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We nkalemo yachile (The leader (lion) of the dance)

  • Authors: T. Sibakwe, N. Veleshiano and S. Mwansa , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
  • Language: Aushi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/140123 , vital:37836 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-09
  • Description: "How many tribes are there? The Lamba, the Lenje, the Lumbo not forgetting the Kande, because we admire their language. We make fun of the Nyakyusa and the Kasai, on account of their dress; plain dresses are just as good. Look at a girl from the Mumbo region, she does not dress like a Kasai, yet look at her beautiful clothes. When you change over from your country dress, do not take quickly to town dresses and become a prostitute. Kalela dance song.
  • Full Text: false
  • Date Issued: 1957

We ngoma mashiana migoti nokwinta (The dance I have danced throughout the mines)

  • Authors: C. Yamba, J. Kabalale and G. Lupala , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
  • Language: Aushi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/140132 , vital:37838 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-10
  • Description: "The song we are going to sing you is so interesting that you will even leave your supper to come and listen to us even the police with their wives and children have left their duties just to come and hear. The Lamba people are making fun of us and saying we Aushi/Lumbo have no copper mine. But Lake Bengwelu is our mine because wheras you Lamba, you get all your wealth from the mines, we get it from our fish. In place of the jack hammers we have a net. The miners use a rock drilling machine underground, and we use a Mukwano net." Kalela dance song.
  • Full Text: false
  • Date Issued: 1957

We mulanda e muchalo chelamba (There is sadness in the Lamba country)

  • Authors: Group of 11 Aushi men. , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Kalela (Dance) , Africa Zambia Fort Roseberry f-za
  • Language: Aushi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134394 , vital:37139 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0019-13
  • Description: The Lamba country is virtually the heavily wooded district along the course of the upper Kafue river, where all the Northern Rhodesian copper belt mines are situated. The 3 drums were made from steel oil drums of different sizes from 4 gallons to 20 gallons. Their heavy reverberation made it almost impossible to record them effectively with the singers. Each drummer played his own rhythm which in 2 cases included blows on the side of the drum as well as on the membrane. Although double-headed, they were stood up on end for the performance, only one membrane being struck. Kalela dance song with 3 bass drums, cylindrical, laced, 2 wooden beaters each, double-headed.
  • Full Text: false
  • Date Issued: 1957

We mukashi Namulenga, nshakupile kuwama (My wife, Namulenga, I did not marry you for beauty)

  • Authors: Edmond Cileshe and his wife , Hugh Tracey
  • Date: 1957
  • Subjects: Folk songs, Ambo (Zambia) , Folk songs, Bemba , Topical songs , Africa Zambia Mufulira f-za
  • Language: bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/135210 , vital:37249 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0024-02
  • Description: "My wife, Namulenga, I did not marry you for your beauty. Cook some food now, the cock has already crowed." The player was blind and his wife sat beside him tapping the back of his instrument with a stick and singing. He himself held his Mumamba on the ground and beat the base of it with his right knee as he played. Tuning of the instrument as follows:- 368, 340, 308, 280, 252, 232, 210, 190, 170, 154, 140 vps. Nfunkutu dance song with Mumamba mbira bell.
  • Full Text: false
  • Date Issued: 1957

Wdoyika u-Ntusangili

Wazizwa zitini zindata (What did you hear of the trouble)

Wayisebenzela Ijoyini (He worked for the 'contract')

  • Authors: Nozi Kencele (14 years) and Gcaleka girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/151076 , vital:39027 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-02
  • Description: The girl playing the mouth bow was left-handed. Her friends standing beside her sang the refrain and also did the roaring sounds in the throat which are so typical of the Xhosa people. The word Ijoyini, from the English word 'join', refers to the contract to work on the gold mines, their major source of employment. Mtshotsho dance for young boys and girls, with Ikinki musical bow.
  • Full Text: false
  • Date Issued: 1957

Waye-aye

Waya, waya

Waya waya le Makalatshane (You keep comapny with a rogue)

  • Authors: Jemina Pheha and 24 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
  • Language: Tswana/Kgatla
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166029 , vital:41309 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-12
  • Description: "You go, you go with a rogue. My son has gone to work for money. The bus is broken. They have broken the bus. The red one with a hole. The bran breaks the spoon. The rogue is Mokgadi Kwekwe. Mmapula is the clan. Mmapula, do not swear at me. I am not your comrade. They give beer according to relationship. Mokgadi is a 'tsotsi', we are surprised." This song is full of topical allusions to local village scandals, and is only to be understood by those acqainted with them. "They give beer according to relationship" implies family favouritism, and friends being left out when the beer goes round. The girl who is keeping comapny with a rogue is not mentioned by name, but is known in the village. Drinking song with netal bucket used as a drum.
  • Full Text: false
  • Date Issued: 1959

