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Sesithethayo
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/101219 , vital:31937
- Description: Topical Xhosa urban song with guitar accompaniment
- Full Text: false
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/101219 , vital:31937
- Description: Topical Xhosa urban song with guitar accompaniment
- Full Text: false
Hugh Tracey memorial service
- Radio program of words and music (Calendar: presentor), Kathleen David (Producer and Compiler), Paul Tracey and Andrew Tracey (Performer), Johann Sebastian Bach (Composer), Tracey, Andrew T N
- Authors: Radio program of words and music (Calendar: presentor) , Kathleen David (Producer and Compiler) , Paul Tracey and Andrew Tracey (Performer) , Johann Sebastian Bach (Composer) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Mbira , Sub-Saharan African music
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/113227 , vital:33732
- Description: Paul explaining Hugh Tracey's favourite tune which was a 'Jesus Joy' by Bach that never failed to amaze people and this followed by Paul and Andrew playing two Kalimbas together of the stated tune
- Full Text: false
- Authors: Radio program of words and music (Calendar: presentor) , Kathleen David (Producer and Compiler) , Paul Tracey and Andrew Tracey (Performer) , Johann Sebastian Bach (Composer) , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Mbira , Sub-Saharan African music
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/113227 , vital:33732
- Description: Paul explaining Hugh Tracey's favourite tune which was a 'Jesus Joy' by Bach that never failed to amaze people and this followed by Paul and Andrew playing two Kalimbas together of the stated tune
- Full Text: false
Mtsitso introduction
- Venancio Mbande and his group of 25 men, Tracey, Andrew T N
- Authors: Venancio Mbande and his group of 25 men , Tracey, Andrew T N
- Date: 1980
- Subjects: Chopi (African people) -- South Africa , Folk music , Xylophone music , Rattle (Musical instrument) , Drum
- Language: Chopi
- Type: sound recordings , field recordings , Sound recording material
- Identifier: http://hdl.handle.net/10962/95645 , vital:31180
- Description: Traditional dance song with Timbila xylophone rattles and one drum accompaniment
- Full Text: false
- Authors: Venancio Mbande and his group of 25 men , Tracey, Andrew T N
- Date: 1980
- Subjects: Chopi (African people) -- South Africa , Folk music , Xylophone music , Rattle (Musical instrument) , Drum
- Language: Chopi
- Type: sound recordings , field recordings , Sound recording material
- Identifier: http://hdl.handle.net/10962/95645 , vital:31180
- Description: Traditional dance song with Timbila xylophone rattles and one drum accompaniment
- Full Text: false
Neo African and Afro American music examples for lecture
- Andrew Tracey (Compiler), Tracey, Andrew T N
- Authors: Andrew Tracey (Compiler) , Tracey, Andrew T N
- Date: 1981
- Subjects: African Americans--Music , African American jazz musicians , Jazz ensemble with band , Trumpet , Drum , Saxophone , Vocal music , Guitar , Sub-Saharan African music
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/114429 , vital:33983
- Description: Jazz band song
- Full Text: false
- Authors: Andrew Tracey (Compiler) , Tracey, Andrew T N
- Date: 1981
- Subjects: African Americans--Music , African American jazz musicians , Jazz ensemble with band , Trumpet , Drum , Saxophone , Vocal music , Guitar , Sub-Saharan African music
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/114429 , vital:33983
- Description: Jazz band song
- Full Text: false
Yemankaboi
- Authors: Losina Dlamini , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152913 , vital:39357
- Description: Two finger technique only. This flute was made on the spot froma pawpaw stalk. 13" flute, end blown out of the side of the mouth, two finger holes and stopped at the end. Second tune was overblown to get an octave higher. The flute was cut to shape with a pocket knife, the two holes being cut and then shapped with a piece of stick. The other (mouth) end was reduced to lenght until the finger hole notes sounded correct. Flute tunes with Umstshingozi end blown transverse flute.
