Rungano rgwe rombe (The story of the minstrel)
- Authors: Robin Magiriri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154658 , vital:39760 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-19
- Description: The story teller is a nephew of the chief Takawarasha. One day when a hungry minstrel waswalking through the country he found a woman spreading her mealie meal in the sun and asked her for some of it. She said "I cannot do so or I will be beaten tonight", "Who will beat you?" he asked. She said "My mother", So he sang what had happened so that she would be persuaded to change her mind and give him some.
- Full Text: false
- Date Issued: 1958
- Authors: Robin Magiriri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154658 , vital:39760 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-19
- Description: The story teller is a nephew of the chief Takawarasha. One day when a hungry minstrel waswalking through the country he found a woman spreading her mealie meal in the sun and asked her for some of it. She said "I cannot do so or I will be beaten tonight", "Who will beat you?" he asked. She said "My mother", So he sang what had happened so that she would be persuaded to change her mind and give him some.
- Full Text: false
- Date Issued: 1958
Awe, iee, sankha wekha (Choose, yourself)
- Petros Samalaboma, Hugh Tracey
- Authors: Petros Samalaboma , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mzuzu, Northern Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154009 , vital:39553 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-06
- Description: The meaning of the song is not clear. The Kubu bow is a simple tall bow (56 inches) held vertically and strained near the lower end, the main segment of the string being 40 inches long. It has a gourd resonator. The player struck the long segment only, stopping it with the point of his first finger and with his thumb. Self delectative song with musical bow.
- Full Text: false
- Date Issued: 1958
- Authors: Petros Samalaboma , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mzuzu, Northern Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154009 , vital:39553 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-06
- Description: The meaning of the song is not clear. The Kubu bow is a simple tall bow (56 inches) held vertically and strained near the lower end, the main segment of the string being 40 inches long. It has a gourd resonator. The player struck the long segment only, stopping it with the point of his first finger and with his thumb. Self delectative song with musical bow.
- Full Text: false
- Date Issued: 1958
Nanga nigiye (If I can dance)
- Timeyo Muandila and his wife, Hugh Tracey
- Authors: Timeyo Muandila and his wife , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Malawi , Songs, Zulu , Zulu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Mbelwa f-mw
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160853 , vital:40554 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-11
- Description: The Ngoni fighting traditions still linger on in this district although all the organisation has vanished. The Chief is still called 'Inkosi' and they greet hum with 'Bayete'. The Gubu bow in Natal is a large unstressed bow held vertically with the left hand near the lower end and beaten with a light stick. The string is stopped with the backs of the first and second fingers of the left hand. It is still foumd in the Zululand played by elderly people only and undoubtedly came up to Nyasaland with the Ngoni invasion of Jiri and Gomani clans in the early part of the 19th century. The solo dance 'ukugiya' performed by Zulu or Ngoni men in front of the line of dancers, is usually acompanied by the recitation of declamation of the dancers personal praises, on important personal right. Fighting sonf with Gubu musical bow.
- Full Text: false
- Date Issued: 1958
- Authors: Timeyo Muandila and his wife , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Malawi , Songs, Zulu , Zulu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Mbelwa f-mw
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160853 , vital:40554 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-11
- Description: The Ngoni fighting traditions still linger on in this district although all the organisation has vanished. The Chief is still called 'Inkosi' and they greet hum with 'Bayete'. The Gubu bow in Natal is a large unstressed bow held vertically with the left hand near the lower end and beaten with a light stick. The string is stopped with the backs of the first and second fingers of the left hand. It is still foumd in the Zululand played by elderly people only and undoubtedly came up to Nyasaland with the Ngoni invasion of Jiri and Gomani clans in the early part of the 19th century. The solo dance 'ukugiya' performed by Zulu or Ngoni men in front of the line of dancers, is usually acompanied by the recitation of declamation of the dancers personal praises, on important personal right. Fighting sonf with Gubu musical bow.
- Full Text: false
- Date Issued: 1958
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