Matye rupanga (Fear of the knife)
- Authors: Manyika Highlanders (group of singers at St. Augustine's Mission, Penhalonga) , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Mutasa f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180718 , vital:43606 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-14
- Description: The 'diatonic progression' (the two similar phrases sung one after the other) is typical of a great number of Shona songs. Installation of a Chief, with rattle and clapping (-12.03-).
- Full Text: false
- Date Issued: 1951
Zuwa woye
- Authors: Manyika Highlanders (group of singers at St. Augustine's Mission, Penhalonga) , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Mutasa f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180708 , vital:43605 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-13
- Description: "The sun, the sun! The drumming pleases the people." A threshing song of a style heard in most Shona villages in the late autumn. As it was raining at the time it was recorded inside one of the school rooms, the singers on the floor in imitation of the sound of threshing. Threshing song.
- Full Text: false
- Date Issued: 1951
Gombahari murume (Gombahari, the jealous husband)
- Authors: Manyoni Wanyamande , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180250 , vital:43344 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-14
- Description: The song is typical of those which are in great demand at any party. In the old days Njari players would tour the country singing at parties as wandering minstrels, receiving gifts in food and kind and then going on to the next village. Humorous song with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
Chaminuka teera wamwe (Chaminuka follows others)
- Authors: Manyoni Wanyamande , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180241 , vital:43341 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-13
- Description: Chaminuka is the name given to a whole line of religious prophets who for many generations led the spiritual life and thoughts of the Karanga people. One of the Chaminuka prophets is said to have smitten the waters of the Zambezi so that the river parted. The Karanga people came over dry foot. His soul, they say, first flew across the river in the form of a dove. Towards the end of the song, the singer breaks into the local patois, representing a conversation between him and a 'Mujoni'. a policeman on a horse. Humorous song with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
Mbiriwiri ya Mondoro
- Authors: Manyoni Wanyamande , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180222 , vital:43334 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-11
- Description: The name of this tune 'Mbiriwiri' has been associated with the playing of Mbira type instruments from time immemorial. In this case it is also connected with the spirit concept of the Mondoro or Lion spirit. The singer uses several quotations from older songs such as "Regai ndi baiwa ne banga chena, kufa kwandida." This is to be the prophet Chaminuka's last words when he was surrounded by Ndebele soilders who had come to kill him. They could not harm him and he died by being pierced in the armpit with a sharp knife held by a small boy. "Let me be stabbed by a bright knife, the death of my desiring." Song for Mashawi souls with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
Shokora ndinozwa mumba muno (Pound the grain, I am listening inside here)
- Authors: Manyoni Wanyamande and his wife , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180231 , vital:43335 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-12
- Description: The Shangara dance has enjoyed many years of popularity amongst the younger generation. Its pronunciation is unusual being Shangara and not as one might have expected Shangara. It is swiftly moving step dance performed by each of the dancers in turn. The singer remarks among other things on the expense involved if you visit a town. Dance song for Shangara dance for me and women with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
Shangara
- Authors: Manyoni Wanyamande and his wife , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Gwelo f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180185 , vital:43330 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-07
- Description: Drinking song with Njari (Mbira)
- Full Text: false
- Date Issued: 1949
Ndinoda kuyenda mbuyawe
- Authors: Mashanje Shawa , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180492 , vital:43394 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-07
- Description: These three short tunes also demonstrate the sound of the friction bow as heard by the player. One end of the palm leaf strip is held across the open mouth and the whole is set in vibration by the rattle stick rubbing across serations in the bow. The mouth harmonies can be heard through the piercing noise of the rattle and the rubbing. Self delectative songs, with Chipendani musical bow and Chimazambi friction bow.