- Full Text: false
- Authors: Losina Dlamini , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152913 , vital:39357
- Description: Two finger technique only. This flute was made on the spot froma pawpaw stalk. 13" flute, end blown out of the side of the mouth, two finger holes and stopped at the end. Second tune was overblown to get an octave higher. The flute was cut to shape with a pocket knife, the two holes being cut and then shapped with a piece of stick. The other (mouth) end was reduced to lenght until the finger hole notes sounded correct. Flute tunes with Umstshingozi end blown transverse flute.
- Full Text: false
Neo African and Afro American music examples for lecture
- Andrew Tracey (Compiler), Tracey, Andrew T N
- Authors: Andrew Tracey (Compiler) , Tracey, Andrew T N
- Date: 1981
- Subjects: Music--African influences , Drum , Folk music , Guitar , Sub-Saharan African music
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/113802 , vital:33832
- Description: This is Maskandi, a kind of Zulu folk music, accompanied by the drums, bass and guitar
- Full Text: false
- Authors: Andrew Tracey (Compiler) , Tracey, Andrew T N
- Date: 1981
- Subjects: Music--African influences , Drum , Folk music , Guitar , Sub-Saharan African music
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/113802 , vital:33832
- Description: This is Maskandi, a kind of Zulu folk music, accompanied by the drums, bass and guitar
- Full Text: false
De Aar (De Aar)
- Matumo Matsinyane, Hugh Tracey
- Authors: Matumo Matsinyane , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161875 , vital:40686
- Description: The performer was a middle-aged woman. De Aar is the name of a South African railway center. The Jew's harp is of the familiar pattern brought in the local trading store. Tune of the Jew's harp - Sekebeku.
- Full Text: false
- Authors: Matumo Matsinyane , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161875 , vital:40686
- Description: The performer was a middle-aged woman. De Aar is the name of a South African railway center. The Jew's harp is of the familiar pattern brought in the local trading store. Tune of the Jew's harp - Sekebeku.
- Full Text: false
Ana amuna (Young men ought to put on grey trousers)
- Three young girls of Masula, Hugh Tracey
- Authors: Three young girls of Masula , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158508 , vital:40199
- Description: Song sung in the late evening after supper just before they go to sleep are a feature of the musical life of the Chewa it would appear. Young women are becoming more dress conscious and demand that their young men dress better. Evening song.
- Full Text: false
- Authors: Three young girls of Masula , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158508 , vital:40199
- Description: Song sung in the late evening after supper just before they go to sleep are a feature of the musical life of the Chewa it would appear. Young women are becoming more dress conscious and demand that their young men dress better. Evening song.
- Full Text: false
Chief summoning his people
- Drummers of Chief Mongika, Hugh Tracey
- Authors: Drummers of Chief Mongika , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169084 , vital:41682
- Description: Away from the Congo river itself it appears that the art of sending drum messages deteriorates into the sendng of signals only, the former being based upon the tonality of the individual words comprising the sentences transmitted, the latter comprising pre-set phrases and rhythms to which certain significance is attached. The signals may have risen from messages in the past but the skill of 'talking' on the drums has almost if not entirely vanished among the Mangbele. The significance ofthe 'Tamatsaro' signal was not explained. Drum rhythms or signals with 2 slit drums, 2 large pod shaped slit drums, 2 long cyclindrical drums.
- Full Text: false
- Authors: Drummers of Chief Mongika , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169084 , vital:41682
- Description: Away from the Congo river itself it appears that the art of sending drum messages deteriorates into the sendng of signals only, the former being based upon the tonality of the individual words comprising the sentences transmitted, the latter comprising pre-set phrases and rhythms to which certain significance is attached. The signals may have risen from messages in the past but the skill of 'talking' on the drums has almost if not entirely vanished among the Mangbele. The significance ofthe 'Tamatsaro' signal was not explained. Drum rhythms or signals with 2 slit drums, 2 large pod shaped slit drums, 2 long cyclindrical drums.
- Full Text: false
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