Chasing Eden: Margaret Atwood’s MaddAddam trilogy and the value of reading in a technological age
- Authors: Bosman, Zoë June
- Date: 2020
- Subjects: Atwood, Margaret, 1939- MaddAddam trilogy , Speculative fiction -- History and criticism , Capitalism in literature , Dystopias in literature , Science fiction -- History and criticism , Technology in literature
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/145796 , vital:38467
- Description: This thesis is focussed on Margaret Atwood’s MaddAddam trilogy: Oryx and Crake (2003) The Year of the Flood (2009) and MaddAddam (2013). Detailing Atwood’s own specifications as to why these texts should be categorised as works of speculative fiction, the thesis examines how this literary genre, and Atwood’s MaddAddam trilogy in particular, is uniquely capable of encouraging readers to interrogate critically the socio-economic, environmental, and ethical problems to which she, and the contemporary reader, bear witness in the present technological age. With reference to Atwood’s essays and critical writings, Darko Suvin’s Metamorphoses of Science Fiction, and Wolfgang Iser’s The Act of Reading, this project explores the value of reading speculative fiction and details how Atwood has constructed the fictional, yet plausible, possible future world of her trilogy by extrapolating our current scientific capabilities, environmental challenges, and political configurations to their logical conclusions. It explores the close relationship that exists between the near-future world of Atwood’s texts and the contemporary context from which she has drawn her subject matter, and argues that the trilogy demonstrates graphically the long-term consequences of capitalism, sustainability, and the doctrine of human exceptionalism, which this project, following Yuval Harari, defines as orthodox guiding narratives: fictions that humanity has created, and which structure our perception of reality and guide our behaviour. The project maintains that Atwood’s trilogy presents the reader with a hypothetical future that looks towards and beyond the end of contemporary technological society in order to urge her reader to imagine, and actualize, alternatives to the scenarios that these texts depict. The most significant question Atwood’s texts ask is whether contemporary technological society is willing and able to transform in order to avert the ecological apocalypse that is the logical conclusion to the Anthropocene?
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- Date Issued: 2020
Coleridge on drama
- Authors: Wagstaff, Brian John
- Date: 1973
- Subjects: Coleridge, Samuel Taylor, 1772-1834 -- Dramatic works , Coleridge, Samuel Taylor, 1772-1834 -- Criticism and interpretation , English drama -- 18th century -- History and criticism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2276 , http://hdl.handle.net/10962/d1007255 , Coleridge, Samuel Taylor, 1772-1834 -- Dramatic works , Coleridge, Samuel Taylor, 1772-1834 -- Criticism and interpretation , English drama -- 18th century -- History and criticism
- Description: From Introduction: In the Preface to his book The idea of Coleridge's Criticism, Richard Harter Fogle states: There is... I am confident, a need for such a study as I here introduce; a study of Coleridge's criticism in itself, tentatively accepting the metaphysical assumptions on which it is based and focusing upon its central principles and inner relationship; endeavouring without direct regard for its external connections to the past and the present to see it as a whole, yet at the same time anxiously regardful of its permanent significance and its bearing upon practical criticism. These are the principles on which I have based this thesis, applied more particularly to Coleridge's criticism of drama.
