Yawiyanga, ya kulumbata nyama
- Three Chokwe men, Hugh Tracey
- Authors: Three Chokwe men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic)
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137060 , vital:37484
- Description: The song is sung to celebrate the arrival of a hunter bringing back his booty. Song after hunting with 3 goblet drums, open, pinned, weighted, hand beaten.
- Full Text: false
- Authors: Three Chokwe men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic)
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137060 , vital:37484
- Description: The song is sung to celebrate the arrival of a hunter bringing back his booty. Song after hunting with 3 goblet drums, open, pinned, weighted, hand beaten.
- Full Text: false
Aye welele wa Mhalaka (Alas for a bachelor)
- Ngoi Nono and Kabongo Anastase with friends, Hugh Tracey
- Authors: Ngoi Nono and Kabongo Anastase with friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Topical songs , Instrumental music
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134506 , vital:37169
- Description: The song recounts all the troubles of a bachelor. The Songe tribe is an offshoot of the great Luba groups of the Kasai and Katanga provinces of Southern Congo. Topical song with 2 guitars and bottle, small rattle and whistle.
- Full Text: false
- Authors: Ngoi Nono and Kabongo Anastase with friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Topical songs , Instrumental music
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134506 , vital:37169
- Description: The song recounts all the troubles of a bachelor. The Songe tribe is an offshoot of the great Luba groups of the Kasai and Katanga provinces of Southern Congo. Topical song with 2 guitars and bottle, small rattle and whistle.
- Full Text: false
Shangara pa chikaranga
- Stephen R. Gumbo, Hugh Tracey
- Authors: Stephen R. Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154132 , vital:39612
- Description: The player has taken a Nyasa instrument instead of the local Njari. He explained he found the smaller instrument easier to play inspite of the fact that it had only half the number of notes. He claimed he had tuned it the same as the Njari but in point of fact his scale was one note short appearing to be hexatonic whereas his tribe is known to be heptatonic. The missing note is clearly situated between 212 and 260 vs and might have been approximately 234 to 238 vibrations per second. Humorous song with Mbira.
- Full Text: false
- Authors: Stephen R. Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154132 , vital:39612
- Description: The player has taken a Nyasa instrument instead of the local Njari. He explained he found the smaller instrument easier to play inspite of the fact that it had only half the number of notes. He claimed he had tuned it the same as the Njari but in point of fact his scale was one note short appearing to be hexatonic whereas his tribe is known to be heptatonic. The missing note is clearly situated between 212 and 260 vs and might have been approximately 234 to 238 vibrations per second. Humorous song with Mbira.
- Full Text: false
Shendamundale banana (I am a very worried man)
- Alexander Muhiana and Griffis Kopo, Hugh Tracey
- Authors: Alexander Muhiana and Griffis Kopo , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Lozi (African people)
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152118 , vital:39214
- Description: The singers' main burden is himself and the mental suffering he endures on account of his many anxieties and cares. Lament with Kangombio mbira.
- Full Text: false
- Authors: Alexander Muhiana and Griffis Kopo , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Lozi (African people)
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152118 , vital:39214
- Description: The singers' main burden is himself and the mental suffering he endures on account of his many anxieties and cares. Lament with Kangombio mbira.
