Amarwa tinganywa
- Authors: Eriya Bakwasa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169611 , vital:41776 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-03
- Description: "I will not have anything to do with beer." This old well meaning phrase rings all too hollow in any language and the audience responded in time honoured ribaldry. The harp is made of a simple oval shaped wooden bowl with skins laced onto top and bottom. The arch of the keys is a stout carved stick in which the 8 pegs are inserted for tightening the strings. The tuning of the harp is as follows:- 322, 284, 240, 180, 161, 142, 120 vs. Topical song with Ekidongo eight string horizontal harp.
- Full Text: false
- Date Issued: 1950
Amasewe
- Authors: unknown , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Folk songs, Ndau , Ndau (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chipunga f-rh
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181856 , vital:43775 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-18
- Description: Self delectative song, with Mbira
- Full Text: false
- Date Issued: 1951
Amasewe mukadzi wakanaka (The beauty)
- Authors: Joseph Ngonyama Shumba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154314 , vital:39646 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-07
- Description: The player is an accomplished performer, he works for the Fort Victoria Municipality on the local roads with the grader. This song is the best known and popular in the Sipangabera district of Portuguese East Africa. It is, they say the first of all songs in the region. The word 'Amasewe' means 'mother-in-law' and the gist of the song is that a certain young man went to a nearby village where he got himself a wife and his mother-in-law kept on remarking how handsome he was. Self delectative song with mbira dzawaNdau.
- Full Text: false
- Date Issued: 1958
Amasewe mukadzi wakanaka (The beauty)
- Authors: Joseph Ngonyama Shumba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154309 , vital:39647 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-07
- Description: The player is an accomplished performer, he works for the Fort Victoria Municipality on the local roads with the grader. This song is the best known and popular in the Sipangabera district of Portuguese East Africa. It is, they say the first of all songs in the region. The word 'Amasewe' means 'mother-in-law' and the gist of the song is that a certain young man went to a nearby village where he got himself a wife and his mother-in-law kept on remarking how handsome he was. Self delectative song with mbira dzawaNdau.
- Full Text: false
- Date Issued: 1958
Amaseyibokwe athengwa ngemali eninzi (For a certain type of socks you pay dearly)
- Authors: Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151135 , vital:39033 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-07
- Description: The harmonica or mouth organ is a cheap and useful instrument to the Gcaleka who manage to produce a number of very simple repetitive tunes for accompanying their dances by this means. Mtstosho dance song, with harmonica.
- Full Text: false
- Date Issued: 1957
Ambia
- Authors: Fabiao Dingani Mashawa (Performer) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Mbira , Africa Mozambique Bileni f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132200 , vital:36810 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR004-08
- Description: Five self-delectative songs with mbira dza WaNdau
- Full Text: false
- Date Issued: 1955
Ambiga
- Authors: Mudumbu , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168425 , vital:41580 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-09
- Description: The singer's face resembled a West African mask with extremely slanting eyes. He sang with his Mbira pressed against the side of his face giving a strange impression of a spirit out of the forest. Topical song with Likembe (Mbira).
- Full Text: false
- Date Issued: 1952
Ambikanire une (Listen to me)
- Authors: Wodwala Seleman and 5 Yao men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Salima, Central Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154676 , vital:39763 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-01
- Description: The song started in Yao and ended in Chewa. A song sung by the boys when they are alone in the veld after their circumcission to keep away lions at night. (The part of the song so sung by the initiates is in Arabic). Initiation of Boys.
- Full Text: false
- Date Issued: 1958
Ambila baBemba na baLamba
- Authors: Group of Lulua soilders and women , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Luluabourg f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182200 , vital:43809 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-03
- Description: "Go! Bemba and Lamba people of the Copper Belt." The musical formula for the songs which accompany the Marings dance can be clearly distinguished in this recording. The dance itself was not witnessed at the time of recording.Maringa dance with Chisanzhi Mbira, two pairs of rattles, basket rattle, singing gourd bottle and clapping
- Full Text: false
- Date Issued: 1952
Amenya mwana (Mother of child)
- Authors: Four Lomwe song , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Lomwe (African people) , Chewa (African people) , Folk music , Africa Malawi Mlange f-mw
- Language: Lomwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160734 , vital:40508 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-19
- Description: This song appears to be influenced by European teaching. The dirty must reflect the inevitable emotions of an ill-matched couple and the husband's rebellion. Sung no doubt only by men in the village. "Mother of child, get out of the house and take your child in case I should throw him out like a worthless thing. Party song.