- Full Text: false
- Date Issued: 1949
Shangara ye kwa Nyamweda
- Authors: Muchabaiwa and two others , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Marandellas f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180659 , vital:43597 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-08
- Description: The Shangara dance at Nyamweda. There they brewed beer at their mother-in-law's. The mother-in-law made beer for her new son-in-law and they danced the Shangara dance. The performer of the mouth bow sometimes resonates the harmonics out of the side of the mouth and sometimes whistles without taking the bow from his mouth. Self delectative song, with Chipendani musical bow, mouth resonated
- Full Text: false
- Date Issued: 1951
Chitima
- Authors: Muchabaiwa and two others , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Marandellas f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180646 , vital:43596 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-07
- Description: Onomatopoeic words or phrases describing the sounds of a train. "Chuma changu chakapera nemahuri." All my possessions (literally my beads) have been wasted on girls. The performer of the mouth bow sometimes resonates the harmonics out of the side of the mouth and sometimes whistles without taking the bow from his mouth. Self delectative song, with Chipendani musical bow, mouth resonated
- Full Text: false
- Date Issued: 1951
Shangara ye kwa Nyamweda
- Authors: Muchabaiwa and two others , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Marandellas f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180661 , vital:43598 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-08
- Description: The Shangara dance at Nyamweda. There they brewed beer at their mother-in-law's. The mother-in-law made beer for her new son-in-law and they danced the Shangara dance. The performer of the mouth bow sometimes resonates the harmonics out of the side of the mouth and sometimes whistles without taking the bow from his mouth. Self delectative song, with Chipendani musical bow, mouth resonated
- Full Text: false
- Date Issued: 1951
Mai vandoswere piko
- Authors: Muchabaiwa and two others , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Marandellas f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180628 , vital:43594 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-05
- Description: "Mother where have you been all the day? I have been to Tinyandoro where the baboons live! Climb up the Musasa tree and see." The performer of the mouth bow sometimes resonates the harmonics out of the side of the mouth and sometimes whistles without taking the bow from his mouth.
- Full Text: false
- Date Issued: 1951
Kwa ambuya asina keriya
- Authors: Muchabaiwa and two others , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Marandellas f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180637 , vital:43595 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-06
- Description: "You must bring your mother-in-law a present on your bicycle carrier when you go to see her, or she will be angry." Towards the end of the second tune the bow player can be heard whistling out of the side of his mouth. The performer of the mouth bow sometimes resonates the harmonics out of the side of the mouth and sometimes whistles without taking the bow from his mouth. Self delectative song, with Chipendani musical bow, mouth resonated
- Full Text: false
- Date Issued: 1951
Ndagado kufa
- Authors: Muchaenda Sigauke with Ndau men , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Melsetter f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180758 , vital:43611 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-17
- Description: 'I nearly died." A typical threshing song which will keep the team of threshers wprking for long s[ells at a time. The yodeling is also typical of the music of the eastern and central parts of Southern Rhodesia. The Garwe clan lives halfway betwenn the Manyika and the WaNdau in the Melsetter district. The Ndau call them "Manyika" and the Manyika call them "Ndau". Threshing song with clapping.
- Full Text: false
- Date Issued: 1951
Zainyanyatoko
- Authors: Muchuru Zhou , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180520 , vital:43397 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-10
- Description: The story of a woman who was driven away from the village as they said she was a 'witch' and her husband too rude. The common name for a person whose behaviour or presence is a cause of offence to the others in the community was a 'witch' as used in the mediaeval sense. Story song.
- Full Text: false
- Date Issued: 1949
Zuwa rawira mukaiwe (The sun is setting, wake up)
- Authors: Muchuru Zhou with a man and woman , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180501 , vital:43395 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-08
- Description: There was, once upon a time a baboon who was walking in amongst the hills and found plenty of fruit. Matamba ('Kaffir oranges', strychnos spinosa). He ate a great many and went to sleep on the path, full to the brim. Presently an old woman who was collecting firewood came along and said "My child, why are you sleeping on the path like this?" He did not reply. So she said, "Wake up, the sun is setting." He said, "I don't want to, I am full." Then he said "Come here and listen to my song". So she came near and the baboon sang his song. "The sun is setting, wake up, wake up! Ha-hey-ha, old woman! She makes me laugh. I have discovered this hill here. Which is full of fruit, so I go here and there, eating my fill and laughing." Now when he had finished singing, he woke up, got up and followed the old woman all the way to her home. Son story.
- Full Text: false
- Date Issued: 1949
Chimwanikoda
- Authors: Munthuanengwi Muhlanga , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Gwelo f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180348 , vital:43355 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-04
- Description: An unusual musical bow on account of the use of a bridge ith which to divide the string into two segements and convey the sound direct to a small drum like resonator attached to the bow near its center. This simple little bow is played with an ox-tail bow near the point of stress. A thin stick is inserted between the gourd's membrane and the wire, conveying the sound down to the resonator and also dividing the single string into two unequal segments. The player stops the shorter of the two, thus producing the fundamental note on the longer segment and two or three notes on the shorter. It is perhaps strange to think that this product could prove entertaining and satisfactory to the performer. Self delectative song, with Chimwanikoda bowed musical bow, braced.