- Full Text: false
Mavumbala
- Mayogo men (Performer), Composer not specified
- Authors: Mayogo men (Performer) , Composer not specified
- Subjects: Dance song , Indigenous folk music , Mbala wooden horns , Kekese basket rattle , Mbili metal wrist bells , Pod drums , Conical laced drums , Slitdrums (small) , Double metal bell
- Type: Sound , Music
- Identifier: vital:15424 , MOA30-12 , http://hdl.handle.net/10962/d1017730
- Description: Dance song by Mayogo men, with mbala wooden horns, accompanied by kekese basket rattle, mbili metal wrist bells, 2 pod drums, 2 conical laced drums, 2 small slitdrums and a double metal bell , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Mayogo men (Performer) , Composer not specified
- Subjects: Dance song , Indigenous folk music , Mbala wooden horns , Kekese basket rattle , Mbili metal wrist bells , Pod drums , Conical laced drums , Slitdrums (small) , Double metal bell
- Type: Sound , Music
- Identifier: vital:15424 , MOA30-12 , http://hdl.handle.net/10962/d1017730
- Description: Dance song by Mayogo men, with mbala wooden horns, accompanied by kekese basket rattle, mbili metal wrist bells, 2 pod drums, 2 conical laced drums, 2 small slitdrums and a double metal bell , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Waluwendo chombelo
- Kazari Inosa (Performer), Chibanga Kalulu (Performer), Composer not specified, Hugh Tracey
- Authors: Kazari Inosa (Performer) , Chibanga Kalulu (Performer) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people)
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133877 , vital:37031
- Description: Kabingo muke party dances with 2 Chisanzhi, board, gourd resonated and 2 goblet drums with mirlitons, pinned, weighted, closed and handbeaten; 1 basket rattle and bottle
- Full Text: false
- Authors: Kazari Inosa (Performer) , Chibanga Kalulu (Performer) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Kanyok (African people)
- Language: Kanyok
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133877 , vital:37031
- Description: Kabingo muke party dances with 2 Chisanzhi, board, gourd resonated and 2 goblet drums with mirlitons, pinned, weighted, closed and handbeaten; 1 basket rattle and bottle
- Full Text: false
Lita, tende ngewelo (Lita, let us go to the hut)
- George Zongoloti, Hugh Tracey
- Authors: George Zongoloti , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155712 , vital:39908
- Description: This song refers to the custom of young people's sex play which normally results in marriage. Lita was a young girl who was refusing to sleep with her young lover. Now she had a baby and the baby died, so her lover complained about his lost child. He said, "give me back my child, Fasanai and Thompson, so much have I paid to marry you and have a child. If I do not get a child, I shall go to Rhodesia, to Lilongwe, to Lourenco Marques ot to Johannesburg or Cape Town to get a child. Fasanai and Thompson, you must bring my baby back because it is you who killed my child." Topical song with Nthikwi drum.
- Full Text: false
- Authors: George Zongoloti , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155712 , vital:39908
- Description: This song refers to the custom of young people's sex play which normally results in marriage. Lita was a young girl who was refusing to sleep with her young lover. Now she had a baby and the baby died, so her lover complained about his lost child. He said, "give me back my child, Fasanai and Thompson, so much have I paid to marry you and have a child. If I do not get a child, I shall go to Rhodesia, to Lilongwe, to Lourenco Marques ot to Johannesburg or Cape Town to get a child. Fasanai and Thompson, you must bring my baby back because it is you who killed my child." Topical song with Nthikwi drum.
- Full Text: false
Ungibethela ntoni
- Ngqoko young villagers, Tracey, Andrew T N
- Authors: Ngqoko young villagers , Tracey, Andrew T N
- Date: 1990
- Subjects: Xhosa (African people) -- South Africa , Folk music , Hand-clapping music , folk dance , Sub-Saharan African music
- Language: Xhosa
- Type: sound recordings , field recordings , Sound recording material
- Identifier: http://hdl.handle.net/10962/93640 , vital:30907
- Description: Traditional Thembu umtshotsho young people's dance song accompanied by clapping.
- Full Text: false
- Authors: Ngqoko young villagers , Tracey, Andrew T N
- Date: 1990
- Subjects: Xhosa (African people) -- South Africa , Folk music , Hand-clapping music , folk dance , Sub-Saharan African music
- Language: Xhosa
- Type: sound recordings , field recordings , Sound recording material
- Identifier: http://hdl.handle.net/10962/93640 , vital:30907
- Description: Traditional Thembu umtshotsho young people's dance song accompanied by clapping.
