-21

"A complex and delicate web" : a comparative study of selected speculative novels by Margaret Atwood, Ursula K. Le Guin, Doris Lessing and Marge Piercy

"A dark revolt of being" abjection, sacrifice and the real in performance art, with reference to the works of Peter van Heerden and Steven Cohen

  • Authors: Balt, Christine
  • Date: 2009
  • Subjects: Cohen, Steven, 1962- Van Heerden, Peter Phelan, Peggy Kristeva, Julia Lacan, Jacques Performance art -- South Africa Abject art
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:2132 , http://hdl.handle.net/10962/d1002364
  • Description: This thesis is an exploration of some of the defining characteristics of performance art, and an investigation of how such characteristics relate to ritual. It highlights some key notions, such as that of the “Real” and the live, which are introduced in the first chapter. This chapter explores the theories of Peggy Phelan, Julia Kristeva and Jacques Lacan in its attempts to conceptualize the Real. It assesses how performance art as ritual attempts to revise traditional apparatuses of representation. It argues that, through a transgression of representation, performance art has the potential to challenge and revise established discourses on identity, culture and violence. The second chapter of this study is an attempt to provide a history and subsequent conceptualization of performance art, based on its exposition of the live. I have taken into consideration certain strategies that performance artists employ to evoke the live, referring specifically to the manipulation of the body. It is through abject encounters with the unsymbolizable “Real” that the performance artist reaches the borders of his/her subjective constitution, and performs a transformation of his/her identity that transcends the mechanisms of representation. The third chapter of this study attempts to find the connections that exist between performance art and sacrificial ritual. I will refer specifically to the theories of Rene Girard. Girard‟s notion of the “violent sacred” and its significance within sacrifice as an antidote to community crises will be explored in relation to collective transformation within the performance event. I choose to focus specifically on the role of the performer as surrogate victim/pharmakon, and the spectators/witnesses as part of the community. The fourth chapter explores how two South African performance artists, Steven Cohen (1961) and Peter van Heerden (1973), perform the abject body as the monster. Kristeva‟s notion of the abject will be examined in terms of the transformation of the individual performer as subject within performance art, and how, through the assumption of an “othered,” monstrous identity, the performer becomes the surrogate victim. The fifth chapter will entail an examination of Peter van Heerden‟s 6 Minutes. I will attempt to draw parallels between performance art and ritual through using this performance piece as a case study. I will focus on the strategies that Van Heerden implements to resist theatrical representation. 6 Minutes will be observed in terms of its link to sacrificial ritual, and it presentation of the live, and the Real. In light of these discoveries, I aim to locate performance art within politically-driven modes of art-making, and how such an endeavour relates to South African modes of theatre and performance.
  • Full Text:
  • Date Issued: 2009

"A lean-led-evaluation" of infrastructure development improvement programme in South Africa

  • Authors: Monyane, Thabiso Godfrey
  • Date: 2019
  • Subjects: Construction industry -- South Africa
  • Language: English
  • Type: Thesis , Doctoral , PhD
  • Identifier: http://hdl.handle.net/10948/44535 , vital:38131
  • Description: A doctoral study was embarked upon with the intentions of addressing cost management problems encountered on Infrastructure Delivery Projects in South Africa. Given that poor cost performance constitute hindrance to the realization of project goals, it is imperative to eliminate it from project delivery. The prevalence of cost overrun in public sector projects is a call to all stakeholders to address cost management issues in the construction industry. The predominance of cost overruns in public sector construction projects in South Africa has been observed. With the decline of the current economic conditions in South Africa, project performance is a great concern that needs attention. In addition, ineffective initiatives to curb the abuse of the procurement processes are directly affecting the outcomes of construction projects, and if these status quo remains, the sector will continue to have a bad image and continued waste of taxpayers’ money will not cease until the public sector remove non-value adding activities in their operations. Study adopted a mixed methods designed that collected both textual and statistical data. Semistructured interviews were undertaken to determine the outcomes of current project management practices in South Africa. In terms of performance of projects, the status quo paints a disconsolate picture. Findings reveal protracted processes, and the use of unqualified and inexperienced contribute to poor performance of public sector projects. Poor performance continues to dominate the construction sector, especially in the public sector. Interviews data were contrasted with evidence from project-related documents. Based on the data, the study produces a vignette of existing cost management frameworks applied to such projects. Encompassing various stages of the project delivery lifecycle, this vignette will enable an identification of the challenges afflicting cost management on projects. Accordingly, this study identified Lean opportunities from existing cost management practices. Such opportunities will enable identification of effective cost management during project delivery. There appears a need for collaborative cost management practices. Lean tools mentioned for improvement include the 5Whys, the big room, target value design, and the integration of design and construction. A collaborative cost management framework was developed through relevant theories to improve the cost management process of public sector projects.
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  • Date Issued: 2019