- Full Text: false
- Date Issued: 1949
Ndinosara nani (With whom shall I stay)
- Authors: Muroiwa Musobenzo , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180403 , vital:43360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-06
- Description: a) This tune in 5 time is very well known in the southern part of the country, and has been set to the Njari Mbira as well as the bow and was recorded by H. T. T. in 1933, sixteen years earlier. b) The player strained up his bow for the second tune. Both tunes were recorded with the microphone very near the performer's mouth in order to demonstrate the sound of the Chipedani as heard by the player himself. The mouthed harmonics can be clearly heard. Only those very nearby would in fact hear the bow clearly and the mouth harmonics. Self delectative songs, with Chipendani musical bow and Chimazambi friction bow.
- Full Text: false
- Date Issued: 1949
Constructions of nationhood in secession debates related to Mthwakazi Liberation Front in Bulawayo's Chronicle and Newsday newspapers in 2011
- Authors: Ndlovu, Mphathisi
- Date: 2013
- Subjects: Newspapers , Bulawayo , Matabeleland , Zimbabwe , Chronicle , Newsday , Secession , Devolution , Nationhood , Ndebele , Ethnic identity , Mthwakazi Liberation Front , Mthwakazi Liberation Front -- Zimbabwe , Mass media and nationalism -- Research -- Zimbabwe , Bulawayo (Zimbabwe) -- Newspapers , Matabeleland (Zimbabwe) -- History -- Autonomy and independence movements , Matabeleland (Zimbabwe) -- Social conditions , Zimbabwe -- Social conditions
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:3415 , http://hdl.handle.net/10962/d1001846
- Description: This study investigates the constructions of nationhood in two Bulawayo newspapers, the Chronicle and Newsday. Against the backdrop of the emergence of a secessionist movement, Mthwakazi Liberation Front (MLF), this research examines the discourses of nationhood in the secessionist debates raging in these two newspapers. This study is premised on a view that nationhood constructions cannot be understood outside the broader context in which these newspapers are embedded. Accordingly, it traces the roots and resurgence of Matabeleland separatist politics, exploring the political-historical forces that have shaped a distinctive Ndebele identity that poses a threat to the one, indivisible Zimbabwean national identity. Further, the study situates Matabeleland separatist politics within the broader African secessionist discourse challenging the post-colonial nation-building project on the continent. Informed by Hall’s (1992, 1996) constructivist approach to identity, it considers national identities as fragmented, multiple and constantly evolving. Thus, this study is framed within Hall’s (1997) constructivist approach to representation, as it examines the constructions of nationhood in and through language. The study uses qualitative research methods, as it examines the meanings of nationhood in key media texts. Informed by Foucault’s discourse theory, this research employs critical discourse analysis (CDA) to analyse 12 articles from the two newspapers. The findings confirm that the representations of nationhood in the two newspapers are influenced by their position within the socio-political context. The state-owned Chronicle legitimates the unitary state discourse advocated by ZANU PF. On the other hand, Newsday’s representations are informed by the discourses of the opposition political parties and civil society that challenge the dominant nation-building project. Thus, within this paper, secession and devolution emerge as alternative imaginaries that contest the authoritarian discourse of nationhood
- Full Text:
- Date Issued: 2013
The impact of aid dependence on social development: the case of Zimbabwe
- Authors: Nyatoro, Tinashe
- Date: 2008
- Subjects: Economic assistance , Zimbabwe
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10353/26649 , vital:65735
- Description: The purpose of this study was to look at how a foreign aid dependent economy is vulnerable to external manipulations. This study came up with the conclusion that foreign capital dependence is detrimental to long-term social, economic, and sustainable development of developing countries. The study also noted how foreign aid is used as a foreign policy instrument by western countries to influence the behaviour of the developing countries. The study noted that Zimbabwe is an aid dependent country hence its vulnerability to external manipulation. This has been demonstrated by capital flight from Zimbabwe since 1997. Multilateral Financial Institutions, the European Union, United States of America and other bilateral donors withdrew their financial support to the country due to policy disagreements with the Zimbabwean government. This incidence of donors withdrawing their financial support to Zimbabwe raises fundamental questions as to whether the African state is autonomous or is it possible for the African state to delink itself from the current global international market and at what costs? What has come out very clearly from this study is that a dependent state has no autonomy to decide on its domestic and foreign policies without considering the interests of its donors, and hence its vulnerability to external manipulations. , Thesis (MSoc) -- Faculty of Management and Commerce, 2008
- Full Text:
- Date Issued: 2008