Investigating Architecture Related to Animals in Captivity Through the Design of a Rhino Sanctuary in the Kruger National Park

Kaene, Hansen Mark

Title: Investigating Architecture Related to Animals in Captivity Through the Design of a Rhino Sanctuary in the Kruger National Park
Creator: Kaene, Hansen Mark
Subject: Kruger National Park (South Africa)
Subject: Rhinoceroses
Date Issued: 2020-09
Date: 2020-09
Type: Master's theses
Type: text
Identifier: http://hdl.handle.net/10948/59040
Identifier: vital:60258
Description: Throughout history, animals have been domesticated and held captive in the interests of man. Animal captivity dates back to Ancient Egypt, however, as humanity has developed and further understood animals, their nature, importance and habitational needs, we have been able to appreciate and respect the value of each living thing that shares our planet alongside us. Humanity has progressed in its realisation that, our own species, is not so much superior to all living things, as it is one small, but very dominant part, of a larger system. This furthered understanding has altered the nature of animal captivity, no longer serving only the purposes of entertainment and observation, but also the interests of safeguarding and protecting our natural environment and all those that reside within it. The emergence of new technologies has advanced man’s ability to study and observe animals within their natural habitat, allowing study of the animals free of the limitations and impact of captivity on their psychological state. Harmful cultural beliefs and black market trade, have depleted the planet’s animal populations at an alarming rate, to the point that we can no longer sit idle while our rich natural resources and ecosystems are being devastated solely for economic gain. The efforts, interventions and support offered by African governments have fallen short in terms of the protection and rehabilitation of one of our continent’s most iconic large fauna, the rhinoceros. The war against illegal poaching has been taken up by private individuals. The cost of such efforts, however, weighs heavily on those who attempt to tackle the situation. To address these challenges, wildlife sanctuaries have developed safe havens for animals that have fallen victim to the illegal black-market trade. The design, construction and establishment of rhino sanctuaries is subject to specific legislation and prescribed regulations and standards for meeting the habitational requirements of the various sub-species of rhino. From an architectural standpoint, the narrative of an archi-type for ‘sanctuary’ has not yet been fully developed, as the high costs to private owners of game farms keeping rhinos - for those who have taken it upon themselves to provide for their shelter and enclosure - necessitate that such be undertaken using the most cost-effective means and approach through which to attain regulatory compliance. This treatise explores the narratives of the idealistic architectural approach to designing enclosures for the safeguard of wildlife species. Sanctuaries are designed to accommodate species-specific needs. The species of focus is the African black rhinoceros, the numbers of which, alongside its family of other sub-species, have been devastated by poachers and the black market trade to point of near extinction. The treatise explores the narratives of the ‘restrictive’ and ‘non-restrictive’ senses of animals in captivity through the programme of a sanctuary for black rhino. The aim of the treatise is to understand the specific requirements relating to a species’ natural habitat, and to adopt these principles in the design of an enclosure type that provides security and rehabilitation facilities within a non-stressful and safe environment through architectural intervention. The approach finds anchor in the narrative concerned with those conditions idealistic for a ‘cultural environment’ in which man and animal may dwell together in mutual harmony. This narrative focuses on the phenomenon of the natural versus the man-made, in order to understand meaning, identity and place within the programme of architectural design for wildlife. The Kruger National park exists as the largest natural reserve on the African continent and is situated at the frontlines of the illegal black market trade of rhino horn. This provides an ideal context within which the treatise explores the animal enclosure conceptually and towards serving the needs and requirements for the re-release of a rhino back into its natural habitat post-injury. The architectural intervention is to understand place, meaning and identity through the spatial implications of indigenous Sotho patterns and principles – those of a people whose understanding of context and culture have shaped the orientation of traditional settlements within a natural landscape. The physical form of the architectural intervention is derived from the existing natural materials found within the context of the treatise study, and from making use of affordable, eco-friendly methods and modes of construction. The treatise aspires to identify a new strategy and architectural type for the design of a wildlife sanctuary for poached and orphaned black rhino within an African context. II.
Description: Thesis (MA) -- Faculty of Engineering, the Built Environment, and Technology, 2020
Format: computer
Format: online resource
Format: application/pdf
Format: 1 online resource (iv, 141 pages)
Format: pdf
Publisher: Nelson Mandela University
Publisher: Faculty of Engineering, the Built Environment, and Technology
Language: English
Rights: Nelson Mandela University
Rights: All Rights Reserved
Rights: Open Access

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