"A sociological investigation of the influence of regular school feeding scheme on learners' academic performance at Ngqele Primary School in Nkonkobe municipality, Eastern Cape"

  • Authors: James, Ntombovuyo Gloria
  • Date: 2017
  • Subjects: School children--Health and hygiene Nutrition--South Africa--Eastern Cape School attendance--South Africa--Eastern Cape
  • Language: English
  • Type: Thesis , Masters , Sociology
  • Identifier: http://hdl.handle.net/10353/11516 , vital:39079
  • Description: This study sought to examine a sociological approach of the influence of regular provision of school feeding scheme on learners’ academic performance at Ngqele Primary School, Nkonkobe Municipality, Eastern Cape Province, South Africa. The study explored the views of teachers and parents pertaining to regular provision of school feeding scheme on learners’ academic performance. In addition, the study examined the impact of regular provision of school feeding scheme on school attendance and the sustainability of the regular provision of school feeding scheme. The study utilized both qualitative and quantitative research methods in the form of in-depth interviews, and a survey method. The process was made possible through the use of purposive sampling and cluster sampling to generate the targeted participants of the study. The findings of the study have shown that the school feeding scheme has got an impact on learner’s academic performance due to the fact that learners are able to listen and pay attention to the teacher if they are fed, the SFS has a positive impact on learners’ attendance and high enrolment. However, the study has also shown that, despite the positive impact of the school feeding Scheme, there were some challenges that also impacted negatively on learners, the school and the implementation of the programme. Such challenges include irregular supply of food, food shortages and poor quality of food.
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  • Date Issued: 2017

"A strong proof of the flourishing state of the country exemplified in the proposed emigration to the Cape of Good Hope"

"Abject dictatorship of the flesh" : corporeality in the fiction of Patrick White

"All among the Hottentots capering ashore"

  • Authors: Cruikshank, George (1792-1878)
  • Subjects: British Settlers of 1820 (South Africa) -- Photographs
  • Type: Image
  • Identifier: vital:13992 , http://hdl.handle.net/10962/d1017512 , CD 55 , MS 10 542 , PIC/SL 4804
  • Description: Cruikshank’s cartoon showing the 1820 Emigration scheme ridiculed. , Transcription reads: "All among the Hottentots Capering ashore!! or the Blessings of Emigration to the Cape of Forlorn Good Hope (ie) To be half roasted by the Sun & Devoured by the Natives!! recommend to the Serious consideration of all those who are about to Emigrate"
  • Full Text: false

"All vistas close in the unseen" : a study of the transcendent in the fiction of E. M. Forster

  • Authors: Butler, Ian
  • Date: 1987
  • Subjects: Forster, E. M. (Edward Morgan), 1879-1970 -- Criticism and interpretation , Forster, E. M. (Edward Morgan), 1879-1970
  • Language: English
  • Type: text , Thesis , Masters , MA
  • Identifier: vital:2175 , http://hdl.handle.net/10962/d1001826
  • Description: From introduction: It has become something of a commonplace among critics to remark Forster's relative lack of success in offering an alternative to the world which he satirises with such wit and humour. His comic treatment of the suburban absurdities of the Edwardian Englishman is, on the whole, far more compelling and memorable than the often vague, symbolic gestures by means of which he implies the possibility of something better. With the exception of his last and greatest novel, A Passage to India, his "alternatives" are largely factitious and contrived. Worse, the reader senses a fundamental uncertainty on the part of the author: his characteristic ambivalence in itself an indication of a perceptive and discriminating mind -- all too often suggests lack of conviction rather than an intelligent awareness of the infinitude of human possibilities.
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  • Date Issued: 1987

"Asina Mali!"