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- Date Issued: 1973
Conrad's impressionism : the treatment of space and atmosphere in selected works
- Authors: De Lange, Adriaan Michiel
- Date: 1996
- Subjects: Conrad, Joseph, 1857-1924 -- Criticism and interpretation Conrad, Joseph, 1857-1924 -- Heart of darkness Conrad, Joseph, 1857-1924 -- Nigger of the Narcissus Conrad, Joseph, 1857-1924 -- Nostromo Conrad, Joseph, 1857-1924 -- Lord Jim
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2229 , http://hdl.handle.net/10962/d1002272
- Description: This thesis focuses on Conrad's representation of space and atmosphere in the "impressionistic" works published between 1897 and 1904, notably The Nigger of the "Narcissus" (1897), "Heart of Darkness" (1899), Lord Jim (1900), and Nostromo (1904). The many conflicting statements regarding the nature of Conrad's impressionism lead one to ask two fundamental questions: What constitutes this strange and elusive phenomenon, and how does it bear upon interpretation? This thesis works towards defining the elusive quality of Conrad's writing by investigating and assessing the contribution of impressionist techniques in the creation of a pervasive space and atmosphere; secondly, it considers how the various constituent elements interact with, and complement one another to form a dominant mode of fictional space in each work; and, thirdly, it indicates the possible impact that these particular Conradian configurations of space and atmosphere might have upon the interpretation of his impressionist works. The thesis argues that the existential condition of isolatio~experienced by Conrad's heroes and narrators is a consequence of epistemological frustration and fragmentation, which, in turn, is a function of impressionist ontology. There is a definite and complementary relationship between each of these notions in Conrad's fiction. The mysterious atmosphere in his works results from the interplay between various configurations of theme, narration and description, and these novelistic elements correspond roughly with the notions of existential isolation (the dominant theme), epistemology (narrating, telling and (re)telling as a method of knowing and understanding the space in which the characters find themselves) and, lastly, the ontological dimensions of the various modes of fictional space (as realized in description). The evocation and invocation of cosmic space in The Nigger of the "Narcissus," the mapping of a dorriinant symbolic space in "Heart of Darkness," the (re)constructions of Jim's psychological space in Lord Jim, and, finally, the "transcription" and "inscription" of a mythical space in Nostromo, indicate a definite development from epistemological to ontological issues. Phrased in more theoretical terms, this development is a movement from asking predominantly epistemological questions like "How can I interpret this world of which I am a part?" "What is there to be known?" "Who knows it ... and with what degree of certainty?", to asking predominantly ontological questions, such as "Which world is this?" "What kinds of worlds are there ... and how are they constituted?". Such questions, categorized by McHale as the dominant characteristics of Modernist and Postmodernist fiction respectively, are already present in Conrad's texts, thus undermining any clear-cut division between these broad categories. Indeed, this thesis suggests that these categories are at best tenuous, and that they should perhaps be used heuristically, rather than definitively
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- Date Issued: 1996
Contesting masculinities: a study of selected texts of resistance to conscription into the South African Defence Force (SADF) in the 1980s
- Authors: Mason, Paul
- Date: 2016
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2332 , http://hdl.handle.net/10962/d1020842
- Description: The theoretical framework for this thesis and analysis of primary texts revolves around the problem of conscription into the South African Defence Force (SADF) in the 1980s. The ideology of masculinity that underpinned and sustained the practice of conscription is referred to throughout as the hegemonic version. This term is interchangeable with others, namely masculinism and ‗the real man.‘ The aim is to interpret the selected texts for strains of resistance to the practice of conscription and its assumptions as to what to what constitutes the natural or real man. In the Introduction to this thesis I begin by explaining the personal dimension of my role as researcher, after which I motivate my research project and explain its theoretical and methodological orientation, focusing on the concepts that play a significant role in analysis of the primary texts. The Introduction concludes with an outline of the content of Chapters 1–5. Chapter 1 begins with a brief discussion, on the general level, of the practice of conscription and resistance to it, and proceeds to a concern with conscription in 1980s South Africa. Attention is paid to prevailing attitudes towards gender and sexuality within both the SADF and the End Conscription Campaign (ECC). Discussion of gender and sexuality as constructs of identity proceeds to a focus on the conceptual tools for textual analysis provided by theories of masculinity. The final section of this chapter pays attention to specific post-structuralist notions of identity that serve analysis of the primary texts, that is, the notions of the subject, agency and the author. Having engaged mainly with secondary texts in Chapter 1, Chapter 2 presents the first sustained critical engagement with primary texts in which resistance was expressed against the institution of conscription and the hegemonic version of masculinity that underpinned it. These expressions of resistance occurred within a rock music counter-culture of the period, known as the Voëlvry movement. Attention is given to overlaps or links between this counter-culture and that of America in the 1960s, as well echoes between the Vietnam and Border Wars. Analysis of these links is applied to a memoir selected for its appropriateness. Threaded through the chapter is a concern with expressions of masculine identity within the Voëlvry counter-culture, the SADF and the ECC. Chapter 3 focuses on three novels and one collection of short stories, each narrated in the first person and written by gay authors who performed their National Service. Attention is paid to the protagonists‘ perceptions of themselves, their troubled relationships with their fathers, and the struggle to come out within a context that prohibited them from doing so. Chapter 4 concerns three wartime memoirs and two written by men who refused to perform their National Service. Underlying concerns in this chapter are the question of fact versus fiction in the genre of the memoir, authors‘ perceptions of and relationships with women, and expressions of vulnerability. Chapter 5 concentrates on the interviews that comprise the Appendix. The chapter establishes its theoretical ground by focusing on principles of narrative structure and the relation of personal to narrative identity. The chapter pays attention to the displays of power and the vulnerabilities of both veteran soldiers and resisters. Theory deployed in analysis of the primary texts serves the principal concerns articulated in the title to the thesis.