- Full Text: false
Wamthinta uPhefeni
- Princess Constance Magogo KaDinuzulu accompanied by Chief Gatsha Buthelezi and a few men (Performer), Composer not specified
- Authors: Princess Constance Magogo KaDinuzulu accompanied by Chief Gatsha Buthelezi and a few men (Performer) , Composer not specified
- Subjects: Warning song , Ugubu bow , Indigenous folk music
- Type: Sound , Music
- Identifier: vital:15492 , MOA37-04 , http://hdl.handle.net/10962/d1017850
- Description: English translation of title: 'Touch a snake and you ask for trouble' , Warning song by Princess Constance Magogo KaDinuzulu accompanied by Chief Gatsha Buthelezi and a few men, with ugubu bow , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Princess Constance Magogo KaDinuzulu accompanied by Chief Gatsha Buthelezi and a few men (Performer) , Composer not specified
- Subjects: Warning song , Ugubu bow , Indigenous folk music
- Type: Sound , Music
- Identifier: vital:15492 , MOA37-04 , http://hdl.handle.net/10962/d1017850
- Description: English translation of title: 'Touch a snake and you ask for trouble' , Warning song by Princess Constance Magogo KaDinuzulu accompanied by Chief Gatsha Buthelezi and a few men, with ugubu bow , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Ngwidika sadanga wapamagulu
- Pancras Mkwawa (Performer), Composer not specified
- Authors: Pancras Mkwawa (Performer) , Composer not specified
- Subjects: A song to the six stringed zither , Indigenous Music , Ligombo six-stringed zither
- Type: Sound , Music
- Identifier: vital:15326 , MOA25-02 , http://hdl.handle.net/10962/d1017631
- Description: A Humorous song by Pancras Mkwawa, accompanied by ligombo six-stringed zither , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Pancras Mkwawa (Performer) , Composer not specified
- Subjects: A song to the six stringed zither , Indigenous Music , Ligombo six-stringed zither
- Type: Sound , Music
- Identifier: vital:15326 , MOA25-02 , http://hdl.handle.net/10962/d1017631
- Description: A Humorous song by Pancras Mkwawa, accompanied by ligombo six-stringed zither , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Amasewe mukadzi wakanaka (The beauty)
- Joseph Ngonyama Shumba, Hugh Tracey
- Authors: Joseph Ngonyama Shumba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154309 , vital:39647
- Description: The player is an accomplished performer, he works for the Fort Victoria Municipality on the local roads with the grader. This song is the best known and popular in the Sipangabera district of Portuguese East Africa. It is, they say the first of all songs in the region. The word 'Amasewe' means 'mother-in-law' and the gist of the song is that a certain young man went to a nearby village where he got himself a wife and his mother-in-law kept on remarking how handsome he was. Self delectative song with mbira dzawaNdau.
- Full Text: false
- Authors: Joseph Ngonyama Shumba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154309 , vital:39647
- Description: The player is an accomplished performer, he works for the Fort Victoria Municipality on the local roads with the grader. This song is the best known and popular in the Sipangabera district of Portuguese East Africa. It is, they say the first of all songs in the region. The word 'Amasewe' means 'mother-in-law' and the gist of the song is that a certain young man went to a nearby village where he got himself a wife and his mother-in-law kept on remarking how handsome he was. Self delectative song with mbira dzawaNdau.