Wawuyo kwenzani

Wavina Nindo wose mwikalage mumanyile

  • Authors: Chedega, Malaika , Tracey, Hugh
  • Date: 1950
  • Subjects: Gogo (African people) , Songs, Gogo , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dodoma f-tz
  • Language: Gogo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174300 , vital:42464 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR155-07
  • Description: "You dancers of Nindo, be ready and strengthen your lines. Our enemies are coming to fight us." A song praising the young men in such a way as to produce national solidarity. The stamping dance with the rhythms enhanced by the sound of the leg bells is a most effective display both in sight and sound. Nindo praise song with stamping (-12.4-), Ndwala bells (-12.55-), horn and whistles.
  • Full Text: false
  • Date Issued: 1950

Wati pere-te

Wathi wa ota

  • Authors: Mutio wa Katuma , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk songs, Kamba , Kamba (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Machakos f-ke
  • Language: Kamba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/175889 , vital:42635 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-07
  • Description: This musical bow is a plain bow, loosely strung and strained by means of a half section gourd, which is situated between the bow and the wire string. The concave side is held against the bow, the convex against the string. The singer sings into this hollow gourd and beats the string with a light stick producing one note only. Other players may beat both segments of the string thus producing two fundamental notes Divination song, with musical bow, strained and resonated with half gourd.
  • Full Text: false
  • Date Issued: 1950

Wathi wa Ngethi

  • Authors: Muange, Kanyense , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk songs, Kamba , Kamba (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Machakos f-ke
  • Language: Kamba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/175986 , vital:42650 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-13
  • Description: Mwali is the name for the traditional way of retailing or chanting a legend, and Mwathi is a song. The singer boasts that he alone is the best singer of the district and greets his clever friends who make decorations for the dancers. In his second item he describes also the rifles he carried as a soilder. Praise chant.
  • Full Text: false
  • Date Issued: 1950

Wathi wa mwita mwendwa

  • Authors: Munyithya wa Kyenze , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk songs, Kamba , Kamba (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Machakos f-ke
  • Language: Kamba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/175856 , vital:42631 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-05
  • Description: "I love you so Munanie, I do not know where I am. If a man is hated by the Kamba many bad things may be said about him. But it does not matter if they turn your heart from me, you will still come to my hut.". The singer uses his lute as a rhythmic rather than a melodic instrument. His voice appears to be pitched well above the instrument. His voice appears to be pitched well above the two basic notes of his lute, but the interval may bear some constant relationship which is not discernable to a foreign ear at first hearing. On the other hand the lute may be considered as a two note 'drone' to the melody. It will be noticed that the pitch of his lute slightly lower in this and the next song "Musenga." Love song, with Mbebe, one string, bowed lute.
  • Full Text: false
  • Date Issued: 1950

Wathi wa mbebe

  • Authors: Munyithya wa Kyenze , Hugh Tracey
  • Date: 1952
  • Subjects: Folk songs, Kamba , Kamba (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Machakos f-ke
  • Language: Kamba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/175824 , vital:42627 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-01
  • Description: This lute is peculiar to the district. The stick which forms the neck of the lute is pierced right through the gourd body, protruding about 5" on the opposite side. The single string is attached to the tip of this end, passes over the membrane on the gourd and a bridge (which is also made from pieces of gourd and is attached by means of a short piece of wire to avoid losing it when the instrument is slackened off after playing) and is attached at the end to a short fork in the stick which effectively prevents slipping. It is played by means of a short bow with sisal fibre. Topical song with Mbebe string lute.
  • Full Text: false
  • Date Issued: 1952

Watenga mbengo ndani (Who took the chief's towell?)

  • Authors: Older men of Njolomole , Hugh Tracey
  • Date: 1959
  • Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Njolomoe, Ncheu District, Central Nyasaland f-mw
  • Language: Ngoni
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154829 , vital:39783 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-03
  • Description: This kind of song, they say, was sung at the gathering to remember a dead person. The Chief's towell was a cloth which was wrapped around the blade of a short spear which the chief held in his hand in order to wipe the perspiration off his face while he danced. "Who took the chief's towell, Oyayo! who ever it is, bring back Oyayo! look everywhere where the chief's people are, until you find it." Chitoto obsequies after funeral with small iron bells.
  • Full Text: false
  • Date Issued: 1959

Watasala warila nanzifile

Wasukula sakwatidwa (Before she is old enough)

  • Authors: Young girls and four drummers , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa f-mw
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/157910 , vital:40112 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-02
  • Description: "If a girl is not yet a maiden she cannot marry." As the dance progressed the castor oil paste on the bass drum gradually began to shake off the head with the intense percussive movement." Likhuba dance with eight tuned drums.
  • Full Text: false
  • Date Issued: 1958
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