Ea Tuka (It burns)
- Malefetsane Mosese and large group of men, Hugh Tracey
- Authors: Malefetsane Mosese and large group of men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162139 , vital:40763 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-12
- Description: "It is burning! An island is burning! Thaba Bosiu is burning! At the pass there are flames. Thaba Bosiu is burning. You will burn and burst into flames, you witches. You have left the son of God out on the veld. You will have to go back and fetch him. The island is burning!" The song refers to the wild storm which raged around the mountain Thaba Bosiu in 1957 which blew away the roof of a Church and did much damage to homes in the region. Although the song is an initiation song, it is couched in essentially Christian trems. Lengae men's initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Malefetsane Mosese and large group of men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162139 , vital:40763 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-12
- Description: "It is burning! An island is burning! Thaba Bosiu is burning! At the pass there are flames. Thaba Bosiu is burning. You will burn and burst into flames, you witches. You have left the son of God out on the veld. You will have to go back and fetch him. The island is burning!" The song refers to the wild storm which raged around the mountain Thaba Bosiu in 1957 which blew away the roof of a Church and did much damage to homes in the region. Although the song is an initiation song, it is couched in essentially Christian trems. Lengae men's initiation song.
- Full Text: false
- Date Issued: 1959
Kalagala ebwembe
- Ntamivu za Kabaka, Hugh Tracey
- Authors: Ntamivu za Kabaka , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170646 , vital:41945 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-06
- Description: The tune is based upon a song which says that Kalagala was a chief in Busoga who caught and killed the Kabaka's messengers. The Kabaka sent an army in return to destroy him and his people. Feeling has always run high between the Ganda and Soga peoples, the former living on the west and the latter on the east side of the river Nile where it emerges from Lake Victoria Nyanza. The approximate sizes of the drums were:- Ntamivu, big drum, 25 inches across, 37 inches tall. Naku, medium drum, c. 14 inch head, 19 inches tall. Njongo, small drum, c. 12 inch head, 17 inches tall. Tall laced drum. c. 10 inch head, 39 inches tall. The Naku (-14.22301-) was played with the hands, the others (-14.22303-) were played with beaters. The tall drum stood beside the very large Ntamivu and both were played by one man. The tuning of the xylophone was:- 776, 688, 608, 520, 456, 388, 344, 304, 260, 228, 194, 172 v.s. This gives intervals within the octave (from 344 to 172) of 214, 271, 227, 280 and 208 cents. Two instrumental tunes with loose note xylophone and 5 drums (-14.99-), laced, conical.
- Full Text: false
- Date Issued: 1950
- Authors: Ntamivu za Kabaka , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170646 , vital:41945 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-06
- Description: The tune is based upon a song which says that Kalagala was a chief in Busoga who caught and killed the Kabaka's messengers. The Kabaka sent an army in return to destroy him and his people. Feeling has always run high between the Ganda and Soga peoples, the former living on the west and the latter on the east side of the river Nile where it emerges from Lake Victoria Nyanza. The approximate sizes of the drums were:- Ntamivu, big drum, 25 inches across, 37 inches tall. Naku, medium drum, c. 14 inch head, 19 inches tall. Njongo, small drum, c. 12 inch head, 17 inches tall. Tall laced drum. c. 10 inch head, 39 inches tall. The Naku (-14.22301-) was played with the hands, the others (-14.22303-) were played with beaters. The tall drum stood beside the very large Ntamivu and both were played by one man. The tuning of the xylophone was:- 776, 688, 608, 520, 456, 388, 344, 304, 260, 228, 194, 172 v.s. This gives intervals within the octave (from 344 to 172) of 214, 271, 227, 280 and 208 cents. Two instrumental tunes with loose note xylophone and 5 drums (-14.99-), laced, conical.
- Full Text: false
- Date Issued: 1950
Mampho thiba lisabole (Mampho, ward off the spears)
- Mosinoa Peter, with group of 14 dancers and large group of singers, Hugh Tracey
- Authors: Mosinoa Peter, with group of 14 dancers and large group of singers , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
- Language: Tswana/Rolong
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162470 , vital:40935 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-11
- Description: "Ward off the spear thruts, Tsoana, stop him, let him remain to help you hoe. Mannini is a flying machine, she flies to Maseru. Listen to the women at Likhoele ululating. Siloe, the pointed mountain. The Mokhothu girls are cruel. I am going to look at the map at Matsieng. People at Maseru wear blankets of the same colour." Men's dance with stamping of feet and hissing.
