Café Concert Des Glacis
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Language: French
- Identifier: vital:13581 , http://hdl.handle.net/10962/d1006546 , McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Description: Original program for the concerts' season at the café Des Glacis, in Belfort, France.
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Catholic Hymn
- Authors: Guguletu St Gabriel's Church Congregation , Composer not specified , Dargie, Dave
- Date: 1985
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Cape Town sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/417637 , vital:71471 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC151b-09
- Description: Catholic mass hymn, accompanied by the Marimba and clapping.
- Full Text: false
- Date Issued: 1985
Catholic Prayer and Response
- Authors: Guguletu St Gabriel's Church Congregation , Composer not specified , Dargie, Dave
- Date: 1985
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Cape Town sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/417566 , vital:71464 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC151b-02
- Description: Catholic mass prayer with response, accompanied by drums and chimes.
- Full Text: false
- Date Issued: 1985
Changes in the image of the feminine from Giotto to Raphael
- Authors: Crossley, Elizabeth Ellen
- Date: 1985
- Subjects: Giotto, 1266?-1337 Feminine beauty (Aesthetics) Women in art
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2471 , http://hdl.handle.net/10962/d1009448
- Description: From Introduction: The ideal of femininity which developed in Renaissance painting, was a visual and psychological type which was to become the Western European Christian formula of the feminine. This type has survived until the present day, so a discussion of its origins can be revealing for us in the twentieth century, especially as it has been neglected in traditional art historical works. In this essay, the changes in the image of the feminine, in just under three hundred years of Florentine painting, starting with Giotto1. and ending with Raphael~· will be covered. The images will be taken from the wo rk of artists who were Florentine in training, who worked in the city or who were strongly influenced by the Florentine style of painting. I have divided the paintings I have studied into three sections. In the Religious section the paintings are mainly of Mary. The Mythological images refer to Greek and Roman myths and the humanistic interpretations of them. Finally, the Portrait and Genre images are selected on the following basis: In the genre paintings they are sometimes part of works related to religion or mythology, but, in their handling, the painters treat the figures as real human beings rather than holy or mythological figures. In others they are bona fide portrait representations. 3. I have made the above distinction because I expect that the gap between religio-mythological images and portraits will give some indication of the difference between the ideal and the reality for women of that time. The images will be analysed and changes noted in favoured types, gestures, expressions, movements, placing in the composition, relationships to others, favoured themes, costume, colour and symbols. I will point out as I proceed the effects that these elements had on the mood and tone of each image.
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- Date Issued: 1985
Chibhudhu
- Authors: Venancio Mbande and his Timbila orchestra , Tracey, Andrew T N
- Date: 1985
- Subjects: Chopi (African people) -- South Africa , Folk music , Xylophone music , Africa South Africa Wildebeesfontein f-sa
- Language: Chopi
- Type: sound recordings , field recordings , Sound recording material
- Identifier: http://hdl.handle.net/10962/97172 , vital:31406 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC052b-02
- Description: Venancio Mbande's solo timbila xylophone music
- Full Text: false
- Date Issued: 1985
Chibhudhu
- Authors: Venancio Mbande and his group of 25 men , Tracey, Andrew T N
- Date: 1985
- Subjects: Chopi (African people) -- South Africa , Folk music , Xylophone music , Rattle (Musical instrument) , Drum (Musical instrument) , Africa South Africa Wildebeesfontein f-sa
- Language: Chopi
- Type: sound recordings , field recordings , Sound recording material
- Identifier: http://hdl.handle.net/10962/96634 , vital:31303 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC050b-03
- Description: Traditional dance song accompanied by timbila xylophone rattles and one drum
- Full Text: false
- Date Issued: 1985
Chibhudhu
- Authors: Shalati , Tracey, Andrew T N
- Date: 1985
- Subjects: Chopi (African people) -- South Africa , Folk music , Xylophone music , Africa South Africa Wildebeesfontein f-sa
- Language: Chopi
- Type: sound recordings , field recordings , Sound recording material
- Identifier: http://hdl.handle.net/10962/97350 , vital:31428 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC052b-14
- Description: Shalati's solo timbila xylophone music
- Full Text: false
- Date Issued: 1985
Chibhudhu
- Authors: Venancio Mbande and his group of 25 men , Tracey, Andrew T N
- Date: 1985
- Subjects: Chopi (African people) -- South Africa , Folk music , Xylophone music , Rattles (Musical instrument) , Drum , Africa South Africa Wildebeesfontein f-sa
- Language: Chopi
- Type: sound recordings , field recordings , Sound recording material
- Identifier: http://hdl.handle.net/10962/97471 , vital:31441 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC053b-03
- Description: Traditional dance song with timbila xylophone, rattles and one drum accompaniment
- Full Text: false
- Date Issued: 1985
Chibhudhu 1985
- Authors: Venancio Mbande and his group of 25 , Tracey, Andrew T N
- Date: 1985
- Subjects: Chopi (African people) -- South Africa , Folk music , Xylophone music , Rattle (Musical instrument) , Drum , Africa South Africa Wildebeestfontein f-sa
- Language: Chopi
- Type: sound recordings , field recordings , Sound recording material
- Identifier: http://hdl.handle.net/10962/95053 , vital:31111 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC038b-02
- Description: Traditional dance song with Timbila xylophone rattles and one drum accompaniment.
