Abafazi pandle (Women should go outside the hut)
- Group of Gcaleka men and women, Hugh Tracey
- Authors: Group of Gcaleka men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150955 , vital:39021 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-04
- Description: Drinking parties in this region are usually held inside the huts as there is plenty of wind over the open downs, especially near the sea. The song calls on the women to leave the hut to the men, as they pass the beer around and sing their drinking songs. Drinking song with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Gcaleka men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150955 , vital:39021 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-04
- Description: Drinking parties in this region are usually held inside the huts as there is plenty of wind over the open downs, especially near the sea. The song calls on the women to leave the hut to the men, as they pass the beer around and sing their drinking songs. Drinking song with clapping.
- Full Text: false
- Date Issued: 1957
Akazi aku Dowa (The women of Dowa)
- Authors: Pearson Kapeni , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dowa, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153779 , vital:39521 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-02
- Description: "The women of Dowa desire very much to drink beer. Their work indeed is to drink beer. The women of Dowa, their work is to sell flour and flat cakes. And when they get home their marriage is broken. The women of Msoci, their work is to love the market place. And they was on Saturday only. I, Pearson Kapeni have troubles in the country of Dowa. This country hates me, why does it hate me? The reference to washing on Saturday is appreciated when one remembers that Saturday is market day in Dowa when the women put on their best clothes. The song struck home as it was true. Topical song with guitar.
- Full Text: false
- Date Issued: 1958
- Authors: Pearson Kapeni , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dowa, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153779 , vital:39521 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-02
- Description: "The women of Dowa desire very much to drink beer. Their work indeed is to drink beer. The women of Dowa, their work is to sell flour and flat cakes. And when they get home their marriage is broken. The women of Msoci, their work is to love the market place. And they was on Saturday only. I, Pearson Kapeni have troubles in the country of Dowa. This country hates me, why does it hate me? The reference to washing on Saturday is appreciated when one remembers that Saturday is market day in Dowa when the women put on their best clothes. The song struck home as it was true. Topical song with guitar.
- Full Text: false
- Date Issued: 1958
Alleluia iNkosi ngempela isifile
- Siswati church music workshop participants, Thebani, Violina, Dargie, Dave
- Authors: Siswati church music workshop participants , Thebani, Violina , Dargie, Dave
- Date: 1980
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Eswatini Manzini sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/402365 , vital:69846 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC100b-03
- Description: Siswati church music workshop performance, accompanied by the drum and rattle. Antiphon.
- Full Text: false
- Date Issued: 1980
- Authors: Siswati church music workshop participants , Thebani, Violina , Dargie, Dave
- Date: 1980
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Eswatini Manzini sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/402365 , vital:69846 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC100b-03
- Description: Siswati church music workshop performance, accompanied by the drum and rattle. Antiphon.
- Full Text: false
- Date Issued: 1980
Alleluia iNkosi ngempela isifile
- Siswati church music workshop participants, Thebani, Violina, Dargie, Dave
- Authors: Siswati church music workshop participants , Thebani, Violina , Dargie, Dave
- Date: 1980
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Eswatini Manzini sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/404646 , vital:70092 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC102b-02
- Description: Catholic hymn adapted into Siswati, with the drum accompaniment.
- Full Text: false
- Date Issued: 1980
- Authors: Siswati church music workshop participants , Thebani, Violina , Dargie, Dave
- Date: 1980
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Eswatini Manzini sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/404646 , vital:70092 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC102b-02
- Description: Catholic hymn adapted into Siswati, with the drum accompaniment.
- Full Text: false
- Date Issued: 1980
Bayilami selimavukuvuku (I have wrapped you up in my blanket so often that it is now worn out)
- Nelson Siboza and the Montanas Brothers, Hugh Tracey
- Authors: Nelson Siboza and the Montanas Brothers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Zulu , Zulu (African people) , Folk music , Africa South Africa Mataffin, Nelspruit, Northern Transvaal f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153241 , vital:39423 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR075-09
- Description: Party song with guitar.