- Full Text: false
- Date Issued: 1959
- Authors: Mosinoa Peter, with group of 14 dancers and large group of singers , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
- Language: Tswana/Rolong
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162470 , vital:40935 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-11
- Description: "Ward off the spear thruts, Tsoana, stop him, let him remain to help you hoe. Mannini is a flying machine, she flies to Maseru. Listen to the women at Likhoele ululating. Siloe, the pointed mountain. The Mokhothu girls are cruel. I am going to look at the map at Matsieng. People at Maseru wear blankets of the same colour." Men's dance with stamping of feet and hissing.
- Full Text: false
- Date Issued: 1959
Mtsitso I 1979
- Venancio Mbande with the Timbila Orchestra of Wildebeestfontein Mine, Tracey, Andrew T N
- Authors: Venancio Mbande with the Timbila Orchestra of Wildebeestfontein Mine , Tracey, Andrew T N
- Date: 1979
- Subjects: Chopi (African people) -- South Africa , Folk music , Xylophone music , Rattle (Musical instrument) , Africa South Africa Grahamstown f-sa
- Language: Chopi
- Type: sound recordings , field recordings , Sound recording material
- Identifier: http://hdl.handle.net/10962/94501 , vital:31050 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC033a-01
- Description: Traditional dance song with Timbila xylophone and rattles accompaniment.
- Full Text: false
- Date Issued: 1979
- Authors: Venancio Mbande with the Timbila Orchestra of Wildebeestfontein Mine , Tracey, Andrew T N
- Date: 1979
- Subjects: Chopi (African people) -- South Africa , Folk music , Xylophone music , Rattle (Musical instrument) , Africa South Africa Grahamstown f-sa
- Language: Chopi
- Type: sound recordings , field recordings , Sound recording material
- Identifier: http://hdl.handle.net/10962/94501 , vital:31050 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC033a-01
- Description: Traditional dance song with Timbila xylophone and rattles accompaniment.
- Full Text: false
- Date Issued: 1979
Thanda umelwana wako
- St John Vianney Seminary congregation, Dargie, Dave
- Authors: St John Vianney Seminary congregation , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Pretoria sa
- Language: IsiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/385108 , vital:67976 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC089b-06
- Description: Catholic hymn, accompanied by clapping. Zimbabwe Mass.
- Full Text: false
- Date Issued: 1979
- Authors: St John Vianney Seminary congregation , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Pretoria sa
- Language: IsiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/385108 , vital:67976 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC089b-06
- Description: Catholic hymn, accompanied by clapping. Zimbabwe Mass.
- Full Text: false
- Date Issued: 1979
Organ Solo
- St Bede's Theological College Choir, Composer Not Specified, Dargie, Dave
- Authors: St Bede's Theological College Choir , Composer Not Specified , Dargie, Dave
- Date: 1986
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Umtata sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/321891 , vital:60497 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD160-05
- Description: Hymn celebrating Bishop's consecration with organ accompaniment
- Full Text: false
- Date Issued: 1986
- Authors: St Bede's Theological College Choir , Composer Not Specified , Dargie, Dave
- Date: 1986
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Umtata sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/321891 , vital:60497 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD160-05
- Description: Hymn celebrating Bishop's consecration with organ accompaniment
- Full Text: false
- Date Issued: 1986
A lona le utse le ithuta dithuto tseo tsa lona
- Mapidio Elisabeth Mothulwe and Kgatla women, Tracey, Hugh
- Authors: Mapidio Elisabeth Mothulwe and Kgatla women , Tracey, Hugh
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana , Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165960 , vital:41301 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-05
- Description: Chief: "Are you going on with those lessons of yours, Kgabo (monkey)? show them to me." Children: "Here they are, here they are." Chief: "Show them to me." Children: "Here they are, here they are." This is believed to be a very old song taught in the early days of the church when the Chief would come round asking the children if they were learning their lessons properly. The Dutch Reformed Church was first established in this village in 1864. Morality song.
- Full Text: false
- Date Issued: 1959
- Authors: Mapidio Elisabeth Mothulwe and Kgatla women , Tracey, Hugh
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana , Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165960 , vital:41301 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-05
- Description: Chief: "Are you going on with those lessons of yours, Kgabo (monkey)? show them to me." Children: "Here they are, here they are." Chief: "Show them to me." Children: "Here they are, here they are." This is believed to be a very old song taught in the early days of the church when the Chief would come round asking the children if they were learning their lessons properly. The Dutch Reformed Church was first established in this village in 1864. Morality song.