- Full Text: false
Tsiwana i la u lale Part I, II and III
- Kruger, Jaco (Recorded by), Shonisani, Kruger and Randima (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Shonisani, Kruger and Randima (Performer) , Composer unknown
- Subjects: Indigenous music , Traditional music , Xylophone , Instrumental , Trio performance
- Type: Music , Sound
- Identifier: vital:15980 , JKC08a-05 , http://hdl.handle.net/10962/d1009169
- Description: English translation of title: 'The orphan eats and sleeps' , Trio performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 99
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Shonisani, Kruger and Randima (Performer) , Composer unknown
- Subjects: Indigenous music , Traditional music , Xylophone , Instrumental , Trio performance
- Type: Music , Sound
- Identifier: vital:15980 , JKC08a-05 , http://hdl.handle.net/10962/d1009169
- Description: English translation of title: 'The orphan eats and sleeps' , Trio performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 99
- Full Text: false
Ayaya wo- mami- yami- e
- Three Chokwe men, Hugh Tracey
- Authors: Three Chokwe men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic)
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137047 , vital:37482
- Description: The drums are introduced one after the other, the third drum being heavily weighted and having a distinct buzzing tone, takes the main syncopation. The voices are introduced a full minute after the drums have set the rhythm. Chisira initiation dance with 3 goblet drums, open, pinned, weighted, hand beaten.
- Full Text: false
- Authors: Three Chokwe men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic)
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137047 , vital:37482
- Description: The drums are introduced one after the other, the third drum being heavily weighted and having a distinct buzzing tone, takes the main syncopation. The voices are introduced a full minute after the drums have set the rhythm. Chisira initiation dance with 3 goblet drums, open, pinned, weighted, hand beaten.
- Full Text: false
Johannesburg
- Monwabisi Gladstone Sabani, Tracey, Andrew T N
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/100780 , vital:31884
- Description: Instrumental music
- Full Text: false
- Authors: Monwabisi Gladstone Sabani , Tracey, Andrew T N
- Date: 1987
- Subjects: Xhosa (African people) -- Music , Folk music -- South Africa , Topical songs , Guitar , Sub-Saharan African music
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/100780 , vital:31884
- Description: Instrumental music
- Full Text: false
Amasewe mukadzi wakanaka (The beauty)
- Joseph Ngonyama Shumba, Hugh Tracey
- Authors: Joseph Ngonyama Shumba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154314 , vital:39646
- Description: The player is an accomplished performer, he works for the Fort Victoria Municipality on the local roads with the grader. This song is the best known and popular in the Sipangabera district of Portuguese East Africa. It is, they say the first of all songs in the region. The word 'Amasewe' means 'mother-in-law' and the gist of the song is that a certain young man went to a nearby village where he got himself a wife and his mother-in-law kept on remarking how handsome he was. Self delectative song with mbira dzawaNdau.
- Full Text: false
- Authors: Joseph Ngonyama Shumba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154314 , vital:39646
- Description: The player is an accomplished performer, he works for the Fort Victoria Municipality on the local roads with the grader. This song is the best known and popular in the Sipangabera district of Portuguese East Africa. It is, they say the first of all songs in the region. The word 'Amasewe' means 'mother-in-law' and the gist of the song is that a certain young man went to a nearby village where he got himself a wife and his mother-in-law kept on remarking how handsome he was. Self delectative song with mbira dzawaNdau.
- Full Text: false
Title not specified
- Ngqoko young villagers, Tracey, Andrew T N
- Authors: Ngqoko young villagers , Tracey, Andrew T N
- Date: 1990
- Subjects: Xhosa (African people) -- South Africa , Folk music , Hand-clapping music , folk dance , Sub-Saharan African music
- Language: Xhosa
- Type: sound recordings , field recordings , Sound recording material
- Identifier: http://hdl.handle.net/10962/93631 , vital:30906
- Description: Traditional Thembu umtshotsho young people's dance song accompanied by clapping.
- Full Text: false
- Authors: Ngqoko young villagers , Tracey, Andrew T N
- Date: 1990
- Subjects: Xhosa (African people) -- South Africa , Folk music , Hand-clapping music , folk dance , Sub-Saharan African music
- Language: Xhosa
- Type: sound recordings , field recordings , Sound recording material
- Identifier: http://hdl.handle.net/10962/93631 , vital:30906
- Description: Traditional Thembu umtshotsho young people's dance song accompanied by clapping.