- Full Text: false
- Date Issued: 1958
- Authors: Nelson Siboza and the Montanas Brothers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Zulu , Zulu (African people) , Folk music , Africa South Africa Mataffin, Nelspruit, Northern Transvaal f-sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153241 , vital:39423 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR075-09
- Description: Party song with guitar.
- Full Text: false
- Date Issued: 1958
Bonke Bazaliswa
- St Patricks' Church Choir, Nyakanyaka, D., Dargie, Dave
- Authors: St Patricks' Church Choir , Nyakanyaka, D. , Dargie, Dave
- Date: 1984
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Umtata f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/291891 , vital:56921 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD086-04
- Description: Participants in the Xhosa Church Music Workshop perform hymn with Marimba accompaniment.
- Full Text: false
- Date Issued: 1984
- Authors: St Patricks' Church Choir , Nyakanyaka, D. , Dargie, Dave
- Date: 1984
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Umtata f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/291891 , vital:56921 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD086-04
- Description: Participants in the Xhosa Church Music Workshop perform hymn with Marimba accompaniment.
- Full Text: false
- Date Issued: 1984
Building Thanda ummelwane wakho
- Xhosa choral group, Composer not specified, Dargie, Dave
- Authors: Xhosa choral group , Composer not specified , Dargie, Dave
- Date: 1981
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Lady Frere sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/411255 , vital:70796 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC120b-04
- Description: Composition session at music workshop accompanied by the xylophone.
- Full Text: false
- Date Issued: 1981
- Authors: Xhosa choral group , Composer not specified , Dargie, Dave
- Date: 1981
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Lady Frere sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/411255 , vital:70796 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC120b-04
- Description: Composition session at music workshop accompanied by the xylophone.
- Full Text: false
- Date Issued: 1981
Chemirocha II
- Charondet Arap Ng'asura and Kipsigis men, Hugh Tracey
- Authors: Charondet Arap Ng'asura and Kipsigis men , Hugh Tracey
- Date: 1950
- Subjects: Kipsigis (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Sotik f-ke
- Language: Kipsigis
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/177032 , vital:42784 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-16
- Description: Chemirocha the mystical singer, 9based on Jimmy Rodgers the American guitarist) is at Kericho, they say. 'Why'. He is said to have visited a friend of his at Ituna! The similarity of the two instruments, the guitar and the local lyre has given rise to the legend of this wandering player whose records have been heard but whose presence is a mystery. The young men having sung this version of Chemirocha said that it was really their sisters' song, but they were too shy to sing it. Eventually the girls were persuaded to sing and gave us the next version.
- Full Text: false
- Date Issued: 1950
- Authors: Charondet Arap Ng'asura and Kipsigis men , Hugh Tracey
- Date: 1950
- Subjects: Kipsigis (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Sotik f-ke
- Language: Kipsigis
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/177032 , vital:42784 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-16
- Description: Chemirocha the mystical singer, 9based on Jimmy Rodgers the American guitarist) is at Kericho, they say. 'Why'. He is said to have visited a friend of his at Ituna! The similarity of the two instruments, the guitar and the local lyre has given rise to the legend of this wandering player whose records have been heard but whose presence is a mystery. The young men having sung this version of Chemirocha said that it was really their sisters' song, but they were too shy to sing it. Eventually the girls were persuaded to sing and gave us the next version.
- Full Text: false
- Date Issued: 1950
Chemirocha III
- Chemutoi Ketienya with Kipsigis girls, Hugh Tracey
- Authors: Chemutoi Ketienya with Kipsigis girls , Hugh Tracey
- Date: 1950
- Subjects: Kipsigis (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Sotik f-ke
- Language: Kipsigis
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/177056 , vital:42785 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-17
- Description: The mysterious singer and dancer, Chemirocha has been turned into a local god pan with the feet of an antelope, half beast, half man. He is urged by the girls to do the leaping dance familiar to all Kipsigis so energetically that he will jump clear out of his clothes. The name Chemirocha is based upon the guitarist Jimmy Rodgers. Humourous song, with Chepkong 6 string bowl lyre.