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- Date Issued: 2016
Critical studies of John Milton, T.S. Eliot and other writers
- Authors: Peter, John Desmond
- Date: 1973
- Subjects: Milton, John, 1608-1674 -- Paradise lost , Crashaw, Richard, 1613?-1649 -- Criticism and interpretation , Joyce, James, 1882-1941 -- Criticism and interpretation , Coleridge, Samuel Taylor, 1772-1834 -- Criticism and interpretation , Marston, John, 1575?-1634 -- Criticism and interpretation , Eliot, T. S. (Thomas Stearns), 1888-1965 -- Criticism and interpretation
- Language: English
- Type: Thesis , Doctoral , DLitt
- Identifier: vital:2329 , http://hdl.handle.net/10962/d1018265
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- Date Issued: 1973
Death situations in the short story : a study in structure
- Authors: Ruthrof, Horst
- Date: 1968
- Subjects: Short story , Death in literature
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2313 , http://hdl.handle.net/10962/d1013108
- Description: In an article on Ernst Cassirer, Konstantin Reichardt says, Since form is the only rational factor of every art, and the form of each art manifests a specific order, 'the order and form of the arts are to be investigated, if we want to examine the artist's imagination at work and the architecture of the world of art. It is the aim of this thesis to cast some light on a small, yet beautiful building within the complex architecture of this world of art, the genre of the short story. To isolate its structural and generic characteristics in general, however, would entail an analytical investigation into a huge number of short stcries, a task too great to be tackled in a thesis. Intro., p. 8.
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- Date Issued: 1968
Defined by wine : a study of sacramentalism in George Herbertʾs poetry
- Authors: Goddard, Kevin Graham
- Date: 1988
- Subjects: Herbert, George, 1593-1633 -- Criticism and interpretation , Christian poetry, English -- History and criticism
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2177 , http://hdl.handle.net/10962/d1001828
- Description: This dissertation proposes that George Herbertʾs poetry may profitably be understood as a sacramental means by which the divine is made present in temporal existence. In order to support this claim, the relation between sacramental symbolism and literary symbolism, particularly Herbertʾs, is examined from a number of perspectives. The symbolic meanings suggested by Herbertʾs title (The Temple), and their relation to sacramentalism are considered in the opening chapter. This includes a consideration of some of the background to the analogical thinking prevalent in both the seventeenth-century and Herbert. It is followed in the second chapter by an examination of some of the modern theories about how literary symbolism may relate to sacramental symbolism, a discussion which is followed by a consideration of this dissertation's argument in relation to modern scholarship. The chapter ends with a reading of ʺThe Flowerʺ. The third chapter discusses the poet's attempt to imitate the divine by ʺcopyingʺ both Scripture and Nature, and this includes a consideration of the allegorical and hieroglyphic modes of thought prevalent in the poems. The concern with imitation encourages an examination of the poet's frequent invitation for God actually to assume the poet's role, and this is the subject of the fourth chapter. The argument suggests that the poet's attempt to ʺsacrificeʺ his own writing may be seen in his concern with corporate imagery and corporate (impersonal) structures. The five ʺAfflictionʺ poems are examined as examples of the first, while structures such as synecdoche and metonymy are examined as examples of the second. The final chapter considers aspects of narrative time in the poems, particularly the sense often evoked of the eternal being imminent in the present. This involves a consideration of both liturgical imagery, and what may be called liturgical structures as they can be seen to operate in the poems. Particular examples of the latter are the relation between the liturgical anamnesis and the poems, as well as certain narrative structures that may be called ʺachronisticʺ.
