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Amalume (Uncle)

Amandi phikila kholowa (He cooked me sweet potatoe leaves)

  • Authors: Young boys and girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Ncheu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160098 , vital:40383 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-14
  • Description: Sweet potatoe leaves are frequently used with monkey nuts as a dish in this region, it is said. There was once a man who went to visit a friend who had many fowls. Now expecting that his friend would kill a fowl and cook it for him, he was very disappointed as his friend only cooked sweet potatoe leaves. When he went back home he began to complain saying he would never forget the meanness of his friend in refusing him a fowl. Nthano story for clapping.
  • Full Text: false
  • Date Issued: 1958

Amasewe mukadzi wakanaka (The beauty)

  • Authors: Joseph Ngonyama Shumba , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
  • Language: Shona, Karanga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154314 , vital:39646 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-07
  • Description: The player is an accomplished performer, he works for the Fort Victoria Municipality on the local roads with the grader. This song is the best known and popular in the Sipangabera district of Portuguese East Africa. It is, they say the first of all songs in the region. The word 'Amasewe' means 'mother-in-law' and the gist of the song is that a certain young man went to a nearby village where he got himself a wife and his mother-in-law kept on remarking how handsome he was. Self delectative song with mbira dzawaNdau.
  • Full Text: false
  • Date Issued: 1958

Amasewe mukadzi wakanaka (The beauty)

  • Authors: Joseph Ngonyama Shumba , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
  • Language: Shona, Karanga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154309 , vital:39647 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-07
  • Description: The player is an accomplished performer, he works for the Fort Victoria Municipality on the local roads with the grader. This song is the best known and popular in the Sipangabera district of Portuguese East Africa. It is, they say the first of all songs in the region. The word 'Amasewe' means 'mother-in-law' and the gist of the song is that a certain young man went to a nearby village where he got himself a wife and his mother-in-law kept on remarking how handsome he was. Self delectative song with mbira dzawaNdau.
  • Full Text: false
  • Date Issued: 1958

Ambikanire une (Listen to me)

Amenya mwana (Mother of child)

  • Authors: Four Lomwe song , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Lomwe (African people) , Chewa (African people) , Folk music , Africa Malawi Mlange f-mw
  • Language: Lomwe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160734 , vital:40508 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-19
  • Description: This song appears to be influenced by European teaching. The dirty must reflect the inevitable emotions of an ill-matched couple and the husband's rebellion. Sung no doubt only by men in the village. "Mother of child, get out of the house and take your child in case I should throw him out like a worthless thing. Party song.
  • Full Text: false
  • Date Issued: 1958

Ameta mpala wamaliro (Shaving the head after a funeral)

Amtheka cingondo (They have put the clay hat on)

Amuna ali kwanga (The husband I have)

An investigation of isolated bursts of solar radio noise

  • Authors: Shuter, William Leslie Hazlewood
  • Date: 1958
  • Subjects: Solar physics -- Research , Solar radio emission
  • Language: English
  • Type: Thesis , Masters , MSc
  • Identifier: vital:5539 , http://hdl.handle.net/10962/d1013216
  • Description: The literature on isolated bursts and possible mechanisms of origin has been critically reviewed, and observations point to a mechanism involving omission of electromagnetc radiation from plasma oscillations in the solar corona excited by outward travelling disturbances. Solar noise observations on 125 Mc./s. recorded at Rhodes University during the period November 26 1957 - February 6 1958 have been analysed by the author for isolated bursts, and these observations show the same general features reported by previous investigators. In interpretation of these records particular attention has been devoted to two aspects of isolated bursts; namely the preponderance on single frequency records of double-humped bursts, and the shape of isolated burst profiles. The authors suggests that a probable explanation of double-humped bursts observed on any frequency f is that the first hump represents omission at or near the level of zero refractive index for f radiation, and that the second hump corresponds to harmonic omission at the f/2 level. Source velocities may be calculated from the time delay between the peaks and an average value of 2 x 10⁴ km./sec. was obtained from an analysis of 21 double-humped bursts. This value is in very good agreement with that deduced by Wild (1950b) from the rate of frequency drift of peak intensity of isolated bursts. Simple isolated bursts had decay profiles which are approximatley exponential in shape, and this is usually interpreted in terms of the natural decay of plasma oscillations in the medium of origin. The author has verified that the exponential function is a good fit to the observed decay profiles, but shows that a relation of the form I - ¹/n (superscript) ⋉ t (where I is intensity and t is time) fits just as well. An alternative model is suggested which would lead to an exponential-like decay profile which is not determined by the natural decay of plasma oscillations. The work concludes with some suggestions for further research.
  • Full Text:
  • Date Issued: 1958

Ana amuna (Young men ought to put on grey trousers)

Anagondo tilowe (Anagondo let me in)

Anali kudambo Chingodola (Chingodola went to draw water at the marsh)

Ananga kwa amai ndikanenaiyi (My children, what shall I say to my mother)

  • Authors: Six elderly women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Tengani, Port Herald f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155757 , vital:39913 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-10
  • Description: There were certain children of this village who were killed by a lion on their way home and the event was perpetuated in song by the girl who had to break the news to their mother. The players shake their rattles in unison until one gives the sign for the routine to begin. When they complete it and return to the beginning of the verse again. One woman was clapping. Chitsukulumwe dance with gourd rattles and clapping.
  • Full Text: false
  • Date Issued: 1958

Angelo

  • Authors: 7 small boys , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kachere, Dedza, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153560 , vital:39478 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-04
  • Description: Herd boys are one of Africa's sources of original songs. The life of thee youngsters is full of the intimate knowledge of creatures and their ways. The discomforts of nature and the constant search for food or sweet things. A herd boy's education is second to none at that tender age and the pleasures are never forgotten. They use a well known proverb concerning their food, referring to their work for other people's cattle. "The one who cooks does not eat the food." "Oh, Angelo, just smell he relish!" (A vivid picture of small boys with mouths watering). Herd boy song. The setting of this song is familiar to most African villages. Small boys are herding their goats, whistling and calling to them while they sing
  • Full Text: false
  • Date Issued: 1958

Angozo

Anyilongo (A mere quarrel)

Apa mkuti

Arikorotho (Morning star)

Asimati kotokoto

  • Authors: Chewa women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/159556 , vital:40311 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-01
  • Description: "A Simati stole the money of A Kesi, he stole the money." 'A Kesi' - 'A' is the honorofic prefix, equivalent to the use of 'Mr' in English, when placed before a proper name. This theft occured just one month previously in April 1958 when A Simati is said to have stolen six pounds sent by post from the Mkoma mission to A Kesi, a woman of this village. The case was tried and A Simati was convicted. The woman at once lampooned him in this song for all to hear. Swift community retribution for his crime. Chintali dance with bass drum.
  • Full Text: false
  • Date Issued: 1958
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