Makarita
- Authors: Men and women of Nhamaxaxa , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189605 , vital:44912 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-05
- Description: Introduced by the 'Hino Nacional', the Portuguese national anthem. Women came out in pairs and danced opposite each other, each doing a violent dance du ventre. As soon as they are tired, their places would be taken by two others. The singing horns here are usually manufactured by a local tin smith from galvanised flat iron usually taken from old kerosine tins. One of the horns used was the horn of an old acoustic gramophone. The use of singing horns made of metal is a speciality of the GiTonga. They are played with very noisy drums and struck iron, and the result is deafening rather than musical. Party dance for men and women, with 1 brass drum Bombo, 1 small steel drum made from a bucket, 1 Chingomane flat iron, 4 Puundu singing horns, 1 rattle.
- Full Text: false
- Date Issued: 1963
Makarita nyaku hakanye
- Authors: Men and women of Nhamaxaxa , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189620 , vital:44913 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-06
- Description: Introduced by the 'Hino Nacional', the Portuguese national anthem. Women came out in pairs and danced opposite each other, each doing a violent dance du ventre. As soon as they are tired, their places would be taken by two others. The singing horns here are usually manufactured by a local tin smith from galvanised flat iron usually taken from old kerosine tins. One of the horns used was the horn of an old acoustic gramophone. The use of singing horns made of metal is a speciality of the GiTonga. They are played with very noisy drums and struck iron, and the result is deafening rather than musical. Party dance for men and women, with 1 brass drum Bombo, 1 small steel drum made from a bucket, 1 Chingomane flat iron, 4 Puundu singing horns, 1 rattle.
- Full Text: false
- Date Issued: 1963
Mandendende vanachiambela
- Authors: Venda boys , Tracey, Andrew T N
- Date: 2002
- Subjects: Venda --(African people) , Folk dancing, Venda , Folk dance music , Sub-Saharan African music , Africa South Africa Venda f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112134 , vital:33551 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC126a-06
- Description: Unaccompanied traditional Venda Tshikona dance song.
- Full Text: false
- Date Issued: 2002
Mandowa (Part 1)
- Authors: Zhuake Masingi (Performer) , Composer not specified , Hugh Tracey
- Date: 1954
- Subjects: Folk music--Africa , Folk dance music , Instrumental music , Mbira , Africa Mozambique Makulane f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131956 , vital:36777 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-01 Research No. G1A-5-6 , Research No. G1A-5-6
- Description: The mbira is not used during the dance itself, but the melodies have been taken from the dance songs. The Mandowa acrobatic dance is very popular in the mine compounds of the Witswatersrand. The origin of all 4 tunes in the Makulane district, near Nova Mambone, which lies along the south of the mouth of the Sabi (or Save) river. The tuning of the mbira was as follows:- 368, 328, 252, 216, 202, 184 vs. Four old dance tunes for the Mandowa tumbling dance with mbira dza WaNdau.
- Full Text: false
- Date Issued: 1954
Mandowa (Part 2)
- Authors: Zhuake Masingi (Performer) , Composer not specified , Hugh Tracey
- Date: 1954
- Subjects: Folk music--Africa , Folk dance music , Instrumental music , Mbira , Africa Mozambique Makulane f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131965 , vital:36778 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-02
- Description: Four old dance tunes for the Mandowa tumbling dance with mbira dza WaNdau
- Full Text: false
- Date Issued: 1954
Mandowa (Part 3)
- Authors: Zhuake Masingi (Performer) , Composer not specified , Hugh Tracey
- Date: 1954
- Subjects: Folk music--Africa , Folk dance music , Instrumental music , Mbira , Africa Mozambique Makulane f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131970 , vital:36779 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-03
- Description: Four old dance tunes for the Mandowa tumbling dance with mbira dza WaNdau
- Full Text: false
- Date Issued: 1954
Mandowa (Part 4)
- Authors: Zhuake Masingi (Performer) , Composer not specified , Hugh Tracey
- Date: 1954
- Subjects: Folk music--Africa , Folk dance music , Instrumental music , Mbira , Africa Mozambique Makulane f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131983 , vital:36780 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-04
- Description: Four old dance tunes for the Mandowa tumbling dance with mbira dza WaNdau
- Full Text: false
- Date Issued: 1954
Marcha
- Authors: Timoses, Comecado des Amigos , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189661 , vital:44918 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-10
- Description: Small dance groups such as this one are given to making impromptu patriotic speeches and to imitating the sound of the drums and trumphets of the local army band with their home made drums and singing horns. No one can say when singing horns were first introduced to this region. Speech in Portuguese and imitation military march, with 4 singing horns, 1 bass Gulu drum, 2 small drums fixed together and bell.
- Full Text: false
- Date Issued: 1963
Maria e madala
- Authors: Muwane, Armando Saule , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189688 , vital:44921 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-13
- Description: The perfomer was his own rattle player holding the rattle in his right hand. He is typical of the casual entertainer who use two or three chords repeated endlessly on their topical allusions which nowadays pass for serious song making. They frequently advertise themsleves, constantly mentioning their own names during the course of the song or as an introduction, as in this case. Topical song with guitar and rattle.