- Full Text: false
- Date Issued: 1950
- Authors: Chemutoi Ketienya with Kipsigis girls , Hugh Tracey
- Date: 1950
- Subjects: Kipsigis (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Sotik f-ke
- Language: Kipsigis
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/177056 , vital:42785 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-17
- Description: The mysterious singer and dancer, Chemirocha has been turned into a local god pan with the feet of an antelope, half beast, half man. He is urged by the girls to do the leaping dance familiar to all Kipsigis so energetically that he will jump clear out of his clothes. The name Chemirocha is based upon the guitarist Jimmy Rodgers. Humourous song, with Chepkong 6 string bowl lyre.
- Full Text: false
- Date Issued: 1950
Chemirocha III
- Chemutoi Ketienya with Kipsigis girls, Hugh Tracey
- Authors: Chemutoi Ketienya with Kipsigis girls , Hugh Tracey
- Date: 1950
- Subjects: Kipsigis (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Sotik f-ke
- Language: Kipsigis
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/177045 , vital:42786 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-17
- Description: The mysterious singer and dancer, Chemirocha has been turned into a local god pan with the feet of an antelope, half beast, half man. He is urged by the girls to do the leaping dance familiar to all Kipsigis so energetically that he will jump clear out of his clothes. The name Chemirocha is based upon the guitarist Jimmy Rodgers. Humourous song, with Chepkong 6 string bowl lyre.
- Full Text: false
- Date Issued: 1950
- Authors: Chemutoi Ketienya with Kipsigis girls , Hugh Tracey
- Date: 1950
- Subjects: Kipsigis (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Sotik f-ke
- Language: Kipsigis
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/177045 , vital:42786 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-17
- Description: The mysterious singer and dancer, Chemirocha has been turned into a local god pan with the feet of an antelope, half beast, half man. He is urged by the girls to do the leaping dance familiar to all Kipsigis so energetically that he will jump clear out of his clothes. The name Chemirocha is based upon the guitarist Jimmy Rodgers. Humourous song, with Chepkong 6 string bowl lyre.
- Full Text: false
- Date Issued: 1950
Chepconi Marinda II
- Akito Arap Yeko, Hugh Tracey
- Authors: Akito Arap Yeko , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176905 , vital:42770 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-07
- Description: The Nandi, like the Kipsigis their relatives, are given to singing praise songs about people and places familiar to them and beloved by all. This is an example of such a song in which people, places and chiefs all come in for approbation and appreciation. Praise song with Kipukandet 6 string bowl lyre.
- Full Text: false
- Date Issued: 1950
- Authors: Akito Arap Yeko , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176905 , vital:42770 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-07
- Description: The Nandi, like the Kipsigis their relatives, are given to singing praise songs about people and places familiar to them and beloved by all. This is an example of such a song in which people, places and chiefs all come in for approbation and appreciation. Praise song with Kipukandet 6 string bowl lyre.
- Full Text: false
- Date Issued: 1950
Demelabantu ungangezwe (Attack, for you are as great as the world)
- Ntsandvose Mucina, with 5 women and 5 men, Hugh Tracey
- Authors: Ntsandvose Mucina, with 5 women and 5 men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152292 , vital:39243 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-14
- Description: The sangoma wore a fur hat and feathers. The word, no doubt, in this case was contained by the hills and a few miles outside. Divination song
- Full Text: false
- Date Issued: 1958
- Authors: Ntsandvose Mucina, with 5 women and 5 men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152292 , vital:39243 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-14
- Description: The sangoma wore a fur hat and feathers. The word, no doubt, in this case was contained by the hills and a few miles outside. Divination song
- Full Text: false
- Date Issued: 1958
Dongo Mothi
- Johnnie Murithe Wambu and Kibunga Waita, Hugh Tracey
- Authors: Johnnie Murithe Wambu and Kibunga Waita , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Embu f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175630 , vital:42601 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-17
- Description: The 'struck iron' was an old starter ring from the fly wheel of a car. It is necessary to have a circular or 'S' shaped piece of metal for convnient playing of the double beat. The performer called it 'Kengere' or 'Beru' bell. The sweepers in Nairobi, they say, always come from Embu. Kibunga Waita, the iron player, was no exception. Eleswhere in Africa certain tribes tend to adopt one occupation exclusively. After hearing a few Kikuyu songs to the accompaniment of the iron and accordion, the listener who is not case hardened to the pulse may experience a singing in the ears for several hours afterwards. Listening to this kind of Kikuyu song is more a feat of endurance than an aesthetic pleasure. Mamboko dance song with accordian and struck iron (-12.161-).
