Hijazai Bashraf
- Egyptian musical club, Hugh Tracey
- Authors: Egyptian musical club , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179514 , vital:43073 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR169-14
- Description: Taarab is the name given to an air after the Arab style composed and played Swahili musicians. The name of the club does not reflect its origin which is entirely local and composed of Swahili men all living in Dar-es-Salaam. The Arab 'Oud' is locally called 'Udi'. Instrumental Air, with 1 Oud (Arabic guitar), 3 violins, 1 Mandoline, 1 Kayamba flat grass rattle, 1 earthern ware drum, Damba, 1 Duff tambourine.
- Full Text: false
- Date Issued: 1950
- Authors: Egyptian musical club , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179514 , vital:43073 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR169-14
- Description: Taarab is the name given to an air after the Arab style composed and played Swahili musicians. The name of the club does not reflect its origin which is entirely local and composed of Swahili men all living in Dar-es-Salaam. The Arab 'Oud' is locally called 'Udi'. Instrumental Air, with 1 Oud (Arabic guitar), 3 violins, 1 Mandoline, 1 Kayamba flat grass rattle, 1 earthern ware drum, Damba, 1 Duff tambourine.
- Full Text: false
- Date Issued: 1950
Hiyazi Bashraf
- Egyptian Musical Club, Composer not specified, Tracey, Hugh
- Authors: Egyptian Musical Club , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/311572 , vital:59278 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2528-XYZ6035
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Egyptian Musical Club , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/311572 , vital:59278 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2528-XYZ6035
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Hiyazi Bashraf
- Bon Ambaron, Egyptian Musical Club, composer not specified, Tracey, Hugh
- Authors: Bon Ambaron , Egyptian Musical Club , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/370879 , vital:66388 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO314-D3F14
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Bon Ambaron , Egyptian Musical Club , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/370879 , vital:66388 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO314-D3F14
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Hongahonga lele
- Pembe Selemani, Zaramo boys, composer not specified, Tracey, Hugh
- Authors: Pembe Selemani , Zaramo boys , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/370759 , vital:66375 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0306-D3E5
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Pembe Selemani , Zaramo boys , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/370759 , vital:66375 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0306-D3E5
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Hongahonga Lele
- Pembe, Selemani, Zaramo boys, Composer not specified, Tracey, Hugh
- Authors: Pembe, Selemani , Zaramo boys , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/285871 , vital:56214 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1569-XYZ4981
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Pembe, Selemani , Zaramo boys , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/285871 , vital:56214 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1569-XYZ4981
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Hongahonga lele
- Pembe Selemani and Zaramo boys, Hugh Tracey
- Authors: Pembe Selemani and Zaramo boys , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175410 , vital:42573 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-15
- Description: The players start to play begining with the pipe 3rd from the lowest. Each piper above then takes his rhythm from the next man below. If one fails to get started he holds up all the others above. The leader then comes along and gets his rhythm for him and his companions can then take up the rhythm until the treble player at last joins in. Set of 13 pipes. The tuning of this set was as follows:- 584, 520, 440, 392, 336, 292. Giving a pentatonic scale. The total range was just over two octaves. Mbeta pipe dance, with Viyanzi vertical flutes, 2 friction sticks (-12.61-) and tin rattles (-12.54-).
- Full Text: false
- Date Issued: 1950
- Authors: Pembe Selemani and Zaramo boys , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175410 , vital:42573 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-15
- Description: The players start to play begining with the pipe 3rd from the lowest. Each piper above then takes his rhythm from the next man below. If one fails to get started he holds up all the others above. The leader then comes along and gets his rhythm for him and his companions can then take up the rhythm until the treble player at last joins in. Set of 13 pipes. The tuning of this set was as follows:- 584, 520, 440, 392, 336, 292. Giving a pentatonic scale. The total range was just over two octaves. Mbeta pipe dance, with Viyanzi vertical flutes, 2 friction sticks (-12.61-) and tin rattles (-12.54-).
- Full Text: false
- Date Issued: 1950
Hongahonga lele
- Selemani, Pembe, Zaramo boys, Composer not specified, Tracey, Hugh
- Authors: Selemani, Pembe , Zaramo boys , Composer not specified , Tracey, Hugh
- Date: 1950-06-24
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/212728 , vital:47757 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT191-D55 , Research no. D3E5
- Description: Mbeta pipe dance with Viyanzi vertical flutes, 2 friction sticks and tin rattles accompaniment.
- Full Text: false
- Date Issued: 1950-06-24
- Authors: Selemani, Pembe , Zaramo boys , Composer not specified , Tracey, Hugh
- Date: 1950-06-24
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/212728 , vital:47757 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT191-D55 , Research no. D3E5
- Description: Mbeta pipe dance with Viyanzi vertical flutes, 2 friction sticks and tin rattles accompaniment.