- Full Text: false
- Date Issued: 1963
Maruraba
- Authors: Groupo Jazzi , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189651 , vital:44917 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-09
- Description: The Gulu was played with a rubber headed beater (like the Chopi 'Tikongo') and the hand. The two Daiero were played with a pair of light sticks. The style of dancing which has persisted among the GiTonga of the Inhambane region for many decades appears to be solely the dance du ventre, performed either by men or women in which almost every possible action of the pelvic region below the waist is employed with tedious repetition. It is doubtful whether teh dance music of the GiTonga would have any attractions for other local tribes. Dance (Dance du Ventre), with 4 singing horns, Puundu, 1 Bombo Gulu bass drum abd 2 Daiero drums.
- Full Text: false
- Date Issued: 1963
Maruvata
- Authors: Groupo Jazzi , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189640 , vital:44916 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-08
- Description: The name 'Bombo' is taken from the Portuguese for 'Bass Drum'. The Daiero drums were home made and joined together after the fashion of jazz 'Bongo' drums which they are intended to represent. The music played and sung by the drums and horns is supposed to be an imitation of jazz but would hardly be recognised as such by an outsider. The local GiTonga modality can be clearly heard in the pitch of their voices. Dance (Dance du Ventre), with 4 singing horns, Puundu, 1 Bombo Gulu bass drum abd 2 Daiero drums.
- Full Text: false
- Date Issued: 1963
Masesa I
- Authors: Tonga/ Hlanguni (Performers) , F. Mabosso (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Music--Mozambique , Hand-clapping music , Folk dance music , Drum--Performance , Whistles , Instrumental music , Africa Mozambique Bileni f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132676 , vital:36868 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR008-04
- Description: Dance song for Masesa dance with 2 cylindrical drums, whistles and clapping
- Full Text: false
- Date Issued: 1955
Masesa II
- Authors: Tonga/ Hlanguni (Performers) , F. Mabosso (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Music--Mozambique , Hand-clapping music , Folk dance music , Drum--Performance , Whistles , Instrumental music , Africa Mozambique Bileni f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132688 , vital:36869 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR008-05
- Description: Dance song for Masesa dance with 2 cylindrical drums, whistles and clapping
- Full Text: false
- Date Issued: 1955
Mbiriviri
- Authors: Simon Mashoko , Tracey, Andrew T N , Paul Berliner
- Date: 1973
- Subjects: Folk music--Zimbabwe , Mbira music , Storytelling , Folk dance music , Sub-Saharan African music , Africa Zimbabwe Harare f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/115271 , vital:34108 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC140b-01
- Description: Traditional Shona dance song accompanied by the njari mbira and intermittent with story telling
- Full Text: false
- Date Issued: 1973
Murengerongoma
- Authors: Mihambari and Rwanda girls , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Songs, Kinyarwanda--Rwanda , Folk dance music , Tutsi (African people) , Africa Rwanda Gihini f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/148745 , vital:38770 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR057-10
- Description: Murengerongoma was a man all of whose children except one, were taken by lions. So the people came and helped him gather firewood and do all household tasks, when they had done this, he danced for them to show his gratitude. Wedding song with hand clapping
- Full Text: false
- Date Issued: 1952
Ndlama
- Authors: Boys and Girls from Chief Chigugwana (Performer) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Folk dance music , Drum , Africa Mozambique Macia f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132253 , vital:36816 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR004-14
- Description: Two Makwaya dances with drum
- Full Text: false
- Date Issued: 1955
Ndlama- Maritinji
- Authors: Boys and Girls from Chief Chigugwana (Performer) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Folk dance music , Drum , Africa Mozambique Macia f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132245 , vital:36815 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR004-13
- Description: Two Makwaya dances with drum
- Full Text: false
- Date Issued: 1955
Nhemamusasa
- Authors: Performer not specified , Tracey, Andrew T N , Paul Berliner
- Date: 1973
- Subjects: Folk music--Zimbabwe , Mbira music , Folk dance music , Rattle (Musical instrument) , Instrumental music , Sub-Saharan African music , Africa Zimbabwe Harare f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/115359 , vital:34117 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC141a-01
- Description: Shona traditional mbira dzavadzimu music with rattles accompaniment
- Full Text: false
- Date Issued: 1973
Nhemamusasa
- Authors: Performer not specified , Tracey, Andrew T N , Paul Berliner
- Date: 1973
- Subjects: Folk music--Zimbabwe , Mbira music , Folk dance music , Rattle (Musical instrument) , Instrumental music , Sub-Saharan African music , Africa Zimbabwe Harare f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/115368 , vital:34118 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC141a-02
- Description: Shona traditional mbira dzavadzimu music with rattles accompaniment
- Full Text: false
- Date Issued: 1973
Nhemamusasa
- Authors: John Hakurotwi Mude , Tracey, Andrew T N , Paul Berliner
- Date: 1975
- Subjects: Folk music--Zimbabwe , Mbira music , Folk dance music , Sub-Saharan African music , Africa Zimbabwe Harare f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/115388 , vital:34122 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC141a-03
- Description: Traditional Shona dance song accompanied by the mbira dzavadzimu
- Full Text: false
- Date Issued: 1975