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Kgokong

  • Authors: Modiseng , Hugh Tracey
  • Date: 1948
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Maraisburg f-sa
  • Language: Tswana/Lete
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166283 , vital:41347 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-09
  • Description: There are 4 sets of single end-blown pipes, 4 in each. From 1120 vs. to 93 vs. Each set covers a fifth only and is an octave lower than the one above. All notes bearing approximately the same relationship. Treble pipes are called Metenyane, Alto pipes are called Dinikwana, Tenor pipes are called Meporo, Bass pipes are called Meporo e metelele. Intervals: 259. 240. 209 cents. Total 708 cents. These copper and iron pipes are stopped with wood. In Bechuanaland, the pipes are made of reed-Matlhaka. These two flute tunes were recorded eleven years earlier than the other items on this side. Flute tune.
  • Full Text: false
  • Date Issued: 1948

Godumaduma gwa Mosadi

  • Authors: Modiseng , Hugh Tracey
  • Date: 1948
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Maraisburg f-sa
  • Language: Tswana/Lete
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166275 , vital:41346 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-08
  • Description: There are 4 sets of single end-blown pipes, 4 in each. From 1120 vs. to 93 vs. Each set covers a fifth only and is an octave lower than the one above. All notes bearing approximately the same relationship. Treble pipes are called Metenyane, Alto pipes are called Dinikwana, Tenor pipes are called Meporo, Bass pipes are called Meporo e metelele. Intervals: 259. 240. 209 cents. Total 708 cents. These copper and iron pipes are stopped with wood. In Bechuanaland, the pipes are made of reed-Matlhaka. These two flute tunes were recorded eleven years earlier than the other items on this side. Flute tune.
  • Full Text: false
  • Date Issued: 1948

Pula (Rain)

  • Authors: Mohapa Tshetlereyane and 20 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Zeerust f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165904 , vital:41294 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-15
  • Description: "They are going to ask for rain, they have been struck by lightening, they are going to look for rain. Long, long rain." The singers were a group of elderly Hurutshe women. This is a very old song, sung in time of drought when a deputation of the people would go to the Chief, asking him to send a messenger to his rain-maker. Rain song.
  • Full Text: false
  • Date Issued: 1959

Sananapo (Daughter of the Chief)

  • Authors: Mokgele Mokgejane , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Motswedi f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165642 , vital:41266 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-02
  • Description: "Sananapo, Sananapo, they have killed her, Sananapo! They gave me a bone which I refused, syaing I cannot eat this person because she is a Chief's daughter." Sananapo, the daughter of the Chief, was murdered. Her murderers were found by the storyteller, cooking and eating her corpose. They offered him a bone, but he refused, saying "I am not a cannibal, especially when it comes to the daughter of a Chief." Cannibalism was rare in this part of Africa and does not often occur in song or story. The last reports of it were believed to have occurred during the Zulu-Ndebele terror in the early part of the 19th century when whole tribes were driven to distraction and desperation by the Zulu raids, under the Captain Mzilikazi who was eventually driven north over the Limpopo river. Story.
  • Full Text: false
  • Date Issued: 1959

Stepps a dikgomo di teng (Steeps, are there cattle in this place)

  • Authors: Mokgele Mokgejane and group of 24 Hurutshe men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Motswedi f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165583 , vital:41259 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0113-08
  • Description: "Stepps, are there cattle in this place? Come, let us take them. We must take them from Mokwena and drive them into a cave." The woman at the end of the song spoke the praises of the successful cattle-raiders. It appears to be a local custom to recite praise verses at the conclusion of each song. How the name 'Steeps' originated is not known. Cattle raiding song.
  • Full Text: false
  • Date Issued: 1959

Kea, gae kea goseka (I am going home)

Eh, dumedisa moeng (Greetings to the visitor)

  • Authors: Mokgele Mokgejane and group of men and women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Motswedi f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165556 , vital:41256 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0113-05
  • Description: "Greetings to the visitors, good day to you, visitors. Tell us where you come from." This song of greetings was followed by a series of praises, spoken by different men, in honour of their own village, Motswedi, which is a pleasantly located village lying on the slopes of a hill which forms a headland jutting out above the plain. This song was prefaced by Chief Lucas Mangape saying "Pula" and everyone responding "Pula" - "Rain", which is a Tswana greeting in this low rainfall region. Greeting song with praises.
  • Full Text: false
  • Date Issued: 1959

Tsiroro (Do you want to be married, Tsiroro?)

