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Ananga kwa amai ndikanenaiyi (My children, what shall I say to my mother)

- Six elderly women, Hugh Tracey

  • Authors: Six elderly women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Tengani, Port Herald f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155757 , vital:39913 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-10
  • Description: There were certain children of this village who were killed by a lion on their way home and the event was perpetuated in song by the girl who had to break the news to their mother. The players shake their rattles in unison until one gives the sign for the routine to begin. When they complete it and return to the beginning of the verse again. One woman was clapping. Chitsukulumwe dance with gourd rattles and clapping.
  • Full Text: false
  • Date Issued: 1958

Fedina (Name of a man)

- Jason Kafunda and Chewa boys, Hugh Tracey

  • Authors: Jason Kafunda and Chewa boys , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mwadzama, Kotakota, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153990 , vital:39551 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-04
  • Description: "Fedina and John went to Salisbury. On their way John killed Fedina to get hold of his cloth which was better than his own. From Fedina's blood sprang a bird which sang a song telling of Fedina's death. So John was killed because of what he did, and the bird disappeared into the ground as the blood had done." The bird in circumstances such as this is constantly featured as a form of conscience or sense of guilt which brings the malefactor to justice. The blood of his friend brings the murderer to his end. "Fedina. Fedina is dead. He was dead because of a cloth."
  • Full Text: false
  • Date Issued: 1958

Tikaone mwana (Let us see the child)

- Young Chewa girls, Hugh Tracey

  • Authors: Young Chewa girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160547 , vital:40473 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-02
  • Description: This dance is usually accompanied by drums and is done at parties, weddings and other happy occasions. The drums were not available at the time of recording. "Let us go and see a child at Kachere. The child who likes to move about. You young maid, go to sleep nicely, if you don't I will beat you. White people are clever because they have made aeroplanes." Kasodo girls dance, with clapping.
  • Full Text: false
  • Date Issued: 1958

Zaina wasala madembe (Those that are left behind)

- Simenti Phiri, Hugh Tracey

Bengiyo shela

- Group of 8 young Swazi men, Hugh Tracey

  • Authors: Group of 8 young Swazi men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Emkhuzweni, Northern District f-sq
  • Language: Swati
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153042 , vital:39376 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-13
  • Description: The singers, who were sitting on the ground, all bent their heads on their folded arms while singing this song. It is the first opening movement of this dance before actully dancing. The dance itself is a variation of the Ndlamu stamping dance found all through Zululand and as far south as Thabankulu in the Transkei. "Bengiyo shela. Bengiyo shela ka lo bamba. Ngiyoshele malangena." Youn men's dance. Isibacha.
  • Full Text: false
  • Date Issued: 1958

Mkazi wa mulomo (The talkative woman)

- Lonesi Chewane and Joni Hetara, Hugh Tracey

Ptaeroxylon obliquum - Sneezewood

- Skead, C J (Cuthbert John)

Songa mbiriwiri (Cover yourself)

- Elizabeth Banda and Chewa women, Hugh Tracey

Adamu, we (Adam, you have left me)

- Chewa women, Hugh Tracey

Ngoneni ngoneni bakithi (What have I done in Mataffin?)

- Roselina Ndohle and Juana Nkosi, Hugh Tracey

A-a-ye nanga omwale (Aaye! what about Omwale)

- Women, Hugh Tracey

  • Authors: Women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/158936 , vital:40242 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-12
  • Description: Dance tunes with the minimum of melodic inspiration to evoke the dance. The bass drum was beaten by two women, one on each side of the drum opposite each other. The song consists mostly of references to the names of local persons. Such as OMwale, Ojere, OPhiri etc., each with the tonorific prefix 'O'. The equivalent of the English "Mister". Dance tune with bass drum.
  • Full Text: false
  • Date Issued: 1958

Indlaliso (Games)

