Chaminuka teera wamwe (Chaminuka follows others)
- Authors: Manyoni Wanyamande , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180241 , vital:43341 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-13
- Description: Chaminuka is the name given to a whole line of religious prophets who for many generations led the spiritual life and thoughts of the Karanga people. One of the Chaminuka prophets is said to have smitten the waters of the Zambezi so that the river parted. The Karanga people came over dry foot. His soul, they say, first flew across the river in the form of a dove. Towards the end of the song, the singer breaks into the local patois, representing a conversation between him and a 'Mujoni'. a policeman on a horse. Humorous song with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
Caminingwa
- Authors: Teachers Training College, Penhalonga , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Goromonze f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180699 , vital:43603 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-12
- Description: Long ago, there was a widow with one small daughter. Every day the mother used to go out collecting wild vegetables. One day when she came back home she found that several of her corn cobs hanging up in the hut were bare of corn and she asked the child how this had happened. She said 'Mother while you were away a little animal came here, danced and sang and as it danced the mealies fell off their cob onto the ground and he ate them all up! The animal asked her where her father was. She said "My father is dead". "And where is your mother?" "She is out collecting green food." "What kind?" "Watercress and spinach". So the mother said "Tomorrow I will stay at home and see this little animal." The animal came again and did the very same thing and she was astonished at what she saw. Story song, with 2 rattles.
- Full Text: false
- Date Issued: 1951
Baya, wa baya, ho-ha-ho!
- Authors: Jima Shumba with Duma men and women , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Bikita f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180556 , vital:43402 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-14
- Description: This song is known over the whole lenght and breadth of the Karanga country. It was first sung, they say, in the 19th century as a fighting song against the Ndebele under Mzilikatsi from the west and the Shangaans under Ngungunyana from the east. These two Ngoni tribes from Zululand met on the Mtilikwe River and decided to keep to their on side of the river raiding the villages on either hand. "Kuwerure" they cry, when two sides meet in battle. Fighting song.
- Full Text: false
- Date Issued: 1949
Andisaguta (I am not full)
- Authors: Zazi with Karanga women , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180529 , vital:43398 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-11
- Description: "I am not yet full, I have not yet had enough. But when I am full, then I will hit those women over there." A song sung in jest. Drinking song with clapping.
- Full Text: false
- Date Issued: 1949
An examination of the constitutional congruity of the current media legislation in Zimbabwe to global trends
- Authors: Chabinjwa, Trevor
- Date: 2011-12
- Subjects: Mass Media , Zimbabwe , Freedom of speech
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10353/24161 , vital:62438
- Description: The focus of this dissertation was on the nature and operation of laws and regulations that were and are still being used to limit the freedom of the media in Zimbabwe. Through a legal and political analysis of the evolution and use of these laws and regulations by successive governments in Zimbabwe, the study provides an important perspective on the struggle for media freedom in Zimbabwe. The main focus of this study was to examine the impact of media laws in Zimbabwe on the freedom of expression of its citizens. Some of the key media laws under the spotlight include; Access to Information and Protection of Privacy Act (AIPPA), the Public Order and Security Act (POSA) and the Broadcasting Services Act (BSA). The underpinning theoretical framework was informed by the Authoritarian, Libertarian and the Social Responsibility schools of thought. Questionnaires and in-depth interviews with selected key informants were the chief methods for data collection. Secondary data such as court cases, newspapers and some documents from organisations such as the UN, African Charter and Southern Africa Development Community (SADC) Protocol on Culture, Information and Sport were also consulted. Qualitative data was analysed using thematic content analysis while tables, graphs and charts which were interpreted and linked with processed qualitative data to come up with emerging trends and resolutions. The research revealed that the government is aware of the shortcomings in the regulations and laws relating to the media, but is not willing to make genuine and comprehensive reforms. These laws impact negatively on freedom of expression on citizens especially journalists and their media houses. It is evident from the findings that media houses in Zimbabwe are vulnerable. These laws have forced some media houses such as Daily news, Tribune and Capital radio to close. Some of these institutions have since opened after the formation of the Government of National Unity (GNU). But little has changed even after the formation of the GNU. Some of the journalists left Zimbabwe for fear of prosecution. This goes on to confirm that the current media legislations in Zimbabwe are not congruent with global norms such as the SADC Protocol on Culture, Information and Sport, the Universal Declaration of Human Rights Article 19, the African Charter Article 9, and African Charter on Human and Peoples’ Rights (ACHPR) which advocates for freedom of the media and expression. The study concluded that there is no freedom of expression in media legislation as has been witnessed from the findings of the study. The study then recommended crafting of new laws which promote freedom of expression of the citizens of Zimbabwe. , Thesis (MA) -- Social Sciences and Humanities, 2011
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- Date Issued: 2011-12
Africa‘s Heritage No. 3: Religion, music and art in America
- Authors: Tracey, Hugh
- Subjects: Religion , Beliefs , Christianity , Evangelists , Folk music , Pagan practice , Dogma , Hymns , European hymn , Catholic , Latin , North America , Slaves , Catholic music , East Africa , West Africa , Jesuits , Mission , Musical heritage , Musical tradition , Quality of taste , Mississippi , Harmonica , Jazz , Drum , Double bass , Ragtime , Slave trade , Jamestown , Sudanic , Bantu , Congo River , Niger River , Virginia , South Carolina , Georgia , Allan Lomax , Call-and-response , Calvinists , Baptists , Southern States , Mouth cow , Cane fife , Panpipes , The Prettiest Girl That Ever I Saw , Bear hunters , Zimbabwe , Zambezi , Ability , Work songs , Lifting , Digging , Hoeing , Brunswick , I‘ll Be So Glad When The Sun Goes Down , Kenya , New York , Love song , Action , White spirituals , Alabama , Daniel Reed , Chorus , Congregational singing , Solo gospel , Revivalist song , What Do You Think About Jesus? He‘s Alright , Piano , Clapping , Drumming
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15098 , http://hdl.handle.net/10962/d1008526 , Reel number: BC128
- Description: 3rd programme in the ‘Africa‘s Heritage‘ Series, about early black African music in America, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false