Imbai tudi benaLulua
- Group of Lulua men and women, Hugh Tracey
- Authors: Group of Lulua men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183942 , vital:44086 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-07
- Description: The low roaring sound towards the end is produced by the lips and cheeks of the women and is not produced in the throat, (as the Xhosa do). The women usually used a gourd when making this sound, holding their mouths into the orifice of the gourd. They appear to blow through their pursed lips first on one side and then on the other, alternately. No gourds were used on this occasion. This item which was recorded at the Wankie Colliery several hundred miles from the district of origin of the performers, appears to have been influenced by foreign mission techniques, especially in the correct iambic stress at the end of lines. Installation of a Chief with clapping
- Full Text: false
- Date Issued: 1957
- Authors: Group of Lulua men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183942 , vital:44086 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-07
- Description: The low roaring sound towards the end is produced by the lips and cheeks of the women and is not produced in the throat, (as the Xhosa do). The women usually used a gourd when making this sound, holding their mouths into the orifice of the gourd. They appear to blow through their pursed lips first on one side and then on the other, alternately. No gourds were used on this occasion. This item which was recorded at the Wankie Colliery several hundred miles from the district of origin of the performers, appears to have been influenced by foreign mission techniques, especially in the correct iambic stress at the end of lines. Installation of a Chief with clapping
- Full Text: false
- Date Issued: 1957
Kalele kiwetu yamba mwana ambaya
- Large group of Kasai women, Hugh Tracey
- Authors: Large group of Kasai women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137821 , vital:37563 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-11
- Description: The recording starts with the sound of the four women sounding and singing into their singing gourds. The vibration of their lips can be heard clearly in parts of the recording. The style of melody is typical of their district of origin-the Kasai Province of Southern Congo. Tuhuri dance with 4 singing gourds, 1 basket rattle (-12.54-) and beating on gourds with hands.
- Full Text: false
- Date Issued: 1957
- Authors: Large group of Kasai women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137821 , vital:37563 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-11
- Description: The recording starts with the sound of the four women sounding and singing into their singing gourds. The vibration of their lips can be heard clearly in parts of the recording. The style of melody is typical of their district of origin-the Kasai Province of Southern Congo. Tuhuri dance with 4 singing gourds, 1 basket rattle (-12.54-) and beating on gourds with hands.
- Full Text: false
- Date Issued: 1957
Chitulu ledu mulomba shinko
- Large group of Kasai women and 6 men, Hugh Tracey
- Authors: Large group of Kasai women and 6 men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Africa Democratic Republic of Congo Central Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137858 , vital:37567 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR040-02
- Description: Mambala dance with 4 goblet drums, closed, pinned, weighted, with mirlitons and 4 singing gourds (-11.13-)
- Full Text: false
- Date Issued: 1957
- Authors: Large group of Kasai women and 6 men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Africa Democratic Republic of Congo Central Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137858 , vital:37567 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR040-02
- Description: Mambala dance with 4 goblet drums, closed, pinned, weighted, with mirlitons and 4 singing gourds (-11.13-)
- Full Text: false
- Date Issued: 1957
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