- Full Text: false
- Date Issued: 1950
- Authors: Johnnie Murithe Wambu and Kibunga Waita , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Embu f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175630 , vital:42601 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-17
- Description: The 'struck iron' was an old starter ring from the fly wheel of a car. It is necessary to have a circular or 'S' shaped piece of metal for convnient playing of the double beat. The performer called it 'Kengere' or 'Beru' bell. The sweepers in Nairobi, they say, always come from Embu. Kibunga Waita, the iron player, was no exception. Eleswhere in Africa certain tribes tend to adopt one occupation exclusively. After hearing a few Kikuyu songs to the accompaniment of the iron and accordion, the listener who is not case hardened to the pulse may experience a singing in the ears for several hours afterwards. Listening to this kind of Kikuyu song is more a feat of endurance than an aesthetic pleasure. Mamboko dance song with accordian and struck iron (-12.161-).
- Full Text: false
- Date Issued: 1950
Hela, Koqo (Hey! Koqo)
- Malefetsane Mosese and large group of men, Hugh Tracey
- Authors: Malefetsane Mosese and large group of men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162130 , vital:40761 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-11
- Description: "Step slowly, you Tebele (Ndebele) youth. These people have come to listen to you and you make me sad. I always speak, Mohlakoana's son. I Thato's father, always speak. Step slowly, you Mohlakoana Tebele. I, Sekhaela's son, always speak." This song is an example of what can be done with a humming accompaniment. Lengae men's initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Malefetsane Mosese and large group of men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162130 , vital:40761 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-11
- Description: "Step slowly, you Tebele (Ndebele) youth. These people have come to listen to you and you make me sad. I always speak, Mohlakoana's son. I Thato's father, always speak. Step slowly, you Mohlakoana Tebele. I, Sekhaela's son, always speak." This song is an example of what can be done with a humming accompaniment. Lengae men's initiation song.
- Full Text: false
- Date Issued: 1959
Hugh Tracey memorial service
- Andrew Tracey, Pedro Espi and and group of Karanga men, Tracey, Andrew T N
- Authors: Andrew Tracey, Pedro Espi and and group of Karanga men , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Folk music , Mbira , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112707 , vital:33644 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC129b-03
- Description: Traditional shona song accompanied by the Kalimba in tribute of Hugh Tracey
- Full Text: false
- Date Issued: 1977
- Authors: Andrew Tracey, Pedro Espi and and group of Karanga men , Tracey, Andrew T N
- Date: 1977
- Subjects: Tracey, Hugh , Memorial service , Folk music , Mbira , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/112707 , vital:33644 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC129b-03
- Description: Traditional shona song accompanied by the Kalimba in tribute of Hugh Tracey
- Full Text: false
- Date Issued: 1977
Isanyu lya Buganda (The happiness of Buganda)
- Zakaria Kasasa, 'Endongo za Baganda'., Hugh Tracey
- Authors: Zakaria Kasasa, 'Endongo za Baganda'. , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170520 , vital:41931 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-14
- Description: "The happiness of Uganda! We have always been happy. Many of our chiefs have been to England thanks to the government. People in Uganda dress well." The three players are professional musicians who sing every day in the Kampala beer hall. Patriotic with 8 string Endongo bowl lyre, 1 string Ndingidi bowl lute, 1 conical Ntenga drum, laced, single.
