Cherie tola ngai
- Societe Harmonie, Performer not specified, Therese Alila Po, Tracey, Hugh
- Authors: Societe Harmonie , Performer not specified , Therese Alila Po , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo City not specified f-cg
- Language: Ngala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/333822 , vital:61821 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3358-XYZ7567
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Societe Harmonie , Performer not specified , Therese Alila Po , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo City not specified f-cg
- Language: Ngala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/333822 , vital:61821 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3358-XYZ7567
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Gibolo
- Mongonika and Zande men and woman, Hugh Tracey
- Authors: Mongonika and Zande men and woman , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Nguru f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167813 , vital:41512 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0123-04
- Description: Mongonika sang the solo phrases to this dance which is called by the same name as himself. He is a clerk at the Chief's office and dressed himself in the traditional barkcloth 'breeches' and beads for the dances. The breeches are made from a five to six foot lenght of barkcloth about 4 feet wide which is drawn up loosely between the legs spread out before and after abd secured by a belt. The result is a rather voluminous dress typical of many tribes in North Eastern Congo. Tuning of Kponingbo:- 664, 568, 469, 392, 360, 332, 284, 248, 196. Mongonika dance with Kponingbo xylophone, 9 notes.
- Full Text: false
- Date Issued: 1952
- Authors: Mongonika and Zande men and woman , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Nguru f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167813 , vital:41512 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0123-04
- Description: Mongonika sang the solo phrases to this dance which is called by the same name as himself. He is a clerk at the Chief's office and dressed himself in the traditional barkcloth 'breeches' and beads for the dances. The breeches are made from a five to six foot lenght of barkcloth about 4 feet wide which is drawn up loosely between the legs spread out before and after abd secured by a belt. The result is a rather voluminous dress typical of many tribes in North Eastern Congo. Tuning of Kponingbo:- 664, 568, 469, 392, 360, 332, 284, 248, 196. Mongonika dance with Kponingbo xylophone, 9 notes.
- Full Text: false
- Date Issued: 1952
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