List of Titles

Authors: Freddie Maṱodzi , performer not specified , composer not specified , Tracey, Hugh
Date: 1957
Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
Language: Venda
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/408201 , vital:70461 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT19-KV15-KV6A1
Description: Indigenous music
Full Text: false
Date Issued: 1957

Authors: Tshililo Tshivhase , chorus of students of Vendaland Institute , composer not specified , Tracey, Hugh
Date: 1956
Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
Language: Venda
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/400267 , vital:69607 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT03-JV9-JV1J16
Description: Indigenous music
Full Text: false
Date Issued: 1956

Authors: Jack Makumbila , six new Domba initiates , composer not specified , Tracey, Hugh
Date: 1957
Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
Language: Venda
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/409418 , vital:70588 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT21-KV19-KV7E1A
Description: Indigenous music
Full Text: false
Date Issued: 1957

Authors: Janeth Bologo , performer not specified , composer not specified , Tracey, Hugh
Date: 1957
Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
Language: Venda
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/407983 , vital:70436 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT19-KV15-KV5C1E
Description: Indigenous music
Full Text: false
Date Issued: 1957

Authors: Miriam Netshilema , performer not specified , composer not specified , Tracey, Hugh
Date: 1957
Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
Language: Venda
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/407292 , vital:70355 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT18-KV11-KV4B4
Description: Indigenous music
Full Text: false
Date Issued: 1957

Authors: waSimbi, Komukomu , Tracey, Hugh
Date: 1949
Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
Language: Chopi
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/194653 , vital:45474 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-10
Description: Komukomu started this attractive melody very quickly while a few members of the orchestra interpolated occasional notes. When we recorded this item they played rather more loudly than before and lost something of the charm of this solo performance. As the road to Regulo Banguza's village was at the time impassable, Komukomu and his musicians walked over to Mavila's village with their instruments for this recording, a distance of about six miles. The drift across the river was temporarily out of use on account of recent floods. Movement from the dance, with Timbila xylophones and in the Ngeniso movement with drum (single headed closed goblet) with 4 players (-14.52102-).
Full Text: false
Date Issued: 1949

Authors: Katinyane wa Katini , Tracey, Hugh
Date: 1949
Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico f-mz
Language: Chopi
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/194794 , vital:45493 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-12
Description: This recording clearly demonstrates the progress of a single item of music over 20 years among an entirley aural (non-literate) musical people. For purposes of the recording the singers sang each verse only once and not the usual twice each. Orchestral dance with Timbila xylophones.
Full Text: false
Date Issued: 1949

Authors: Gwelana, Mkoma Mahiketa wa , Tracey, Hugh
Date: 1949
Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
Language: Chopi
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/194602 , vital:45467 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-05
Description: Note how the opening Cadenza is a brief summary of the main musical ideas to be treated in the body of the work (Chiriri movement). The woman who ululates in this piece used to take a shield and dance with the men in her young days, an unusual practice but done on rare occassions as the Ngodo is essentially an athletic dance for men only. Orchestral dances with Timbila xylophones.
Full Text: false
Date Issued: 1949

Authors: Pondekane , Tracey, Hugh
Date: 1949
Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico f-mz
Language: Chopi
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/194752 , vital:45488 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-08
Description: A powerful opening played in octaves. The scale was:- 496, 448, 404, 364, 328, 300, 272, 248 vs. Orchestral dance with Timbila xylophones.
Full Text: false
Date Issued: 1949

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