- Swazi men of the "Lindimbi" age group., Hugh Tracey

  • Authors: Swazi men of the "Lindimbi" age group. , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonjeni, Pigg's Peak f-sq
  • Language: Swati
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/152509 , vital:39303 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR070-01
  • Description: The singers belonged to the Lindimbi group or regiment. The chant is one of these performed in their barracks when dancing is over. It seems each regiment has many such chants. They accompany the military exercises or drill by which the young men used to keep themselves in fighting trim. The chant with its frequent changes of rhythms which mark the change to a different movement. This performance was very well done. The men were all between the ages of 18 and 30, and belonged to the age group Lindimbi. They perform a number of movements, leaping forward and backward, tuning into file, marching around in a circle and many other actions. It is a most attractive dance drill. ENTONJENI is the old royal kraal. The hill nearby is still used as a burial ground for some members of the royal lineage. Tiga chant to accompany military games or drill.
  • Full Text: false
  • Date Issued: 1958

Nchuwa (The four row game)

- Donald Mpunda Banda and two Chewa men, Hugh Tracey

  • Authors: Donald Mpunda Banda and two Chewa men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/159980 , vital:40363 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-01
  • Description: "Even although you have given me Cinthele cloth, I will still run away to Baloni." Nchuwa is the game with four rows of holes or cups in the ground played with seeds or pebbles, and the sketch is meant to represent an exciting game between friends. It is a game of very ancient orign and is found widely throughout Eastern Africa under a number of different names and rules. It is said to have been imported into Africa by Arabs or people further East as long ago as the 10th century. Sketch-impromptu.
  • Full Text: false
  • Date Issued: 1958

Inkonjana emnyama (Black swallow)

- Obed Mazia, Jameson Hlope and Wilton Macabo, Hugh Tracey

Kari muchipfuwa kana ziwa ne mwene (Only you can tell what you are thinking in your heart)

- Saini Murira, Chingaipa Madzikuminga and Zhogi Muzengedza, Hugh Tracey

Onani ndenge yokwela masula (Look at the aeroplane)

- Woman of Masula village, Hugh Tracey

Shangara pa chikaranga

- Stephen R. Gumbo, Hugh Tracey

  • Authors: Stephen R. Gumbo , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
  • Language: Shona, Karanga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154132 , vital:39612 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-03
  • Description: The player has taken a Nyasa instrument instead of the local Njari. He explained he found the smaller instrument easier to play inspite of the fact that it had only half the number of notes. He claimed he had tuned it the same as the Njari but in point of fact his scale was one note short appearing to be hexatonic whereas his tribe is known to be heptatonic. The missing note is clearly situated between 212 and 260 vs and might have been approximately 234 to 238 vibrations per second. Humorous song with Mbira.
  • Full Text: false
  • Date Issued: 1958

Nkhondo ya Amyachusa (The battalion of Nyakyusa)

- Young Chewa girls, Hugh Tracey

  • Authors: Young Chewa girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Ncheu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160115 , vital:40386 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-16
  • Description: The song refers to the visit, in 1953, to the Southern province of a battalion of Northern Rhodesian soildiers (Wemba, wrongly called Nyakyusa by the local people, they now know) which was sent to Nyasaland to restore order after rioting had broken out. "To Njolomole came the battalion of the Nyakyusa I am sorry, members." Cintala dance for girls with bass drums.
  • Full Text: false
  • Date Issued: 1958

DLP 1202

- Performer not specified, Composer not specified, Tracey, Hugh

Albany Rugby Football Club 2nd XV, 1958

  • Date: 1958
  • Subjects: Rugby football -- South Africa -- Eastern Cape -- Photographs , Albany Rugby Football Club -- Photographs
  • Type: still image
  • Identifier: http://hdl.handle.net/10962/50857 , vital:26034 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/M 6713
  • Description: Albany Rugby Football Club 2nd XV 1958, Second XV – 1958 Season, Winners – Midland Cup and Stirk Cup, trophy cups in front, Team photograph with rugby/football players, in rugby uniform, Group photograph, Black and white photograph, Indoor photograph, Captain holding rugby ball with “1958” on it, Vice-President and Secretary wearing suits, Players sitting have arms crossed, Players standing have arms by their sides or are holding their hands, Back Row: A. Huckle, G. Kemp, Standing: K. Beeton, N. Green, E. Rothman, J. van Wyk, E. Dyson, F. Heath, M. Rushmere, J. Breytenbach, Sitting: J. Venter, C. J. Dale (Vice-President), R. Futter, L. B. Green (President), C. J.Smit (Captain), R. Rawlinks (Secretary), C. Jones-Phillipson.
  • Full Text: false
  • Date Issued: 1958
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