Para vilipo (If there is anything left)
- Authors: 8 Tumbuka boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Tumbuka (African people) , Henga (African people) , Folk music , Africa Malawi Dedza, Mzimba District f-rh
- Language: Tumbuka/Henga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156309 , vital:39975 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-12
- Description: "If there is any left at all, give to a stranger." A drinking song with a genuine ring. What hope had the stranger, an outsider of getting a share. Drinking son with clapping.
- Full Text: false
- Date Issued: 1958
A pongozi mbanonoko
- Authors: Nancy Luhoma , Mwenela Kaunda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185190 , vital:44338 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-17
- Description: In the this song one of the girls pounding became quite breathless with the effort and she could hardly sing the response. "My husband's people are difficult." Pounding song with mortar and two pestles
- Full Text: false
- Date Issued: 1950
Ndalame ndi satana
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184615 , vital:44241 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-06
- Description: "Young men go to Johannesburg to look for money, Money is the devil! Even Jesus was sold for thirty shillings." Money, even on the beautiful shores of Lake Nyasa, is still 'the root of all evil.' 'Chuma' or 'ndalama' is money. 'Chuma chatimara' - money spoils us. Topical song, with Bangwe Raft Zither, 7 strings
- Full Text: false
- Date Issued: 1950
Kamsingi kaya
- Authors: Joel Jere , Ngoni men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Nkata Bay f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185059 , vital:44322 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-02
- Description: This game is played with the logs in the same postion but a dancer stands over the centre log and dances, alternate feet banging the centre log down while the others hold it up at either end. This kind of singing game, they say has been done for twenty years or more. Singing game for children, with sticks beaten on the ground
- Full Text: false
- Date Issued: 1950
Title 1. Skekelele Canthemwa, Title 2. Zamuone magege
- Authors: School children at Mwase Central School , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186547 , vital:44510 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-12
- Description: a. "We are glad to see our Chief, who has come to collect taxes." It is clear the song is sung by the children and not by the tax payers. b. "Come and see the stones." This song usually accompanies a singing game done with stones which are passed on from child to child in the circle. The leader started this song before the first had finished. The style of singing in both these songs originated from the school rather than the villages. Two Walking song
- Full Text: false
- Date Issued: 1950
Mai fulendi kemu
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184570 , vital:44236 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-01
- Description: This singer is blind and is well known for his songs all over the district. In spite of his blindness he makes his own Bangwe zither himself. He was born in 1902 and after the age of 5 was blind. He is now 48 years old (1950). The words and the title of this song are intended to be in English but are hardly recognisable as such. His zither was made of 8 papyrus stalks firmly tied together in a raft, with a gourd resonator into which the far end of the zither is placed. Topical song with Bangwe raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
Nkhawa na dada
- Authors: Joel Jere , Ngoni men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Nkata Bay f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185047 , vital:44321 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-01
- Description: The game sung here by men is usually played by children with two logs on the ground about 3 feet apart with another log between them like the letter H. The child lies along this third log and is bumped by the the others onto the first two at head and foot. This kind of singing game, they say has been done for twenty years or more. Singing game for children, with sticks beaten on the ground
- Full Text: false
- Date Issued: 1950
Koloni wanguya ku Masoku
- Authors: Maluba Mwale , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chiundasi f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184848 , vital:44278 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-05
- Description: "There were two young men Koloni and Sandifolo who went to look for work." This player uses a short length or silver of bamboo as a bow, which was so efficient that he needed only to wet it with spittle once during the playing. The name Sandifolo would appear to be a local corruption of the English name Stanford or something similar. Beni dance song for men and women with Karigo one stringed bowed lute
- Full Text: false
- Date Issued: 1950
Muvalenge waiti. Chita wala, 2nd movement
- Authors: Witmani Phiri , Chewa young men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187269 , vital:44594 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-06
- Description: "Our 'Johannesburg' band dances much better than all the others. We wear white clothes." Sung by a small group of dancers who call themselves the 'Johannesburg' team. Chewa men working on the gold mines of Johannesburg often make up 'Malipenga' dance teams and drill themselves to tunes such as these. Muganda dance with Malipenga singing gourds (-11.14-) and two bass drums
- Full Text: false
- Date Issued: 1950
A Tembo
- Authors: Taines Chirwa , Nancy Luhana , Tumbuka girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185177 , vital:44336 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-15
- Description: The grain for the midday meal at this mission is ground by machine, but for the evening meal it is still done by the girls in a mortar. They say the mortar meal is more tasty. "The old woman runs down the hill to help pound." Pounding song with mortar and two pestles
- Full Text: false
- Date Issued: 1950
Oo! madoda!