- Full Text: false
- Date Issued: 1959
Ensega mwoyo
- Kalaja and Sepiriamo Bemba, Hugh Tracey
- Authors: Kalaja and Sepiriamo Bemba , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bugembe f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171656 , vital:42106 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-18
- Description: Mugabe drum, tall goblet, pinned, open, with water lizard skin membrane. Ngoma drum, closed, laced. A good example of hand technique on two well tuned drums. (Copied from a disc). Drumming dance, Mugabe drum (-14.51201-). Ngoma drum (-14.22301-) and hand clapping.
- Full Text: false
- Date Issued: 1952
- Authors: Kalaja and Sepiriamo Bemba , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bugembe f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171656 , vital:42106 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-18
- Description: Mugabe drum, tall goblet, pinned, open, with water lizard skin membrane. Ngoma drum, closed, laced. A good example of hand technique on two well tuned drums. (Copied from a disc). Drumming dance, Mugabe drum (-14.51201-). Ngoma drum (-14.22301-) and hand clapping.
- Full Text: false
- Date Issued: 1952
Kigara kyamsiriba
- Authors: Babyesiga , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169664 , vital:41784 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-07
- Description: "There was a certain magician who declared that a lion could be killed by the bare hands alone. No one believes him." The singer yodells in typically African fashion. The tuning of this harp is as follows:- 336, 304, 252, 200, 168, (152), (126) vs, strings 7 and 8 were slightly out of tune, and should be 152 and 126. Topical song with Ekidongo eitht string horizontal harp.
- Full Text: false
- Date Issued: 1950
- Authors: Babyesiga , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169664 , vital:41784 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-07
- Description: "There was a certain magician who declared that a lion could be killed by the bare hands alone. No one believes him." The singer yodells in typically African fashion. The tuning of this harp is as follows:- 336, 304, 252, 200, 168, (152), (126) vs, strings 7 and 8 were slightly out of tune, and should be 152 and 126. Topical song with Ekidongo eitht string horizontal harp.
- Full Text: false
- Date Issued: 1950
Alleluia
- Guguletu Church Congregation, Composer not specified, Dargie, Dave
- Authors: Guguletu Church Congregation , Composer not specified , Dargie, Dave
- Date: 1982
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Cape Town sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/417254 , vital:71434 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC150-10
- Description: Catholic mass hymn, accompanied by the marimba xylophone.
- Full Text: false
- Date Issued: 1982
- Authors: Guguletu Church Congregation , Composer not specified , Dargie, Dave
- Date: 1982
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Cape Town sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/417254 , vital:71434 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC150-10
- Description: Catholic mass hymn, accompanied by the marimba xylophone.
- Full Text: false
- Date Issued: 1982
Akasozi bamunanika
- Zakaria Kasasa, 'Endongo za Baganda'., Hugh Tracey
- Authors: Zakaria Kasasa, 'Endongo za Baganda'. , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170484 , vital:41927 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-11
- Description: "The new Lubili (palace of the Kabaka, King of Buganda) is very beautiful. The Kabaka is good and does his duties well. We like him and also his office bearers." This is the gist of the song. Praise song with Endongo 8 string bowl lyre, Ndingidi one string lute, Ntenga conical drum, laced.
- Full Text: false
- Date Issued: 1950
- Authors: Zakaria Kasasa, 'Endongo za Baganda'. , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170484 , vital:41927 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-11
- Description: "The new Lubili (palace of the Kabaka, King of Buganda) is very beautiful. The Kabaka is good and does his duties well. We like him and also his office bearers." This is the gist of the song. Praise song with Endongo 8 string bowl lyre, Ndingidi one string lute, Ntenga conical drum, laced.