  • Authors: Thomas, Cornelius
  • Date: 2015-10-21
  • Type: Image
  • Identifier: vital:7988 , http://hdl.handle.net/10962/d1020464
  • Description: On Wednesday, 21 October 2015, Rhodes University closed in solidarity with the higher education sector as students and staff embarked on nationwide protest action against the shortage of funding in the South African higher education sector. #FeesMustFall is a national student led protest movement that began in mid-October 2015 in response to proposed increases in fees at South African universities. These images depict the peaceful march and illustrate the extent of solidarity among staff, students and community members who joined in support of the protest.
  • Full Text: false
  • Date Issued: 2015-10-21

"Ba Machi Bwanga." (Girl's name)

  • Authors: Composer not specified , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Africa Zambia Serenje f-za
  • Language: Lala
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134331 , vital:37123 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0019-06
  • Description: The singer calls his girl Machi Bwanga and the other women, including the mother of Changwe, to come and help him to sing.
  • Full Text: false
  • Date Issued: 1957

"Baberita babakana babasangule apumbu." (Babarita has been rejected and they have made a fool of her)

  • Authors: Composer not specified , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Africa Zambia Serenje f-za
  • Language: Lala
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134340 , vital:37124 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0019-07
  • Description: Self-delectative song with Kankowele x 8, fan shaped mbira, with external resonator and mirliton.
  • Full Text: false
  • Date Issued: 1957

"Blade is blunt"

  • Authors: Thomas, Cornelius
  • Date: 2015
  • Language: English
  • Type: still image
  • Identifier: vital:7963 , http://hdl.handle.net/10962/d1020436
  • Description: On Wednesday, 21 October 2015, Rhodes University closed in solidarity with the higher education sector as students and staff embarked on nationwide protest action against the shortage of funding in the South African higher education sector. #FeesMustFall is a national student led protest movement that began in mid-October 2015 in response to proposed increases in fees at South African universities. These images depict the peaceful march and illustrate the extent of solidarity among staff, students and community members who joined in support of the protest.
  • Full Text: false
  • Date Issued: 2015

"Blade what's good?"

  • Authors: Thomas, Cornelius
  • Date: 2015-10-21
  • Type: Image
  • Identifier: vital:7964 , http://hdl.handle.net/10962/d1020437
  • Description: On Wednesday, 21 October 2015, Rhodes University closed in solidarity with the higher education sector as students and staff embarked on nationwide protest action against the shortage of funding in the South African higher education sector. #FeesMustFall is a national student led protest movement that began in mid-October 2015 in response to proposed increases in fees at South African universities. These images depict the peaceful march and illustrate the extent of solidarity among staff, students and community members who joined in support of the protest.
  • Full Text: false
  • Date Issued: 2015-10-21

"Blade where's the money?"

  • Authors: Thomas, Cornelius
  • Date: 2015-10-21
  • Type: Image
  • Identifier: vital:7965 , http://hdl.handle.net/10962/d1020438
  • Description: On Wednesday, 21 October 2015, Rhodes University closed in solidarity with the higher education sector as students and staff embarked on nationwide protest action against the shortage of funding in the South African higher education sector. #FeesMustFall is a national student led protest movement that began in mid-October 2015 in response to proposed increases in fees at South African universities. These images depict the peaceful march and illustrate the extent of solidarity among staff, students and community members who joined in support of the protest.
  • Full Text: false
  • Date Issued: 2015-10-21

"Blade where's the money?"

