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Ama baadu nduyangu

Amacila kuwowa

Amacila kuwowa (a); Kwathu ntele (b

Amadombolo

Amagikafu ragitaku

  • Authors: Rizgala, Deab , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Uganda City not specified f-ug
  • Language: Teso
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/297731 , vital:57622 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2000-XYZ5434
  • Description: Indigenous music
  • Full Text: false
  • Date Issued: 1950

Amai Mwanena Kululuka

Amaligi

Amama nkhawawone

  • Authors: Eliya Chaya , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/185263 , vital:44359 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-05
  • Description: This instrument usually called Bangwe among the Yao is here called Bango. Simple song in typical vein by a village singer. The tuning of the Bango was:- 256, 236, 216, 198, 178, 156, 140 vs. Self delectative song with Bango board Zither (7 notes)
  • Full Text: false
  • Date Issued: 1950

Amama nkhawawone

Amama nkhawawone; Azungu musinjilo

Amani mwanena kululuka

Amarwa tinganywa

Amarwa tinganywa

  • Authors: Bakwasa, Eriya , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Uganda city not specified f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/295658 , vital:57365 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1911-XYZ5344
  • Description: Indigenous music
  • Full Text: false
  • Date Issued: 1950

Amarwa tinganywa

  • Authors: Eriya Bakwasa , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169611 , vital:41776 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-03
  • Description: "I will not have anything to do with beer." This old well meaning phrase rings all too hollow in any language and the audience responded in time honoured ribaldry. The harp is made of a simple oval shaped wooden bowl with skins laced onto top and bottom. The arch of the keys is a stout carved stick in which the 8 pegs are inserted for tightening the strings. The tuning of the harp is as follows:- 322, 284, 240, 180, 161, 142, 120 vs. Topical song with Ekidongo eight string horizontal harp.
  • Full Text: false
  • Date Issued: 1950

Amati akatambe tilawe

  • Authors: Chewa girls , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/187335 , vital:44610 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-13
  • Description: "She wanted to go dancing, but she got into trouble and could not go." The girls stand in a circle and come out in pairs prancing a few steps in the centre of the circle. They retire and the next two come out until the whole circle has been completed. It was done very gracefully. Mcoma dance song for women and girls, with 2 golblet drums, one weighted and whistles (-11.515-)
  • Full Text: false
  • Date Issued: 1950

Amati akatambe tilawe

Ametela metela

  • Authors: Kaphatikila Kanyingi , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/186630 , vital:44519 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-19
  • Description: The one stringed lute has a wooden bowl for a resonator with a sound hole on its side. The string is strained with a peg but final tuning is achieved by means of a straining string. It is bowed by a reed or bamboo bow with spittle and the fingering is achieved by gripping the string with the inside of the second segment of the second and fouth fingers. Self delecatative song with Karigo one stringed bowed Lute
  • Full Text: false
  • Date Issued: 1950

Ametela metela

Ametela metela a Gone yapa b

An investigation of certain complex ions of trivalent chromium by spectrophotometric and other physical methods

  • Authors: Burley, Ralph Walter
  • Date: 1950
  • Subjects: Chromium
  • Language: English
  • Type: Thesis , Masters , MSc
  • Identifier: vital:4521 , http://hdl.handle.net/10962/d1014675
  • Description: Although chromium coordination compounds are of considerable technological importance, they have been subjected to few thorough investigations since Werner's original experlments, in spite of the fact that we now possess a number of accurate physical methods, not available in Werner's time for the study of coordination complexes, The object of the work described in this thesis was to obtain further information on the chemistry of complex chromium(III) ions with special reference to the dioxalato-diaquochromiate system, [Cr(C₂0₄)₂(H₂0)₂]. For this purpose; spectrophotometric and potentlometrlc measurements were combined to yield information on a number of topics, The spectrophotometric investigations consisted in measuring the absorption spectra of the potassium salts of the complexes under consideration and in observing the changes in light absorption which occur during their formatlon and decomposition. The instrument used was a Beckmann Quartz Spectrophotometer model du. More than than twelve new absorption spectra were measured in this work and in conjunction with the spectra of other chromium and cobalt complexes reported by earlier workers, these are used to review the position of spectrophotometry as a method of investigating chromium complexes. The reasons for the shapes of the absorption spectra are discussed and it is concluded that spectrophotometry is useful for observing the progress of reactions involving complex ions and for analysing solutions, but that more fundamental data cannot be expected from the absorption curves.
  • Full Text:
  • Date Issued: 1950
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