Muchongolo II
- Balani, Pedro Simau, Ndau dancers, Hugh Tracey
- Authors: Balani, Pedro Simau , Ndau dancers , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Guitar music , Africa Mozambique Mpanda Mjege f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132033 , vital:36789 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-09 , Field card no. H1F-4B
- Description: The tumbling dance which has been developed by the Ndau people has not only spread south to neighbouring tribes, but has now become a favourite spectacle on the gold mines of South Africa where its performance delights the miners of other tribes as well. It is usually acrobatic and humorous, and is performed to complex rhythms on the drums. The performance of the dancers is frequently of a high order demanding considerable gymnastic ability. Dance music for Muchongolo Tumbling dance with 3 drums and clappers. (-12.02-).
- Full Text: false
- Date Issued: 1955
- Authors: Balani, Pedro Simau , Ndau dancers , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Guitar music , Africa Mozambique Mpanda Mjege f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132033 , vital:36789 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-09 , Field card no. H1F-4B
- Description: The tumbling dance which has been developed by the Ndau people has not only spread south to neighbouring tribes, but has now become a favourite spectacle on the gold mines of South Africa where its performance delights the miners of other tribes as well. It is usually acrobatic and humorous, and is performed to complex rhythms on the drums. The performance of the dancers is frequently of a high order demanding considerable gymnastic ability. Dance music for Muchongolo Tumbling dance with 3 drums and clappers. (-12.02-).
- Full Text: false
- Date Issued: 1955
Muchongolo I
- Balani, Pedro Simau, Ndau dancers, Hugh Tracey
- Authors: Balani, Pedro Simau , Ndau dancers , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Guitar music , Africa Mozambique Mpanda Mjege f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132028 , vital:36788 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-08 , Field card no. HIF-4A
- Description: The tumbling dance which has been developed by the Ndau people has not only spread south to neighbouring tribes, but has now become a favourite spectacle on the gold mines of South Africa where its performance delights the miners of other tribes as well. It is usually acrobatic and humorous, and is performed to complex rhythms on the drums. The performance of the dancers is frequently of a high order demanding considerable gymnastic ability. Dance music for Muchongolo Tumbling dance with 3 drums and clappers (-12.02-).
- Full Text: false
- Date Issued: 1955
- Authors: Balani, Pedro Simau , Ndau dancers , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Guitar music , Africa Mozambique Mpanda Mjege f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132028 , vital:36788 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-08 , Field card no. HIF-4A
- Description: The tumbling dance which has been developed by the Ndau people has not only spread south to neighbouring tribes, but has now become a favourite spectacle on the gold mines of South Africa where its performance delights the miners of other tribes as well. It is usually acrobatic and humorous, and is performed to complex rhythms on the drums. The performance of the dancers is frequently of a high order demanding considerable gymnastic ability. Dance music for Muchongolo Tumbling dance with 3 drums and clappers (-12.02-).
- Full Text: false
- Date Issued: 1955
Hiyo woye, Busai-we
- Simon Mafiru Sithole (Performer), Composer not specified, Hugh Tracey
- Authors: Simon Mafiru Sithole (Performer) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Mbira , Africa Zimbabwe Chipinga f-rh
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132078 , vital:36796 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-14 , H1B-10
- Description: "Hi, there Busai, see my poverty, brother. This great trouble which causes it, Busai. That is, when I think of it I weep, Busai." The tuning of the central octave of the instrument was as follows:-440, 392, 364, 332, 296, 260, 220 vps. Personal laments with mbira dza WaNdau and deze resonator.
- Full Text: false
- Date Issued: 1955
- Authors: Simon Mafiru Sithole (Performer) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Mbira , Africa Zimbabwe Chipinga f-rh
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132078 , vital:36796 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-14 , H1B-10
- Description: "Hi, there Busai, see my poverty, brother. This great trouble which causes it, Busai. That is, when I think of it I weep, Busai." The tuning of the central octave of the instrument was as follows:-440, 392, 364, 332, 296, 260, 220 vps. Personal laments with mbira dza WaNdau and deze resonator.
- Full Text: false
- Date Issued: 1955
Wa Mambo
- Tonganyana Orelio Kowano (Performer), Composer not specified, Hugh Tracey
- Authors: Tonganyana Orelio Kowano (Performer) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Guitar music , Africa Mozambique Chibuto f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132015 , vital:36786 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-07
- Description: Three topical song with guitar
- Full Text: false
- Date Issued: 1955
- Authors: Tonganyana Orelio Kowano (Performer) , Composer not specified , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Guitar music , Africa Mozambique Chibuto f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132015 , vital:36786 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-07
- Description: Three topical song with guitar
- Full Text: false
- Date Issued: 1955
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