- Full Text: false
- Date Issued: 1958
Ameta mpala wamaliro (Shaving the head after a funeral)
- Authors: Gezani Mwale , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dowa District, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154056 , vital:39558 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-11
- Description: "He shaves his head after the funeral. The scissors are broken, he borrowed them. The scissors are broken, come and see, come and see. Borrowed scissors, broken." All relatives, both male and female, shave their hair off their heads after the funeral of a relative, although this CHEWA custom is not now observed by younger people. Self delectative song with Sansi.
- Full Text: false
- Date Issued: 1958
Ametela metela
- Authors: Kaphatikila Kanyingi , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186630 , vital:44519 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-19
- Description: The one stringed lute has a wooden bowl for a resonator with a sound hole on its side. The string is strained with a peg but final tuning is achieved by means of a straining string. It is bowed by a reed or bamboo bow with spittle and the fingering is achieved by gripping the string with the inside of the second segment of the second and fouth fingers. Self delecatative song with Karigo one stringed bowed Lute
- Full Text: false
- Date Issued: 1950
Aminoiye
- Authors: Mushipi Mukuma , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luvale (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Angola Luhakano f-ao
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137186 , vital:37496 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-09
- Description: Simple song in typical Luvale style of a kind which must have been sung for centuries throughhout Africa. The mbira or Likembe accompaniment of the second is interesting for its cross rhythm. The scale of the instrument is hexatonic in the lower part of the scale but may well be heptatonic if one extra note in the upper octave is taken in to account. Scale of instrument as follows:- 672, 592, 544, 488, 416, 376, 336, 312, 268, 244. Self-delectative song with Muchapata Likembe Mbira box and mirliton
- Full Text: false
- Date Issued: 1957
Amtheka cingondo (They have put the clay hat on)
- Authors: Thawani Mwale , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mulvi, Salima District, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153365 , vital:39442 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-07
- Description: At the initiation of girls after the girls have been clothed and are taken to the place of initiation the woman officiating puts a heavy clay hat on the girls' head. The girls sing "They have put on the clay hats. Yours, my friend, suits you very well." Initiation song with Bangwe board.
- Full Text: false
- Date Issued: 1958
Amuna ali kwanga (The husband I have)
- Authors: Small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Ncheu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160066 , vital:40378 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-11
- Description: African men are still reluctant to share in the agricultural work of the village. "The husband I have is good at eating, but when I ask him to work in the garden he is always sick." Girls song with clapping.
- Full Text: false
- Date Issued: 1958
Amyindre dobuzindrine
- Authors: Njenje abd Tipoyi carriers , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166870 , vital:41413 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0120-14
- Description: "I shall be all alone, when I lie in the grave." The theme of death is common in songs of this part of the Congo and also in Uganda. Until recently the Medje were notorious for cannibalism. Strangers, it is said, had little chance of emerging from the Medje palm forests alive or enjoying a lonely grave. Tipoyi carrying song with basket rattle.
- Full Text: false
- Date Issued: 1952
Ana amuna (Young men ought to put on grey trousers)
- Authors: Three young girls of Masula , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158508 , vital:40199 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-05
- Description: Song sung in the late evening after supper just before they go to sleep are a feature of the musical life of the Chewa it would appear. Young women are becoming more dress conscious and demand that their young men dress better. Evening song.
- Full Text: false
- Date Issued: 1958
Ana-e
- Authors: soilders of the Force Publique, at Camp Militaire, Gombari , Hugh Tracey
- Date: 1952
- Subjects: Ngala (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Mbangala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169173 , vital:41692 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0129-12
- Description: These marching songs are well known and sung by all Congo askari, the African soilders of the Force Publique. Ngala is the official lingua franca for all the native soilders of the Congo, a country where there are over 400 Bantu and nearly 100 non Bantu, languages and dialects. (Copied from disc). Soilders marching song with 3 bass drums.
- Full Text: false
- Date Issued: 1952
Anagondo tilowe (Anagondo let me in)
- Authors: Livinia Jese and 2 Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156941 , vital:40070 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-15
- Description: This song was sung very quietly. The names are girls names and the singer is outside the door asking to be let in. "Aye, aye, Anangondo let me in, Anangondo aye, aye, aye. Anajere le me in.". Dance song for Chintala women dance.
- Full Text: false
- Date Issued: 1958
Anali kudambo Chingodola (Chingodola went to draw water at the marsh)
- Authors: Mavuto Mlanzi , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158490 , vital:40197 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-03
- Description: Chingodola went to the marsh to fetch water, then to fetch firewood and after that to look for relish. Her husband was annoyed that she did not come back sooner and began to swear at her and said "Dammit, you are like a 'galo', a dog. Self delectative song with Kalimba.
- Full Text: false
- Date Issued: 1958