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- Date Issued: 1988
Deliberately withheld meaning : aspects of narrative technique in four novels by William Faulkner
- Authors: Walters, Paul S
- Date: 1970
- Subjects: Faulkner, William, 1897-1962 -- Criticism and interpretation
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2167 , http://hdl.handle.net/10962/d1001746
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- Date Issued: 1970
Detecting the transnational space: metaphysical detecting in Kazuo Ishiguro’s When we were orphans, Michiel Heyns’s Lost ground, and Amitav Gosh’s The Calcutta chromosome
- Authors: Botes, Niki
- Date: 2020
- Subjects: Literature and transnationalism , Detective and mystery stories -- History and criticism , Ishiguro, Kazuo, 1954- , Ishiguro, Kazuo, 1954- -- When we were orpahns , Heyns, Michiel , Heyns, Michiel -- Lost ground , Ghosh, Amitav, 1956- , Ghosh, Amitav, 1956- -- The Calcutta chromosome
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/140971 , vital:37933
- Description: The transnational detectives in the three primary texts under scrutiny—Kazuo Ishiguro’s When We Were Orphans, Michiel Heyns’s Lost Ground, and Amitav Ghosh’s The Calcutta Chromosome—are regarded as metaphysical detectives in this thesis. As transnational figures, they criss-cross physical and national borders, but their investigations also often require the crossing of epistemological and ontological borders, as well as thinking outside of binaries. The fictional transnational, postcolonial worlds presented in these texts all feature a lack of change and the persistence of the socio-economic inequalities and discriminations of the colonial or, in the case of Lost Ground, the apartheid past. This thesis will argue that the three texts foreground the inability to break free from conceptual frameworks and a lack in human relationships as two possible reasons why the communities and societies in question have not been able to affect change. To solve the various mysteries in the texts, the transnational detectives need to find new ways of knowing and being. The lessons that these detectives learn and the personal changes they experience serve as synecdoche for how a better tomorrow for the transnational, postcolonial world could possibly be achieved. The methodology employed in this thesis involves a comparative reading of the three primary texts. To analyse and interpret these texts, this thesis draws on the philosophies of postmodern philosophers such as Martin Heidegger, Michel Foucault, Jacques Derrida, and Emmanuel Levinas, as well as postcolonial theorists like Edward Said, Gayatri Chakravorty Spivak, and Homi K. Bhabha. The thesis will contend that especially Derrida’s work on deconstruction, which forms the conceptual basis for Bhabha’s notion of the ‘third space,’ as well as Levinas’s anti-totalitarian approach with regard to the ethical relationship between the self and the other, are viable better ways of knowing and being in the transnational, postcolonial worlds presented in the texts. Derrida’s notion of différance and the trace, as well as Bhabha’s third space, this thesis contends, completely destabilises binary thinking and offers ways to think outside of the limited frameworks of ideological discourse. This thesis also posits that Levinas’s metaphysical and pluralistic interpretation of how the self should, and can, relate to the other, presents a better way of forming human relationships and has the potential to affect positive change.
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- Date Issued: 2020
Disrupting the familiar family in postcolonial literature
- Authors: Laubscher, Emma Kate
- Date: 2019
- Subjects: Postcolonialism in literature , Families -- Fiction , Interpersonal relations in literature , Families in literature , Gender identity in literature , Gappah, Petina, 1971- -- Criticism and interpretation , Enright, Anne, 1962- -- Criticism and interpretation , Owuor, Yvonne Adhiambo
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/153757 , vital:39516
- Description: Anne Enright’s The Green Road, Petina Gappah’s The Book of Memory and Yvonne Adhiambo Owuor’s Dust offer various disruptive representations that challenge the normative family, and allow for an excavation of the potency and pervasiveness of the notion of family as an organising social principle, in a postcolonial context. Through these novels’ depictions of unorthodox families, it becomes possible to unpack the metaphorical architecture that underpins the normative family – by which I mean that social formation which enables and relies upon gender binaries, heteronormative constructions of sexuality and exclusionary racial structures. Additionally, I will attempt to examine the role that the normative family plays in shaping the subject, and determining its avenues of association, through encountering the disruptive possibilities portrayed in Gappah, Owuor and Enright’s works. My analysis is concerned with how the family orientates the subject in particular ways that regulate and delimit the subject’s means of relating to herself, those who surround her and the historic and mnemonic pasts in which she is embedded. In representing alternate kinship structures, these novels expand the aesthetic and imaginative landscape of the family and allow for new forms of relation to emerge. These transgressive and radical ways of being, knowing and loving have disruptive consequences for those social formations which are structured by, and draw on, the family – in particular the nation state. This reworking of the nation state, as well as the destabilisation of the relations between nations states, provides new avenues for inhabiting the postcolonial world. In particular, my reading argues that representations of the unfamiliar family offer different ways of receiving and relating to the self, others, and the past within a social order ruptured by the violent legacies of colonisation.
