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Ntsikana's Bell

- Choral group, Composer not specified, Dargie, Dave

Title Not Specified

- Dyiwili, Nofinishi, Composer Not Specified, Dargie, Dave

Willie no ma

- Royal Amanzimtoti Entertainers, not specified, composer not specified, Tracey, Hugh

Willie no ma

- Royal Amanzimtoti Entertainers, not specified, composer not specified, Tracey, Hugh

Malombo

- Twala and Company, not specified, composer not specified, Tracey, Hugh

Ndinovalo Ndinomingimingi

- David Mngidi and Company, not specified, composer not specified, Tracey, Hugh

Ndinovalo Ndinomingimingi

- David Mngidi and Company, not specified, composer not specified, Tracey, Hugh

Ndinovalo Ndinomingimingi

- David Mngidi and Company, not specified, composer not specified, Tracey, Hugh

Sponono no Marabi

- Griffiths Motsieloa and Company, not specified, composer not specified, Tracey, Hugh

Mamelang

- Kilnerton Trio, Majombozi, Cynthia, Tracey, Hugh

Title not specified

- Performer not specified, Composer not specified, Tracey, Hugh

Suratin - Noor

- Alustadh Ahmed Basheikh, Performer not specified, Composer not specified, Tracey, Hugh

Ahee Luvhengo Bome pome shata muzwala wau

- Girs of Magidi's Tshigombela team, performer not specified, composer not specified, Tracey, Hugh

Marita ku Mampampa (Marita from Mamampa))

- Stephen Tsotsi Kasumali and 2 friends, Hugh Tracey

  • Authors: Stephen Tsotsi Kasumali and 2 friends , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
  • Language: Ruund
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139967 , vital:37818 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-09
  • Description: "Marita is just like a diamond - You must understand what I am thinking about. Marita's eyes are white, and I wish she would marry me. I once visited her at her village Mampampa-and oh, I wish she would marry. It does not matter if I have to pay all of ten pounds on her because I love her." The whitness of Marita's eyes no doubt refers to her clear eyes free from the pink tinge which so frequently colours the eyes of those who either drink too much or smoke marijuana.Love song with guitar and bottle.
  • Full Text: false
  • Date Issued: 1957

Mayanze

- Group of Tonga men, Hugh Tracey

  • Authors: Group of Tonga men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138406 , vital:37633 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-05
  • Description: The drum called here called Gayanda is similar if not identical to the one called Musuntu which is used for the Makundu dance. The reason for this variation in naming was not explained. Mayanze drinking songs with a Gayanda drum, hand beaten, the Gayanda being conical, single, open, pegged with 3 sticks tapped on the side of the drum.
  • Full Text: false
  • Date Issued: 1957

Tapali ataleya Ka mumbo (Is there anyone going to my home)

- Group of 11 Aushi men., Hugh Tracey

  • Authors: Group of 11 Aushi men. , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Kalela (Dance) , Africa Zambia Fort Roseberry f-za
  • Language: Aushi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134385 , vital:37137 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0019-12
  • Description: "Is there anyone going to my house, for I would like to give him a message." The 3 drums were made from steel oil drums of different sizes from 4 gallons to 20 gallons. Their heavy reverberation made it almost impossible to record them effectively with the singers. Each drummer played his own rhythm which in 2 cases included blows on the side of the drum as well as on the membrane. Although double-headed, they were stood up on end for the performance, only one membrane being struck. Kalela dance song with 3 bass drums, cylindrical, laced, 2 wooden beaters each, double-headed.
  • Full Text: false
  • Date Issued: 1957

Test I on rhythms of children's songs

- Evalina Ṋemusula of Ṋemavunde, Performer not specified, composer not specified, Tracey, Hugh

Marita ku Mampampa

- Kasumali, Stephen Tsotsi, Tracey, Hugh

  • Authors: Kasumali, Stephen Tsotsi , Tracey, Hugh
  • Date: 1957-07-16
  • Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
  • Language: Aushi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/241343 , vital:50930 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT498-L119 , Research no. L2V6
  • Description: Love song about a woman named Marita, accompanied by guitar and bottle.
  • Full Text: false
  • Date Issued: 1957-07-16

Kazela kambelemba

- Ganiziechi, Chimwala, Lokote, Mwamadi, Composer not specified, Tracey, Hugh

Patse mtondo wanga (Give me my mortar)

- Thawani Mwale, Hugh Tracey

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