- Full Text: false
Title not specified
- Performer not specified, Tracey, Andrew T N
- Authors: Performer not specified , Tracey, Andrew T N
- Date: 1987
- Subjects: Music--European influences , Dance music , Bass guitar , Drum , Organ music , Sub-Saharan African music
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/107220 , vital:32776
- Description: Small dance band song
- Full Text: false
- Authors: Performer not specified , Tracey, Andrew T N
- Date: 1987
- Subjects: Music--European influences , Dance music , Bass guitar , Drum , Organ music , Sub-Saharan African music
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/107220 , vital:32776
- Description: Small dance band song
- Full Text: false
Ku lila
- Kruger, Jaco (Recorded by), Shonisani and Kruger (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Kruger (Performer) , Composer unknown
- Subjects: Indigenous music , Traditional music , Xylophone , Duet performance , Instrumental
- Type: Music , Sound
- Identifier: vital:16119 , JKC06a-09 , http://hdl.handle.net/10962/d1009308
- Description: English translation of title: 'The ground hornbills are crying' , Duet performance of traditional Venda tune with 14 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 81
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Kruger (Performer) , Composer unknown
- Subjects: Indigenous music , Traditional music , Xylophone , Duet performance , Instrumental
- Type: Music , Sound
- Identifier: vital:16119 , JKC06a-09 , http://hdl.handle.net/10962/d1009308
- Description: English translation of title: 'The ground hornbills are crying' , Duet performance of traditional Venda tune with 14 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 81
- Full Text: false
Nanda mundani
- Kalachi Mbaru with Nika boys (Performer), Composer not specified
- Authors: Kalachi Mbaru with Nika boys (Performer) , Composer not specified
- Subjects: Kayamba dance song for boys and girls in two lines , Kayamba (school rulers struck together as castanets) , Indigenous folk music
- Type: Sound , Music
- Identifier: vital:15279 , MOA02-11 , http://hdl.handle.net/10962/d1017222
- Description: Kayamba dance song for boys and girls in two lines, by Kalachi Mbaru with Nika boys, accompanied by kayamba (school rulers struck together as castanets) , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Kalachi Mbaru with Nika boys (Performer) , Composer not specified
- Subjects: Kayamba dance song for boys and girls in two lines , Kayamba (school rulers struck together as castanets) , Indigenous folk music
- Type: Sound , Music
- Identifier: vital:15279 , MOA02-11 , http://hdl.handle.net/10962/d1017222
- Description: Kayamba dance song for boys and girls in two lines, by Kalachi Mbaru with Nika boys, accompanied by kayamba (school rulers struck together as castanets) , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Ntende
- Large group of Lunda women and Kalemba, Hugh Tracey
- Authors: Large group of Lunda women and Kalemba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139481 , vital:37742
- Description: The larger drum was also tapped on the side by a stick. The clapping was done with cupped hands. The Chief de Centre Kapenda, was the head of this group. Jadotville is the headquaters of the central region of the Union Miniere, the other 2 towns being Elizabethville in the East and Kolwezi in the West. It was originally famous for the fact that one of the mines, Shinkolobwe, was the first place in the world from which the famous Curie family obtained the radium for their experiments. At Panda, there is a museum of mineral crystals discovered in the Katanga mines. Kawidi dance with 2 goblet drums, pinned, weighted, with mirlitons, hand beaten.
- Full Text: false
- Authors: Large group of Lunda women and Kalemba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139481 , vital:37742
- Description: The larger drum was also tapped on the side by a stick. The clapping was done with cupped hands. The Chief de Centre Kapenda, was the head of this group. Jadotville is the headquaters of the central region of the Union Miniere, the other 2 towns being Elizabethville in the East and Kolwezi in the West. It was originally famous for the fact that one of the mines, Shinkolobwe, was the first place in the world from which the famous Curie family obtained the radium for their experiments. At Panda, there is a museum of mineral crystals discovered in the Katanga mines. Kawidi dance with 2 goblet drums, pinned, weighted, with mirlitons, hand beaten.
- Full Text: false