- Full Text: false
- Date Issued: 1950-06-24
Hongahonga lele
- Selemani, Pembe, Zaramo boys, composer not specified, Tracey, Hugh
- Authors: Selemani, Pembe , Zaramo boys , composer not specified , Tracey, Hugh
- Date: 1950-06-24
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/231312 , vital:49876 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR2558 , XYZ6022
- Description: Pipe dance song accompanied by the Viyanzi verticle flute, 2 friction sticks and tin rattles
- Full Text: false
- Date Issued: 1950-06-24
- Authors: Selemani, Pembe , Zaramo boys , composer not specified , Tracey, Hugh
- Date: 1950-06-24
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/231312 , vital:49876 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR2558 , XYZ6022
- Description: Pipe dance song accompanied by the Viyanzi verticle flute, 2 friction sticks and tin rattles
- Full Text: false
- Date Issued: 1950-06-24
Mitamba yalagala kumchuzi
- Mashaka kawambwa, Zaramo men, composer not specified, Tracey, Hugh
- Authors: Mashaka kawambwa , Zaramo men , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/370781 , vital:66377 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0307-D5F1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Mashaka kawambwa , Zaramo men , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/370781 , vital:66377 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0307-D5F1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Mshatulo kwenda ovyo
- Mashaka Kawambwa, and Kitamba Kilaka with Zaramo men, Hugh Tracey
- Authors: Mashaka Kawambwa, and Kitamba Kilaka with Zaramo men , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175448 , vital:42578 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-19
- Description: The clear sound of these drums suggests metal rather than membrane tone. The membranes had been tightened almost to breaking point over the fire. A tape fault can be heard near the beginning of this item. 1 x - 14.52104 -; 4 x - 14.25103 -; 4 x - 14.02101 -. This set of 9 drums was very carefully tuned before playing particularly the four small goblet drums which were played by one man and were tuned approximately to 840, 672, 568, 464 vs. Between items the drums would be taken to a fire, wetted and returned by heat, but naturally the tuning can only be approximately correct. If the above tuning was correct the intervals would be approximately 386, 291, 350 cents or about a 7th in all. The drums were made from wood of the Mukongo tree. Madogoli dance song for men and women, with 5 Goblet pegged and footed drums, 4 cylindrical pegged drums and tin rattles (-12.54-).
- Full Text: false
- Date Issued: 1950
- Authors: Mashaka Kawambwa, and Kitamba Kilaka with Zaramo men , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175448 , vital:42578 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-19
- Description: The clear sound of these drums suggests metal rather than membrane tone. The membranes had been tightened almost to breaking point over the fire. A tape fault can be heard near the beginning of this item. 1 x - 14.52104 -; 4 x - 14.25103 -; 4 x - 14.02101 -. This set of 9 drums was very carefully tuned before playing particularly the four small goblet drums which were played by one man and were tuned approximately to 840, 672, 568, 464 vs. Between items the drums would be taken to a fire, wetted and returned by heat, but naturally the tuning can only be approximately correct. If the above tuning was correct the intervals would be approximately 386, 291, 350 cents or about a 7th in all. The drums were made from wood of the Mukongo tree. Madogoli dance song for men and women, with 5 Goblet pegged and footed drums, 4 cylindrical pegged drums and tin rattles (-12.54-).
- Full Text: false
- Date Issued: 1950
Uchaucha kina mama
- Selemani, Pembe, Zaramo young men, composer not specified, Tracey, Hugh
- Authors: Selemani, Pembe , Zaramo young men , composer not specified , Tracey, Hugh
- Date: 1950-06-24
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/231292 , vital:49874 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR2551 , XYZ6023T
- Description: Mbeta pipe dance song accompanied by the Viyanzi vertical flutes, 2 friction sticks and tin rattles
- Full Text: false
- Date Issued: 1950-06-24
- Authors: Selemani, Pembe , Zaramo young men , composer not specified , Tracey, Hugh
- Date: 1950-06-24
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/231292 , vital:49874 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR2551 , XYZ6023T
- Description: Mbeta pipe dance song accompanied by the Viyanzi vertical flutes, 2 friction sticks and tin rattles
- Full Text: false
- Date Issued: 1950-06-24
Uchaucha kina mama
- Pembe Selemani and Zaramo boys, Hugh Tracey
- Authors: Pembe Selemani and Zaramo boys , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175414 , vital:42574 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-16
- Description: "You are giving me a lot of trouble. Go and eat food prepared by my mother on a basket. You will find it better and different from food prepared on enamel plates which makes your stomach bad." The players start to play begining with the pipe 3rd from the lowest. Each piper above then takes his rhythm from the next man below. If one fails to get started he holds up all the others above. The leader then comes along and gets his rhythm for him and his companions can then take up the rhythm until the treble player at last joins in. Set of 13 pipes. The tuning of this set was as follows:- 584, 520, 440, 392, 336, 292. Giving a pentatonic scale. The total range was just over two octaves. Mbeta pipe dance, with Viyanzi vertical flutes, 2 friction sticks (-12.61-) and tin rattles (-12.54-).
- Full Text: false
- Date Issued: 1950
- Authors: Pembe Selemani and Zaramo boys , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175414 , vital:42574 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-16
- Description: "You are giving me a lot of trouble. Go and eat food prepared by my mother on a basket. You will find it better and different from food prepared on enamel plates which makes your stomach bad." The players start to play begining with the pipe 3rd from the lowest. Each piper above then takes his rhythm from the next man below. If one fails to get started he holds up all the others above. The leader then comes along and gets his rhythm for him and his companions can then take up the rhythm until the treble player at last joins in. Set of 13 pipes. The tuning of this set was as follows:- 584, 520, 440, 392, 336, 292. Giving a pentatonic scale. The total range was just over two octaves. Mbeta pipe dance, with Viyanzi vertical flutes, 2 friction sticks (-12.61-) and tin rattles (-12.54-).
- Full Text: false
- Date Issued: 1950
Uchaucha kina mama
- Pembe Selemani, Zaramo boys, composer not specified, Tracey, Hugh
- Authors: Pembe Selemani , Zaramo boys , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/370772 , vital:66376 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0307-D3E6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Pembe Selemani , Zaramo boys , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/370772 , vital:66376 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0307-D3E6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Uchaucha Kina Mama
- Pembe, Selemani, Zaramo boys, Composer not specified, Tracey, Hugh
- Authors: Pembe, Selemani , Zaramo boys , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/285859 , vital:56213 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1568-XYZ4982
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Pembe, Selemani , Zaramo boys , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/285859 , vital:56213 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1568-XYZ4982
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
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