- Full Text: false
- Date Issued: 1950
- Authors: Zakaria Kasasa, 'Endongo za Baganda'. , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170520 , vital:41931 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-14
- Description: "The happiness of Uganda! We have always been happy. Many of our chiefs have been to England thanks to the government. People in Uganda dress well." The three players are professional musicians who sing every day in the Kampala beer hall. Patriotic with 8 string Endongo bowl lyre, 1 string Ndingidi bowl lute, 1 conical Ntenga drum, laced, single.
- Full Text: false
- Date Issued: 1950
Isibane soMoya
- Zionist Church Choir, Composer not specified, Dargie, Dave
- Authors: Zionist Church Choir , Composer not specified , Dargie, Dave
- Date: 1986
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Kirkwood f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/298413 , vital:57698 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD099-01
- Description: Zionist Church Music with drum and rattle accompaniment.
- Full Text: false
- Date Issued: 1986
- Authors: Zionist Church Choir , Composer not specified , Dargie, Dave
- Date: 1986
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Kirkwood f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/298413 , vital:57698 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD099-01
- Description: Zionist Church Music with drum and rattle accompaniment.
- Full Text: false
- Date Issued: 1986
Jabulani
- Zulu Church Choir, Martina, O. M. G., Sister, Dargie, Dave
- Authors: Zulu Church Choir , Martina, O. M. G., Sister , Dargie, Dave
- Date: Date not Specified
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified sa
- Language: IsiZulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/376842 , vital:67054 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC073a-03
- Description: Zulu church choral hymn accompanied by drumming.
- Full Text: false
- Date Issued: Date not Specified
- Authors: Zulu Church Choir , Martina, O. M. G., Sister , Dargie, Dave
- Date: Date not Specified
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified sa
- Language: IsiZulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/376842 , vital:67054 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC073a-03
- Description: Zulu church choral hymn accompanied by drumming.
- Full Text: false
- Date Issued: Date not Specified
Jilumba Bukaga Mkukimdaga (Jilumba, come out here)
- Mwigolo Bin Kija with Sukuma men, Hugh Tracey
- Authors: Mwigolo Bin Kija with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Maswa f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173685 , vital:42402 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-07
- Description: Jilumba, they say, was a liar. He told lies about his father and his sisters and was no good to anybody. Wigisha dance song for men and women.
- Full Text: false
- Date Issued: 1950
- Authors: Mwigolo Bin Kija with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Maswa f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173685 , vital:42402 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-07
- Description: Jilumba, they say, was a liar. He told lies about his father and his sisters and was no good to anybody. Wigisha dance song for men and women.
- Full Text: false
- Date Issued: 1950
Kaloi
- Maunda Waliaula with Bukusu men, Hugh Tracey
- Authors: Maunda Waliaula with Bukusu men , Hugh Tracey
- Date: 1950
- Subjects: Bukusu (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malakasi f-ke
- Language: Bukusu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176527 , vital:42710 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-04
- Description: These long armed lyres are played flat with the bowl resting on the legs or ground and the arms extending away from the players. The left hand plays the four lower notes, the right the higher three. The Luhengele is played with two pairs of double sticks, and is an inverted bowl of platter. The song recalls the bravery of Kaloi who encouraged his fellow soilders in the fight even though he himself was wounded and lying on one hip.
- Full Text: false
- Date Issued: 1950
- Authors: Maunda Waliaula with Bukusu men , Hugh Tracey
- Date: 1950
- Subjects: Bukusu (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malakasi f-ke
- Language: Bukusu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176527 , vital:42710 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-04
- Description: These long armed lyres are played flat with the bowl resting on the legs or ground and the arms extending away from the players. The left hand plays the four lower notes, the right the higher three. The Luhengele is played with two pairs of double sticks, and is an inverted bowl of platter. The song recalls the bravery of Kaloi who encouraged his fellow soilders in the fight even though he himself was wounded and lying on one hip.
- Full Text: false
- Date Issued: 1950