- Authors: Falesi Phiri , Chewa women and girls , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187298 , vital:44598 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-09
- Description: "Men, rejoice and honour the flag of our King George!" This is the kind of African dance tune in which the qauntity of noise is more important than the quality of its production. The style of singing appears to be influenced by the songs usually taught in schools and cannot be said to be wholly indigenous in form. The women first sing and then circle around to the sound of the drums. They shake to and fro side to side, their fronts counter balancing their sterns in opposite motion. The comparative simplicity of the music and drumming indicates the subtle influence of school (foreign) music teaching. Kasodo dance song for women and girls with Barrel drum, double heade, laced, and a tin (-12.16-) and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
Kwenda munthowa nkluweme
- Authors: Patiriki Mphaka , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185249 , vital:44357 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-03
- Description: This instrument usually called Bangwe among the Yao is here called Bango. "It is good to walk along the path because then it is I meet my love." This simple song is typical of those of the older generation of musicians. The tuning of the Bango was:- 256, 236, 216, 198, 178, 156, 140 vs. Self delectative song with Bango board Zither (7 notes)
- Full Text: false
- Date Issued: 1950
Mwana winu wancenekela
- Authors: Japhet Zimba , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185360 , vital:44369 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-13
- Description: "Your child has stolen my sixpence for paying my tax." This district contains people of mixed blood, Ngoni and Tumbuka. They call themselves Ngoni but speak Tumbuka. Self delectative song with Kalimba (9 notes)
- Full Text: false
- Date Issued: 1950
Diyele wane
- Authors: Japhiti Zimba , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185114 , vital:44329 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-08
- Description: The Kalimba, they say, is a comparatively new to this district and people. They have recently begun to learn it from the Nsenga at Fort Jameson where this player had gone to work on a Europen farm there in 1922. "You always call me 'dear' with your mouth, but what kind of 'dear' is this if you do not let me sleep with you?" This is a pleasnt little melody set against an appropriate accompaniment. The player's old voice does not do his own melody credit, as so often happens among folk singers, and it should be performed by a younger person to bring out its virtue. Love song with Kalimba Mbira (nine notes)
- Full Text: false
- Date Issued: 1950
Koepe kumowa uwepe (Cassava, sweet cassava)
- Authors: R. W. Katenga-Kaunda and 3 Tonga lads , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Chinteche District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156207 , vital:39961 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-01
- Description: The song reflects a party of boys who are camping out beside the lake, sleeping out in the open air. They sing about their cassava which they are cooking and the lake fish which they have caught and prepared and handing it around, in fact a typical boy's party. Phuinu-uwepe is cassava which has been soaked in water for a long time. Topical song.
- Full Text: false
- Date Issued: 1958
Chin'ombe. Kukowa wala, 1st movement
- Authors: Benson Phiri , Chewa young men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187254 , vital:44591 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-04
- Description: The dancers were composed of about 50 young men from the ages of 10 to 20 years. Three dancers pranced in front. A notable feature was the large butterfly bows tied onto the top of the heads of several of the dancers. Muganda dance with Malipenga singing gourds (-11.14-) and two bass drums
- Full Text: false
- Date Issued: 1950
Malaya
- Authors: Witmani Phiri , Chewa young men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187263 , vital:44592 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-05
- Description: "We have no clothes to wear, which is very disappointing. If we work hard we will get money but it will not be enough to buy all the clothes we need." The great economic incentive in many parts of Africa among the young men is fine clothes. Many indeed go to the towns and mines for this primary purpose. Muganda dance with Malipenga singing gourds (-11.14-) and two bass drums
- Full Text: false
- Date Issued: 1950
Ndarama zao kusowa
- Authors: Benson Phiri , Chewa men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187245 , vital:44589 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-03
- Description: Melody for the 2nd movement. There are two movements in the Muganda dance, the second is performed with drums only and without the Malipenga gourds. Muganda dance, with 1 Bass drum (rubber beaters), I small bass drum (stick beaters) and Malipenga singing gourds with mirliton (-11.14-)
- Full Text: false
- Date Issued: 1950
Hinya nade
- Authors: Gindiloni Ngoma , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185240 , vital:44356 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-02
- Description: The Ugubu was a popular instrument with the Zulu of Natal several generations ago but few are now left in Natal. With the exception of one or two minor details this instrument is in the same as that of the Zulu. The chief modification is the use of a straining bridge to increase the tension of the bark string. This bow was made of a lenght of Tete reed 5 ft. 2 1/4 inches long and about 1 1/4 ins. diameter, and had an unusual method of straining the single string. There was a small bridge inserted between the reed and the string near the lower end and the resonating gourd was attached by means of a wore which also acted as a moveable tuning device dividing the string into two segements. The top segement was 3 ft. 10 ins. long and emitted a note of 71 vs. (81 vs. when stopped by clasping between the finger and thumb). The lower segment was not used. The interval between the two notes used is 220 cents. Self delectative song with Ugubu, musical bow, stressed and resonated
- Full Text: false
- Date Issued: 1950
Bwezi langa
- Authors: Hodede Homwale , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186489 , vital:44504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-08
- Description: "I had a friend but the high God has taken him away." The pauses in the music are caused by the necessity of having to apply spittle to the bow. The fingering of the single string is done by the inside of the 2nd segment of the fingers of the left hand and not by the tips of the fingers. The open string was tuned to 182 vs. The string was made of twisted Wazi bark, it had a small friction pad of Ilala palm leaf (koko) wound onto where the reed bow (uta) was applied to the string. A loop of bark string was used near the Mtowo peg for fine tuning straining the string downwards the Mpini neck. The goat skin membrane was pinned onto a carved wooden bowl with a sound hole cut into its side. Lament, with 1 stringed Karigo lute
- Full Text: false
- Date Issued: 1950