  • Authors: Thomas, Cornelius
  • Date: 2015-10-21
  • Type: Image
  • Identifier: vital:7966 , http://hdl.handle.net/10962/d1020439
  • Description: On Wednesday, 21 October 2015, Rhodes University closed in solidarity with the higher education sector as students and staff embarked on nationwide protest action against the shortage of funding in the South African higher education sector. #FeesMustFall is a national student led protest movement that began in mid-October 2015 in response to proposed increases in fees at South African universities. These images depict the peaceful march and illustrate the extent of solidarity among staff, students and community members who joined in support of the protest.
  • Full Text: false
  • Date Issued: 2015-10-21

"But what story?": a narrative-discursive analysis of "white" Afrikaners' accounts of male involvement in parenthood decision-making

  • Authors: Morison, Tracy
  • Date: 2011
  • Subjects: Family planning -- South Africa -- Psychological aspects Family size Birth intervals Men -- South Africa -- Attitudes Men -- South Africa -- Psychology Couples -- South Africa -- Psychology Afrikaners -- Attitudes
  • Language: English
  • Type: Thesis , Doctoral , PhD
  • Identifier: vital:3025 , http://hdl.handle.net/10962/d1002534
  • Description: Despite the increased focus on men in reproductive research, little is known about male involvement in the initial decision/s regarding parenthood (i.e., to become a parent or not) and the subsequent decision-making that may ensue (e.g., choices about timing or spacing of births). In particular, the parenthood decision-making of “White”, heterosexual men from the middle class has been understudied, as indicated in the existing literature. In South Africa, this oversight has been exacerbated by the tendency for researchers to concentrate on “problematic” men, to the exclusion of the “boring, normal case”. I argue that this silence in the literature is a result of the taken for granted nature of parenthood in the “normal” heterosexual life course. In this study, I have turned the spotlight onto the norm of “Whiteness” and heterosexuality by studying those who have previously been overlooked by researchers. I focus on “White” Afrikaans men’s involvement in parenthood decision-making. My aim was to explore how constructions of gender inform male involvement in decision-making, especially within the South African context where social transformation has challenged traditional conceptions of male selfhood giving rise to new and contested masculine identities and new discourses of manhood and fatherhood. In an effort to ensure that women’s voices are not marginalised in the research, as is often the case in studies of men and masculinity, I conducted in-depth, semi-structured interviews about male involvement in decision-making with both “White” Afrikaans women and men. There were 23 participants in total, who all identified as heterosexual and middle-class. The participants were divided into two age cohorts (21 – 30 years and >40 years), which were then differentiated according to gender, reproductive status, and relationship status. Treating the interviews as jointly produced narratives, I analysed them by means of a performativity/performance lens. This dual analytic lens focuses on how particular narrative performances are simultaneously shaped by the interview setting and the broader discursive context. The lens was fashioned by synthesising Butler’s theory of performativity with Taylor’s narrative-discursive method. This synthesis (1) allows for Butler’s notion of “performativity” to be supplemented with that of “performance”; (2) provides a concrete analytical strategy in the form of positioning analysis; and (3) draws attention to both the micro politics of the interview conversation and the operation of power on the macro level, including the possibility of making “gender trouble”. The findings of the study suggest that the participants experienced difficulty narrating about male involvement in parenthood decision-making, owing to the taken for granted nature of parenthood for heterosexual adults. This was evident in participants’ sidelining of issues of “deciding” and “planning” and their alternate construal of childbearing as a non-choice, which, significantly served to bolster hetero-patriarchal norms. A central rhetorical tool for accomplishing these purposes was found in the construction of the “sacralised” child. In discursively manoeuvring around the central problematic, the participants ultimately produced a “silence” in the data that repeats the one in the research literature.
  • Full Text:
  • Date Issued: 2011

"Bwalwa bwa chiwowo." (Beer not drunk in peace.)

  • Authors: Composer not specified , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Africa Zambia Serenje f-za
  • Language: Lala
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134313 , vital:37120 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0019-04
  • Description: "This beer is for the people, the Kaonde, the Lamba and the Nsenga." The people who use magic are worrying me at my house. I must go to the diviner to find out who it is. Why are you standing there at the door? Come in and do not stay outside."
  • Full Text: false
  • Date Issued: 1957
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