Kgongana tshewa (Must I pay a beast in order to marry you?)

Majone (Johnnie)

  • Authors: Moroke Molebatsi and group of 19 men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
  • Language: Tswana/Lete
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165228 , vital:41220 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-11
  • Description: "Johnnie's mother weeps, where did Johnnie die? (she says). Johnnie died when they were cattle-raiding (she says). They killed him when he was following the spoor of his captured cattle. I refused you, so you hated me and went away disappointed." These 19 pipes were made of lenghts of copper tubing. The pitch of each pipe was recorded before each item. From two measurements of the same set of pipes within three weeks, it is clear that the tuning varies from performance to performance, the pitch of each pipe being adjusted by means of the plug a wire ramrod is kept for this purpose. The pipes are used on any occassion, for parties, or recreational purposes. The performerswalk around sideways in a circle, using a simple stamping step or shuffle or leaping like frogs in an anti-clockwise direction. Pipe dance with closed end blown "Ditlhaka" flute ensemble.
  • Full Text: false
  • Date Issued: 1959

Re tswa kwa Tlhabane (We come from Saulspoort)

Re tswa kwa Tlhabane (We come from Saulspoort)

Kgokong (If it dies)

Mampho thiba lisabole (Mampho, ward off the spears)

Maboko tsa Mothootsile (Praises for Mothootsile)

  • Authors: Mothootsile Leshoko , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
  • Language: Tswana/Tlharo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/164213 , vital:41094 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0110-07
  • Description: The praiser was dressed in skins, and wore leather breeches and a skin cap. He was holding a horse-hair switch in one hand and a stick wound round with blue plastic tape. Several women interjected cries and exclamations. The old man explained that his praises were in honour of his totem, the monkey. Praise verse.
  • Full Text: false
  • Date Issued: 1959

Maomosa re kaeleng (You women who cannot cook)

  • Authors: Motsekhumo Tiro and group of elderly men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Ngwaketse (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Kanye f-bs
  • Language: Tswana/Ngwaketse
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162524 , vital:40943 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0108-06
  • Description: "You women who cannot cook, tell us where the noise is." The meaning is that where there is noise, there may be a party and where there is a party there is good cheer. Introduced by each pipe played in turn around the circle of old men. Most of the pipes were made of reed. The pipes must be immersed in water before playing or they will not sound. They were very old pipes and the tuning was clearly awry, the old players being unable to tune them accurately. Pipe dance with Dithloko end-blown reeds
  • Full Text: false
  • Date Issued: 1959

Khotso (peace)

Thatholla (Unwind)

  • Authors: Mpara Mosienyane and large group of men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
  • Language: Tswana/Rolong
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162446 , vital:40933 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-09
  • Description: "Where does the chief want us to go today? To leave in the evening when it is cold. With a drizzle of rain like a mist. With all the lads afraid of mounting their horses. Our saddles will be wet, and our trousers creased. By Morake's child, I will curse somebody! We of the Tau family, are one-handed. We receive food with it and feel pleased. We kill our own monkey's at Matsau-Tsau. Where did they see him? They saw him at the sugarcane fields. Why does he say he wants Basotho? He says he wants a Basotho blanket. Jump on my back and away we go. Fathers, let us go." Riding song.
  • Full Text: false
  • Date Issued: 1959

Selepe ga se a ja mesu (The axe on the thorn tree)

Se Bana wa Lela (Do not cry baby)

  • Authors: Nthebolang Molebatsi , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
  • Language: Tswana/Tlharo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/164267 , vital:41103 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0110-13
  • Description: "Do not cry baby! the water pans have dried up, my father and mother died and I had no one to advise me. (literary 'to straighten me') "My uncle gave me a brown cow which, if it rains, will give me a pailful (of milk). Do not boast of your lover, boast of your husband. One does not boast of a theif." The player sat on the ground with the right leg passed through the bow. She held the bow in her left hand resting the curved wooden part on the ground, string uppermost. She stopped the upper part of the string with her chin, the other end of the bow rested on an enamel basin turned upside down. A second woman joined her towards the end. She stopped playing at one point to adjust the enamel basin resonator. The instrument is played by both men and women. When asked when they play these songs, the answer was, "Any time when we feel onely." Self delectative song with one stringed Nokokwane bow.
  • Full Text: false
  • Date Issued: 1959
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