- Full Text: false
- Date Issued: 1950
Kuklala pafupi (If it was near)
- Nazaro Ngoma and Chewa men, Hugh Tracey
- Authors: Nazaro Ngoma and Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba, Salima, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153615 , vital:39487 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-10
- Description: "Let me drink and go, father, and make me a witness myself." The cheerful confusion of this drinking song is typical of the country, and the meaning of the words is obsecure. It is suggested that it refers to death and the fact that did they but know what happened after death they would accompany the dead. "If it was only close by where my father went I would go with him, indeed, I would go with him.". Drinking song with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Nazaro Ngoma and Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba, Salima, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153615 , vital:39487 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-10
- Description: "Let me drink and go, father, and make me a witness myself." The cheerful confusion of this drinking song is typical of the country, and the meaning of the words is obsecure. It is suggested that it refers to death and the fact that did they but know what happened after death they would accompany the dead. "If it was only close by where my father went I would go with him, indeed, I would go with him.". Drinking song with clapping.
- Full Text: false
- Date Issued: 1958
Title not specified
- Nyangana music workshop participants, Murongo, F., Dargie, Dave
- Authors: Nyangana music workshop participants , Murongo, F. , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Nyangana sx
- Language: Gciriku
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/337828 , vital:62307 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC329b-01
- Description: Gciriku religious song accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Nyangana music workshop participants , Murongo, F. , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Nyangana sx
- Language: Gciriku
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/337828 , vital:62307 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC329b-01
- Description: Gciriku religious song accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
O Mama Lina, kuvimba mwaro (Mama Lina, let's sing)
- Group of 12 Chokwe men and 8 women, Hugh Tracey
- Authors: Group of 12 Chokwe men and 8 women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luvale (African people) , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Angola Vila Luzo f-ao
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137148 , vital:37492 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-07
- Description: The 3 drums enter one after the other with the voices following. As usual it is the deepest toned drum Iyashina which plays most of the syncopation. The dance tunes of the Luvale people are severely stylized and this item is typical of its class. Chiyanda dance song with 3 conical drums. (Yasango, Mukundu and Iyashina).
- Full Text: false
- Date Issued: 1957
- Authors: Group of 12 Chokwe men and 8 women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luvale (African people) , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Angola Vila Luzo f-ao
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137148 , vital:37492 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-07
- Description: The 3 drums enter one after the other with the voices following. As usual it is the deepest toned drum Iyashina which plays most of the syncopation. The dance tunes of the Luvale people are severely stylized and this item is typical of its class. Chiyanda dance song with 3 conical drums. (Yasango, Mukundu and Iyashina).
- Full Text: false
- Date Issued: 1957
Kariala
- Johnnie Murithe Wambu and Kibunga Waita, Hugh Tracey
- Authors: Johnnie Murithe Wambu and Kibunga Waita , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Embu f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175616 , vital:42599 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-16
- Description: The singer was a cycle repairer by trade, claimed to belong to the Njeudura age grade (his own age at the time being about 22 years in 1952). He, like other Kikuyu who buy these expensive accordians uses it as a noise maker rather than a melodic or harmonic accompaniment. As with the guitar players they rarely change key. This performance was remarkable for the understanding between the singer and his accompanist on the 'iron'. The song was deafening to observers nearby, but apparently enthralling to the performers. Kikuyu musicians appear to be able to tolerate an intensity of sound far beyond the normal, in fact bordering on the threshold of pain in the ears. For the recording the man with his piece of iron and box had to be placed a considerable distance from the microphone. Mamboko dance with accordian and struck iron (-12.16-).
- Full Text: false
- Date Issued: 1950
- Authors: Johnnie Murithe Wambu and Kibunga Waita , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Embu f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175616 , vital:42599 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-16
- Description: The singer was a cycle repairer by trade, claimed to belong to the Njeudura age grade (his own age at the time being about 22 years in 1952). He, like other Kikuyu who buy these expensive accordians uses it as a noise maker rather than a melodic or harmonic accompaniment. As with the guitar players they rarely change key. This performance was remarkable for the understanding between the singer and his accompanist on the 'iron'. The song was deafening to observers nearby, but apparently enthralling to the performers. Kikuyu musicians appear to be able to tolerate an intensity of sound far beyond the normal, in fact bordering on the threshold of pain in the ears. For the recording the man with his piece of iron and box had to be placed a considerable distance from the microphone. Mamboko dance with accordian and struck iron (-12.16-).
- Full Text: false
- Date Issued: 1950
Title not specified
- Lumko Church Congregation, Group composition, Dargie, Dave
- Authors: Lumko Church Congregation , Group composition , Dargie, Dave
- Date: 1980
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko sa
- Language: IsiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/384779 , vital:67936 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC087-02
- Description: Christmas prayer, accompanied by the Alleluia.