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- Date Issued: 2019
Diteng tsa ditlhopha tsa maina a Bantu: ntlhathakanelo e le mo Setswanang : “The semantics of Bandu noun classes: a focus on Setswana
- Authors: Tladi, Oboitshepo
- Date: 2020
- Subjects: Tswana language , Tswana language -- Grammar , Tswana language -- Noun , Noun , Bantu languages , Bantu languages -- Noun , Bantu languages -- Grammar
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/167654 , vital:41500
- Description: The present study investigated the semantic classification of the Setswana noun class system. This enquiry falls under the broad area of the noun classification system in Bantu languages, psycholinguistics and lexicogrpahy. Specifically it explores the basis of noun classification in Setswana making indications that Setswana noun classification is based on a partial semantic classification. Data for the study was drawn from the Setswana Oxford Dictionary. Sixty Setswana nouns, from class 1, 3, 5, and 7, were selected and analysed and then grouped into semantic categories (i.e., PERSON, DEROGATION, TRANSPORATION and so forth). The study adopted Kgukutli’s (1994) semantic classification in performing the dictionary analysis. The rest of the data was drawn from the intuitions of thirty-nine contemporary speakers of Setswana, with the aid of a linguistic test which was fashioned according to Selvik’s (2001) psycholinguistic test. The language test required participants to match the predetermined Setswana definitions with hypothetical Setswana nouns with selected class prefixes attached to them. The results from the empirical study showed that speakers were associating prefixes to certain semantic values, suggesting that each noun class had specific semantic content that was unique to that class. The semantic categories created through the dictionary analysis were then compared to those given by the thirty-nine Setswana speakers, to analyse whether there were any similaritires in the semantic classification of the noun classes. The findings of the dictionary analysis and linguistic test revealed that there were certain semantic characteristics that each class was associated with that seemed to be unique to the class. However, there were various semantic overlaps in the semantic categories associated with the different noun classes, which brings into question whether a semantic classification is viable in the classing of nouns. The study suggests that prior classification of Setswana nouns are not precise enough and that additional semantic categories are needed to offer a more precise classification of nouns in this language.
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- Date Issued: 2020
Dr Johnson's critical assumptions in the preface to Shakespeare: an essay in descriptive method
- Authors: Gouws, John Stephen
- Date: 1973
- Subjects: Johnson, Samuel, 1709-1784 -- Criticism and interpretation , Shakespeare, William, 1564-1616 -- Criticism and interpretation
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2298 , http://hdl.handle.net/10962/d1012073 , Johnson, Samuel, 1709-1784 -- Criticism and interpretation , Shakespeare, William, 1564-1616 -- Criticism and interpretation
- Description: "His criticism may be considered as general or occasional. In his general precepts, which depend upon the nature of things and the structure of the human mind, he may doubtlessly be safely recommended to the confidence of the reader: but his occasional and particular positions were sometimes interested, sometimes negligent, and sometimes capricious." With certain qualifications, it would be the opinion of those critics who share a great admiration of the man that this statement might well have been made of Johnson himself. There are those, however, whose esteem of Johnson is perhaps not so great. One thus finds Alan Tate writing: "One is constantly impressed by Johnson's consistency of point of view, over the long pull of his self-dedication to letters. There is seldom either consistency or precision in his particular judgements and definitions -- a defect that perhaps accounts negatively for his greatness as a critic: the perpetual reformulation of his standards, with his eye on the poetry, has done much to keep eighteenth century verse alive in our day. His theories (if his ideas ever reach that level of logical abstraction) are perhaps too simple for our taste and too improvised; but his reading is disciplined and acute." Tate is eager to perpetuate the notion of Johnson as a critic with a massive common sense and little more, an imputation which Johnson would not only resent, but dismiss as short-sighted. Intro., p. 1.
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- Date Issued: 1973
Dream and the preternatural in the poetry of Walter de la Mare
- Authors: Townsend, Rosemary
- Date: 1984
- Subjects: De la Mare, Walter, 1873-1956 -- Criticism and interpretation
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2258 , http://hdl.handle.net/10962/d1004501 , De la Mare, Walter, 1873-1956 -- Criticism and interpretation
- Description: From Chapter 1: In this chapter I hope to illustrate in general terms how de la Mare's interest in dream and the preternatural pervades his work. His views on reality and in what it truly consists will be considered and definitions provided of various terms used throughout this study. These will approximate as closely as possible the meanings they acquire through de la Mare's own use of them. Some detailed reference to his work, especially to his prose introduction to the anthology Behold, This Dreamer! and to his poem "Dreams", will provide support for the statements made. Finally, an attempt will be made to place de la Mare, briefly and in broad outline, within his literary context, again with particular reference to his interest in dream and the preternatural and where it corresponds to or deviates from what one could expect from a poet of this period.