- Full Text: false
- Date Issued: 1985
Chris McGregor closeup
- Authors: Miseur, Rob
- Subjects: Jazz , Jazz musicians , McGregor, Chris -- 1936-1990
- Type: Image
- Identifier: vital:13820 , http://hdl.handle.net/10962/d1001499 , Jazz , Jazz musicians , McGregor, Chris -- 1936-1990
- Description: Black and white photo of Chris McGregor. There are 2 stickers at the back of the photo. The first one indicates Chris McGregor's postal address in France and the second one indicates the name and the postal address (in Belgium) of the photographer.
- Full Text: false
Christ the New Man
- Authors: Participants at Garankuwa Workshop , Levanga, Charles , Dargie, Dave
- Date: 1985
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Garankuwa f-sa
- Language: Setswana , English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/295917 , vital:57391 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD092-27
- Description: Participants at Garankuwa workshop perform own composition with drum and clapping accompaniment.
- Full Text: false
- Date Issued: 1985
Christ The New Man
- Authors: Jouberton church music workshop participants , Dargie, Dave
- Date: 1985
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Jouberton, North-West Province sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/418692 , vital:71574 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC153b-03
- Description: Unaccompanied composition of church music.
- Full Text: false
- Date Issued: 1985
Christ the New Man
- Authors: Participants at Garankuwa Workshop , Group Composition , Dargie, Dave
- Date: 1985
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Garankuwa f-sa
- Language: Setswana , English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/295934 , vital:57392 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD092-28
- Description: Participants at Garankuwa workshop perform own composition with drum and clapping accompaniment.
- Full Text: false
- Date Issued: 1985
Christ the New Man
- Authors: Participants at Garankuwa Workshop , Group Composition , Dargie, Dave
- Date: 1985
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Garankuwa f-sa
- Language: Setswana , English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/295952 , vital:57394 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD092-29
- Description: Participants at Garankuwa workshop perform own composition with drum, whistle and clapping accompaniment.
- Full Text: false
- Date Issued: 1985
Church Music
- Authors: St Don Bosco Choir , Composer not specified , Dargie, Dave
- Date: 1985
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Kwazakhele f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/292974 , vital:57040 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD087-29
- Description: Unaccompanied sung mass on the Day of Prayer and Mourning, dedicated to the victims of Apartheid.
- Full Text: false
- Date Issued: 1985
Come on unto the Lord
- Authors: Participants of Jouberton Workshop , Phoofolo, Jeremiah , Dargie, Dave
- Date: 1985
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Jouberton f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/295272 , vital:57316 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD091-23
- Description: Participants at Jouberton workshop perform own composition with clapping, stamping and whistle accompaniment.
- Full Text: false
- Date Issued: 1985
Come Together
- Authors: Participants of Jouberton Workshop , Composer not specified , Dargie, Dave
- Date: 1985
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Jouberton f-sa
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/295364 , vital:57327 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD091-32
- Description: Unaccompanied participants at Jouberton workshop perform own composition.