- Full Text: false
- Date Issued: 1980
- Authors: Lumko Church Congregation , Group composition , Dargie, Dave
- Date: 1980
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko sa
- Language: IsiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/384779 , vital:67936 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC087-02
- Description: Christmas prayer, accompanied by the Alleluia.
- Full Text: false
- Date Issued: 1980
Enguli
- William Semogole (Lyre), Lafairi Morindwa and Yuan Wiswa (lutes), Cristof Sebabi (Drum), Hugh Tracey
- Authors: William Semogole (Lyre), Lafairi Morindwa and Yuan Wiswa (lutes), Cristof Sebabi (Drum) , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Busito f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171022 , vital:42010 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0139-04
- Description: Performers such as these on the lute and lyres are in great demand in Uganda where they still fulfill an important function as dispensers of news and opinions. Most important matters of public concern will find their way into such songs and thus help crystalise public opinion. The efficient musician and composer is thus an integral part of the social scheme in Uganda. Drinking song with Endongo lyre (Bowl lyre), 2 Ndingidi lutes (bow stringed instrument) (-10.54-), 1 large conical laced drum (-14.22301-).
- Full Text: false
- Date Issued: 1952
- Authors: William Semogole (Lyre), Lafairi Morindwa and Yuan Wiswa (lutes), Cristof Sebabi (Drum) , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Busito f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171022 , vital:42010 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0139-04
- Description: Performers such as these on the lute and lyres are in great demand in Uganda where they still fulfill an important function as dispensers of news and opinions. Most important matters of public concern will find their way into such songs and thus help crystalise public opinion. The efficient musician and composer is thus an integral part of the social scheme in Uganda. Drinking song with Endongo lyre (Bowl lyre), 2 Ndingidi lutes (bow stringed instrument) (-10.54-), 1 large conical laced drum (-14.22301-).
- Full Text: false
- Date Issued: 1952
Buyani Sangweni (Come to the gate)
- Elderly men of Chief Njolomole, Hugh Tracey
- Authors: Elderly men of Chief Njolomole , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154865 , vital:39787 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-07
- Description: The old Nguni fighting song calls out the men of the village to come and fight, having had the good wishes and blessing of the Isangoma, the woman diviner, assuring them of victory like the prophets of Baal in the Bible story "Go up and prosper." "Ayaye Eye! Come to the gate. There goes the diviner. Yes we hear! What kind of a thing is this and how have you heard it from the wife of a man. It is right, it is right, we agree. Regimental song.
- Full Text: false
- Date Issued: 1959
- Authors: Elderly men of Chief Njolomole , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154865 , vital:39787 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-07
- Description: The old Nguni fighting song calls out the men of the village to come and fight, having had the good wishes and blessing of the Isangoma, the woman diviner, assuring them of victory like the prophets of Baal in the Bible story "Go up and prosper." "Ayaye Eye! Come to the gate. There goes the diviner. Yes we hear! What kind of a thing is this and how have you heard it from the wife of a man. It is right, it is right, we agree. Regimental song.
- Full Text: false
- Date Issued: 1959
Amakhosikazi acebileyo
- Music workshop participants, Molefe, S. C., Dargie, Dave
- Authors: Music workshop participants , Molefe, S. C. , Dargie, Dave
- Date: 1978
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Mariannhill sa
- Language: IsiZulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/361873 , vital:65255 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC045b-03
- Description: Church choral hymn with singing, accompanied by drumming. Mariannhill Zulu church music workshop.
- Full Text: false
- Date Issued: 1978
- Authors: Music workshop participants , Molefe, S. C. , Dargie, Dave
- Date: 1978
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Mariannhill sa
- Language: IsiZulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/361873 , vital:65255 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC045b-03
- Description: Church choral hymn with singing, accompanied by drumming. Mariannhill Zulu church music workshop.
- Full Text: false
- Date Issued: 1978
Title Not Specified
- Music Workshop Participants, Composer Not Specified, Dargie, Dave
- Authors: Music Workshop Participants , Composer Not Specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/324770 , vital:60819 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD169-03
- Description: Church Music Workshop Performance with Marimba accompaniment
- Full Text: false
- Date Issued: 1979
- Authors: Music Workshop Participants , Composer Not Specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/324770 , vital:60819 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD169-03
- Description: Church Music Workshop Performance with Marimba accompaniment
- Full Text: false
- Date Issued: 1979