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- Date Issued: 1984
Dreamscape and death : an analysis of three contemporary novels and a film
- Authors: Truter, Victoria Zea
- Date: 2014
- Subjects: Malouf, David, 1934- -- Criticism and interpretation , Warner, Alan -- Criticism and interpretation , McCarthy, Cormac, 1933- -- Criticism and interpretation , Linklater, Richard, 1960- -- Criticism and interpretation , Australian fiction -- History and criticism , American fiction -- History and criticism , English fiction -- History and criticism , Motion pictures, American -- History and criticism , Malouf, David, 1934- An imaginary life , Warner, Alan -- These demented lands , McCarthy, Cormac, 1933- -- Road , Linklater, Richard, 1960- -- Waking Life , Death in literature
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2308 , http://hdl.handle.net/10962/d1012976
- Description: With its focus on the relationship between dreamscape and death, this study examines the possibility of indirectly experiencing – through writing and dreaming – that which cannot be directly experienced, namely death. In considering this possibility, the thesis engages at length with Maurice Blanchot's argument that death, being irrevocably absent and therefore unknowable, is not open to presentation or representation. After explicating certain of this thinker's theories on the ambiguous nature of literary and oneiric representation, and on the forfeiture of subjective agency that occurs in the moments of writing and dreaming, the study turns to an examination of the manner in which such issues are dealt with in selected dreamscapes. With reference to David Malouf's An Imaginary Life, Alan Warner's These Demented Lands, Cormac McCarthy's The Road, and Richard Linklater's Waking Life, the thesis explores the literary and cinematic representation of human attempts to define, resist, or control death through dreaming and writing about it. Ultimately, the study concludes that such attempts are necessarily inconclusive, and that it is only ever possible to represent death as a (mis)representation.
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- Date Issued: 2014
Drummer Hodge : the poetry of the Anglo-Boer War (1899-1902)
- Authors: Van Wyk Smith, Malvern
- Date: 1976
- Subjects: War poetry -- History and criticism South African War, 1899-1902 -- Literature and the war South African War, 1899-1902 -- Art and the war
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2252 , http://hdl.handle.net/10962/d1003919
- Description: From Preface: This is not a history of the Boer War; nor is it an exclusively literary study of the poetry of that war. If the work that follows has to be defined generically at all, it may be called an exercise in cultural history. It attempts to assess the impact of a particular war on the literary culture, especially the poetry, of both the participants and the observers, whether in South Africa, in Britain and the rest of the English-speaking world, or in Europe. An assumption made throughout this study is that war poetry is not only verse written by men who are or have been under fire. Just as 'War poetry is not to be confused with political, polemical, or patriotic verse, although it can contain elements of all of these, so it is also the work of observers at home as much as that of soldiers at the front. It follows that I have not allowed myself the academic luxury of selecting, on the basis of literary merit only, a handful of outstanding war poems for rigorous analysis and discussion. "Doggerel can express the heart" wrote one of these late-Victorian soldierly versifiers, and I have roamed widely in the attempt to assemble the material which, I believe, records the full range of the impact that the Boer War made not only on Briton and Boer, but on the worId at large. A major thesis of this study is that the Boer War marked the clear emergence of the kind of war poetry which we have come to associate almost exclusively with the First World War. Poems in the style and spirit of "The Charge of the Light Brigade" were written in profusion, but the work which serves as this study's masthead, Hardy's "Drummer Hodge," clearly has --like many of its contemporaries-- more in common with Owen's verse than with Tennyson's. The reasons for the appearance of such poetry are discussed in Chapter 1; the rest of the book provides the evidence of it.
