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Inu mayi (There was a woman)

  • Authors: Akim Bewe and 2 women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Masula's village, Lilongwe, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153643 , vital:39491 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-12
  • Description: A woman had a daughter and was very keen on inviting men to take her daughter in order to get money for her. She did this with 3 or 4 different men and the people of the village said, "You are very bad to do this as these men will start quarraling because of your daughter." It will be noticed that the moral question of giving her daughter to several different men one after the other does not arise. Only the fact that the men may be jealous of each other and so quarrel. Drinking song
  • Full Text: false
  • Date Issued: 1958

Contributions to the biology, anatomy and physiology of Opisthophthalmus Latimanus & other scorpions

  • Authors: Alexander, Anne Joy
  • Date: 1958
  • Subjects: Scorpions -- South Africa , Scorpions -- Anatomy , Scorpions -- Physiology
  • Language: English
  • Type: Thesis , Doctoral , PhD
  • Identifier: vital:5891 , http://hdl.handle.net/10962/d1013375
  • Description: [From Introduction] For many years the problem of interrelationships within the Arthropoda and, indeed, the origin of the Phylum itself have been of interest to many zoologists. It was felt, for reasons which will be given later, that one of the studies which might throw some light on this matter is that of the neuromuscular physiology of arachnid appendages. Consequently it was proposed that the work which is reported here should be primarily concerned with this problem. As in so many cases involving live animals, both the experimental subjects and the experimenter gradually managed to change the direction in which work was proceeding and the result is that only a preliminary attack has been made on the original problem, while most of the material submitted here deals either with functional anatomy or with biological-cum-behavioural characteristics of the experimental animal. Thus it was found that to develop experimental preparations for neuro-muscular studies, it was necessary to work out the anatomy of the muscles and nerves of the appendages used; but this it is not enough. For these nerves and muscles are part of a functional complex which operates as a unit and have therefore to be studied in relation to the structures that they move. Considerations at this level, in fact, carried the study to the plane of functional anatomy. Furthermore it was recognised that even the comprehension of a limb as a functional complex cannot be acquired in isolation. All structures have an evolutionary history and in any consideration of functional anatomy this history must be taken into account - even if the consideration requires extension to the problem of the origin of the group immediately under study.
  • Full Text:
  • Date Issued: 1958

Mangani mikeka, muzika kwanu (You take your clothes and go away)

O-dressi chivara madona (O the dress of the girl)

Tisimbi wa sauka

  • Authors: Alfred Phiri , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Macanga f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/158481 , vital:40196 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-02
  • Description: The Bangwe Zither was resonated with a small gourd through which it was pierced. It was plucked in this item. Each string was tuned by means of a small independent wedge. The strings of the Bangwe were of wire, and about 15 inches long. The Bangwe itself being 21 and hald inches long 5 inches broad. Self delectative song with Bangwe resonated Zither.
  • Full Text: false
  • Date Issued: 1958

Adisi adisi (The girl and the guinea fowl)

  • Authors: Ali Sinoia Milazi and 4 Yao men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Visanza, Central Nyasaland f-mw
  • Language: Yao
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154766 , vital:39773 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-11
  • Description: A stroy of a girl and the protective colouring of guinea fowl spots. One of the few stories, perhaps, which makes a reference to cannibalism. There was once a girl who went to the garden to fetch mealies. Now there came some guinea fowls and she was facinated by their spots. She said "oh! can't you make me some lovely spots like yours?" They said, "No! we cannot because we are afraid of your father and mother." But the girl said, "Don't you be afraid of my parents." So they made them for her. Then she went off to an old woman who was a cannibal and was delighted to see the girl but the girl put on her spots and escaped. Story song.
  • Full Text: false
  • Date Issued: 1958

Panali mwanace (The son's fortune)

  • Authors: Ali Sinoia Milazi and 4 Yao men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Visanza, Central Nyasaland f-mw
  • Language: Yao
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154775 , vital:39774 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-12
  • Description: There was once a man and his son who went to the lake for fishing, they caught nothing and went home. The son bought an egg but dropped it on the path, but inside the egg were cows and goats in plenty. So he sang a song saying, "We went to the lake but got no fish, but when I bought this egg I had no idea what was in it." Now the father became jealous of his son. He took some glue and glued his son to a tree, but all the cattle and goats stayed with the son and the father still got none. So he left his son in the bush. When he was asked by is wife where his son was, he said, "Oh! he was ahead of me." The woman replied, "You walk too much with my son and now you have lost him." The listeners often call out the typical Yao response og 'Go'. Story song.
  • Full Text: false
  • Date Issued: 1958

Nona vela amwana impela (Some mothers have children)

  • Authors: Andrea Sitole , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk songs, Tsonga , Ronga language , Tsonga (African people) , Folk music , Africa Mozambique Manica f-mz
  • Language: Ronga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153073 , vital:39390 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR074-01
  • Description: The song recounts the tale of a woman who had a child and threw it away into a drain. "Some mothers have children and don't want them. Other mothers want children and don't have them." The incident is supposed to have taken place locally. Topical song with Guitar.
  • Full Text: false
  • Date Issued: 1958

