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Msitso woKata I : Ngodo waCabo Mtoti

Msitso wo woraru. 3rd Movement

  • Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Lambo Diki , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/192735 , vital:45255 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-10
  • Description: Lambo Diki Muchinga is the son and grandson of two famous Timbila makers in this district Muchinga, who died about 1945 and his son Ngilishi Muchina who, between them, have made most of the beautiful instruments of these two Migodo of Regulo Canda and Cabo Mtoti. By some strange oversight the fourth movement, the Ngeniso, entry of the dancers, was omitted, the leader going straight on his Mweniso. This error was not noticed until too late. It was caused perhaps by the fact that the dancers had already been dancing before our arrival since early morning and so were, so to speak, already on the dance floor. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
  • Full Text: false
  • Date Issued: 1963

Msitso wo wombidi. 2nd Movement

Msitso wo mune. 4th Introduction : Ngodo of Zavala

  • Authors: waMasingita, Malengwani , Tracey, Hugh
  • Date: 1949
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/194719 , vital:45484 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-05
  • Description: This Ngodo of Zavala's village was played and danced in the year following the composer Katini's death. It had been composed by him mostly during the months when he felt himself to be slowly dying of tuberclosis and was fast losing his strenght but never his passion for his Timbila music. The leadership of the village orchestra was taken over by his son, Katinyane, assisted by two other villagers, Hafu wa Maba and Pondekane. In time new compositions replaced those of the old master. The opening numbers of this Ngodo are not up to the old standard but the Mzeno, Mtsumeto and final Chiriri show clearly the stamp of Katini. The first three Msitso have not been included in this disc for lack of space. Orchestral dance.
  • Full Text: false
  • Date Issued: 1949

Msitso wo mbidi

Msitso wo Khata. 1st Movement

  • Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/192683 , vital:45250 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-08
  • Description: There were 6 rattle players (Ndota we njele) and 28 to 30 dancers. For this dance the combined teams of dancers and musicians of both Regulo Canda and Cabo Mtoti were present. They were not well rehearsed and the performance would have been better with the teams separated. The tone quality of Regulo Canda's xylophones is always distinctive. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
  • Full Text: false
  • Date Issued: 1963

Msitso wo Khata Kugwitisa. 10th Movement

Msitso wo khata

Msitso weRaru. 3rd Movement

Msitso weMbidi. 2nd Movement

Msitso waworaru. 3rd Movement

Msitso wawombidi. 2nd Movement (2nd Introduction)

Msitso waKhata. 1st Movement

  • Authors: Ngodo of Regulo Banguza , Mbuziana Tomo Buke (Leader) , Joao Mahonisani , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/191451 , vital:45099 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR200-07
  • Description: The Ngodo of Zandamela. The 12 movements of this 1963 Ngodo are:- 1st Movement - Msitso by Joao Mahonisani. 2nd Movement - Msitso wembidu by Samsoni Mzamane. 3rd Movement - Msitso wa Raru by Fomeni Faduku. 4th Movement - Msitso wa womune by Basiboi Mahonondo. 5th Movement - Msitso wa wotlhanu by Morisu Ndalela. 6th Movement - Ngeniso by Mbuziana Tomo. 7th Movement - Mdano by Fomeni Faduku. 8th Movement - Mchuio by Samsoni Mzamane. 9th Movement - Chibudu by Samsoni Mzamane. 10th Movement - Mzeno by Morisu Ndalela. 11th Movement - Mabandlha by Mbusiana Tomo. 12th Movement - Msitso wo kugwita by Joao Mahonisani. Orchestral introduction with 14 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 1 Doli (Tenor), 1 Debiinda (Bass), 2 Gulu (Double Bass), and 2 Njele rattles.
  • Full Text: false
  • Date Issued: 1963

Msitso wa wutlano. 5th Movement

  • Authors: Ngodo of Mavila , Shambini , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/190470 , vital:44997 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR198-06
  • Description: With Tokozela cries after the opening Kuningeta cadenza and at the end. (41. 42s). The dance leader hits the ground with his dance shield (Kupeke hahatse). The women can be heard occasionally in the distance giving their ulutations, wo kulungela. 5th introduction with Tokozela cries, with 6 Timbila, 4 Sanzhe (alto), 1 Debiinda (bass), 1 Gulu (double bass), 1 Njele rattle.
  • Full Text: false
  • Date Issued: 1963

Msitso wa wuraru. 3rd Movement

  • Authors: Ngodo of Mavila , Shambini , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/190371 , vital:44988 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR198-03
  • Description: The third of a set of 5 orchestral introductions by Shambini. The main melody is carried by the left hand on Shambini's instrument and can be heard distinctly from 2m. 17s. to 2m. 50s. 0m. 42s. Solo Cadenza, Kuningeta. 0m. 45s. Msitso starts. Orchestral introduction with 6 Timbila xylophones, 4 Sanzhe (alto), 1 Debiinda (bass), 1 Gulu (double bass) and 1 Njele (rattle).
  • Full Text: false
  • Date Issued: 1963

Msitso wa wumune. 4th Movement

Msitso wa wotlhanu. 5th Movement

Msitso wa womune. 4th Movement

Msitso wa womune

Msitso wa wembidi. 2nd Movement

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