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- Date Issued: 1976
Elie Wiesel's fictional universe : the paradox of the mute narrator
- Authors: Berman, Mona
- Date: 1986
- Subjects: Wiesel, Elie, 1928- -- Criticism and interpretation , Holocaust, Jewish (1939-1945) -- Personal narratives , Auschwitz , Narration , Silence , English literature , Criticism
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2178 , http://hdl.handle.net/10962/d1001829
- Description: The approach I have chosen for my study is to analyse the narrative techniques in Wiesel's fiction, with particular emphasis on the role of the narrator and listener in the narratives. This will not only highlight aspects of his authorial strategy involving the reader's response to various dimensions of the Holocaust, but will allow an appraisal of the literary merit of Wiesel's novels. The hushed reverence that tends to accompany allusions to Auschwitz and its literature has impeded certain theoretical investigations, with the result that most critical studies undertaken on Wiesel's works have dealt predominantly with themes and content rather than with form. A narrative approach, however, while it accounts for themes, does so within the narrative process of the work. Form and content are examined as interwoven entities in the particular context of an individual work. My decision to adopt this pursuit is based on the conviction that Wiesel's fiction is a significant contribution to the literature of testimony, not only because of its subject matter, but also because of the way in which his narrators unfold their stories with words suspended by silence in the text. The paradox of the mute narrator, the title of my study, is intended to convey the paradoxical quality of Wiesel's fiction and to show how silence, which is manifested in the themes of his work, is concretized by his strategy of entrusting the transmission of the tale to narrators, who, for various reasons have been silenced. A mute by definition cannot emit an articulate sound. A narrator, on the other hand, is a storyteller who is reliant on verbal articulation for communication. This contradiction in terms is dramatized in the novels and is symptomatic of the dilemma of Wiesel's narrators who are compelled to bear testimony through their silence. In my study of Wiesel's fiction, I will follow the chronological sequence in which the novels were written, although I will not be using a developmental approach, except to point out that the trilogy which marks the beginning of his exploration into narrative strategies, and The Testament, the last book I will be dealing with, are a culmination of his previous fictional techniques. While a developmental analysis of his fiction, particularly from a thematic point of view, enables the reader to gain insight into his background, which is important in a comprehensive study of his works, I feel that this avenue of investigation has been competently dealt with by other critics. Ellen Fine's Legacy of Night, one of the first book-length studies of Wiesel, puts forward a convincing argument for examining his fiction in chronological sequence as a kind of serialized journey from being a witness in l'univers concentrationnaire to bearing - witness in a post-Holocaust world. Furthermore, it is possible to trace the direction Wiesel's fiction follows, as in each book the seeds are sown for new ideas which are expanded upon in subsequent books. My discussion, however, will deal with the narrative process of each novel as an individual work in its own particular context. Apart from the trilogy which is examined in one chapter, and The Testament which serves as a conclusion to the study, I have not used cross references to Wiesel's other fiction when analysing specific books. Moreover, I have deliberately avoided including Wiesel's comments on his works and references to them in his essays, interviews and non-fiction writing. The reason for this approach is that I consider each novel to be a separate narrative work which merits an interpretative response that is independent of the comparative criteria that has up to now influenced the assessment of his fiction. (Introduction, p. 12-14)
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- Date Issued: 1986
Enabling violence: the ethics of writing and reading rape in South Africa
- Authors: Lloyd Dylan Reumen
- Date: 2020
- Subjects: Rape -- South Africa , Rape -- Fiction , Rape in literature , Rape in literature -- South Africa , Psychic trauma in literature , Post-traumatic stress disorder in literature , Dystopias in literature , Coetzee, J. M., 1940- Disgrace , South African fiction (English) -- History and criticism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/166173 , vital:41335
- Description: This thesis is concerned with describing the stakes of reading, writing and criticising fictional depictions of rape in a country plagued by high levels of sexual violence. I consider the capacity of rape representations to cause harm to women and rape survivors, and worsen the various injuries suffered by survivors as a direct or indirect consequence of rape. The possibility of such harm prompts me to examine the role and responsibilities of readers and critics in facilitating or preventing such harm. I further discuss the potential strategies of harm prevention that readers of novelistic portrayals of rape might adopt as well as the positive outcomes that such reading strategies make possible, and which might balance out the risks that accompany them. My description of the potential harm of rape representations combines postmodern critical feminist analysis with Miranda Fricker’s work on epistemic justice and Judith Herman’s work on trauma in order to illustrate the way that these representations shape our conception of rape in a manner that affects everything from how it is enacted to our treatment of survivors to the possibility of their recovery from posttraumatic stress disorder. In order to situate my analysis in the context of South African literature and to explore the notion of responsibility in relation to the writing of scenes of rape, I utilise a close reading of J.M. Coetzee’s Disgrace. Furthermore, I discuss the utility and limits of the critical feminist strategy of using a normative critical approach to rape representations in order to prevent harm. Ultimately, I argue that the use of such a strategy, along with the development of a purpose-honed adaptive critical style, is essential to the fulfilment of our responsibilities as readers and to the prevention of further suffering.