Kalulu ndi munthu (The rabbit and the man)

  • Authors: Bareto Kanjiunji and boys and girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa f-mw
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/158173 , vital:40158 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-14
  • Description: Although the language used is Mang'anja, the style of singing, they say comes from the Sena element in their society a great many Sena people having migrated out of the Zambezi valley into that of the Shire. Some time ago a rabbit and a man went together to get Matutungwe fruit to eat. While they were eating they saw a python and it wound itself round the man. The man begged the rabbit to go and get help. The rabbit replied, "You help yourself" because when we rabbits climb a tree we go with a knife to cut anything that entangles us. The man asked the rabbit again "Please rabbit help me". So the rabbit said, "just you sing this song and you will be free". So the man sang the song and escaped from the python. The customary reply during the story is "Go-gogodera andi sinjo." Story and song.
  • Full Text: false
  • Date Issued: 1958

Nga, nga, nga, nda reka (Lift and drop)

  • Authors: Bauleni Zhuau , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chipwembwe, Fort Herald f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155829 , vital:39921 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-03
  • Description: The drum leader was not satisfied with the pitch of the drums and stopped playing to adjust the amount of wax on two of the drums and then started again while the girls continued to sing. The wax is made of caster oil beans pounded up, it sticks onto the drum heads in spite of the continual beating of sticks and hands. The addition of wax or paste lowers the note of the drum and the removal of quite a small amount of wax raises the note. Thus the drums can be tunned with reasonable accuracy. The players brought more paste on the drum heads than they needed, no doubt because a certain amount is lost in playing and then tuned by removing a certain amount on each head with a curved piece of tin shaped like a spoon. Note the stress upon the final syllable of Reka NdaReka. Likhuba dance with 9 tuned drums.
  • Full Text: false
  • Date Issued: 1958

Likhuba (Drum Rhythm)

The problem of authority in revelation

  • Authors: Bax, Douglas S
  • Date: 1958
  • Subjects: Revelation , Revelation -- Biblical teaching , Revelation -- History of doctrines
  • Language: English
  • Type: Thesis , Bachelor , BDiv
  • Identifier: vital:1283 , http://hdl.handle.net/10962/d1013468
  • Description: From Preface: The problem of authority in religion can be stated as follows: what is the finally authoritative source and judge of religious truth? This was the fundamental question which Jesus Himself raised when He came to the Jews. It was the fundamental problem of the Reformation. It is also the fundamental problem that confronts the Church in our time. But it has never ceased to be the perennial question underlying all religious and philosophical thought.
  • Full Text:
  • Date Issued: 1958

Ndaza apa ndaima (I am here waiting)

Chanta andidaine kaya (God is punishing me)

  • Authors: Bifi Phiri and friend , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/158954 , vital:40244 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-14
  • Description: "God is punishing me because all my relatives are dead, and I am left alone." "I met a woman along the road whose teeth were as white as rice." The words of these two songs as written may have been interchanged. The tuning of the Bangwe Board Zither was; 400, 380, 368, 332, 312, 284, 200. Self delectative song with board zither.
  • Full Text: false
  • Date Issued: 1958

Namaye Bikitara wakwere bus (We heard the Bikitara has taken a bus)

Kumaji kumailo-mailo

Tilira ife (We cry for those who left Gwero)

  • Authors: Boys of Chief Mwasi's village , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/159574 , vital:40313 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-03
  • Description: "We cry for the boys who have left Gwero (the boma of Kasungu). Such as Kaziyambe Zimba, Mbelere Phiri who went to Lusaka. Stars shone on them, teaching them cleanliness. They are pround in Cape Town." The Muganda dance with Malipenga horns is usually performed in three parts, the first and third parts being with horns and the second, of which this is an example, without horns. Muganda dance (part 2) with brass drum.
  • Full Text: false
  • Date Issued: 1958

M' Sodomo (Sodom was burnt)

  • Authors: Boys of Chief Mwasi's village , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/159565 , vital:40312 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-02
  • Description: "The headquaters of our dance team are here at Gwero and we are going to sing the song Sodom", was the introduction by the young leader. "There was a fire in Sodom." This has been a popular dance since 1927 or thereabouts. The dancers alternately sing openly and sing through their Lipenga horns. How the subject of Sodom and its destruction came to be chosen as a dance motif is a mystery. Maganda dance (Part 1) with 12 Malipenga singing horns.
  • Full Text: false
  • Date Issued: 1958

Tamanga simbi

  • Authors: Boys of Chief Mwasi's village , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/159585 , vital:40314 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-04
  • Description: "We have handcuffed them, we of Linga Boma. Although you are proud today, you will see!" The dancers go in groupd called Boma and challenge each other in the dance and in singing with with the Malipenga horns and boast about their performances. The Malipenga were all made out of gourds with mirlton membranes over the small end. The sound quality of the bass singers was good owing to their use of the gourds of adequate size and shape. Their song is a familiar type of boasting to be found among dance teams in most parts of Africa familiar to us. Muganda dance (part 3) with tweleve Malipenga singing horns and drum.
  • Full Text: false
  • Date Issued: 1958

Amalume (Uncle)

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