- Full Text: false
- Date Issued: 1985
Commission of inquiry to investigate the development of a comprehensive labour market policy
- Authors: NUM
- Date: 1985
- Subjects: NUM
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/250662 , vital:52036
- Description: In 1985, the Central Statistical Services and the Chamber of Mines ceased publishing a racial breakdown of mining industry employment. This marked the end of a statistical series that dated back for almost 100 years. Since 1985, there is no official series of racially segmented data for the mining industry, while the racial breakdown of employment in all other sectors of the economy was published up until 1992. From 1993, the Central Statistical Services introduced a new “Unspecified Race” category into its published employment data, making the identification of trends in employment and income by race less certain. The statistical information on racial issues in this submission must reflect these difficulties with the data. In respect of gold and coal mines that are members of the Chamber of Mines, the Chamber periodically has made available unpublished information on employment and total wages after 1985, grouped into “skilled employees” and “unskilled / semi-skilled employees.” Until about 1989, when legal barriers to the employment of blacks in skilled jobs were removed, the two Chamber categories reflect the old “White” and “Non-White” categories used by the Chamber before 1986. Since 1989, a small, but slowly increasing number, of skilled workers have been black, but this has not been taken into account in any of the statistics presented for the gold and the coal sectors. “Black” employment in the gold and coal mining industry thus refers to employees in Categories 1 to 8, the only groups for which the NUM currently bargains with Chamber member mines.
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- Date Issued: 1985
Comparative bioavailability and ranking of topical corticosteroid formulations
- Authors: Meyer, Eric
- Date: 1985
- Subjects: Adrenocortical hormones -- Therapeutic use Drugs -- Bioavailability Drugs -- Dosage forms
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:3732 , http://hdl.handle.net/10962/d1001471
- Description: Numerous experiments in recent years have indicated differences in the bioavailability of corticosteroids from seemingly identical topical dosage forms. The human blanching assay was utilized in this study to assess the comparative blanching activities of various locally manufactured proprietary corticosteroid preparations. The first experiment was performed to assess the relative blanching activities of six semi - solid preparations containing the same concentration of betamethasone 17-valerate. The preparations used were Betnovate cream and ointment, Persivate cream and ointment and Celestoderm-V cream and ointment. This was followed, in the second experiment, by the investigation of the blanching activities of two lotions containing betamethasone 17-valerate (Betnovate and Celestoderm-V) and a lotion containing betamethasone 17,21- dipropionate (Diprosone). The third experiment involved a study of six semi-solid proprietary corticosteroid-containing formulations, viz. Dermovate (clobetasol propionate) cream and ointment, Betnovate (betamethasone 17-valerate) cream and ointment and Eumovate (clobetasone butyrate) cream and ointment. This investigation was prompted by claims in advertisements in the medical media that Dermovate is therapeutically more efficacious than Betnovate which is more efficacious than Eumovate. The penultimate experiment in this study served the purpose of finding a corticosteroid-containing preparation that falls into the moderately potent group of corticosteroid formulations, as described in the United Kingdom MIMS. This preparation was used in the final experiment which was undertaken to ascertain the potency category of Florone (diflorasone diacetate) cream and ointment.
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- Date Issued: 1985
Computer control of a barry research chirpsounder
- Authors: Evans, Geoffrey Philip
- Date: 1985
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:5507 , http://hdl.handle.net/10962/d1007495
- Description: This thesis describes the design and development of a computer-based controller together with additional hardware that greatly extends the capabilities of a Barry Research VOS-1 Chirpsounder. The measurement of the virtual height of the ionosphere as a function of frequency using pulse- and frequency-modulated carrier wave (FMCW techniques is described and the concept of the so called "digital" ionosonde is introduced. The modifications required for the standard Chirpsounder to perform as a versatile digital chirp ionosonde are discussed. Simplified block diagrams are used to describe the Controller hardware which is fully described in two comprehensive service manuals which have been included as appendices. Important aspects of the Controller software and data storage formats are described in detail. The emphasis is then placed on system capabilities. An operators' software manual which describes system initialization and operation in terms of system commands is included as an appendix. Results of tests at both Grahamstown, South Africa , and at the SANAE base in the Antarctic are presented.
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- Date Issued: 1985