Ba mo loile
- Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and 5 women, Hugh Tracey
- Authors: Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and 5 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161056 , vital:40586 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-07
- Description: Much of the divining ceremonial seems to follow the Xhosa pattern from which it appears to be borrowed. One girl beats a small frame drum made of metal. Some of the phrases used in the divining procedure are Xhosa such as "Siyavuma". "They have bewitched him. The child of the gods. Mahayane has been bewitched. Ntate Sekhobe has been bewitched. Ntate Ntsopa has been bewitched." This song was followed by a Lithoko in praise of the singer. After the Lithoko the same song was repeated, followed by another Lithoko in which further reference was made to the singer, who she was and how she had been cured by another Lethuela (diviner) when she was ill. Mathuela, diviner's dance song, with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1959
- Authors: Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and 5 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161056 , vital:40586 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-07
- Description: Much of the divining ceremonial seems to follow the Xhosa pattern from which it appears to be borrowed. One girl beats a small frame drum made of metal. Some of the phrases used in the divining procedure are Xhosa such as "Siyavuma". "They have bewitched him. The child of the gods. Mahayane has been bewitched. Ntate Sekhobe has been bewitched. Ntate Ntsopa has been bewitched." This song was followed by a Lithoko in praise of the singer. After the Lithoko the same song was repeated, followed by another Lithoko in which further reference was made to the singer, who she was and how she had been cured by another Lethuela (diviner) when she was ill. Mathuela, diviner's dance song, with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1959
Lelwa retswang teng resentse (We come from the place where we have killed)
- Eight Kwena men, Hugh Tracey
- Authors: Eight Kwena men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Kwena (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Molepolole f-bs
- Language: Tswana/Kwena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162817 , vital:40986 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0109-09
- Description: "We come from where we have killed. Oh, the greyhead! We-we! We praise our leader. We come from the place where we have killed. Once we killed the people of the Kalahari. We killed them and they killed us." According to the interpreter it appears that initiation songs among the Tswana follow a certin pattern and the same ones are sung by all the Tswana tribes, with local variations. Male initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Eight Kwena men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Kwena (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Molepolole f-bs
- Language: Tswana/Kwena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162817 , vital:40986 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0109-09
- Description: "We come from where we have killed. Oh, the greyhead! We-we! We praise our leader. We come from the place where we have killed. Once we killed the people of the Kalahari. We killed them and they killed us." According to the interpreter it appears that initiation songs among the Tswana follow a certin pattern and the same ones are sung by all the Tswana tribes, with local variations. Male initiation song.
- Full Text: false
- Date Issued: 1959
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