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- Date Issued: 2020
Exorcising the Past: History, Hauntings and Evil in Neo-Gothic Fiction
- Authors: Van der Wielen, Karlien
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2333 , http://hdl.handle.net/10962/d1021257
- Description: This thesis explores the conventions of both historical and Gothic fiction in order to investigate what seems to be a recurrent impulse to exorcise the past in what I define as contemporary Neo-Gothic fiction. It therefore attempts to establish a distinction between Neo-Gothic fiction and other forms of contemporary Gothic fiction by focusing on the treatment of history, the supernatural and the grand narrative of progress in three contemporary Gothic novels: The Little Stranger by Sarah Waters, The Historian by Elizabeth Kostova and The Accursed by Joyce Carol Oates. This thesis argues that the most potent manifestation of history can be found in the representation of the revenant in Neo-Gothic fiction, which exhibits a disruptive and evil ontology that problematises the exorcism of the past. Furthermore, the reactions of ‘modern’ characters to these revenants illustrate the imperative to exorcise the past, and therefore the treatment of history and the past is reflected in the interaction between the ‘modern’ characters and the Gothic revenants. Through this interaction as well as the parody of traditional Gothic and historical fiction conventions, Neo-Gothic fiction constructs a critique of the Enlightenment’s grand narrative of progress. Paradoxically, this constitutes Neo-Gothic fiction’s own attempt to exorcise the past, which it recognises in a simplified and reductive narrative of history propounded through the grand narrative of progress. This thesis therefore pays particular attention to the configuration of revenants as evil and ‘modern’ humans as good, and the disruption of this simple binary that is effected through Neo-Gothic fiction’s subversion of the grand narrative of progress. This focus allows for the theorisation of the revenant through Jacques Derrida’s notion of ‘hauntology’ and Julia Kristeva’s ‘the abject’, the investigation of the treatment of history in Neo-Gothic fiction and the exploration of very recent Gothic texts that have not yet received much critical attention.
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- Date Issued: 2016
Experiencing loss : traumatic memory and nostalgic longing in Anne Landsman's The Devil's Chimney and The Rowing Lesson, and Rachel Zadok's Gem Squash Tokoloshe
- Authors: Roux, Rowan Pieter
- Date: 2013
- Subjects: Landsman, Anne, 1959- The Devil's Chimney -- Criticism and interpretation Landsman, Anne, 1959- The Rowing Lesson -- Criticism and interpretation Zadok, Rachel. Gem Squash Tokoloshe -- Criticism and interpretation Zadok, Rachel. Gem Squash Tokoloshe -- Criticism and interpretation South Africa. Truth and Reconciliation Commission Psychic trauma in literature Nostalgia in literature Repression (Psychology) in literature Literature, Modern -- 20th century -- History and criticism Literature, Modern -- 21st century -- History and criticism South Africa -- Race relations
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2272 , http://hdl.handle.net/10962/d1006854
- Description: This thesis examines the experience of loss in Anne Landsman’s novels The Devil’s Chimney (1997) and The Rowing Lesson (2008), and Rachel Zadok’s Gem Squash Tokoloshe (2005). Positing the Truth and Reconciliation Commission (TRC) as an impetus for emerging literary traditions within contemporary South African fiction, the argument begins by evaluating the reasons for the TRC’s widespread impact, and considers the role that the individual author may play within a culture which is undergoing dramatic socio-political upheavals. Through theoretical explication, close reading, and textual comparison, the argument initiates a dialogue between psychoanalysis and literary analysis, differentiating between two primary modes of experiencing loss, namely traumatic and nostalgic memory. Out of these sets of concerns, the thesis seeks to understand the inextricability of body, memory and landscape, and interrogates the deployment of these tropes within the contexts of traumatic and nostalgic loss, examining each author’s nuanced invocation. A central tenet of the argument is a consideration, moreover, of how the dialogic imagination has shaped storytelling, and whether or not narrative may provide therapeutic affect for either author or reader. The study concludes with an interpretation of the changing shape of literary expression within South Africa.
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- Date Issued: 2013
Extinction as consummation: an exposition of Virginia Woolf's mataphysic of visionary relation
- Authors: Ryan, Rory
- Date: 1979
- Subjects: Woolf, Virginia, 1882-1941 , Virginia Woolf
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2171 , http://hdl.handle.net/10962/d1001822
- Description: What follows is an attempt to circumscribe Virginia Woolf's ideas on life and death, the relation between self and all that which is not self, and the nature of reality, in short, Woolf's vision. I hope that whatever unity and structure may exist in the vision will not be overlooked, and moreover, I intend to avoid imposing a unity where none exists, whether the absence of unity is intentional or accidental
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- Date Issued: 1979